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i believe that glimpses of the original would have solved the problem ;)Not actually though...probably a bit more Jackman than there actually is, eh? ;)@James<br><br>I have heard the original Vangelis theme but I was referring to a new theme for this new movie.Okay. I'm on the Lorne Balfe bandwagon now. I don't care if this movie is trash, this is a great listening experience, which is sometimes difficult to find in a score these days.Composer credits !
@spectre<br><br>She has a theme! Search for "Rachael's Song"!I agree. It is the most beautiful theme of the previous film and one of the biggest in Vangelis' career.I feel like there should have been a proper theme for Rachael. She was a really important character in both movies and it would have been nice to hear a sad melancholic melody for in her in some kind of Flashback or dream sequence for Deckard.$$$$$$ the soundtrack is FANTASTICSame here, I want to re-live the whole film through score and there is so much more we havent heard yet. Keeping my fingers crossed.
Just listen to all of it !!!! It’s a great classic soundtrack with cool electronics and great tunes- balfe is the topListen all the score and make the list yourself with the best moments for you, guy! Lolcan anybody recommend the absolute best themes on this score to me please!No he is not. It's just the musical palette created for all the futuristic scifi films that are inspired by what Vangelis did in 1982.Balfe is doing a Reddit interview in 2 hours time . Hopefully we can get to the bottom of Why he replaced Pinar and Clint Mansell on Ghost in The Shell
I totally agree with you. I was let down when I first heard the album. It's great but it's a selection of the score. I feel like they could've done a better job crafting the album. <br>Hell, something experimental like releasing the music as it is as a long (digital) track would've been interesting. <br><br>I think what made it difficult for them is how the tempo changes all the time, which might have resulted in an unpleasant listening experience (I think that might have been their point of view). For example, in the movie, the tempo of the cue "Home" changes a lot and some layers are taken out while the album version has a constant tempo.<br><br>Unfortunately, the number of people who noticed how unsatisfying this release is, is quite small, so there won't be anything official. Once again, we have to wait for leaks or bootlegs.also seems very like ghost in the shell. Did Balfe also help out on this score ?I can hear it<br>'Her Eyes were Green' gave me a heavy Arrival-vibe for example<br>Am I the Only one that feels Johánn Johánnsson touch everywere along this score?<br>Truly is the Vangelis reminiscense in each song, but the style is more near to Johánnsson than Wallfisch and of course Zimmer.<br>Could be Denis Villeneuve's suggestion, or maybe Benjamin has study Villeneuve last works, but is unquestionable that 2049 score sounds very Johánnsson.<br><br>Many people these days talking bad about 2049 score (No melodies, No Vangelis, All ambiance...), but the reality is that this work has perfect match with the rest of the film.<br><br>2049 is different to the original Blade Runner. Yes it has the same world and feeling, but is another director's vision, and the music follows (perfectly) the same way.OK, there seems to be a regular edition at amazon and other retailers with the same content (2 CD) for a cheaper price than the limited one. It's nonsense. Will the record label pay me back a couple of bucks? I don't think it is ethical business at all.
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Additional Music ArrangerSound Design & ProgrammingMusician : Percussion
Atli ÖrvarssonDavid FlemingJörg HüttnerSatnam Ramgotra
ComposerAdditional MusicSound EngineerMusician
The Fourth Kind
Label: Varese Sarabande
Length: 39'37
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5044 votes)
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  1. Flight To Nome (3:09)
    Atli Örvarsson
  2. Owolowa (3:58)
    Atli Örvarsson
  3. Hypnosis (2:45)
    Atli Örvarsson
  4. The Owl (2:53)
    Atli Örvarsson, Dave Fleming
  5. Ashley (1:40)
    Atli Örvarsson
  6. Completely Surreal (3:58)
    Atli Örvarsson
  7. They're Not From Here (2:46)
    Atli Örvarsson, Dave Fleming
  8. The Fourth Kind (2:45)
    Atli Örvarsson
  9. Torn Apart (4:31)
    Atli Örvarsson
  10. Abduction (4:27)
    Atli Örvarsson
  11. Northern Lights (4:06)
    Atli Örvarsson
  12. Conclusion (2:41)
    Atli Örvarsson
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osvaldo reply Replies: 0 || 2010-02-07 00:00:00
is a great documentary film and a good score from ATLI i hope to listen more of this in the future , blessings from Argentina

Ele reply Replies: 0 || 2010-01-18 00:00:00
First track and "Torn Apart" is imo good, rest is rather mediocre. Typical horror electronic/suspense stuff.

Anonymous reply Replies: 0 || 2010-01-16 00:00:00
any reviews of this?

sabu reply Replies: 0 || 2009-11-07 00:00:00
good music

Miles reply Replies: 0 || 2009-10-24 00:00:00
Good to see Atli getting more recognition, but I hope that the album length is how much music he wrote for the film and not another sign of the economic squeeze on the soundtrack biz. Haven't heard the music yet, but I'll bet he did a good job again!

Hybrid Soldier reply Replies: 0 || 2009-10-23 00:00:00
Coming in a few weeks !

Adrian reply Replies: 0 || 2009-10-23 00:00:00
Yesss, Ive been waiting for this! There a lot blue thumbnails on the left :P

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The Fourth Kind soundtrack - Atli Örvarsson 2009