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Interesting to see Lorne Balfe replacing Jablonsky now with Micheal Bay.6 Underground is totally crazy and Balfe’s score equals it.Also has emotion like 13 Hours.<br>Doesn’t beat His Dark Materials but a great scoreSorry, das ist doch ein Witz, Dortmund ist nicht dabei :(Way too many songs.<br>Lorne Balfe score nailed it.Great to see Bay working with Balfe now.This is an RCP website, those scores aren't by RCP composers...Power anthems ???? Obviously you haven’t watched the movie.They would not fit in this movie.<br><br>Balfe’s score is really cool and not expected.Already listened to it 4 times!
I agree completely.<br><br>The movie was awesome, the score works perfectly, and the only thing I didn't like was the use of songs. Too much of them. Songs rarely work during intense action scenes. They distract.<br><br>But every time the score started, I liked it. Bay may be known as the big action guy, but when it comes to scoring the more intimate/emotional moments, he and the composer (no matter who he is) always do a good job.Greenaway for President! :))I agree with Knight.<br><br>It seems some peeps were expecting power anthems left and right. Yes, this is a big movie, but not a "Transformers-big" movie. I didn't like the use of source music (I hate songs in action movies) but when Balfe's work popped up I noticed it right away.<br><br>The more emotional cues were definitely the most memorable.What a fantastic soundtrack.<br>It’s totally crazy and works brilliantly in the film.<br>The bit emotional sections are very classic Bay but Balfe’s electronic weirdness is very unique.<br>It’s nothing like Balfe’s Dark Materials BUT why I’m earth should it be !<br>10/10Gavin should be listed as conductor
Because Ice Age was composed by David Newman and Collision Course was composed by John DebneyWhen i heard just the sound clips, i thought wtf. Sounds like the worst score, a michael bay movie ever had. Then i listened to the whole album and i have to say, there are some pretty cool tracks. I really like the electronic rhythmic stuff. Welcome to florence is awesome. The emotional moments are nice, but standard balfe stuff. In the movie, the music works really good. I think this music style is the only style, that works in THIS movie. And as hybrid says a mish mash of score and songs. The movie itself is.....strange. but at least the action rocks as hell.If "The Meltdown," "Dawn of The Dinosaurs" and "Continental Drift" are added, then how come "Ice Age" and "Collision Course" aren't?I haven't heard the album yet but there isn't much score in the film. It's like Bad Boys II meets Domino in terms of editing, songs everywhere (19 sourced songs used), short cues... Hell there's even a 13 Hours cue tracked in the film ("Getting Aboard The Plane")."Second time"... lol
Another awsome score by lorne balfe. I really like the film 6 underground directed by michael bay, is very awsome and intense and i begin to hear the score composed by lorne balfe, and its phenomenal and his second time working with michael bay since 13 hours, which i like lorne balfe's score too. Balfe's work is really inspiring in his film score.I don't expect Lorne to make a masterpiece with each movie, but it is true that most of her films are action candies, and I can't understand how she can deliver 6 underground and then make His dark materials.  It seems that within Lorne there are a thousand different composers.  And I don't know what to expect from Lorne again.Can't help noticing not one, but two Zimmer titles in here.... Tracks 14 and 16. lol.What is most disappointing is that this is a Michael Bay movie with a score being so bad. Historically his movies have fantastic scores by either Hans, Steve Jablonsky, and even Lorne Balfe. But this is hands down the worst Michael Bay score I’ve ever heard. <br><br>It’s functional, yes, but nothing compared to 13 Hours, any of the Transformers movies, The Rock, Pearl Harbor, etc. I definitely had high hopes for another good “power anthem” score... and the only cues that are any good are just Time ripoffs.<br><br>Highly disappointing.Again, if we have to expect every piece of work of one composer is have to be as good like his others pieces of work, that's pretty underwhelming and impossible.<br><br>Yeah, 6 Underground is not a good score by any means (neither Gemini Man, but is far more listenable), but works perfectly in the hiperbolic movie.
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Additional Music - Orchestrator
John PowellJames McKee SmithHenry JackmanJohn Ashton Thomas
ComposerAdditional MusicAdditional MusicAdditional Music
Hancock (Complete Score)
Label: Unofficial Release
Length: 94'26
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6698 votes)
  1. Bench Chase Boy (1:52)
  2. Joyride (2:01)
  3. Abandoned (1:06)
  4. Ray's Pitch (0:58)
  5. The Pitch Goes Bad (1:08)
  6. Train Save (2:37)
  7. Thank You (2:01)
  8. Meatballs (0:57)
  9. Roof Dream Box (2:01)
  10. French Asshole (1:32)
  11. Comics (0:47)
  12. Go To Jail (1:33)
  13. Jail Altercation (1:18)
  14. Coward (1:12)
  15. Mary Visits Jail (2:11)
  16. Ball Escapes (1:06)
  17. Dream (0:58)
  18. Bank Walk In (0:57)
  19. Bank Asshole (0:49)
  20. Bank Robbery (5:38)
  21. Standing Ovation (1:06)
  22. Restaurant (0:49)
  23. Bed - The Kiss (2:23)
  24. Indestructible Mary (2:05)
  25. Power Talk (0:35)
  26. Hollywood Blvd (6:56)
  27. Mary Explains (1:48)
  28. Robbery (5:27)
  29. Hospital Shootout (2:57)
  30. Upon Us All (1:19)
  31. Death & Transfiguration (3:09)
  32. The Moon (1:21)
  33. Transition (2:29)
  34. End Suite (Part 1) (1:33)
  35. End Suite (Part 2) (2:01)
  36. End Suite (Part 3) (0:53)
  37. Train Save (Alternate) (0:55)
  38. Thank You (Alternate I) (1:45)
  39. Thank You (Alternate II) (1:15)
  40. Meatballs (Alternate) (0:57)
  41. Go To Jail (Alternate) (0:52)
  42. Mary Visits Jail (Alternate I) (2:08)
  43. Mary Visits Jail (Alternate II) (1:36)
  44. Mary Visits Jail (Alternate III) (1:32)
  45. Robbery (Alternate) (6:33)
  46. Death & Transfiguration (Alternate I) (2:55)
  47. Death & Transfiguration (Alternate II) (3:25)
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Paul reply Replies: 0 || 2011-09-28 21:27:17
Does it contain the "Superman" cue?

Anonymous reply Replies: 0 || 2011-09-04 21:11:08
This is not complete. A couple of cues are missing. Also CD 1, Track 1 is in mono for some reason!

Ebony reply Replies: 0 || 2011-07-24 13:21:53
Why do I bother clalnig up people when I can just read this!

Cover? reply Replies: 0 || 2011-05-01 21:44:01
What the hell is up with this cover? "The HAUNTING Complete Recordings", "powerful music by John Powell"

GRRR reply Replies: 0 || 2010-06-18 00:00:00
it's because the "thing" that leaked is still incomplete and is missing some great material

OMG reply Replies: 0 || 2010-06-18 00:00:00
Meh, I've been trying to get this for months, and now it's finally leaked there is hardly any decent music that wasn't on the official release.

David reply Replies: 0 || 2010-06-13 00:00:00
The alternative versions of Death And Transfiguration are amazing. Too bad still there's some great musi which didn't make it to the expanded score, like the Superman-esque ostinato in the bank robbery scene.

Mario Soundtrack reply Replies: 0 || 2010-02-06 00:00:00
I like Jaws and this score ¬¬ Great Powell & Williams !!!!!! OK ¬¬?

Luis reply Replies: 0 || 2010-01-06 00:00:00
Hello! hope some day will get this one, meanwhile I made some covers for it ;-)

www.soundtracklist.net/powell.htm

Antas, Webmaster reply Replies: 0 || 2009-11-16 00:00:00
Please don't ask for bootleg here - thanks !

Zombie Kid reply Replies: 0 || 2009-11-14 00:00:00
I like turtles.

Mirror Image of John Williams reply Replies: 0 || 2009-11-14 00:00:00
I don't like Jaws.
I like this score.

John Williams reply Replies: 0 || 2009-11-14 00:00:00
I Don't like this score.
I like Jaws

JMG reply Replies: 0 || 2009-11-13 00:00:00
I meant... how can one get hold of this edition?

Dawn reply Replies: 0 || 2009-10-28 00:00:00
@JMG

Well, as it is an unreleased version... there's no plan to release it...

JMG reply Replies: 0 || 2009-10-27 00:00:00
So, when is this edition being released?

Bloo' reply Replies: 0 || 2009-10-25 00:00:00
There is always a lot of ways to make a cover.. as a film, as a text.. change the director, the art designer, and this will be really different; it's a point of view. The essentials is to be in peace with ourselves ;).
But, generally, i prefer to make a cover for a movie, a music, an actor(actress) i like.. after that, the music take a better dimension. So i make few covers, but not really do again "official" covers. Not my job, no time to loose too, it's the music i listen, not the design lol. It's a choice too, because, as you said, some officials are "awful".
I can't add "futurist" fonts in the style of "Hancock", i don't want lol. Maybe cause i like the contrast, even myself ;).

Have a good day(night?)!

Adrian reply Replies: 0 || 2009-10-24 00:00:00
Well, it seems that you make the covers for your own use too, then you must make covers where you are completely happy about yourself! Because when you listen to a CD and then you have to think ''this cover sucks'' then the cd sounds less cool, at least that is what happens to me!

I could've guessed that you didn't know Oorlogswinter, Dutch films never go far over the border.
So it's no German title, hehe. German is a bit different, the title would be Kriegwinter then.
But it was meant a bit describing how err... stupid it is :P
Well, I misexplained it actually, I would be happy when the other fonts are in the style of Hancock-font, a futuristic one :P

Let's ask Hybrid to upload your final cover, I'm real curious how your re-making worked out!
And no problem, I'm always curious what the choices are from other cover designers!

Bloo' reply Replies: 0 || 2009-10-24 00:00:00
Thanks a lot for your answer! I will try to explain my choices (try because my english.. well ;)).
My covers were serious in a first time (it's powerful, for me) and funny in a second time. Sure, i don't put that (Haunting, powerful..) if the covers did for a commercial rush ;). As this Oorlogswinter. A cover i never saw until then (and i can't read german too lol). So no influence. Anyway, the purpose wasn't to be revolutionary ;)

For "the haunting complete recording", there is a little mistake, "Recordings" need to be in the same way as the others words like "complete". I made another cover, but Hybrid didn't change the first one ;).
For the rest, "powerful music by john powell", i changed too (just a little), but not really as you could hope ;).
For "Hancock", i put the official font, title. So no change from me. Not my fonts. I like it like that. I changed only shadow, etc.. and for finish, i prefer that cover to all the others i saw, but it's personal, you know ;).

You're right, it's good to see/make a simple clean cover, but it's my major problem, i can't do that most of the time. I need to grind up all the stuff in my head lol. It's often confused but i treat myself lol.

To finish, thanks again for your time ;).

Brad reply Replies: 0 || 2009-10-23 00:00:00
Yeah, I didn't wanna be the first to say...but I guess I'll follow up on the last post. The front cover really sucks! This is not "The Haunting Complete Recordings!" It wasn't even composed by the same guy, lol! I don't know how this'll be though...the original release was plenty for me. Prolly still check it out.

Adrian reply Replies: 0 || 2009-10-23 00:00:00
The front cover maker doesn't know anything about fonts too!
And about the haunting-thing, like the Dutch did the same for the score of Oorlogswinter ''door de wereldberoemde componist Pino Donaggio'', ''by the world famous composer Pino Donaggio.''
That's for losers :P

Bloo' reply Replies: 0 || 2009-10-23 00:00:00
Maybe you could explain Adrian... what's the problem with my fonts ?

Hybrid Soldier reply Replies: 0 || 2009-10-23 00:00:00
LOL !

No need to fight !


People just didn't get the cover is quite ironic as we don't have this bootleg... xD

Bloo' reply Replies: 0 || 2009-10-23 00:00:00
I'm not fighting at all lol. I'm just want to know, that's interesting to progress if i'm wrong ;)
and i assume, it's powerful ;)

Anonymous reply Replies: 0 || 2009-10-23 00:00:00
so.... why does it say "The Haunting Complete Records" on the top??

Darkashram reply Replies: 0 || 2009-10-23 00:00:00
perhraps because before someone get that (and us all) , armageddon will come or I will have a gray beard , so this complete is just a shadow , a ghost of promise which eventually will never comes:)

Bloo' reply Replies: 0 || 2009-10-23 00:00:00
Why not ? it's just correponded to my sentiment in that moment. Dark' seems to have a good answer, maybe he's not with me, but anyway, why i cound't ?
But i don't why i answer to an anonymous person... that's haunting!!

Adrian reply Replies: 0 || 2009-10-23 00:00:00
@ Bloo'

Well, I didn't know the cover was meant ironic, I thought it was a serious one.
If the cover was serious, your read what I said about Oorlogswinter... this is something like that with that powerful etc :P since the music of that ilm sucked, I don't take those things on a cover serious anymore.

About your fonts, you use italic and normal font and (small) capitals in a strange way. There should be some system.
Also, Hancock is in a futuristic font, I don't find a serif font fitting. I would go for a sans serif font or a futuristic font. And I would use all italic, or none italic or music by italic and john powell normal.
I like a simple clean cover. And I dont like the photo either... I would go for something more subtle.
You used a very good photo for Children of Glory btw. But this is my opinion, nothing personal.
Oh, I make covers myself too, simple ones, but I'm not unexperienced, so you're not getting an opinion from someone who never made a cover ;-)

Adrian reply Replies: 0 || 2009-10-23 00:00:00
Oh, I forgot! I am quite picky when it comes to covers. I re-made one for Pearl Harbor because I hated the photographs. Same for King Arthur... So I don't like some professional either.

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Hancock (Complete Score) soundtrack - John Powell 2008