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So Hybrid, care to tell us why you randomly deleted comments talking about the leaked recording sessions?Yes! That piano part is amazing! <br>„when charles and jean stand in front of the school“Saw the movie. Great score and it really fits the movie.<br><br>Missing stuff:<br>- 25 seconds of a piano version of Gap without the brass and bells<br>- a 30 second badass version of the main theme during the mageneto/jean helicopter stand off<br>- 1.5 minute end credits suite. Typical Zimmer to leave the best and most epic track and best main theme version off the album. I hope it will be on CD2, but knowing Zimmer the best tracks always remain unreleased. This is another escape from ship...after listening and listening...this score is truly amazing! i love it so much! i want the suites and ideas NOW! :DWhere can I find this?
been listening to this score for a week now and i am going to wait a little more before putting a comment on it here... but there's something else i have been saying for a while now. let's stop associating scores with movies and start seeing them as a work of art in their own rights. (albeit inspired by movies)<br><br>people are here complaining about the movie that it didn't speak to them. and then i have the feeling that they project their disappointment on the soundtrack. but both pieces of art co-exist and not depend on each other. i, for example, seldom watch any of these movies. but i have listened to their soundtracks and love them.<br><br>also i never asked for an extended CD before... but we need one for this one. it's very clear that tracks like gap and coda were definitely shortened.<br><br>also i never asked for an extended CD before but we need one for DP. it's clear that tracks like gap and coda were definitely shortened.There's nothing unique about those choirs, standard East European chorus stuff mixed with Johansson. Check out Debbie Wiseman's Warriors from 2000 and you'll get a much more elaborate version of this music.I cant say that this chorus reminds me of anything I have heard Zimmer done before. And I have played all his scores to death.I agree that Gap is the best track. My main complain with this score is that it feels that Zimmer composed it on autopilot. For me those choirs sounded too much to Electro's Theme in TASM. Is too standard and has very few remarkable moments. The movie itself lacks of personality and the score is part of that problem. I think they just wanted "dark" and hired Zimmer for making his dark ostitatos.I thought I read somewhere Armageddon was the last bay film that hgw was a part of<br>===============================<br><br><br>Well, Bay and HGW were not exactly best friends during Armageddon. Bay is very demanding and tough. HGW is also not a shy dude. He is an opinionated guy who stands his ground, as you can tell by his interviews. He reminds me of Mancina…..He's not afraid to speak up and have his opinion heard. And just like Mancina, his relationship with the Bay/Bruckheimer family seemed to be...….a bit complicated. Yet, he worked on Bad Boys 2 and Deja Vu. Now, it is possible - tho not likely - that Bay didn't even know that HGW did some work on BB2. Maybe it was just a favor for Steve and Trevor. Under the table, so to speak..... Personally, I don't believe that's the case. Whatever the truth, this is a great example of how different those composers are. Trevor and Steve work great with Bay/Bruckheimer and they always deliver great results. While composers like HGW and Mancina have problems with more demanding filmmakers. And apparently they don't even like action cinema. I don't necessary blame them, even though Mancina certainly didn't do himself any favors by trashing the genre and the people who back in the 90's gave him a shot to prove himself as a composer.
Love John Powell. But he is not even close to Williams. Williams made his mark on every genre of film scoring. He freaking turn a holocaust movie score into a masterpiece for the ages.<br><br>Today, that score would have been some generic sound design.<br><br>Powell is an incredibly gifted orchestral composer. But he doesn't have the dimensions of someone like Williams. <br><br>You fools, the tracklist was but a scam. The tracks simply wanted to EAT you.Yeah, while this does have a great deal more substance than most of the work Hans has done the past few years, I struggle to say it's a genuinely *good* score.<br><br>I mean, within the first minute I'm reminded of Dunkirk, then we get a pretty standard Zimmer/Balfe buildup we've heard a million times since Inception... and it doesn't get hugely better from there.<br><br>I will definitely give Zimmer credit for the unique and genuinely creative use of female choir in some of the cues, though.Not to disagree for its own sake, but I think Powell has been up there with the greatest film composers since the first HTTYD score. I just wish he'd take on more projects.Yeah, Jesus. This is a prime example of why I'm tempted to think John Powell is more talented than even Williams (yes, I went there).
There's so, so many great themes in the HTTYD scores. And he almost never lets a moment go by where he isn't stating or restating or developing one or more of them (although honestly that's true of a ton of Powell's scores and not an exclusive feature of HTTYD). You can never get bored listening to these, there's always something interesting around the next corner.I got confirmation HGW only wrote Haitian House Shootout (with the help of Mel Wesson). The same ideas were edited into the shorter cue Zoepound, so I'd say you can add this one to his credits.<br><br>Credits on IMDB mentions Paul Linford on the Main Titles.<br><br>Trevor Morris helped Jablonsky on the Ferrari Causeway Chase.<br>Jablonsky worked, for sure, on the Hallway and Helicopter Inserts.<br><br>100% sure Rabin worked on Tapia, Tapia Pissed Off, The Stuff, Wiretap Results, Ocean, Dead Bodies #2, Heart to Heart, Breaking Into Mortuary, Syd's Cover Is Blown, Tapia Has Syd (without Inserts), Prep for Tapia Sneak, Cuba Chase, Guantanamo (those tracks are on the Rabin only-bootleg).Hoping for the Rocketman score to get a release. Loved the score in the movie. Any updates on this ?Additionally, for anyone interested, I've managed to come up with a final list of themes from the series that I believe to be mostly accurate.<br><br>HTTYD 1: Hiccup & Toothless, The Friendship ostinato, Viking Theme, Viking "B" Theme, Dragons, Berk, The Dragon Tamer (Hiccup's unique qualities), Vikings & Dragons, Astrid<br><br>HTTYD 2: Loss, Exploration/Hiccup's Maturance, Drago, Hiccup & Valka, The Alpha, Stoick & Valka, The Chief<br><br>HTTYD 3: The Furies ostinato, Love, The Dragon Liberators, Moving On, The Hidden World, Toothless & The Light Fury, Grimmel, Dragon Trappers<br><br>A list more impressive than Star Wars, and with almost every new theme returning for the next film, while keeping most of the base themes. A masterful achievement by John Powell and his crew, as others have said!Just finished watching the movie, and while it's not much more than fine, it's sure as hell better than every other Star Wars movie that's come out since The Force Awakens (minus the ugly fucking visuals). <br><br>However the score is absolutely amazing. Powell's adaptation and development of the new Han Solo theme from Williams is flawless, the callbacks to other themes from the series are mostly appropriate (and good on him for not using the Force theme once!) and Powell's original material is fresh and exciting in a way that even Williams himself hasn't been able to pull off with the new films. <br><br>Powell might very well be up there with the greatest film composers if he continues to produce work like this from now on (which from HTTYD 3 seems very possible!)
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Additional MusicMusic ArrangerScore Technical Advisor
Klaus BadeltAndrew RaiherChristopher CarmichaelMark Yaeger
ComposerAdditional MusicArrangerTechnical Score Advisor
Le Petit Nicolas
Label: Universal Music
Length: 40'23
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4999 votes)
  1. Un Drôle De Sujet De Rédaction (7:42)
  2. Générique (2:46)
  3. Mord Aux Prof... (1:14)
  4. La Roulette (0:58)
  5. Les Filles C'Est Pas Intéressant (1:00)
  6. Papa Et Maman Se Disputent Souvent (1:43)
  7. 3 Francs La Rose (3:02)
  8. Un Jeu Drôlement Compliqué (1:40)
  9. Une Balade En Forêt (1:21)
  10. Le Spectacle (1:11)
  11. Je Vais Avoir Un Petit Frère! (1:09)
  12. Ménage (1:19)
  13. Gangster-A-Louer (1:08)
  14. Et En Plus, C'Est Un Sale Cafard! (1:11)
  15. Potion Magic (3:50)
  16. Rivalités Fraternelles (2:05)
  17. Rolls Folle (3:58)
  18. Neuf Mois (2:04)
  19. On Dirait Un Poivron Confit (1:02)
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Anonymous reply Replies: 0 || 2010-02-23 00:00:00
The new Badelt photo is amazing. :)

Adrian reply Replies: 0 || 2010-01-31 00:00:00
It's not a promo, only the tracks that Klaus Badelt posted on his homepage as preview. (www.bade.lt)

Miles reply Replies: 0 || 2010-01-31 00:00:00
I think that's just the promotional CD. The official score is being released soon (I hope!).

Solomon Kane Track List reply Replies: 0 || 2010-01-13 00:00:00
1. You Must Leave Us (3:32)
2. Crucifixion Part II (3:49)
3. Meredith (3:34)
4. Making Camp (1:14)
5. Moving On (2:31)
6. Get Her Back (3:19)
7. Castle Approach (2:34)
8. Father´s Story (2:04)
9. Single Blow (2:06)
10. Seeking Refuge (2:18)

Thérion reply Replies: 0 || 2009-11-19 00:00:00
I'm surprised to see a Hollywood famous composer writing a score for a french comedy (I'm french)

Ravi Krishna reply Replies: 0 || 2009-10-22 00:00:00
From what I read at the film's Facebook page there might be a CD too. Fingers crossed!

Miles reply Replies: 0 || 2009-10-22 00:00:00
Soundtrackgeek.com has some samples of Klaus' score to "Solomon Kane"--amazing stuff, very bold and epic! There's even talk of a digital release in December...

Krazie835 reply Replies: 0 || 2009-10-01 00:00:00
Is this already for sale in the USA?

Adrian reply Replies: 0 || 2009-10-01 00:00:00
Indeed, this is a very very good score! Great job, Klaus!

Zandine reply Replies: 0 || 2009-09-30 00:00:00
The best work composed by Klaus Badelt. The first track are amazing.

Kaya reply Replies: 0 || 2009-08-31 00:00:00
Gotta import!

Adrian reply Replies: 0 || 2009-08-30 00:00:00
Oee i cant wait!

Ravi Krishna reply Replies: 0 || 2009-08-29 00:00:00
Hope this is a good one. Looking forward to it!

Hybrid Soldier reply Replies: 0 || 2009-08-29 00:00:00
Yeah, these days France is the only to get some of Klaus's music released ! :P

Anonymous reply Replies: 0 || 2009-08-29 00:00:00
It's about time one of Klaus' more recent works got a release. Would have liked a Dragon Hunters soundtrack though...

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Le Petit Nicolas soundtrack - Klaus Badelt 2009