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You are an idiot. Hans did what Nolan asked him of not the other way around.Man, this has to be the best news for a long time. Hans has got stuck in his silly overcompensating for sound effects mode for too long. No wonder Nolan went for someone else. Who here thought balfe was getting this - the dude is a copycat and nobody. Balfe is when you dont get HZ.....luckily better people are now getting the gigs. I mean who would hire balfe out of the blue, the dude is not even a tv guyThanks for the credits updateA bit of who did what...Lorne also confirmed that he took charge of Mr.Charles, and without saying that Lorne was on the good side of Score in general, so his influence was substantially high.
Hybrid confirmed that training is composed by Ramin and Hans and it is obvious that Ramin's influence is superior to that of Hans.are we expecting the score for dark phoenix to be released in a week or so, if the movie itself drops early june?Not as simply as that.... Training is Ramin's arrangement of a Hans theme, and the core of Mr. Charles when the Fischer theme isn't playing is a Hans idea, too, as far as I know. Take the Zimmer out and those moments wouldn't be the same.I think Balfe working with Nolan would have done a great jobBob,The Training is basically Ramin Djawadi and Mr.Charles is Balfe
I hope these two team up again. Zimmer's score is the main driving force for some memorable scenes. Just a few<br>Batman Begins-The Training<br>TDK- Joker crash the party, Gordon's speech and ending<br>Inception - Time, Mr.Charles, <br>TKDR - the climb, imagine the fire and orphan<br>Interstellar-Stay, Docking, coward, mountain<br>Dunkirk - well the entire movieJustin Hurwitz I can see. I enjoyed La La Land and First Man. But Both Hurwitz and Göransson are several notches above Lorne Balfe. <br><br>I think 80/100 directors would rather work with Göransson than Balfe.I really believe that Nolan has made a mistake as a composer.I think Lorne Balfe, David Julyan or Justin Hurwitz would be much better options than Ludwig Goransson.Interesting news. <br><br>Geoff Zanelli is one of those composers who I’ve loved his additional music over his solo efforts, Pirates 5 excluded. I hope he gets a chance to write some great fantasy music for this, regardless if he reuses JNH’s themes or not.I think I am the only one, who would be glad about David Julyan return.<br><br>I really like his music for early Nolan's films, especially Insomnia, and it's what i can call an "atmospheric experience".<br><br>Don't know how his music fits for espionage timetraveling movie, but, for me, i'st would be something interesting to hear.
@mpolonest123: those Pemberton scores are indeed pure gold, very cool on album but insanely good in the movie. My favorite is still his King Arthur, that was a beast of a score that stuck with the movie like glue and really enhanced Guy Ritchie's dark, twisted, trippy vision.*3 thingsSure, but there's two things to consider. <br>1). Pirates has such an iconic sound that it'd be really stupid for them to suddenly abandon it at #5. Especially when we hired the guy who has worked on the previous 4. 2). Maleficent, as successful as it was to warrant a sequel, isn't quite as well known in the score department, despite being well received by those who have heard it. 3). Because Zanelli worked on all Pirates, he had enough familiarity with the sounds and motifs that he knew where to go once he led the ship. In Maleficent's case, he's taking over from a previous composer, and is working with a director who likely only knows his work on POTC5. As such, there's no knowing yet if he might be compelled to continue on from JNH, or if it's decided he just does his own thing.<br><br>I'm happy that Geoff at the very least has a safe career at Disney, considering two of their recent live action successes has had him involved. However, considering I hear his recently work hasn't been his best, JNH likely would've benefited from returning to a world that had some of his best material after he wasn't given the opportunity to do so with Glass. As such, it really is a severely missed opportunity, even if newer blood is getting more opportunities.Just listening to this again. It really is a best of both score. What I think is so great, is that you can hear both of the brothers' own voice but they blend so well together!! Really really great score!<br><br>It's a really remarkable score, the swifts in tone between dramatic and jazz is top-notch. It's higher on favorite list from 2019 already, than I thought it would ever be.<br><br>Give me more Gregson-Williams brothers scores!!!!!!I was hoping for JNH, but we'll see what he does. JNH's themes were amazing zo it would be stupod not to use them. But he used the Pirates themes, so I'm feeling actually quite ok about it
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Hans ZimmerHarry Gregson-WilliamsNick Glennie-SmithSteve Jablonsky
Composer : Main ThemeComposerAdditional MusicAdditional Music
Smilla's Sense Of Snow
Label: Constantin Records
Length: 54'50
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4722 votes)
  1. Greenland: Anno 1859 (4:14)
    Hans Zimmer, Harry Gregson-Williams
  2. Isaiah's Theme (2:06)
    Hans Zimmer
  3. Smilla Learns More (4:22)
    Hans Zimmer, Harry Gregson-Williams
  4. Threatened With Jail (4:47)
    Hans Zimmer, Harry Gregson-Williams
  5. Who Is The Mechanic? (4:26)
    Harry Gregson-Williams
  6. Secrets Of The Ship (7:11)
    Harry Gregson-Williams
  7. Chase At Sea (8:07)
    Harry Gregson-Williams
  8. Greenlend Revisited (10:28)
    Hans Zimmer, Harry Gregson-Williams
  9. The Truth Revealed (6:41)
    Harry Gregson-Williams, Nick Glennie-Smith
  10. End Titles (2:23)
    Hans Zimmer, Harry Gregson-Williams
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David reply Replies: 0 || 2017-03-01 13:51:38
Soundtrack is now available on Spotify :)

Hybrid Soldier reply Replies: 2 || 2013-05-14 10:01:56
Details here. There has always been questions about HZ being really involved on that one or just like The Whole Wide World letting HGW work on his own.

He actually wrote the theme here... NGS helped a bit. And Jablonsky is not really known but probably arranged a lot of electronica in the middle of all this ! :)


Edmund Meinerts2013-05-14 10:48:37
It's always a nice surprise when you go back and add the details for an old and somewhat obscure score like this.

...any chance of doing it for the King Arthur complete score? ;)


Hybrid Soldier2013-05-14 10:53:29
I'd love to, but apart from a bunch of cues, there's no material to make such an analysis... :/

Falconet From Italy reply Replies: 0 || 2008-10-13 00:00:00
game? this is a movie!! ^^

steven reply Replies: 0 || 2008-01-08 00:00:00
this game is so cool

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Smilla's Sense Of Snow soundtrack - Harry Gregson-Williams 1997