NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
Yep. He will be in Nightwing's next solo movie<br>I think we all agree, Lorne Balfe is getting better and better, he's working at the speed of light and handles many different genres. Plus, he seems to be a very cool person. I'm really happy he got there, and I believe he'll be getting some major movies in the next few years (Terminator Genysis, Geostorm & Ghost in the Shell don't count, they were predicted failures undergoing a damage control process).<br><br>But anyway, I think his best solo score is still Home.Maybe there is a big surprise and Disc 2 is different from the actual release. If you look at the download files you see 01-01 to 01-24. I think Disc 2 must be named 02-01, 02-02...etc.Can I ask why there is no page made for The Nut Job 2 by Heitor Pereira?I'm not upset, nor am I disinterested in Balfe's work. Don't get me wrong. I welcome any and all discussion! But there's a difference between "discussion" and "blind fanboy gushing", and I've seen way more of the latter here this year than the former.
Have to agree because if you havenít an interest in Lorneís work then just donít goto his films topics ! Either way I like the suite here good old school MVIf you have an issue with Balfe simply donít click on Geostorm etc! Just ignore it . God knows why Edmund gets so upset !!!! You donít have to read the postsThis is already a much more interesting conversation than all the blind praise that was being spilled earlier. Thanks guys! :DEverybody is free to love whatever music they want, but I agree that the Balfe praise is a bit over the top. I mean I saw a comment that said that all of Balfe's scores from 2017 were the best of their genre which I think is over the top. I mean nothing against Balfe, he's a very good composer, but I just don't think he deserves all that praise about him being the best.Anything, @LP. I myself have spent several hours of my life listening Balfe's work and, of course, commenting here.<br><br>It's okay to get on a page and say "this is the best score of all ages" or "this is the worst shit I've ever heard", as long as this behavior is restricted to a minority who has make the mistake of making this kind of comment because not listened to many jobs of the same composer or of other composers or who do not respect his efforts to carry out the work.<br><br>
> Waymann - Ramin did good work on A Mountain Between us.  Completely atypical of his recent outputs, and showed more range.  It is rooted a bit in his work on Hans' rom-com scores (i.e. The Holiday) and sounds excellent overall.Just wondering, why would anyone have an issue with people who go into a Lorne Balfe soundtrack page to rave about the work of Lorne Balfe?I'm not saying that I don't like his music, because I really do, but I think there are also a lot of composers this year that have created amazing scores and they don't get the same talk. Let's mention Ramin Djawadi for The Mountain Between Us, Benjamin Wallfisch for A Cure For Wellness and It, and even outside of RCP like Giacchino with his fantastic War for the Planet of the Apes, Beltrami with The Snowman or the recent Ragnarok by Mothersbaugh (well, this does not belong in this page, so I understand why there is no talk about him).<br>And I repeat that I like Balfe, but not everything he does is perfect, and for example this, I don't consider it too original, because it reminds me to a lot of older scores. And for example, from Balfe I think one of the best was Churchill, and that didn't get much talk or praise neither.I do not think anyone here is hurting because another composer besides of the HZ - JP - HGW triad is being well received by the audience. Well, I agree that this behavior in any session regardless of who the composer is, is very uncomfortable. But we have to understand that each an of the RCP guys has its glory days. Balfe is conquering his. The problem is the proportions of compliments. Many people liked PoTc 5 (best RCP score of the year in my opinion, of course), for example, many also hated, the justifications were many, but the discussion was balanced. If you enter on the forum of  any score of any composer you find diverse but balanced opinions, what is missing in the forums about Balfe scores is this balance. Nothing against the growth of his popularity or the reception of his scores, only the judgments that seem a little too exaggerated. It's even a little weird.Due to Edmund getting upset !!!! Iím scared to ask about if anyone knows about The Florida Project ????
How pathietic that it bothers some ,that some of us are excited about another composers music. Get a life people. Balfe has become a great composer this year so give him a break . If you donít like it , you can find another forumI agree, I'm shocked no one is talking about how great Ramin Djawadi's score is for The Mountain Between Us. Much better than this new Lorne Balfe score, I'm mean really, this Geostorm score is just a constant reminder to other scores from RCP from the past. Nothing original here. Only the track May Day is memorable.I like it too but I don't understand why this thread is full of slobbering fanboys while nobody is talking about, say, Kingsman 2 which is just as good. I don't want to stop anyone talking about his music but did we really need every day this year for someone to go "oh my god I can't wait for Lorne to release another unreleased cue from Ghost in the Shell"? It doesn't contribute anything meaningful and makes this site look even more like a YouTube comments section than it already does.Your right Edmund ..... how dare we take about any other composer apart from Zimmer or John Powell!  Thankfully your point of view is in the minority. There is obviously a reason why he is one of the busiest composers . Geostorm isnít original BUT itís great music and I like it at leastI couldn't agree with you more JBSO99. I don't know what's up this year because a ton of Balfe fanboys seem to have crawled out of the woodwork. He's having a very solid year but people are acting like every score he puts out is a masterpiece or something, which...nah.
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Additional Music - Orchestrator
John PowellJames McKee SmithHenry JackmanJohn Ashton Thomas
ComposerAdditional MusicAdditional MusicAdditional Music
Hancock (Complete Score)
Label: Unofficial Release
Length: 94'26
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5846 votes)
0:00
0:00
controls_prev
controls_toggle
controls_next
player_volume

player_loop
player_shuffle
player_download


  1. Bench Chase Boy (1:52)
  2. Joyride (2:01)
  3. Abandoned (1:06)
  4. Ray's Pitch (0:58)
  5. The Pitch Goes Bad (1:08)
  6. Train Save (2:37)
  7. Thank You (2:01)
  8. Meatballs (0:57)
  9. Roof Dream Box (2:01)
  10. French Asshole (1:32)
  11. Comics (0:47)
  12. Go To Jail (1:33)
  13. Jail Altercation (1:18)
  14. Coward (1:12)
  15. Mary Visits Jail (2:11)
  16. Ball Escapes (1:06)
  17. Dream (0:58)
  18. Bank Walk In (0:57)
  19. Bank Asshole (0:49)
  20. Bank Robbery (5:38)
  21. Standing Ovation (1:06)
  22. Restaurant (0:49)
  23. Bed - The Kiss (2:23)
  24. Indestructible Mary (2:05)
  25. Power Talk (0:35)
  26. Hollywood Blvd (6:56)
  27. Mary Explains (1:48)
  28. Robbery (5:27)
  29. Hospital Shootout (2:57)
  30. Upon Us All (1:19)
  31. Death & Transfiguration (3:09)
  32. The Moon (1:21)
  33. Transition (2:29)
  34. End Suite (Part 1) (1:33)
  35. End Suite (Part 2) (2:01)
  36. End Suite (Part 3) (0:53)
  37. Train Save (Alternate) (0:55)
  38. Thank You (Alternate I) (1:45)
  39. Thank You (Alternate II) (1:15)
  40. Meatballs (Alternate) (0:57)
  41. Go To Jail (Alternate) (0:52)
  42. Mary Visits Jail (Alternate I) (2:08)
  43. Mary Visits Jail (Alternate II) (1:36)
  44. Mary Visits Jail (Alternate III) (1:32)
  45. Robbery (Alternate) (6:33)
  46. Death & Transfiguration (Alternate I) (2:55)
  47. Death & Transfiguration (Alternate II) (3:25)
Create Topic

Pages << 1 2 >>

Paul reply Replies: 0 || 2011-09-28 21:27:17
Does it contain the "Superman" cue?

Anonymous reply Replies: 0 || 2011-09-04 21:11:08
This is not complete. A couple of cues are missing. Also CD 1, Track 1 is in mono for some reason!

Ebony reply Replies: 0 || 2011-07-24 13:21:53
Why do I bother clalnig up people when I can just read this!

Cover? reply Replies: 0 || 2011-05-01 21:44:01
What the hell is up with this cover? "The HAUNTING Complete Recordings", "powerful music by John Powell"

GRRR reply Replies: 0 || 2010-06-18 00:00:00
it's because the "thing" that leaked is still incomplete and is missing some great material

OMG reply Replies: 0 || 2010-06-18 00:00:00
Meh, I've been trying to get this for months, and now it's finally leaked there is hardly any decent music that wasn't on the official release.

David reply Replies: 0 || 2010-06-13 00:00:00
The alternative versions of Death And Transfiguration are amazing. Too bad still there's some great musi which didn't make it to the expanded score, like the Superman-esque ostinato in the bank robbery scene.

Mario Soundtrack reply Replies: 0 || 2010-02-06 00:00:00
I like Jaws and this score ¨¨ Great Powell & Williams !!!!!! OK ¨¨?

Luis reply Replies: 0 || 2010-01-06 00:00:00
Hello! hope some day will get this one, meanwhile I made some covers for it ;-)

www.soundtracklist.net/powell.htm

Antas, Webmaster reply Replies: 0 || 2009-11-16 00:00:00
Please don't ask for bootleg here - thanks !

Zombie Kid reply Replies: 0 || 2009-11-14 00:00:00
I like turtles.

Mirror Image of John Williams reply Replies: 0 || 2009-11-14 00:00:00
I don't like Jaws.
I like this score.

John Williams reply Replies: 0 || 2009-11-14 00:00:00
I Don't like this score.
I like Jaws

JMG reply Replies: 0 || 2009-11-13 00:00:00
I meant... how can one get hold of this edition?

Dawn reply Replies: 0 || 2009-10-28 00:00:00
@JMG

Well, as it is an unreleased version... there's no plan to release it...

JMG reply Replies: 0 || 2009-10-27 00:00:00
So, when is this edition being released?

Bloo' reply Replies: 0 || 2009-10-25 00:00:00
There is always a lot of ways to make a cover.. as a film, as a text.. change the director, the art designer, and this will be really different; it's a point of view. The essentials is to be in peace with ourselves ;).
But, generally, i prefer to make a cover for a movie, a music, an actor(actress) i like.. after that, the music take a better dimension. So i make few covers, but not really do again "official" covers. Not my job, no time to loose too, it's the music i listen, not the design lol. It's a choice too, because, as you said, some officials are "awful".
I can't add "futurist" fonts in the style of "Hancock", i don't want lol. Maybe cause i like the contrast, even myself ;).

Have a good day(night?)!

Adrian reply Replies: 0 || 2009-10-24 00:00:00
Well, it seems that you make the covers for your own use too, then you must make covers where you are completely happy about yourself! Because when you listen to a CD and then you have to think ''this cover sucks'' then the cd sounds less cool, at least that is what happens to me!

I could've guessed that you didn't know Oorlogswinter, Dutch films never go far over the border.
So it's no German title, hehe. German is a bit different, the title would be Kriegwinter then.
But it was meant a bit describing how err... stupid it is :P
Well, I misexplained it actually, I would be happy when the other fonts are in the style of Hancock-font, a futuristic one :P

Let's ask Hybrid to upload your final cover, I'm real curious how your re-making worked out!
And no problem, I'm always curious what the choices are from other cover designers!

Bloo' reply Replies: 0 || 2009-10-24 00:00:00
Thanks a lot for your answer! I will try to explain my choices (try because my english.. well ;)).
My covers were serious in a first time (it's powerful, for me) and funny in a second time. Sure, i don't put that (Haunting, powerful..) if the covers did for a commercial rush ;). As this Oorlogswinter. A cover i never saw until then (and i can't read german too lol). So no influence. Anyway, the purpose wasn't to be revolutionary ;)

For "the haunting complete recording", there is a little mistake, "Recordings" need to be in the same way as the others words like "complete". I made another cover, but Hybrid didn't change the first one ;).
For the rest, "powerful music by john powell", i changed too (just a little), but not really as you could hope ;).
For "Hancock", i put the official font, title. So no change from me. Not my fonts. I like it like that. I changed only shadow, etc.. and for finish, i prefer that cover to all the others i saw, but it's personal, you know ;).

You're right, it's good to see/make a simple clean cover, but it's my major problem, i can't do that most of the time. I need to grind up all the stuff in my head lol. It's often confused but i treat myself lol.

To finish, thanks again for your time ;).

Brad reply Replies: 0 || 2009-10-23 00:00:00
Yeah, I didn't wanna be the first to say...but I guess I'll follow up on the last post. The front cover really sucks! This is not "The Haunting Complete Recordings!" It wasn't even composed by the same guy, lol! I don't know how this'll be though...the original release was plenty for me. Prolly still check it out.

Adrian reply Replies: 0 || 2009-10-23 00:00:00
The front cover maker doesn't know anything about fonts too!
And about the haunting-thing, like the Dutch did the same for the score of Oorlogswinter ''door de wereldberoemde componist Pino Donaggio'', ''by the world famous composer Pino Donaggio.''
That's for losers :P

Bloo' reply Replies: 0 || 2009-10-23 00:00:00
Maybe you could explain Adrian... what's the problem with my fonts ?

Hybrid Soldier reply Replies: 0 || 2009-10-23 00:00:00
LOL !

No need to fight !


People just didn't get the cover is quite ironic as we don't have this bootleg... xD

Bloo' reply Replies: 0 || 2009-10-23 00:00:00
I'm not fighting at all lol. I'm just want to know, that's interesting to progress if i'm wrong ;)
and i assume, it's powerful ;)

Anonymous reply Replies: 0 || 2009-10-23 00:00:00
so.... why does it say "The Haunting Complete Records" on the top??

Darkashram reply Replies: 0 || 2009-10-23 00:00:00
perhraps because before someone get that (and us all) , armageddon will come or I will have a gray beard , so this complete is just a shadow , a ghost of promise which eventually will never comes:)

Bloo' reply Replies: 0 || 2009-10-23 00:00:00
Why not ? it's just correponded to my sentiment in that moment. Dark' seems to have a good answer, maybe he's not with me, but anyway, why i cound't ?
But i don't why i answer to an anonymous person... that's haunting!!

Adrian reply Replies: 0 || 2009-10-23 00:00:00
@ Bloo'

Well, I didn't know the cover was meant ironic, I thought it was a serious one.
If the cover was serious, your read what I said about Oorlogswinter... this is something like that with that powerful etc :P since the music of that ilm sucked, I don't take those things on a cover serious anymore.

About your fonts, you use italic and normal font and (small) capitals in a strange way. There should be some system.
Also, Hancock is in a futuristic font, I don't find a serif font fitting. I would go for a sans serif font or a futuristic font. And I would use all italic, or none italic or music by italic and john powell normal.
I like a simple clean cover. And I dont like the photo either... I would go for something more subtle.
You used a very good photo for Children of Glory btw. But this is my opinion, nothing personal.
Oh, I make covers myself too, simple ones, but I'm not unexperienced, so you're not getting an opinion from someone who never made a cover ;-)

Adrian reply Replies: 0 || 2009-10-23 00:00:00
Oh, I forgot! I am quite picky when it comes to covers. I re-made one for Pearl Harbor because I hated the photographs. Same for King Arthur... So I don't like some professional either.

Pages << 1 2 >>

 HANS-ZIMMER.com© 2001-2017 OST 
Hancock (Complete Score) soundtrack - John Powell 2008