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Not as simply as that.... Training is Ramin's arrangement of a Hans theme, and the core of Mr. Charles when the Fischer theme isn't playing is a Hans idea, too, as far as I know. Take the Zimmer out and those moments wouldn't be the same.I think Balfe working with Nolan would have done a great jobBob,The Training is basically Ramin Djawadi and Mr.Charles is BalfeI hope these two team up again. Zimmer's score is the main driving force for some memorable scenes. Just a few<br>Batman Begins-The Training<br>TDK- Joker crash the party, Gordon's speech and ending<br>Inception - Time, Mr.Charles, <br>TKDR - the climb, imagine the fire and orphan<br>Interstellar-Stay, Docking, coward, mountain<br>Dunkirk - well the entire movieJustin Hurwitz I can see. I enjoyed La La Land and First Man. But Both Hurwitz and Göransson are several notches above Lorne Balfe. <br><br>I think 80/100 directors would rather work with Göransson than Balfe.
I really believe that Nolan has made a mistake as a composer.I think Lorne Balfe, David Julyan or Justin Hurwitz would be much better options than Ludwig Goransson.Interesting news. <br><br>Geoff Zanelli is one of those composers who I’ve loved his additional music over his solo efforts, Pirates 5 excluded. I hope he gets a chance to write some great fantasy music for this, regardless if he reuses JNH’s themes or not.I think I am the only one, who would be glad about David Julyan return.<br><br>I really like his music for early Nolan's films, especially Insomnia, and it's what i can call an "atmospheric experience".<br><br>Don't know how his music fits for espionage timetraveling movie, but, for me, i'st would be something interesting to hear.@mpolonest123: those Pemberton scores are indeed pure gold, very cool on album but insanely good in the movie. My favorite is still his King Arthur, that was a beast of a score that stuck with the movie like glue and really enhanced Guy Ritchie's dark, twisted, trippy vision.*3 things
Sure, but there's two things to consider. <br>1). Pirates has such an iconic sound that it'd be really stupid for them to suddenly abandon it at #5. Especially when we hired the guy who has worked on the previous 4. 2). Maleficent, as successful as it was to warrant a sequel, isn't quite as well known in the score department, despite being well received by those who have heard it. 3). Because Zanelli worked on all Pirates, he had enough familiarity with the sounds and motifs that he knew where to go once he led the ship. In Maleficent's case, he's taking over from a previous composer, and is working with a director who likely only knows his work on POTC5. As such, there's no knowing yet if he might be compelled to continue on from JNH, or if it's decided he just does his own thing.<br><br>I'm happy that Geoff at the very least has a safe career at Disney, considering two of their recent live action successes has had him involved. However, considering I hear his recently work hasn't been his best, JNH likely would've benefited from returning to a world that had some of his best material after he wasn't given the opportunity to do so with Glass. As such, it really is a severely missed opportunity, even if newer blood is getting more opportunities.Just listening to this again. It really is a best of both score. What I think is so great, is that you can hear both of the brothers' own voice but they blend so well together!! Really really great score!<br><br>It's a really remarkable score, the swifts in tone between dramatic and jazz is top-notch. It's higher on favorite list from 2019 already, than I thought it would ever be.<br><br>Give me more Gregson-Williams brothers scores!!!!!!I was hoping for JNH, but we'll see what he does. JNH's themes were amazing zo it would be stupod not to use them. But he used the Pirates themes, so I'm feeling actually quite ok about itTrue, but he didn’t really get credit for The Lone Ranger or any of the Pirates films other than #5... those are billed strictly as HZ scores. I would say Christopher Robin likely was a result of the success of his Pirates score, and Timothy Green wasn’t really a Disney tentpole release. Maleficent isn’t a Marvel or Star Wars level tentpole, but it is still a blockbuster film that I think he’ll do an awesome job with.@Mephariel - you’re right. However Interstellar and Inception, musically speaking, are simple scores. They are moving, beautiful, and masterpieces, but still simple. Which is great! <br><br>But if we are wanting Zimmer to return to a type of music, I’d much rather prefer something along the lines of Pirates, The Rock, The Last Samurai, Crimson Tide, etc. Tonally, of course it would be more modern and new, but melodically a return to those forms would be a dream come true.
Geoff has done several other Disney projects besides Pirates 5.  (All Pirates movies since the first, Lone Ranger, Christopher Robin, Odd Life of Timothy Green). And I have to say that I would rather JNH return for the sequel, as that would allow him to expand on his fantastic score for the first film.@George<br><br>To be fair, Interstellar is a genuine masterpiece score and maybe one my favorite score of all time, but I am not sure when Nolan will allow Zimmer to return to that type of scoring. <br><br>Hell, Time is my favorite cue ever, but again, I am not sure if Nolan is interested in that kind of music anymore.  <br><br>I guess we will see with Tenet. And yes, I absolutely think Göransson can be a future star in the making and if anyone is allow write his or her own "Time" cultural moment, it may as well be him.@mephariel @mpolonest123 - glad I’m not the only one who’s more excited for those compared to cold and dark Nolan/Zimmer scores. I’m kinda over those to be honest.And if I’m completely honest, I’m more excited by WW84, Spongebob, Top Gun, and Dark Phoenix than another potential Nolan collab.@mephariel <br>I can definitely see that, especially with King Arthur and Spiderverse. I do think his music adds a lot to the films he scores (Steve Jobs and Man From Uncle being two great examples) where he consistently switches up styles and tones to keep things fresh. Maybe not the strongest theme writer but I do love his approaches.
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Additional Music - Orchestrator
John PowellJames McKee SmithHenry JackmanJohn Ashton Thomas
ComposerAdditional MusicAdditional MusicAdditional Music
Hancock (Complete Score)
Label: Unofficial Release
Length: 94'26
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6552 votes)
  1. Bench Chase Boy (1:52)
  2. Joyride (2:01)
  3. Abandoned (1:06)
  4. Ray's Pitch (0:58)
  5. The Pitch Goes Bad (1:08)
  6. Train Save (2:37)
  7. Thank You (2:01)
  8. Meatballs (0:57)
  9. Roof Dream Box (2:01)
  10. French Asshole (1:32)
  11. Comics (0:47)
  12. Go To Jail (1:33)
  13. Jail Altercation (1:18)
  14. Coward (1:12)
  15. Mary Visits Jail (2:11)
  16. Ball Escapes (1:06)
  17. Dream (0:58)
  18. Bank Walk In (0:57)
  19. Bank Asshole (0:49)
  20. Bank Robbery (5:38)
  21. Standing Ovation (1:06)
  22. Restaurant (0:49)
  23. Bed - The Kiss (2:23)
  24. Indestructible Mary (2:05)
  25. Power Talk (0:35)
  26. Hollywood Blvd (6:56)
  27. Mary Explains (1:48)
  28. Robbery (5:27)
  29. Hospital Shootout (2:57)
  30. Upon Us All (1:19)
  31. Death & Transfiguration (3:09)
  32. The Moon (1:21)
  33. Transition (2:29)
  34. End Suite (Part 1) (1:33)
  35. End Suite (Part 2) (2:01)
  36. End Suite (Part 3) (0:53)
  37. Train Save (Alternate) (0:55)
  38. Thank You (Alternate I) (1:45)
  39. Thank You (Alternate II) (1:15)
  40. Meatballs (Alternate) (0:57)
  41. Go To Jail (Alternate) (0:52)
  42. Mary Visits Jail (Alternate I) (2:08)
  43. Mary Visits Jail (Alternate II) (1:36)
  44. Mary Visits Jail (Alternate III) (1:32)
  45. Robbery (Alternate) (6:33)
  46. Death & Transfiguration (Alternate I) (2:55)
  47. Death & Transfiguration (Alternate II) (3:25)
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Paul reply Replies: 0 || 2011-09-28 21:27:17
Does it contain the "Superman" cue?

Anonymous reply Replies: 0 || 2011-09-04 21:11:08
This is not complete. A couple of cues are missing. Also CD 1, Track 1 is in mono for some reason!

Ebony reply Replies: 0 || 2011-07-24 13:21:53
Why do I bother clalnig up people when I can just read this!

Cover? reply Replies: 0 || 2011-05-01 21:44:01
What the hell is up with this cover? "The HAUNTING Complete Recordings", "powerful music by John Powell"

GRRR reply Replies: 0 || 2010-06-18 00:00:00
it's because the "thing" that leaked is still incomplete and is missing some great material

OMG reply Replies: 0 || 2010-06-18 00:00:00
Meh, I've been trying to get this for months, and now it's finally leaked there is hardly any decent music that wasn't on the official release.

David reply Replies: 0 || 2010-06-13 00:00:00
The alternative versions of Death And Transfiguration are amazing. Too bad still there's some great musi which didn't make it to the expanded score, like the Superman-esque ostinato in the bank robbery scene.

Mario Soundtrack reply Replies: 0 || 2010-02-06 00:00:00
I like Jaws and this score ¬¬ Great Powell & Williams !!!!!! OK ¬¬?

Luis reply Replies: 0 || 2010-01-06 00:00:00
Hello! hope some day will get this one, meanwhile I made some covers for it ;-)

www.soundtracklist.net/powell.htm

Antas, Webmaster reply Replies: 0 || 2009-11-16 00:00:00
Please don't ask for bootleg here - thanks !

Zombie Kid reply Replies: 0 || 2009-11-14 00:00:00
I like turtles.

Mirror Image of John Williams reply Replies: 0 || 2009-11-14 00:00:00
I don't like Jaws.
I like this score.

John Williams reply Replies: 0 || 2009-11-14 00:00:00
I Don't like this score.
I like Jaws

JMG reply Replies: 0 || 2009-11-13 00:00:00
I meant... how can one get hold of this edition?

Dawn reply Replies: 0 || 2009-10-28 00:00:00
@JMG

Well, as it is an unreleased version... there's no plan to release it...

JMG reply Replies: 0 || 2009-10-27 00:00:00
So, when is this edition being released?

Bloo' reply Replies: 0 || 2009-10-25 00:00:00
There is always a lot of ways to make a cover.. as a film, as a text.. change the director, the art designer, and this will be really different; it's a point of view. The essentials is to be in peace with ourselves ;).
But, generally, i prefer to make a cover for a movie, a music, an actor(actress) i like.. after that, the music take a better dimension. So i make few covers, but not really do again "official" covers. Not my job, no time to loose too, it's the music i listen, not the design lol. It's a choice too, because, as you said, some officials are "awful".
I can't add "futurist" fonts in the style of "Hancock", i don't want lol. Maybe cause i like the contrast, even myself ;).

Have a good day(night?)!

Adrian reply Replies: 0 || 2009-10-24 00:00:00
Well, it seems that you make the covers for your own use too, then you must make covers where you are completely happy about yourself! Because when you listen to a CD and then you have to think ''this cover sucks'' then the cd sounds less cool, at least that is what happens to me!

I could've guessed that you didn't know Oorlogswinter, Dutch films never go far over the border.
So it's no German title, hehe. German is a bit different, the title would be Kriegwinter then.
But it was meant a bit describing how err... stupid it is :P
Well, I misexplained it actually, I would be happy when the other fonts are in the style of Hancock-font, a futuristic one :P

Let's ask Hybrid to upload your final cover, I'm real curious how your re-making worked out!
And no problem, I'm always curious what the choices are from other cover designers!

Bloo' reply Replies: 0 || 2009-10-24 00:00:00
Thanks a lot for your answer! I will try to explain my choices (try because my english.. well ;)).
My covers were serious in a first time (it's powerful, for me) and funny in a second time. Sure, i don't put that (Haunting, powerful..) if the covers did for a commercial rush ;). As this Oorlogswinter. A cover i never saw until then (and i can't read german too lol). So no influence. Anyway, the purpose wasn't to be revolutionary ;)

For "the haunting complete recording", there is a little mistake, "Recordings" need to be in the same way as the others words like "complete". I made another cover, but Hybrid didn't change the first one ;).
For the rest, "powerful music by john powell", i changed too (just a little), but not really as you could hope ;).
For "Hancock", i put the official font, title. So no change from me. Not my fonts. I like it like that. I changed only shadow, etc.. and for finish, i prefer that cover to all the others i saw, but it's personal, you know ;).

You're right, it's good to see/make a simple clean cover, but it's my major problem, i can't do that most of the time. I need to grind up all the stuff in my head lol. It's often confused but i treat myself lol.

To finish, thanks again for your time ;).

Brad reply Replies: 0 || 2009-10-23 00:00:00
Yeah, I didn't wanna be the first to say...but I guess I'll follow up on the last post. The front cover really sucks! This is not "The Haunting Complete Recordings!" It wasn't even composed by the same guy, lol! I don't know how this'll be though...the original release was plenty for me. Prolly still check it out.

Adrian reply Replies: 0 || 2009-10-23 00:00:00
The front cover maker doesn't know anything about fonts too!
And about the haunting-thing, like the Dutch did the same for the score of Oorlogswinter ''door de wereldberoemde componist Pino Donaggio'', ''by the world famous composer Pino Donaggio.''
That's for losers :P

Bloo' reply Replies: 0 || 2009-10-23 00:00:00
Maybe you could explain Adrian... what's the problem with my fonts ?

Hybrid Soldier reply Replies: 0 || 2009-10-23 00:00:00
LOL !

No need to fight !


People just didn't get the cover is quite ironic as we don't have this bootleg... xD

Bloo' reply Replies: 0 || 2009-10-23 00:00:00
I'm not fighting at all lol. I'm just want to know, that's interesting to progress if i'm wrong ;)
and i assume, it's powerful ;)

Anonymous reply Replies: 0 || 2009-10-23 00:00:00
so.... why does it say "The Haunting Complete Records" on the top??

Darkashram reply Replies: 0 || 2009-10-23 00:00:00
perhraps because before someone get that (and us all) , armageddon will come or I will have a gray beard , so this complete is just a shadow , a ghost of promise which eventually will never comes:)

Bloo' reply Replies: 0 || 2009-10-23 00:00:00
Why not ? it's just correponded to my sentiment in that moment. Dark' seems to have a good answer, maybe he's not with me, but anyway, why i cound't ?
But i don't why i answer to an anonymous person... that's haunting!!

Adrian reply Replies: 0 || 2009-10-23 00:00:00
@ Bloo'

Well, I didn't know the cover was meant ironic, I thought it was a serious one.
If the cover was serious, your read what I said about Oorlogswinter... this is something like that with that powerful etc :P since the music of that ilm sucked, I don't take those things on a cover serious anymore.

About your fonts, you use italic and normal font and (small) capitals in a strange way. There should be some system.
Also, Hancock is in a futuristic font, I don't find a serif font fitting. I would go for a sans serif font or a futuristic font. And I would use all italic, or none italic or music by italic and john powell normal.
I like a simple clean cover. And I dont like the photo either... I would go for something more subtle.
You used a very good photo for Children of Glory btw. But this is my opinion, nothing personal.
Oh, I make covers myself too, simple ones, but I'm not unexperienced, so you're not getting an opinion from someone who never made a cover ;-)

Adrian reply Replies: 0 || 2009-10-23 00:00:00
Oh, I forgot! I am quite picky when it comes to covers. I re-made one for Pearl Harbor because I hated the photographs. Same for King Arthur... So I don't like some professional either.

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Hancock (Complete Score) soundtrack - John Powell 2008