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Most of the album is comprised of suites, with one consistent tempo per track. <br><br>The material that was scored to picture was scored using the risset rhythm technique, which gave a lot of those tracks their "infinitely getting faster" feeling in the film, so the tempo is always climbing in the film versions. The suites have a stable tempo (except for a couple normal tempo changes, which are different)Not really any... "Nothing Out There" contains the sad piano theme from Begins and Dark Knight, but otherwise the themes that get reprised are pretty much Hans stuff. <br><br>Speaking of credits, any chance the complete score page could be updated with what's out there and official?Could somebody tell me in what cues JNH's themes appear on album?Thanks MIKE, Any ideas of how can I Google it?Yeah, that cue was either a last minute rewrite or one of the music editors did it.... As for where you can find it...Google is your friend. But it's not going to be available anywhere officially.
I think it will be in between NOT ORDINARY CITIZEN / THE SLOW KNIFE and IMAGINE THE FIRE, Does anybody know where can I find it?<br>I noticed that this score doesn't has the soundtrack of the part where Blake is taking the people to the bridge and he is discusing with the other police officer before he blows the bridgeThat's right, I forgot about that... And I totally agree about the score vs. the album. I had no use for this score on album at first, but now that I've watched the movie a few times, I can really hear the logic behind the score and I "get it." <br><br>I still don't get the music as heard on album, though. Are the longer pieces some early suites Hans wrote? Or did he specifically make these arrangements for the album? Do you know the answer to that one, Hybrid?I wanna say I heard the full Cat Suite somewhere... I can't remember if it was legit, but it was 15:39 and it was indeed quite repetitive. It was basically the Selina Kyle Suite from the Z+ app, along with demos of several of the Catwoman-related cues in the final score. If you've listened through the score, you've basically heard the unreleased stuff.@Mike<br>Zimmer has said in interviews that he “mapped out” the film with one long piece of music to establish the changing tempo of the story, and apparently the script was written to capture the rhythmic feel of the film. So from the very beginning the story was always split up between the three.<br><br>I think a big part of the initial disappointment with the score was the album presentation, which gives off the impression that the music is just some sound design that Zimmer threw together (this is how I personally felt when I first gave it a listen). In actuality it’s a technically impressive score, I really can’t think of any other film score that is so synchronized with a film’s tempo and flows as one long piece of music. Apparently it was a nightmare for Hans, especially when the smallest edits to the film would ruin the flow.<br><br>Doing the 59-minute album was a pretty big disservice to the whole purpose of the music. If you remove one piece the whole thing falls apart, which is part of the reason the album feels so disjointed.
Anyone here listened "The Predator" FYC score? <br>Any chance to compare tracklist and running time with official release?These versions suites haven't been officially released, but maybe you can find them somewhere around the Internet unofficially.<br><br>As for the Cat Suite, the most important parts of it can be found in "Selina Kyle" (it's a shortened version of it actually) and "Mind if I cut in?" from the OST. I remember that Hybrid once said that the 15mins Cat Suite was too repetitive, that's why a 5min only version was released, so maybe you are just fine with those two.<br>Where can I listen to the Cat Suite? Or is it literally: Selina Kyle Theme? <br>The Mole P1 (0-1:57)<br>Regimental Brothers P1 (0-1:19)<br>The Mole P2 (1:57-3:44)<br>Regimental Brothers P3 (2:44 onward)<br>We Need Our Army Back<br>Shivering Soldier<br>Supermarine P1 (0-2:47)<br>The Mole P3 (3:45 onward)<br>We Need Our Army Back (again) <br>Supermarine P2 (*5:33)<br>Impulse<br>The Tide<br>Home <br>The Oil <br>Variation 15<br>End Credits <br><br>As everyone said already, the album is made up of suites that combine several cues and several "sounds" used in various places. For example, the is a sound in The Mole (At 2:05) that sounds like a fuse being ignited. This sound is actually right after The Tide in the film.<br>The only tracks that are almost identical to the film are: The Tide, Variation 15 and End Credits, the rest is different. <br><br>So if you were to order the tracks as first heard in the film it would be: <br>The Mole <br>Regimental Brothers <br>We Need Our Army Back<br>Shivering Soldier <br>Supermarine <br>Impluse <br>The Tide <br>Home <br>The Oil<br>Variation 15<br>End credits<br><br>As much as I enjoyed listening to this release, I wish they didn't butcher the score the way they did. I like the suites but there are so many great cues in this film that weren't released. If only they released an isolated score track on Blu-ray. Listening to film extracts is just not enough.I noticed that as well — the ticking goes all through the movie, except for the boat scenes, and only stops when they get on the train. <br><br>I wonder...could the film have originally been shot so that the beach, sea, and air sequences were there own arcs, and the longer album tracks were written for that? And then Nolan went in and turned the movie into the frenetic, constantly cutting-back-and-forth final product? <br><br>While the album is fine, I personally don't understand why we couldn't have just gotten the film cues. They might have had to stitch several together for each track, but it could have worked.
Does anyone know where you can get a digital version of the Japanese versions 2 bonus tracks?Comparing it to YFM’s sfx edit this is what I’ve got;<br><br>“The Mole” seems to be an alternate of the opening sequence. The first minute or so is used, while the rest isn’t. “We Need Our Army Back/Regimental Brothers” are both made up of several cues from different points in the film. <br>“Home” is completely different in the film, which makes me think it may have been recorded specifically for the album. Similar situation with “Oil”. <br>“Supermarine” is definitely a suite. The rest is chronological.<br><br>Interesting thing to note, it seems like a lot of the tempo changes/ticking effects/bass overlays were removed from the album release, making almost every track sound different from the actual film versions. The music in context has a constant pulse going, especially in the way cues segue into each other and change tempo.It's not really possible to chronologically order the album because the album doesn't use the same tracks as the movie. Plus, the album is more or less chronological anyway, given the areas where they are the same.<br>With the complete cue sheet out now. Does anyone know what the chronological order of the album would be?Movie credits:<br><br>Music Composed and Mixed by:<br>TOM HOLKENBORG<br><br>Additional Music:<br>ANTONIO DI IORIO<br><br>Music Supervisor:<br>DAVE JORDAN<br><br>Music Editor:<br>PETER MYLES<br><br>Score Conducted by:<br>CONRAD POPE<br><br>Score Orchestrated by:<br>EDWARD TRYBEK, HENRI WILKINSON, JONATHAN BEARD, TOM HOLKENBORG<br>Score Copied by:<br>EDWARD TRYBEK, HENRI WILKINSON<br><br>Score Contracted by:<br>PETER ROTTER<br><br>Choir Contracted by:<br>JASPER RANDALL<br><br>Score Recorded by:<br>ALAN MEYERSON, BRAD HAEHNEL<br><br>Digital Recording by:<br>KEVIN GLOBERMAN<br><br>Technical Score Engineers:<br>ALEX RUGER, EMILY RICE,<br><br>Synth Programming by:<br>JACOPO TRIFONE, JONAS FRIEDMAN, MAX KARMAZYN<br><br>Score Recorded at:<br>NEWMAN RECORDING STAGE<br><br>Music Production Services by:<br>MICHIEL GROENEVELD<br><br>Score Mixed at:<br>COMPUTER HELL CABIN<br><br>Newman Stage Engineer:<br>MARC GEBAUER<br><br>Newman Recordist:<br>TIM LAUBER<br><br>Newman Stage Managers:<br>DAMON TEDESCO, PETER NELSON
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John PowellJames McKee SmithPaul MounseyMichael John Mollo
ComposerAdditional MusicAdditional MusicAdditional Music
Ice Age - Dawn Of The Dinosaurs
Label: Varese Sarabande
Length: 74'01 (Score: 69'44)
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6907 votes)
  1. Code Blue (1:44)
    John Powell, James McKee Smith
  2. Pregnant (1:56)
    John Powell
  3. Leaving The Herd (1:50)
    John Powell
  4. The Cavern (0:33)
    John Powell, Simon Greenaway
  5. Magic Eggs (0:13)
    John Powell, Simon Greenaway
  6. Egg Roll (2:08)
    John Powell, Simon Greenaway
  7. The Cliff (0:19)
    John Powell, Simon Greenaway
  8. Sid's Kids (1:36)
    John Powell, Simon Greenaway
  9. Nest (1:22)
    John Powell
  10. Playground (1:34)
    John Powell
  11. Scrat Finds Furry Love (0:41)
    John Powell, Paul Mounsey (Kenneth Gamble, Leon Huff)
  12. Momma (3:38)
    John Powell
  13. Entry To Lost World (1:36)
    John Powell
  14. Dinosaur Vista (0:34)
    John Powell
  15. Meet Buck (2:59)
    John Powell
  16. Flower Of Death (2:49)
    John Powell, James McKee Smith
  17. Nose Job (1:35)
    John Powell, Michael John Mollo
  18. Trek (1:00)
    John Powell
  19. Chasm Of Death (0:22)
    John Powell
  20. Big Smelly Crack (3:10)
    John Powell
  21. We Shall Raise Them Vegetarian (2:20)
    John Powell
  22. Campfire Stories (1:19)
    John Powell
  23. Flashback (0:59)
    John Powell
  24. Nite Nite (0:45)
    John Powell, Paul Mounsey
  25. You'll Never Tango (0:48)
    John Powell, Paul Mounsey (Kenneth Gamble, Leon Huff)
  26. Herd Crossing (0:37)
    John Powell
  27. Plates Of Woe (3:58)
    John Powell
  28. Battle Cry (0:16)
    John Powell
  29. Buck's Theme (0:38)
    John Powell
  30. Battles (4:05)
    John Powell
  31. Over The Falls (0:13)
    John Powell
  32. Rescues (3:33)
    John Powell
  33. Alone Again (1:54)
    Chad Fischer, John Powell (Gilbert O'Sullivan)
  34. To The Portal (0:54)
    John Powell
  35. Rudy Fight (2:12)
    John Powell
  36. Farewell (1:42)
    John Powell
  37. Out Of This World (0:33)
    John Powell
  38. Buck Returns (1:08)
    John Powell
  39. Welcome To The Ice Age (1:58)
    John Powell
  40. At Home With The Scrats (0:26)
    John Powell (Kenneth Gamble, Leon Huff)
  41. The Call Of The Siren Acorn (0:16)
    John Powell (Adam Katchaturian)
  42. True Love For Our Hero (0:23)
    John Powell (Adam Katchaturian)
  43. End Credits (7:00)
    John Powell
  44. You'll Never Find Another Love Like Mine - Lou Rawls (4:26)
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Warfighter reply Replies: 1 || 2012-05-16 02:57:32
Ice Age 4: Continental Drift score release coming from Varese!


Paul2012-05-19 01:47:48
Nice! Expecting some cool pirate music by Powell :)

Anonymous reply Replies: 0 || 2009-11-21 00:00:00
John Powell will compose ''Rio'' (2011).

ford reply Replies: 0 || 2009-11-12 00:00:00
shit......... again ..... cant u c ......!!!!!! ... its nut amusic...... its ....damn shit money

ford reply Replies: 0 || 2009-11-12 00:00:00
shit

Anonymous reply Replies: 0 || 2009-07-25 00:00:00
I really would like Powell to stop scoring animations and give us some powerfull action score - like Paycheck or Bourne.

DemonStar reply Replies: 0 || 2009-07-25 00:00:00
Well... Paul Greengrass' "Green Zone" is coming in December, so we can hope for more Bourne-esque action music there! ;-)

adrian reply Replies: 0 || 2009-07-04 00:00:00
some parts are powerfull. I really like this soundtrack

tech reply Replies: 0 || 2009-07-03 00:00:00
The score is broken up into small tracks to isolate the choir bits. It is a SAG union issue. This is the only way to use all real choir on the disc and not substitute demo synth choir for the album

Greg reply Replies: 0 || 2009-06-28 00:00:00
Why does Varese just keep dividing a track into several cues as soon as vocals are used ??? It was the same problem with X-MEN THE LAST STAND...

DemonStar reply Replies: 0 || 2009-06-28 00:00:00
I think John Powell likes it that way. The same was the case with the Bolt soundtrack, and that was released by Disney. Looks like he's taken some inspiration from Thomas Newman... :P

Sylvos reply Replies: 0 || 2009-06-28 00:00:00
My guess is that Johnny has an excess supply of track titles that must be used one way or another. Seriously though, I have no idea what makes this meaningful to Powell nor do I understand why they are selling the albums in this form on digital download stores. Would you want to pay the same price you pay for a 3 minute cue for another 10 second cue as well, only to have that part of the 3 minute cue that plays in the 10 second cue? Insane.

No, Bolt wasn't at all shattered like Ice 3 cues are. Bolt was butchered more or less to meet the target 30 minutes running time ~ ALA avoid paying additional re-use fees (fees must be paid for every 15 minutes or so I was told.)

DemonStar reply Replies: 0 || 2009-06-28 00:00:00
Actually, in MP3 form if you try to join the two continuing tracks together then the transition is not smooth, because during MP3 encoding a very small portion of the beginning and ending of the track is chopped off. I don't know if there's a configuration to avoid that, though.

Sylvos reply Replies: 0 || 2009-06-28 00:00:00
That depends on the encoder software one uses and some tiny configurations which are dead easy to set. Few are software that do the job right though and almost all of them are not free.

MP3s purchased from Play.com do not have this problem by the way. Dunno about other vendors.

OKKU reply Replies: 0 || 2009-06-27 00:00:00
Nothing any good melody.

Anonymous reply Replies: 0 || 2009-06-27 00:00:00
Once again john leads the way! Exellent score!

DemonStar reply Replies: 0 || 2009-06-24 00:00:00
Another fun score by JP! :)

Really like the reprises of the earlier themes here. Buck's theme is fantastic and the action music is great too. Loving it!

Al Bundy reply Replies: 0 || 2009-06-19 00:00:00
samples colosseum.de/product_info.php/info/p2239_Ice-Age-3--Dawn-Of- The-Dinosaurs.html

DemonStar reply Replies: 0 || 2009-06-19 00:00:00
Only 4 days left!

Anonymous reply Replies: 0 || 2009-06-05 00:00:00
Magnific!!!!! Impressionant!!!!!!! Oh my God!!
John Powell is the Best!!1 44 Songs!! for amusing and listen a good music and a good album.
I'm Spanish...My english no its very good. Xaooo!!

Skyler reply Replies: 0 || 2009-06-03 00:00:00
I'm assuming this is the complete score - I can't imagine why else they would include a 13 second track on a commercially available album.

DemonStar reply Replies: 0 || 2009-06-03 00:00:00
Yup, looks more or less complete to me. The short tracks don't bother me much because it's pretty easy to join them together in case they continue into each other. At least the overall running time is almost 70 minutes (even more than the previous one) and it's a quality CD release. Can't wait!

Joe reply Replies: 0 || 2009-06-03 00:00:00
I cannot wait! John Powell forever!

Peter reply Replies: 0 || 2009-06-03 00:00:00
Nice looking forward to it :)

Mikel S.i.W (from Spain) reply Replies: 0 || 2009-06-03 00:00:00
74 minutes for a Varese edition? Great news!! We´re wating for your new wonder, Mr Powell!!!!!!

DemonStar reply Replies: 0 || 2009-06-02 00:00:00
Tracklist is up!

1. Code Blue (1:44)
2. Pregnant (1:56)
3. Leaving The Herd (1:50)
4. The Cavern (:33)
5. Magic Eggs (:13)
6. Egg Roll (2:08)
7. The Cliff (:19)
8. Sid’s Kids (1:36)
9. Nest (1:22)
10. Playground (1:34)
11. Scrat Finds Furry Love* (:41)
12. Momma (3:38)
13. Entry To Lost World (1:36)
14. Dinosaur Vista (:34)
15. Meet Buck (2:59)
16. Flower of Death (2:49)
17. Nose Job (1:35)
18. Trek (1:00)
19. Chasm of Death (:22)
20. Big Smelly Crack (3:10)
21. We shall raise them Vegetarian (2:20)
22. Campfire Stories (1:19)
23. Flashback (:59)
24. Nite Nite (:45)
25. You’ll Never Tango* (:48)
26. Herd Crossing (:37)
27. Plates of Woe (3:58)
28. Battle Cry (:16)
29. Buck’s Theme (:38)
30. Battles (4:05)
31. Over The Falls (:13)
32. Rescues (3:33)
33. Alone Again† Performed by Chad Fischer (1:54)
34. To The Portal (:54)
35. Rudy Fight (2:12)
36. Farewell (1:42)
37. Out Of This World (:33)
38. Buck Returns (1:08)
39. Welcome To The Ice Age (1:58)
40. At Home With The Scrats* (:26)
41. The Call Of The Siren Acorn‡ (:16)
42. True Love For Our Hero‡ (:23)
43. End Credits (7:00)
44. You’ll Never Find Another Love Like Mine Performed by Lou Rawls (4:26)

Almost 70 min of score. Varese FTW! :D

Hybrid Soldier reply Replies: 0 || 2009-06-02 00:00:00
Demon I just hate when people put tracklists in the comments ! :|

Damn guys you can just give it to me (especially you, Demon, know how to contact me !!!), I have an email adress in the credits page !


;)

DemonStar reply Replies: 0 || 2009-06-02 00:00:00
Ah, right, sorry bud. Just delete the comment. ;)

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Hybrid Soldier reply Replies: 0 || 2009-06-02 00:00:00
Here we are guys ! ;)

Klaas reply Replies: 0 || 2009-06-02 00:00:00
I hate tracklists this long. It makes my iTunes layout a mess! It seems a bit stupid as well, track 5: 13 seconds! Please...

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Ice Age - Dawn Of The Dinosaurs soundtrack - John Powell 2009