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Why never ? <br>He dislikes the saga or not interested ? I'm curious.Does anyone know why "Knight's March" is not in the original album and if there is a extended edition that has this cue?<br><br>Rogue One was last minute change on Giacchino. I would like to hear Alexandre Desplat score to make a correct analysis from both scores. Besides that and with the little time, Giacchino's score is good, in the same style from maestro Williams. <br>Solo score is more different. Maestro Williams wrote the main theme and more cues, but what make the score different is Powell. He adapts Solo theme, and some of themes the original trilogy, but he puts him own stamp. Definitely is a Star Wars Score but with Powell stamp. Something Giacchino, maybe for the time, did not develop.<br>The film, well, i will watch on DVD.graciasWhile I always liked this score, it wasn’t until recently (when I revisited the film and album) that I realized how amazing it really is. There is still nothing that tops “Evacuating London” or the “Aslan” theme in terms of modern fantasy material. Each of the themes are brilliantly interconnected with each other, but stand on their own as well. I do wish there something a bit more distinctive for the White Witch, but that’s a small complaint.<br><br>The only other score that really reminds me of this (in terms of the string writing and piano material) is “Winters Tale” by Rupert. Also a pretty solid fantasy score.
I LOVE IT!!They kept the volume of the music so low in the movie, while rouge ones was jacked up and used as a center piece rather than side music like they did for John. Johnson piece is far better,  it they gave it a back seat <br>But Rogue One or Solo?<br><br>Because i remember more the music in RO after watching the movie than in Solo (well, maybe is because that theme for the character is so unispired and only i remember certain moments of the music)We are just gonna have to agree to disagree. ;-)I just said I haven't watched the movie or listened to the full score yet.
Still have to disagree, I love the new “Park Theme” and the way it sort of takes over from the classic theme. Then you have the Indominus theme, Owen’s theme, the villain theme, the family theme, the source music, etc.<br>I’ll take that any day over Lost World and JP3. Is it as good as the original score? Hell no, but not many scores are.'<br><br>The Lost World was a coherent evolution in the franchise, Williams maintains the original theme, but creates a darker and more percussive score (listen the expanded version by La La Land), because the movie isn't like Jurassic Park. And i getting appreciate more the Don Davis score for JPIII, better orchestrated than Jurassic World, both scores are FAR better than Jurassic World (one for a coherent and agressive tone and more memorable, and the other because is better orchestrated)<br><br>'And I do see the similarities between the vulture theme and those other ones listed. It’s definitely not original, but it is effective.'<br><br>I don't see any similaraties with the Avengers theme, effective?, yeah, but not memorable and i'll pick up any day than any theme in Jurassic WorldDo you remember any music outside the space chase?<br><br>Because i don't.I only watched the movie once, but the fact that I didn't take away any memorable music from Rogue One is a huge problem for a Star Wars film. I haven't listened to this score yet, but I have more hopes for this than Rogue One.Between this one and Rogue One, I'll take the last one.<br><br>Unfortunately the two scores run away from the typical sound of the franchise and at various times seem just a pastiche copy.<br><br>It's a good score, but it does not feel so natural. Even Han's theme is almost unrecognizable, forgettable and incoherent with the character. It does not have the same identity as the themes of Luke, Leia, Rey, Anakin, Jyn, Yoda or Dameron.woow! love it
It's funny that when they announced that the star wars story films would be scored by different conposers, I was like... COME ONE JOHNY GET ON IT and sure enough a year later... Same with Pan (one of his best scores in my opinion).Well, for starters, the HAN SOLO theme Williams wrote is kind of...well...meh....<br><br>And I can see where Powell had to incorporate the original Star Wars and some Empire themes....Asteroid Field being one of them.<br><br>I just kinda hoped Powell would adapt Asteroid Field into something more than whatever the hell butchery happened here....Whoa, whoa, whoa, whoa! When was there a flute in this score?? I just noticed there's a credit for a flute soloist, and I've listened to this score several times and never noticed a flute? Does anyone have any idea which track it might be?It's really sad how more than half of this score is just very messy bombastic sound rather than a more structured melodic/thematic approach, this coming from a hardcore Powell fan. The saddest thing is that this was THE film for him to score, full of action and chase sequences, which John has always excelled at. Here however, rather than his usual voice, it sounds as if he shies away from it and goes back to anything established by Williams every 30 seconds or so. Whenever it sounds like a cue is leading up to something interesting and exploring a new idea, it just shies away from it. This might have been on the directors/producer's side of things... or that's what I'm choosing to believe, at least. Don't get me wrong, every so often there are some sections that really do shine, this often being when Powell isn't just trying to sound Williamsy and/or referencing old SW material. Maybe I just need to give the album a few more listens. Usually happens whenever a new Powell soundtrack album is released. Not sure, though. Just by listening to Ferdinand a few times, for example, you could really feel and understand the story, its characters and their development, as their themes developed as well. This one is just a mess and feels... off.Such an inspiring track. Loved it when it was released and still love it.
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Additional MusicOrchestratorMusic Scoring Mixer
Harry Gregson-WilliamsHalli CautheryLadd McIntoshMalcolm Luker
ComposerAdditional MusicOrchestratorMusic Scoring Mixer
The Taking Of Pelham 123
Label: Sony Pictures Entertainment
Length: 45'00
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (7312 votes)
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  1. Something On The Track (4:36)
  2. "It's Me, Man!" (4:09)
  3. Rigged Contracts (3:44)
  4. An Ass Model Named Lavitka (6:25)
  5. Money Run (1:04)
  6. Garber Meets Ryder (3:06)
  7. All Others Pay Cash (5:37)
  8. The Train Leaves The Station (3:51)
  9. The Lights Are All Green! (5:14)
  10. Manhattan Bridge (5:06)
  11. "You A Yankees Fan?" (1:59)
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Antas, Webmaster reply Replies: 0 || 2010-02-08 00:00:00
@Hakki : please do not ask for illegal downloads

hakk&#305; reply Replies: 0 || 2010-02-07 00:00:00
hello I'm Hakki

Do you want downloading in soundtracks ?

Please Help Me Dowload Soundtracks

RuthlessGravity reply Replies: 0 || 2010-01-18 00:00:00
I wish "money run" was longer, sounds so damn cool.

  Your name :   

Please enter number: 886 

Anonymous reply Replies: 0 || 2009-06-20 00:00:00
We really need more music from you Harry, you are really amazing if you asked me.

Lasse reply Replies: 0 || 2009-06-20 00:00:00
what is the soundtrack in the opening of the movie ?

Anonymous reply Replies: 0 || 2009-06-20 00:00:00
'99 Problems' by Jay Z

Anonymous reply Replies: 0 || 2009-06-17 00:00:00
This score is amazing, Harry you Rocks.

Antas, Webmaster reply Replies: 0 || 2009-06-17 00:00:00
new extracts added

Reznor2112 reply Replies: 0 || 2009-06-16 00:00:00
FYI...

The track in the credits with the heavy drums and guitars is by A Perfect Circle - "Count Bodies Like Sheep To The Rhythm of the War Drums"

Sato reply Replies: 0 || 2009-06-15 00:00:00
Great score!

Anonymous reply Replies: 0 || 2009-06-15 00:00:00
Harry Gregson-Williams' scores never cease to amaze me :)

DemonStar reply Replies: 0 || 2009-06-14 00:00:00
I'm liking this one too. Not too good but the electronics and synths develop a nice, suspenseful atmosphere which I think is suitable for the movie.

HGW Rocks! reply Replies: 0 || 2009-06-14 00:00:00
AWESOME SCORE!!! I absolutely love this music; Good job Mr. Gregson-Williams...you never disappoint!

Pelham reply Replies: 0 || 2009-06-14 00:00:00
*deja vu

Pelham reply Replies: 0 || 2009-06-14 00:00:00
The score reminds me too much to Men on Fire and Deju Vu... nothing new and just a temp score... :(

Anonymous reply Replies: 0 || 2009-06-13 00:00:00
That is simply because the studio licenses source pieces into the movie... at a price.
If they then want to use that same licensed piece on a soundtrack
thats gonna cost the studio even more money & that's why you don't usually get these pieces on soundtracks.... unless the deal done includes a soundtrack release too.

EB reply Replies: 0 || 2009-06-13 00:00:00
Just saw Pelham 123...nice score but I was blown away by the end creds music....percussion and super guitar track....is it Peter Destefano??? I see he has creds listed fr Pelham 123 on his MySpace page. I want to hear this track again....how can I find it and how do I get it?
If record producers would actually reproduce and market what songs we hear in the movie, the record buying public would be much happier. I cannot tell you the number of soundtracks I have purchased and the songs are NOT the ones in the movie. RIP OFF!

Ele reply Replies: 0 || 2009-06-09 00:00:00
The Train Leaves the Station = Final comfrotation from Enemy Of The State?

Cloud reply Replies: 0 || 2009-06-09 00:00:00
Déjà Vu :D

Anonymous reply Replies: 0 || 2009-06-09 00:00:00
AWESOME!!! Job well done...great score!

RuthlessGravity reply Replies: 0 || 2009-06-09 00:00:00
Man I hope this better than the Wolverine score. Seeing how this is a semi techno-thriller. I hope Harry goes back to the awesomeness of Enemy of The State and Spy Game.

Anonymous reply Replies: 0 || 2009-06-09 00:00:00
Now up on I-Tunes UK, so there is a digital release too.

Anonymous reply Replies: 0 || 2009-06-07 00:00:00
They don't sell well because they don't market them well. The only way we can find out about scores is through forums like this...that not many people know about. Half the time stores don't even carry them until well after their official release date. Perhaps if studios paid to have them advertised in sale adds they might do better. There are plenty of people out there who want these scores, they just need to make it easier for us to find them!!!!

Hybrid Soldier reply Replies: 0 || 2009-06-07 00:00:00
Right !

And that's one of the main reasons why our website is here ! :D

Adrian reply Replies: 0 || 2009-06-07 00:00:00
I have a pressed CD of the Spirit... It's a Silva Screen pressing, it was even in Dutch stores for a very low price...

Anonymous reply Replies: 0 || 2009-06-07 00:00:00
Adrian...
How did you obtain it??? Is there a way we can order it here in the states??? Thanks!

Hybrid Soldier reply Replies: 0 || 2009-06-07 00:00:00
Adriaan is right...


Amazon first sold The Spirit as CD-R, before Silva Screen released a proper pressed CD... :)

DemonStar reply Replies: 0 || 2009-06-06 00:00:00
If it's anything like Spy Game then it'll be great! Eagerly waiting.

Kristi reply Replies: 0 || 2009-06-06 00:00:00
What does it mean available as CD-R from Amazon.com????

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The Taking Of Pelham 123 soundtrack - Harry Gregson-Williams 2009