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Some original cue titles with slates from a music mixing CD-R:<br>1M13 Transactions<br><br>2M16 Jake Gets Stoned<br>2M20A Alley<br>2M21 Rapists Castration<br><br>3M24 My Old Division<br>3M27 Go Fetch Dog<br>3M30 The Freeway<br>3M32 Alonzo Steals Money<br>3M33 Into The Jungle<br><br>4M41 Safety Is First / Busting Into Rogers<br><br>5M46 Helicopter<br>5M48 Sunset / Wet Streets<br>5M51 Jake Gets Beaten<br>5M52 Smiley Calls His Cousin<br><br>6M57 On The Roof<br>6M58 Jake Lands On Car<br><br>7M61 Alonzo Dies<br>7M63 Sun ShotMovie credits:<br><br>Music by Hans Zimmer & David Fleming<br><br>Music Supervisor: Joe Rudge<br><br>Score Produced by Hans Zimmer<br>Supervising Music Editor: Ryan Rubin<br>Music Editor: Nate Underkuffler<br>Music Production Services: Steven Kofsky<br>Additional Music by Ben Powell<br>Featured Guitar Soloist: Derek Trucks<br>Score Mixed by Seth Waldmann<br>Score Mix Assistant: Aldo Arechar<br>Technical Score Engineer: Chuck Choi<br>Technical Assistants: James Grimwade, Aldo Arechar, Steven Doar & Fabio Marks<br>Synth Programming: Hans Zimmer<br>Digital Instrument Design: Mark Wherry<br>Digital Instrument Preparation: Taurees Habib, Raul Vega, David Naroth & Paul Salerno<br>Studio Manager for Remote Control Productions: Shalini Singh<br>Assistant to Hans Zimmer: Cynthia Park<br>Score Mixed at Remote Control Productions, Santa Monica CA<br>Music Clearances: Jessica Dolingerthats trueCan't think of a more meaningless and laughable award than the Oscar.an oscar for this one? nahh...<br>maybe he gets a nomination for dune or bond
Maybe WW1984May know how to downloaddamn it would be kinda awesome and hilarious if Lorne Balfe got Lorne Balfe’d LOLYeah 100% fake... And there was HJ rumor on Black Widow sometimes last year, so if you do the math...Henry doesn't have an official Instagram. It looks like you are referring to the account "henry0262020" which appears to be a fake account, to the best of my knowledge.
Henry Jackman is now Black Widow's composer, apparently in his instagram, posted a photoHah! Knew it. FYI, I'm not smoking anything. I don't smoke, and I abhor anyone who does.Oh interesting. When I said "refined his sound," I didn't mean that he was still trying to find his voice. This score absolutely exudes the qualities that make his work so appealing. You simply managed to put what I was trying to say in better terms. I'm definitely happy to give this one more goes in the future, but I remain more partial to some of the other installments.This is easily my favorite X-Men score, but I do agree there is a bit of an...*odd* feel to it sometimes. The impression I get is that Powell was reeeaallly pushing himself to write the most dense and complex and ambitious score he could, and I think he may have overreached a tad. There's definitely a big contrast between this score and the much tighter, more focused sound he was bringing in his action music from a couple years prior, like Paycheck or The Bourne Supremacy. I wouldn't say he "hadn't quite refined his sound yet" - this isn't Face/Off, his voice was pretty well established by this point - but he was trying to develop it a bit faster than it was naturally going to go.<br><br>At the same time, I love how this score goes for broke, and I hate to fault a composer for too much ambition. "Phoned in" is the LAST thing this score is. But Powell would iron out the kinks and by How to Train Your Dragon he was writing a score that was just as complex, but wore the complexity a bit more naturally than X3."There is nothing musically interesting in [Ottman's] X-Men scores except the main titles."<br><br>As if I didn't need a reminder that this place can house some ludicrous opinions sometimes (no offense intended there).<br><br>The Last Stand barely cracks the top 5 of X-Men scores for me, if only because I love the themes and it carries a lot of nostalgia for me. It's pretty clear imo that this score was at a point when Powell hadn't quite refined his sound yet. I wouldn't call it phoned in whatsoever, but it's easy to get lost at points when I'm listening to the full thing. But the highlights are too great for me to call it middling either, so it barely gets a solid grade in my book. <br><br>I'm likely in the minority when I say I actually prefer Dark Phoenix. It's much more solid as a whole product.
I like the tracksWow!!!Still my favorite score from the X-Men series.Not too stoked on Powell, but the way Ottman's able to squander a good theme makes him close to the bottom of the barrel in my book. There is nothing musically interesting in his X-Men scores except the main titles.I don't know what you're smoking but you need to get off it. In the way is this phoned in, the orchestration and everything about it is perfect. No score for X-men has come close to this one except maybe X2
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Hans ZimmerRichard HarveyStanley MyersFiachra Trench
ComposerComposerComposerAdditional Music
The World Of BBC TV Themes
Label: BBC CD 705
Length: 64'23
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6539 votes)
  1. Shadow Of The Noos (Salva Me) - Isobel Buchanan (3'09)
  2. Bread (Home) - The Cast (2'45)
  3. Eagles Eye View (MacLain Of Glencoe) - Moira Kerr (5'16)
  4. The Great Rift - Peter Howell (2'23)
  5. Supersense (Ways To Say Goodbye) - Paul Hardcastle (3'03)
  6. Rockcliffe's Babies - Children From The Corona Stage School (2'58)
  7. The Franchise Affair (Blue Skies) - Paul Hart (3'21)
  8. Blind Justice (Katherine's Theme) - Colin Towns (2'54)
  9. Top Of The Pops (The Wizard) - Paul Hardcastle (3'22)
  10. Victorian Kitchen Garden - Paul Reade (2'28)
  11. Atlantic Realm - Clannad (3'05)
  12. Pulaski - The Shadows (3'24)
  13. Christabel - Stanley Myers (2'24)
  14. Campion - Nigel Hess (2'26)
  15. Dr. Who - Keff McCulloch (2'40)
  16. Chelworth (Born Where The Stars Begin) - Roger Harvey (1'55)
  17. South Of The Border (No Turning Back) - Ruby Turner (1'56)
  18. Thunder Dragons (Achery) - Steve Marshall (2'13)
  19. Rockliffe's Folly - Richard Harvey (3'09)
  20. First Born - Hans Zimmer (2'53)
  21. The Celts - Enya (2'58)
  22. Animal Squad (Time After Time) - Barbara Dickson (3'41)
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Michael Poleschuck reply Replies: 0 || 2017-02-15 08:47:00
Anybody knows, what the Latin lyrics has the choir singing? And how was the famous composer Trevor Jones involved in this project?

Iceboy reply Replies: 0 || 2011-03-17 00:00:00
Amazon.co.uk has it used, but its expensive.

Colleen reply Replies: 0 || 2011-03-16 00:00:00
Where can this CD be purchased?

Skyler reply Replies: 0 || 2009-06-08 00:00:00
Where would one go to purchase the CD release? I can't find it on amazon or itunes...

Nicolas, Webmaster reply Replies: 0 || 2009-05-31 00:00:00
This is the LP tracklisting, but there's a 22 tracks cd release.

Nicolas, Webmaster reply Replies: 0 || 2009-05-31 00:00:00
I added some audio clips !

Adrian reply Replies: 0 || 2009-05-31 00:00:00
Wow... First Born sounds real good.. but hm, very A&D like Hybrid Soldier said... haha well, as long as it sounds good!
Thanks for the clips.

Hybrid Soldier reply Replies: 0 || 2009-05-30 00:00:00
This is quite... old !

But the First Born cue isn't far from Angels & Demons, in my opinion... :P

Adrian reply Replies: 0 || 2009-05-30 00:00:00
How do you find these kind of things? IMDb?

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The World Of BBC TV Themes soundtrack - Hans Zimmer - Richard Harvey - Stanley Myers 1989