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Not as simply as that.... Training is Ramin's arrangement of a Hans theme, and the core of Mr. Charles when the Fischer theme isn't playing is a Hans idea, too, as far as I know. Take the Zimmer out and those moments wouldn't be the same.I think Balfe working with Nolan would have done a great jobBob,The Training is basically Ramin Djawadi and Mr.Charles is BalfeI hope these two team up again. Zimmer's score is the main driving force for some memorable scenes. Just a few<br>Batman Begins-The Training<br>TDK- Joker crash the party, Gordon's speech and ending<br>Inception - Time, Mr.Charles, <br>TKDR - the climb, imagine the fire and orphan<br>Interstellar-Stay, Docking, coward, mountain<br>Dunkirk - well the entire movieJustin Hurwitz I can see. I enjoyed La La Land and First Man. But Both Hurwitz and Göransson are several notches above Lorne Balfe. <br><br>I think 80/100 directors would rather work with Göransson than Balfe.
I really believe that Nolan has made a mistake as a composer.I think Lorne Balfe, David Julyan or Justin Hurwitz would be much better options than Ludwig Goransson.Interesting news. <br><br>Geoff Zanelli is one of those composers who I’ve loved his additional music over his solo efforts, Pirates 5 excluded. I hope he gets a chance to write some great fantasy music for this, regardless if he reuses JNH’s themes or not.I think I am the only one, who would be glad about David Julyan return.<br><br>I really like his music for early Nolan's films, especially Insomnia, and it's what i can call an "atmospheric experience".<br><br>Don't know how his music fits for espionage timetraveling movie, but, for me, i'st would be something interesting to hear.@mpolonest123: those Pemberton scores are indeed pure gold, very cool on album but insanely good in the movie. My favorite is still his King Arthur, that was a beast of a score that stuck with the movie like glue and really enhanced Guy Ritchie's dark, twisted, trippy vision.*3 things
Sure, but there's two things to consider. <br>1). Pirates has such an iconic sound that it'd be really stupid for them to suddenly abandon it at #5. Especially when we hired the guy who has worked on the previous 4. 2). Maleficent, as successful as it was to warrant a sequel, isn't quite as well known in the score department, despite being well received by those who have heard it. 3). Because Zanelli worked on all Pirates, he had enough familiarity with the sounds and motifs that he knew where to go once he led the ship. In Maleficent's case, he's taking over from a previous composer, and is working with a director who likely only knows his work on POTC5. As such, there's no knowing yet if he might be compelled to continue on from JNH, or if it's decided he just does his own thing.<br><br>I'm happy that Geoff at the very least has a safe career at Disney, considering two of their recent live action successes has had him involved. However, considering I hear his recently work hasn't been his best, JNH likely would've benefited from returning to a world that had some of his best material after he wasn't given the opportunity to do so with Glass. As such, it really is a severely missed opportunity, even if newer blood is getting more opportunities.Just listening to this again. It really is a best of both score. What I think is so great, is that you can hear both of the brothers' own voice but they blend so well together!! Really really great score!<br><br>It's a really remarkable score, the swifts in tone between dramatic and jazz is top-notch. It's higher on favorite list from 2019 already, than I thought it would ever be.<br><br>Give me more Gregson-Williams brothers scores!!!!!!I was hoping for JNH, but we'll see what he does. JNH's themes were amazing zo it would be stupod not to use them. But he used the Pirates themes, so I'm feeling actually quite ok about itTrue, but he didn’t really get credit for The Lone Ranger or any of the Pirates films other than #5... those are billed strictly as HZ scores. I would say Christopher Robin likely was a result of the success of his Pirates score, and Timothy Green wasn’t really a Disney tentpole release. Maleficent isn’t a Marvel or Star Wars level tentpole, but it is still a blockbuster film that I think he’ll do an awesome job with.@Mephariel - you’re right. However Interstellar and Inception, musically speaking, are simple scores. They are moving, beautiful, and masterpieces, but still simple. Which is great! <br><br>But if we are wanting Zimmer to return to a type of music, I’d much rather prefer something along the lines of Pirates, The Rock, The Last Samurai, Crimson Tide, etc. Tonally, of course it would be more modern and new, but melodically a return to those forms would be a dream come true.
Geoff has done several other Disney projects besides Pirates 5.  (All Pirates movies since the first, Lone Ranger, Christopher Robin, Odd Life of Timothy Green). And I have to say that I would rather JNH return for the sequel, as that would allow him to expand on his fantastic score for the first film.@George<br><br>To be fair, Interstellar is a genuine masterpiece score and maybe one my favorite score of all time, but I am not sure when Nolan will allow Zimmer to return to that type of scoring. <br><br>Hell, Time is my favorite cue ever, but again, I am not sure if Nolan is interested in that kind of music anymore.  <br><br>I guess we will see with Tenet. And yes, I absolutely think Göransson can be a future star in the making and if anyone is allow write his or her own "Time" cultural moment, it may as well be him.@mephariel @mpolonest123 - glad I’m not the only one who’s more excited for those compared to cold and dark Nolan/Zimmer scores. I’m kinda over those to be honest.And if I’m completely honest, I’m more excited by WW84, Spongebob, Top Gun, and Dark Phoenix than another potential Nolan collab.@mephariel <br>I can definitely see that, especially with King Arthur and Spiderverse. I do think his music adds a lot to the films he scores (Steve Jobs and Man From Uncle being two great examples) where he consistently switches up styles and tones to keep things fresh. Maybe not the strongest theme writer but I do love his approaches.
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John PowellJames McKee SmithPaul MounseyMichael John Mollo
ComposerAdditional MusicAdditional MusicAdditional Music
Ice Age - Dawn Of The Dinosaurs
Label: Varese Sarabande
Length: 74'01 (Score: 69'44)
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (7006 votes)
  1. Code Blue (1:44)
    John Powell, James McKee Smith
  2. Pregnant (1:56)
    John Powell
  3. Leaving The Herd (1:50)
    John Powell
  4. The Cavern (0:33)
    John Powell, Simon Greenaway
  5. Magic Eggs (0:13)
    John Powell, Simon Greenaway
  6. Egg Roll (2:08)
    John Powell, Simon Greenaway
  7. The Cliff (0:19)
    John Powell, Simon Greenaway
  8. Sid's Kids (1:36)
    John Powell, Simon Greenaway
  9. Nest (1:22)
    John Powell
  10. Playground (1:34)
    John Powell
  11. Scrat Finds Furry Love (0:41)
    John Powell, Paul Mounsey (Kenneth Gamble, Leon Huff)
  12. Momma (3:38)
    John Powell
  13. Entry To Lost World (1:36)
    John Powell
  14. Dinosaur Vista (0:34)
    John Powell
  15. Meet Buck (2:59)
    John Powell
  16. Flower Of Death (2:49)
    John Powell, James McKee Smith
  17. Nose Job (1:35)
    John Powell, Michael John Mollo
  18. Trek (1:00)
    John Powell
  19. Chasm Of Death (0:22)
    John Powell
  20. Big Smelly Crack (3:10)
    John Powell
  21. We Shall Raise Them Vegetarian (2:20)
    John Powell
  22. Campfire Stories (1:19)
    John Powell
  23. Flashback (0:59)
    John Powell
  24. Nite Nite (0:45)
    John Powell, Paul Mounsey
  25. You'll Never Tango (0:48)
    John Powell, Paul Mounsey (Kenneth Gamble, Leon Huff)
  26. Herd Crossing (0:37)
    John Powell
  27. Plates Of Woe (3:58)
    John Powell
  28. Battle Cry (0:16)
    John Powell
  29. Buck's Theme (0:38)
    John Powell
  30. Battles (4:05)
    John Powell
  31. Over The Falls (0:13)
    John Powell
  32. Rescues (3:33)
    John Powell
  33. Alone Again (1:54)
    Chad Fischer, John Powell (Gilbert O'Sullivan)
  34. To The Portal (0:54)
    John Powell
  35. Rudy Fight (2:12)
    John Powell
  36. Farewell (1:42)
    John Powell
  37. Out Of This World (0:33)
    John Powell
  38. Buck Returns (1:08)
    John Powell
  39. Welcome To The Ice Age (1:58)
    John Powell
  40. At Home With The Scrats (0:26)
    John Powell (Kenneth Gamble, Leon Huff)
  41. The Call Of The Siren Acorn (0:16)
    John Powell (Adam Katchaturian)
  42. True Love For Our Hero (0:23)
    John Powell (Adam Katchaturian)
  43. End Credits (7:00)
    John Powell
  44. You'll Never Find Another Love Like Mine - Lou Rawls (4:26)
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Warfighter reply Replies: 1 || 2012-05-16 02:57:32
Ice Age 4: Continental Drift score release coming from Varese!


Paul2012-05-19 01:47:48
Nice! Expecting some cool pirate music by Powell :)

Anonymous reply Replies: 0 || 2009-11-21 00:00:00
John Powell will compose ''Rio'' (2011).

ford reply Replies: 0 || 2009-11-12 00:00:00
shit......... again ..... cant u c ......!!!!!! ... its nut amusic...... its ....damn shit money

ford reply Replies: 0 || 2009-11-12 00:00:00
shit

Anonymous reply Replies: 0 || 2009-07-25 00:00:00
I really would like Powell to stop scoring animations and give us some powerfull action score - like Paycheck or Bourne.

DemonStar reply Replies: 0 || 2009-07-25 00:00:00
Well... Paul Greengrass' "Green Zone" is coming in December, so we can hope for more Bourne-esque action music there! ;-)

adrian reply Replies: 0 || 2009-07-04 00:00:00
some parts are powerfull. I really like this soundtrack

tech reply Replies: 0 || 2009-07-03 00:00:00
The score is broken up into small tracks to isolate the choir bits. It is a SAG union issue. This is the only way to use all real choir on the disc and not substitute demo synth choir for the album

Greg reply Replies: 0 || 2009-06-28 00:00:00
Why does Varese just keep dividing a track into several cues as soon as vocals are used ??? It was the same problem with X-MEN THE LAST STAND...

DemonStar reply Replies: 0 || 2009-06-28 00:00:00
I think John Powell likes it that way. The same was the case with the Bolt soundtrack, and that was released by Disney. Looks like he's taken some inspiration from Thomas Newman... :P

Sylvos reply Replies: 0 || 2009-06-28 00:00:00
My guess is that Johnny has an excess supply of track titles that must be used one way or another. Seriously though, I have no idea what makes this meaningful to Powell nor do I understand why they are selling the albums in this form on digital download stores. Would you want to pay the same price you pay for a 3 minute cue for another 10 second cue as well, only to have that part of the 3 minute cue that plays in the 10 second cue? Insane.

No, Bolt wasn't at all shattered like Ice 3 cues are. Bolt was butchered more or less to meet the target 30 minutes running time ~ ALA avoid paying additional re-use fees (fees must be paid for every 15 minutes or so I was told.)

DemonStar reply Replies: 0 || 2009-06-28 00:00:00
Actually, in MP3 form if you try to join the two continuing tracks together then the transition is not smooth, because during MP3 encoding a very small portion of the beginning and ending of the track is chopped off. I don't know if there's a configuration to avoid that, though.

Sylvos reply Replies: 0 || 2009-06-28 00:00:00
That depends on the encoder software one uses and some tiny configurations which are dead easy to set. Few are software that do the job right though and almost all of them are not free.

MP3s purchased from Play.com do not have this problem by the way. Dunno about other vendors.

OKKU reply Replies: 0 || 2009-06-27 00:00:00
Nothing any good melody.

Anonymous reply Replies: 0 || 2009-06-27 00:00:00
Once again john leads the way! Exellent score!

DemonStar reply Replies: 0 || 2009-06-24 00:00:00
Another fun score by JP! :)

Really like the reprises of the earlier themes here. Buck's theme is fantastic and the action music is great too. Loving it!

Al Bundy reply Replies: 0 || 2009-06-19 00:00:00
samples colosseum.de/product_info.php/info/p2239_Ice-Age-3--Dawn-Of- The-Dinosaurs.html

DemonStar reply Replies: 0 || 2009-06-19 00:00:00
Only 4 days left!

Anonymous reply Replies: 0 || 2009-06-05 00:00:00
Magnific!!!!! Impressionant!!!!!!! Oh my God!!
John Powell is the Best!!1 44 Songs!! for amusing and listen a good music and a good album.
I'm Spanish...My english no its very good. Xaooo!!

Skyler reply Replies: 0 || 2009-06-03 00:00:00
I'm assuming this is the complete score - I can't imagine why else they would include a 13 second track on a commercially available album.

DemonStar reply Replies: 0 || 2009-06-03 00:00:00
Yup, looks more or less complete to me. The short tracks don't bother me much because it's pretty easy to join them together in case they continue into each other. At least the overall running time is almost 70 minutes (even more than the previous one) and it's a quality CD release. Can't wait!

Joe reply Replies: 0 || 2009-06-03 00:00:00
I cannot wait! John Powell forever!

Peter reply Replies: 0 || 2009-06-03 00:00:00
Nice looking forward to it :)

Mikel S.i.W (from Spain) reply Replies: 0 || 2009-06-03 00:00:00
74 minutes for a Varese edition? Great news!! We´re wating for your new wonder, Mr Powell!!!!!!

DemonStar reply Replies: 0 || 2009-06-02 00:00:00
Tracklist is up!

1. Code Blue (1:44)
2. Pregnant (1:56)
3. Leaving The Herd (1:50)
4. The Cavern (:33)
5. Magic Eggs (:13)
6. Egg Roll (2:08)
7. The Cliff (:19)
8. Sid’s Kids (1:36)
9. Nest (1:22)
10. Playground (1:34)
11. Scrat Finds Furry Love* (:41)
12. Momma (3:38)
13. Entry To Lost World (1:36)
14. Dinosaur Vista (:34)
15. Meet Buck (2:59)
16. Flower of Death (2:49)
17. Nose Job (1:35)
18. Trek (1:00)
19. Chasm of Death (:22)
20. Big Smelly Crack (3:10)
21. We shall raise them Vegetarian (2:20)
22. Campfire Stories (1:19)
23. Flashback (:59)
24. Nite Nite (:45)
25. You’ll Never Tango* (:48)
26. Herd Crossing (:37)
27. Plates of Woe (3:58)
28. Battle Cry (:16)
29. Buck’s Theme (:38)
30. Battles (4:05)
31. Over The Falls (:13)
32. Rescues (3:33)
33. Alone Again† Performed by Chad Fischer (1:54)
34. To The Portal (:54)
35. Rudy Fight (2:12)
36. Farewell (1:42)
37. Out Of This World (:33)
38. Buck Returns (1:08)
39. Welcome To The Ice Age (1:58)
40. At Home With The Scrats* (:26)
41. The Call Of The Siren Acorn‡ (:16)
42. True Love For Our Hero‡ (:23)
43. End Credits (7:00)
44. You’ll Never Find Another Love Like Mine Performed by Lou Rawls (4:26)

Almost 70 min of score. Varese FTW! :D

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Hybrid Soldier reply Replies: 0 || 2009-06-02 00:00:00
Demon I just hate when people put tracklists in the comments ! :|

Damn guys you can just give it to me (especially you, Demon, know how to contact me !!!), I have an email adress in the credits page !


;)

DemonStar reply Replies: 0 || 2009-06-02 00:00:00
Ah, right, sorry bud. Just delete the comment. ;)

Hybrid Soldier reply Replies: 0 || 2009-06-02 00:00:00
Here we are guys ! ;)

Klaas reply Replies: 0 || 2009-06-02 00:00:00
I hate tracklists this long. It makes my iTunes layout a mess! It seems a bit stupid as well, track 5: 13 seconds! Please...

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Ice Age - Dawn Of The Dinosaurs soundtrack - John Powell 2009