NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback

 SEARCH
 

 FAN COMMENTS
Oh, yes.<br><br>Maybe this month, right?The album is ready. Just waiting for legal to settle it... It'll happen.And about The Rhythm Section?, Mazzaro said the score is mastered...If there'd only been the first movie prior, I think I'd get it a bit more. But the 2nd film did have a proper score release, so the only reason at this point is that it just isn't on Nick's mind after all the delays.Whoa, why not? Every obscure random shit gets released these days but a Hans Zimmer score to a fairly big mainstream movie doesn't?
I doubt there'll be a score release.The Spongebob movie is being released next Friday here in Canada, could we see a release of the album soon? Assuming of course that there will be an album at all /:I gotta say that short film was spectacular even with I Phone 11, the score by Lorne Balfe fitted very well with the scenes introduced.I'd say that this anthem was pretty great for Zimmer to score a soccer team that has been alive for 25 years.Cheers guys, much appreciated!<br>In my mind I had some video interview though, as I always like watching those as well. I do wonder if there was an extra section on the home release of the movie where ideally there might be.
Hans Zimmer is one of the biggest film composers working in the industry today.  He won an Academy Award for his work on The Lion King, and has been nominated for six other films including Gladiator, The Thin Red Line, and As Good As It Gets. With The Last Samurai he celebrates his 100th film score, and SoundtrackNet had an opportunity to talk with Hans a few weeks ago during a rare break in his busy schedule working on Something's Gotta Give.<br><br>You've scored many projects during your career, and The Last Samurai is being touted as your 100th film score…<br><br>Well, I'm terrible with math, so I'm not doing the counting. It could be more, it could be less – but apparently it's the 100th.<br><br>So how did you get involved with the project?<br><br>If you're lucky enough to get nominated for an Oscar, you get invited to the Oscar nominee's luncheon where they hand out these little nomination certificates. There are usually 150 people standing there, and people are invited up in alphabetical order, starting with the As. By the time they get to the Cs, everybody's already back at their table chatting and eating, and while the first people called get thunderous applause, you can imagine what it's like when your name starts with Z!<br><br>So Ed Zwick and I were standing there, waiting at one of these luncheons about four years ago, and we started talking to each other. I asked him what he was working on and he told me about this movie called The Last Samurai, which I thought sounded interesting and I asked him to send me a script. After the script arrived, I didn't hear from him for a long time and I thought he'd forgotten about me, not thinking about how difficult it is to set up a samurai movie these days. The other thing I liked about the project was that Tom Cruise was involved, so it was like returning home, since I've scored a bunch of his movies – I knew we were going to have a good time.<br><br>Did it end up that way?<br><br>Ed and his editor Steve Rosenblum are such gentlemen, so together and professional, and they basically did one cut of the film, screened it, and everyone loved their work. So after this, they had plenty of time to come and hang with me, and while I usually love the re-cutting process because it's a diversionary tactic to keep the director and editor out of my life, these guys were great to have around. <br><br>Of course, my sense of paranoia made me think that something was going wrong all the time, waiting for the other shoe to drop, as it were, but it never happened. Ed phoned this morning and I thought, "Oh my god – rewrite!" It's just how my brain works. But I think he and I feel a bit odd now: we've been seeing each other every day for months, and suddenly we're done. I completely understand why people have a problem finishing a movie, because there's something really nice about the process – completion is far more boring.<br><br>For Samurai, you used Japanese percussions and ethnic woodwinds, without getting too 'Japanese'.<br><br>My problem is that I feel Japanese music is really inaccessible to Western ears, and I was really struggling with this film initially, trying to figure out what I was doing. This idea popped into my head for using Western-style themes, but applying a Japanese aesthetic to them, which sounds great of course, until I had to ask myself what I meant! Actually, I think it's just my way of not overloading certain things with too many colors, or being geometrically precise about my cues and not making them too flowery.<br><br>The Tom Cruise character is one of those nasty drunks at the beginning, who obviously has some serious problems he's trying to deal with, or not deal with. He's obnoxious and restless, suffering sleepless nights and is very un-Tom. For me, this character's journey was about his need to earn tranquility and peace, so within the score there's this very romantic, overblown and passionate theme. It's like a juvenile way of dealing with life and death – the pain and liebestod.<br><br>However, to contrast with these very relentless themes, there are a number of stark, formal and sober pieces, because I wanted to take Tom's character on a journey. He comes from America and ends up in this foreign place where he doesn't speak the language or understand the culture. But at the end of the movie, I want the audience to think that there isn't a more beautiful place for him to be, that he is at home in Japan and finally at peace.<br><br>There are many useless acts of bravery we do out of misguided romanticism, and this movie is full of courageous and dignified acts of bravery. So I wanted to play off these acts, since both the American and Japanese cultures have a concept of heroism, and I just wanted to see if I could play with the nature of the two different concepts.<br><br>So you didn't want to do the stereotypical Japanese thing...<br><br>Absolutely not! Take Akira Kurosawa's Ran, for example, which has this brilliant score where Takemitsu writes Western music, but with an Eastern accent. Somebody asked me a few days ago why As Good As It Gets was European – why did I write a European score for a quintessentially American story? For me, it's because Jack Nicholson was crazy in the movie, and I felt one of the great things about America is how they always think we Europeans are crazy. So by writing a European-styled score, it's my way of saying that Jack is crazy, but it's alright!<br><br>How do you feel about people who criticize your work for not fitting into the time period, like Gladiator?<br><br>The reason I take these jobs is because I'm interested in foreign cultures, and every time I get to work on a movie I'm thrown into the adventure of whatever that culture is, the time, and wherever the story's taking place. So one of the things I'm very careful about is not to be historically correct to the culture, but, on the other hand, not to insult the underlying aesthetics of that culture either. I remember watching Chariots of Fire and thinking how brilliantly the music worked, never missing that it wasn't period instruments! I grew up listening to Bach played by a symphony orchestra – it's the wrong sized orchestra with the wrong instruments, but I don't think that's the point.<br><br>With Gladiator, Pietro Scalia brought in a CD saying "this is Ancient Roman music," and I said, "Says who? You went to the Ancient Roman music store and bought an Ancient Roman music CD? Bullshit!" We're not anthropologists. Look at he costumes Ridley Scott had: they were more Napoleonic than Roman, which was perhaps fitting since Napoleon had stolen all of his good ideas from the Romans regarding how to make his generals look cool – and so did Hitler! So I got criticized for making the "Entry into Rome" cue too Leni Riefenstahl – but that was the joke! I am allowed to have a sense of humor in my music!<br><br>Earlier this summer your credit on Pirates of the Caribbean was "Score Overproduced by". What was the deal with that?<br><br>Well, I thought honesty was a virtue! But seriously, Jerry Bruckheimer quite rightly asked me not to give him "that old-fashioned Pirate music," and Gore Verbinski, who I adore and did The Ring with, said, "Well, it is a pirate movie, so we have to disguise it." In the end, I spent a day and a half writing tunes, Klaus Badelt wrote a lot of stuff, and we rolled up our sleeves, got drunk, behaved in a debauched way, and produced a score!<br><br>There was a lot of criticism regarding that score, but in the end it had to serve the film - which it did. You seem to get a lot of criticism on any project you do.<br><br>I had the misfortune of going onto the Film Score Monthly web site recently to look something up and vanity made me type in my own name. I suddenly realized that you can't ever get it right. Who do people want me to be? The guy that writes Matchstick Men? Or the guy that writes The Rock? Or the guy that writes Driving Miss Daisy? My need is ultimately to write for myself. I mock myself and I'm ironic about the way I speak about it because if I take it too seriously, it would be a pompous and boring thing to do. But at the same time I take each note I write very seriously – none of them are random.<br><br>The Internet Movie Database always lists you as being attached to multiple projects, so I was curious, what's Sharktail?<br><br>I complained to Jeffrey Katzenberg that I couldn't cross any more Red Seas, or deal with any more horses that can't speak – I wanted to do one of the fun animated movies instead. There's also a hip-hop element in Sharktail, and I haven't been there yet, so it's new territory! King Arthur is still in production, and I literally just got the first bits of footage just before you came here.<br><br>Are you working on all of these projects simultaneously?<br><br>I'm thinking about them! I'm also working with Jim Brooks on his new comedy, Spanglish.<br><br>And speaking of comedies, you recently did Matchstick Men for Ridley, which had a very Nino Rota vibe to it....<br><br>And I gave him credit! I thought, what if Nino had written the theme and I was just doing the variations? But I bet I'm going to get criticized for that because it's not like Gladiator.<br><br>So when did you last have a vacation?<br><br>Well, I went to Japan for a couple of days at the end of November for the Japanese premiere of Samurai, but look, I love what I do! In January I'll travel to Morocco because Ridley will be shooting his next movie, Kingdom of Heaven, so that's like a holiday!<br><br>My family and I are going away at Christmas, and what we used to do would be to rent a house in the mountains and go on these skiing holidays. It would be a crappy house, not as nice as the one we live in, my wife was still going to the market, and we're still washing our plates – so it wasn't a vacation, it was a lot of work! It's taken us a long time, but we just figured it out: we're not practical with vacations – we're staying at hotels! But while the Zimmer family isn't talented when it comes to vacations, we're talented when it comes to work!<br><br>I sat through Samurai the other day, and for the first time watched the whole movie from top to tail with everything finished and completed. It felt really good, better than a vacation. But luckily there were enough things wrong for me to think that I learned something from the experience, and now I can't wait for the next project to try these new ideas out.<br><br>The soundtrack to The Last Samurai is available from Elektra Records, and the film is currently in theaters. Matchstick Men is available on Varese Sarabande Records.<br><br>With thanks to Chet Mehta at Chasen & Co, Jason Cienkus at Warner Brothers, and Nina Lynch and Mark Wherry at Media Ventures for helping with this interview. And, of course, special thanks to Hans.Mulan get his release... through Disney+, 4th September.Mulan is being released on sept 4th. Can't wait to hear Harry's score!!!!Here's an interview about Last Samurai from Soundtrack.net https: //www.soundtrack. net/content/article/?id=112You can find an interview with Hans on his process for TLS on soundtrack.net somewhere, back in 2003 or 2004
The tracklist they posted has 58 tracks and yours contains only 54<br>interesting thing, He never really spoke about Last Samurai. but you have to realize, even when He speaks, its not always the truth. <br><br>The only thing I know, in 2013 doing press for Rush, He really said the hardest job was Last Samurai, well its not true according to himself, if you watch the behind the scenes stuff from Matchstick Men from 2003, right there He says that he was working on 3 huge films, (tears of the sun / Pirates / last samurai) and Mathstick men was the absolute hardest for him.<br><br>also Ed Zwick talks about working with Hans on the dvd commentary sometimes, but nothing really fancy.<br><br>Im sure there is an interview for this film with him, since he was at the premierI am struggling to find an interview where Hans speaks about this soundtrack. Does it even exist? <br>I spent the last hours digging but nothing. I always desired to hear some comments about it, like he does for the other works he's done.<br>I know it's a far stretch for Hans To release docu scores, but am really curious as to what Brave Miss World, Believer and Jalous of the Birds sound like...<br><br><br>@Mephariel<br>You can find Great Bear Rainforest on bleedingfingersmusic.com under Anze RozmanMondo only offered to send me a return label and a refund. No info yet on if they plan to fix it. :-/
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Hans ZimmerLorne BalfeAndrew ZackBob Badami
ComposerAdditional MusicScore CoordinatorMusic Supervisor
Sherlock Holmes
Label: WaterTower Music
Length: 54'40
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (26981 votes)
  1. Discombobulate (2:25)
    Hans Zimmer, Lorne Balfe
  2. Is It Poison, Nanny? (2:53)
    Lorne Balfe
  3. I Never Woke Up In Handcuffs Before (1:44)
    Hans Zimmer
  4. My Mind Rebels At Stagnation (4:31)
    Hans Zimmer, Lorne Balfe
  5. Data, Data, Data (2:15)
    Hans Zimmer
  6. He's Killed The Dog Again (3:15)
    Hans Zimmer, Lorne Balfe
  7. Marital Sabotage (3:44)
    Hans Zimmer
  8. Not In Blood, But In Bond (2:13)
    Hans Zimmer
  9. Ah, Putrefaction (1:50)
    Hans Zimmer, Lorne Balfe
  10. Panic, Shear Bloody Panic (2:38)
    Hans Zimmer, Lorne Balfe
  11. Psychological Recovery... 6 Months (18:18)
    Hans Zimmer, Lorne Balfe
  12. Catatonic (6:44)
    Hans Zimmer, Lorne Balfe
  13. Holmes (Hans 'n' Guy Version) (2:14) *
    Hans Zimmer
*Buy tickets in advance for Sherlock Holmes and receive a free exclusive of the song Holmes (Hans 'n' Guy Version) by Hans Zimmer on iTunes.
Create Topic

Pages << 1 2 3 4 5 6 7 8 9 10 11 12 >>

GermanRCPFan reply Replies: 4 || 2020-07-20 23:58:58
Hello anyone! I kinda feel that "It Is Poison, Nanny?" and "Catatonic" are some sort of Suites or Demos for Blackwood' character. Is it true? And very interested about Hans 'n' Guy Version of Holmes, is it suite too?


HunterTech2020-07-21 01:22:08
Catatonic is just a combination of the cue before the credits + a version of the Holmes suite. The first half of It Is Poison, Nanny? is what I was asking about prior, since I've never seen a proper answer for it.


Knight2020-07-21 14:59:58
The set I have lists Is it Poison, Nanny? as an alternate for 3m18a Holmes Follows Irene.

And the Holmes (Hans 'n' Guy Version) is the only suite here, everything else is cues.


GermanRCPFan2020-07-21 21:39:22
Maybe, but for me hardly believe about first track. I think that "Is It Poison, Nanny" is two demos (first half is for Blackwood, second maybe for Holmes. Oh, and i forgot about "I Never Woke Up In Handcuffs Before", this is some sort of suite too, i think because in film there is two variations of this track, it's simular but has fine deffenents.


HunterTech2020-07-22 02:13:47
@Knight That's basically correct, since the second half of "Is It Poison, Nanny?" and all of "I Never Woke Up In Handcuffs Before" is basically the full "Holmes Follows Irene" cue with some differences. As for suites: there do exist two demos that one can come across. I was alluding to one of them in the first response.

@GermanRCPFan Maybe it's because I've actually recently assembled an SH1 set out of every currently available material, but there are no demos on the album. The two tracks listed above match the final in-film cue too much to merely be a demo. Perhaps a version tailored for the album, but otherwise pretty final. It's possible the first part of the first track wasn't intended for the film, but we know too little to be sure. Maybe in an actual sessions leak we might be able to tell.

HunterTech reply Replies: 0 || 2020-06-23 01:43:47
Does anyone know what the first half of "Is It Poison, Nanny?" intended to be? Someone mentioned it being a possible alt for 5m32-33 (or rather, "it's an alternate cue for the scene where Blackwood reveals himself to his followers"), but I'm just not sure. Thanks in advance.

Zimson reply Replies: 3 || 2015-04-23 16:48:47
This seems real. Where the hell did he get it?

https://www.youtube.com/ watch?v=4trLnD5pIGk


thejok3rrules2015-04-23 17:22:10
If I recall correclty, this track has been on Lorne Balfe's website for a while now.

Also, a complete isolated score has surfaced a certain time ago, including every material heard in the movie, sfx-free of course.


Anonymous2015-04-23 19:01:34
It surfaced same day as Inception and Rango. Almost 2 years ago


Unknown Sender2020-05-29 08:49:26
@Zimson
404 not found dude

ballerinaJG reply Replies: 1 || 2019-12-02 02:31:44
I'm looking to choreograph a work to the sections of the soundtrack. Do you know who owns the copyright or who to contact for theatrical permission?


Bill Koufo2019-12-02 15:26:51
I think WaterTower Music.

Jacob reply Replies: 0 || 2019-11-18 19:50:16
Is there a page for the complete score of this film? Thanks.

GermanRCPFan reply Replies: 0 || 2019-07-23 11:11:58
Hybrid, create page for complete score of that film

nvictor reply Replies: 3 || 2018-08-16 15:24:52
love this score. hasn't grown on me. was listening to it on my commute today. do you guys know if the track "psychological recovery" is the "suite" that came first. and then other cues developed from it? thanks


Hybrid Soldier2018-08-16 17:54:33
Nope, not a suite, a mix of about 4/5 cues.


Edmund Meinerts2018-08-16 17:56:53
No, "Psychological Recovery" is scored to picture, a bunch of cues put together from the climax of the film. IIRC the first three minutes or so are a solo Balfe cue actually.


Mike2018-08-16 18:36:53
...and a very good solo Balfe cue, at that. That theme and Hans' Moriarty theme are the most engaging ideas of these movies, to me.

Hey, while I'm here, any word on Hans doing the third movie?

Felix reply Replies: 7 || 2018-05-14 17:26:09
@Hybrid Soldier:

Why you still don't add the Complete Score Page? It's since a long time out


Mike (OTM)2018-05-14 18:56:10
He said a few years back that he "doesn't like" this bootleg. I imagine he still doesn't like it. ;)


Medigo2018-05-14 19:32:03
Its because its the film mix as opposed to the sessions, isnt it?


Anonymous2018-05-15 15:19:06
yes it is the film mix. I have it. plays like an isolated score. including source cues.


Edmund Meinerts2018-05-15 16:14:16
Yeah, it's pretty frustrating. It's full of unmusical crossfades and volume fluctuations, and to be honest there isn't a whole lot of worthwhile material there that wasn't already covered by the album (only the Dredger/boatyard fight music is really necessary). Still worth checking out if you're a big fan of the score, of course, but if you skip it you're not missing too much.


mpolonest123 2018-05-15 17:22:18
Someone did an edit on that release which removes the source music and cross fades, as well as fixing the volume. Still not great but much better than the other version.

But Edmund is right, almost everything necessary (excluding the Dredger fight and Blackwood Resurrection) is on the album. Probably one of Zimmer’s best album releases.


Medigo2018-05-15 17:47:21
I also quite like the Saving Irene/Blackwood Plan Explained tracks
and the proper opening of course


Bibi2018-06-07 15:25:08
I've got the new edit of the recording sessions, it's so much better than the previous one. Now I don't see any quality difference with the recordings sessions of Game of Shadows.

Felix reply Replies: 6 || 2017-01-20 23:35:47
Hey @Hybrid,

what's now with a Complete Score Page for Sherlocke Holmes & Sherlock Holmes: A Game of Shadows??


Anonymous2017-01-21 00:46:18
Am i missing something?

Is Sherlock 2 out already?


Anonymous2017-01-21 01:45:54
Umm...there aren't pages for the complete scores


Vivien2017-01-21 16:00:19
Game of shadows complete score is a dream...


Kusi2017-01-21 22:23:44
SH2 is one of my holy grails, the train scene score is absolutly great


Edmund Meinerts2017-01-22 00:03:35
The album for that one is such a disaster. I don't remember much about the score in film but I do remember there being a lot of really good stuff. Would love to hear a complete...


KingfannypackistheMILFcommander2018-05-14 20:08:10
Sherlock 2 is out, came out 2 days ago

Izzy reply Replies: 0 || 2016-05-30 02:01:44
How can I get the violin sheet music for Not in Blood, But in Bond?

Izzy reply Replies: 0 || 2016-05-30 02:01:43
How can I get the violin sheet music for Not in Blood, But in Bond?

Adam reply Replies: 13 || 2015-04-08 07:08:59
Hey Hybrid how come there is no page for the complete score? That would be awesome if you made one! With credits and all!! :D


Zimson2015-04-08 08:39:40
Ain't going to happen.


Adam2015-04-08 09:57:45
Why not, Zimson?


Zimson2015-04-08 23:29:51
.. because its just another silly waste of time and space to post a score that no one can ever buy legally. I just steal them myself off of pirated websites, screw the law.


Adam2015-04-09 02:13:06
But isn't it nice to have a proper place to discuss it? And there's no way of legally buying it so there's only one option! I would just like to have the credits that Hybrid Soldier posts on some of the other complete scores. That information is most helpful and I am thankful for that :)


Zimson2015-04-09 08:23:10
Get your own name, Anonymous!


Zimson2015-04-09 15:29:50
Just kidding. It's RealFingMusic.


Zimson2015-04-09 15:30:07
Just kidding. It's RealFingMusic.


RealFfingMusic2015-04-09 18:23:00
That ain't me, pisspot.


Zimson2015-04-09 19:25:33
Gosh what a loser I am, I keep pretending I'm someone else. I need help.


Anonymous2015-04-09 19:51:16
@Adam, I believe somewhere down the page, you might read that Hybrid Soldier doesn't care for the version of the complete score that became available not too long ago. And if you know anything about how Hybrid Soldier is, you could figure that if he doesn't like something, then it doesn't deserve to have its own page...or some bullshit.


Adam2015-04-09 20:52:30
Yup I read further down the page and saw him comment as well as the cues with all credits. Silly me XD

It's too bad it won't get a page but oh well!


Zimson2015-04-10 11:22:48
If you're the same guy who thought the earth is 6000 years old, I recommend you to get help.


Zimson2015-04-10 11:23:57
Oh yeah, and don't feed the troll I guess.

Mike reply Replies: 2 || 2014-10-16 17:50:38
Who is the violinist in I Never Woke Up In Handcuffs Before and Not In Blood, But In Bond ??


Mike2014-10-16 17:51:57
Just kidding, didn't realize that was in the details hahaha


Mike Previous2014-10-16 18:30:59
Just for clarity's sake, this was not I, the Mike who commented on the Spider-Man, Dead Man's Chest, and X-Men pages earlier.... :P

Dimitris Krommidas reply Replies: 0 || 2014-09-15 00:32:04
One of the most brilliant and clever scores from Hans Zimmer!

Mike reply Replies: 3 || 2014-05-07 18:12:32
Interesting....Remember how Hybrid said that if Lorne gets an "additional music / score producer" credit, it's a disguised way of saying he's a co-composer? Well if you look at the "Thanks" section in here and on Inception, it lists "Eva and David Balfe", who are usually only thanked in scores where Lorne is a fully-fledged composer, right? ;)


Anonymous2014-05-07 18:25:53
Part of me thinks that calling Balfe a co-composer on this one is understatement.


Mike2014-05-07 19:28:36
Same with Inception and any other score of Hans' he "produced"....lol


Zimson2014-06-03 19:08:13
He did the first half, or so of "Psychological Recovery... 6 Months", the rest is basically arrangements, I suppose.

Zimson reply Replies: 8 || 2014-02-11 18:58:03
I always thought Discombobulate was by Hans? On lornebalfe.com it says that the end credits music is by Lorne (It's basically the same thing).


MacArthur2014-02-11 19:29:15
I think it's by both.


Mike2014-02-11 19:48:59
It's Lorne Balfe's arrangement of Hans' original theme (check "Holmes (Hans 'n' Guy Version)"). So it is essentially by Hans, yes. All the elements found in Discombobulate are pretty much in Hans' original theme.


Zimson2014-02-11 21:00:14
Yeah, the theme is by Hans, but I've once red a post by Hans in a composer forum, where he says that he composed Discombobulate (indirectly, to be honest), after he got criticized by another composer. It was like: "Hey, I wrote it." or sth. like that if I remember it correctly.

Btw, I have the link, but I am not allowed to post it. (Or is it no problem?).
Use Google and type in: "Hans Zimmer in a forum!!!??" The first link that should appear is to a thread on the John Williams Fan Network site. The first post features a number of links. Click on the second one from below where it says "(his review about a member's piece, and about Sherlock Holmes)". Then look out for member "rctec".


Hybrid Soldier2014-02-11 21:06:44
Discombobulate is 90% HZ, what's this debate about ? lol


Zimson2014-02-11 21:11:57
@Hybrid Well, the end credits music is basically Discombobulate with more brass and and according to Lorne's website it's by him. So I thought this would be worth a discussion.


Mike2014-02-11 22:36:54
Well even on this website, Lorne's name is under Discombobulate....


RealFfingMusic2014-02-12 03:37:00
If anyone wants to bet here, I'm on Hans.
Apparently Discombobulate is so awesome everybody wants their name on it! (Except Hans, Heh-heh)


Zimson2014-02-12 08:27:50
That's right! He's so modest. :D

Zimson reply Replies: 0 || 2014-02-11 20:59:38
Yeah, the theme is by Hans, but I've once red a post by Hans in a composer forum, where he says that he composed Discombobulate (indirectly, to be honest), after he got criticized by another composer. It was like: "Hey, I wrote it." or sth. like that if I remember it correctly.

Btw, I have the link, but I am not allowed to post it. (Or is it no problem?).
Use Google and type in: "Hans Zimmer in a forum!!!??" The first link that should appear is to a thread on the John Williams Fan Network site. The first post features a number of links. Click on the second one from below where it says "(his review about a member's piece, and about Sherlock Holmes)". Then look out for member "rctec".

Anonymous reply Replies: 0 || 2014-02-09 19:47:46
Holmes (Hans n Guy Version) — did the director help write the theme???

Mike reply Replies: 5 || 2013-09-26 20:14:48
Who wrote Blackwood's theme, Lorne Balfe or Hans Zimmer?


SamFisher2013-09-26 21:14:47
Lorne Balfe


Areozz2013-09-27 00:22:23
Methinks that by now, Blackwood's theme originated from music that has to be public domain. Unless we're not talking about the same theme, the one I'm thinking of bears a strong resemblance to the tune that grandfather clocks play. In fact, one occurrence of the theme happens during a shot of Big Ben.

Are we thinking of the same theme?


Mike2013-09-27 00:59:40
I daresay we are. Had you not mentioned it, I wouldn't have noticed the similarities, but now they're really obvious.


MacArthur2013-09-27 03:15:09
And I think that the "To the Opera" part was Hans If I'm not Mistaken.


Mike2014-01-28 18:45:34
To the Opera, from the second one, was done by Matthew Margeson. ;)

Mike reply Replies: 0 || 2014-01-23 19:20:13
I'm convinced that "The Game Is On" from the BBC series of Sherlock was influenced by Hans' Sherlock Holmes sound. I could honestly picture that track being in here.

... reply Replies: 2 || 2013-12-10 20:19:07
@Hybrid

Say, do you know if Zimmer will be scoring Guy Ritchie new movie (The Man From U.N.C.L.E.)

I am asking this because the two of them collaborated on two Holmes movies!:P


Mike2013-12-10 22:51:25
If I remember right, Zimmer himself said no to that one. :)


...2013-12-10 23:50:22
Okay thanks!

Anonymous reply Replies: 0 || 2013-08-13 18:48:40
Lorne Balfe is an enigma to me. Sometimes I like his music a lot ("Is It Poison, Nanny?", credited solely to him, is my favorite track on this album, and I love the whole Inception score, as well as the Skylanders and MW2 scores). On the other hand, I dislike some of his stuff and think it sounds cheap (a lot of the TDKR cues and the AC3 score).

Anonymous reply Replies: 0 || 2013-08-03 00:12:14
Any news on SH3 and a possible Hans/Lorne score? ;)

Mike reply Replies: 6 || 2013-07-03 20:51:04
Apparently the Game of Shadows album is a bad one...How about this one (I haven't seen the movie in a while, so I can't remember if the music sounded different?)


Hybrid Soldier2013-07-03 21:05:26
No that one is well done... :)


Richard2013-07-04 03:17:51
Personally I think Game of Shadows is one of the best releases!


Edmund Meinerts2013-07-04 11:50:45
Yeah...what with all the music sped up, and most of the score not present in favor of source pieces and classical "mutilations"...definitely one of the BEST releases. :/


Rick Grimes2013-07-08 13:38:59
I actually loved the first one but was kinda let down by the second.
The first one proved to be a great ally as I navigated the zombie apocalypse.
Ever try fighting zombies with Discombobulate in your ears?
Don't.


Meta2013-07-08 17:04:32
LOL I played that through headset once while playing Left for Dead 2 back in 09....Everybody was gong nuts


My Name Is Mime2013-07-09 09:07:52
Nice, I used to play discombobulate to wake my parents out.
With speakers.

Anonymous reply Replies: 1 || 2013-07-08 21:22:45
What exactly is Homes (Hans and Guy Version)? Is it like a demo theme?


Hybrid Soldier2013-07-08 21:59:55
Actually, that's exactly what it is ! :)

Anonymous reply Replies: 0 || 2013-06-08 02:59:28
I mean, this score could be used for Sherlock Holmes or...next-to-nothing. But please don't tell Warner Brothers that. ;)

--Hans Zimmer in one interview

Anonymous123 reply Replies: 19 || 2013-05-11 07:20:34
SHERLOCK HOLMES COMPLETE SCORE

01 - 1m1-1A Race To Ritual Pts. 1 & 2
02 - 1m1B Main Titles
03 - 2m3 Holmes' Room
04 - 2m4AS
05 - 2m4BS-5-6S Offends Mary
06 - 2m8S-2m9 Blackwood's Request
07 - 2m11S Violin Plucking Source 1
08 - 2m13-14 pt1 Arriving At The Prison I
09 - 2m13-14 pt2 Arriving At The Prison II
10 - 3m15 Holmes & Irene
11 - 3m16S Violin Plucking Source 2
12 - 3m17 The Man In The Carriage
13 - 3m18A-18BS-18C Holmes Follows Irene
14 - 3m19-20-21S Blackwood Resurrection - Street Source
15 - 3m22 Gypsy Fortune Teller
16 - 3m23S-24 pt1 Investigating Reordon's Lab Pt. 1
17 - 3m24 pt2 Investigating Reordon's Lab Pt. 2
18 - 4m25A
19 - 4m25S Arrival Of Dredger
20 - 4m26A Holmes & Dredger Talk
21 - 4m26B The Boat
22 - 4m26S Chase Dredger
23 - 4m27 Marital Sabotage
24 - 4m28 Meet Sir Thomas Rotherin
25 - 4m29 Stop Blackwood
26 - 4m30 Irene Subdues Holmes
27 - 4m31 Death Of Rotherin
28 - 5m32 Rotherin's Secret Chamber
29 - 5m33 Death Of The Ambassador
30 - 5m34 Corpse Examination
31 - 5m35-36A Boat To Slaughterhouse - Save Irene
32 - 5m36B Save Irene Pt. 2
33 - 5m37 Tripwire
34 - 6m37A Moriarity & Irene On A Train
35 - 6m38 Hospital Through Ritual
36 - 6m39
37 - 6m39S Violin Plucking Source 3
38 - 6m40 Blackwood's Plan Explained
39 - 6m40A Holmes Wakes Up
40 - 6m42
41 - 6m42A Holmes Smokes Coward
42 - 6m43A Parliament Final Battle
43 - 7m43B Parliament Final Battle Pt. 2
44 - 7m43C
45 - 7m43D
46 - 7m46A Moriarity Case Reopened
47 - 7m46B End Titles Pt. 1
48 - 7m46C End Titles Pt. 2
49 - 7m46D End Titles Pt. 3
50.- Sherlock Holmes Suite
51.- Holmes (Hans 'n' Guy Version


JayAndSilent2013-05-11 07:34:20
Nice!

Any chance this gets leaked in the near future?


e2013-05-11 08:59:41
Got a tracklist for game of shadows?


Score_Trader2013-05-11 09:19:48
I am going to call this guy's bluff.

I don't believe Garage sent you anything due to the fact that he would be risking his source, and I am sure he is smarter than that.



Garage2013-05-11 09:20:54
FAKE !!!


Mike2013-05-11 09:51:58
I'm beginning to think that anyone who claims to have a complete score on this site will now use the name Anonymous123.


Cody2013-05-11 23:02:46
This track list is legit.


T-Mann0362013-05-12 17:30:10
The leak is FINALLY here!!!!!


Hybrid Soldier2013-05-12 17:56:04
And no, I won't create a page for that one...


Cause I basically don't want to... Cause I don't like that bootleg (the boot, not the music :P).


al bundy2013-05-12 17:59:26
has now been leaked as well.


Anonymous2013-05-12 18:42:48
This thing sounds like it was taken directly from the film. All the edits and cuts and crossfades are present - but no dialogue and sfx. How strange.


cheesy2013-05-12 18:57:36
I noticed that, too. As opposed to Inception and TDKR, which sound like they were earlier than the actual film mix.


Hybrid Soldier2013-05-12 18:58:15
You just explained my previous message... :)


cheesy2013-05-12 19:04:22
Hey Hybrid, any idea why some bootlegs from around 2008 (Iron Man and TDK being the best examples) sound much more richly mastered and have more noticeable bass than most others (like POTC and TDKR or even Inception) which sound... emptier, almost?


Hybrid Soldier2013-05-12 19:06:09
Hard to say... Just depends on the original recording... Some are recorded loud, some are not. Bootlegs are original files so not mastered by definition. There's no rule.


Mr Motivator2013-05-12 22:12:21
the 'boot' actually sounds better than the commercial release imo


Medigo2013-05-12 23:43:38
Makes ya wonder how many bootlegs are still out there

watch it be the next thing everyone begs about


Rene2013-05-13 13:57:01
Hybrid; Now i can say this is not the original sessions, it is only an complete isolated score(bootleg) but i do not know the source of this and the slates!!!!


Hybrid Soldier2013-05-13 14:04:47
I honestly don't know the source, nor understand it. Is it some DVD isolated production (like WarmButter DVDs) ? Is it true sessions "arranged" in film mix by someone ? No idea.

The titles just come from the cue sheet I posted years ago...

And some are even wrong here, Arrival Of Dredger should actually be "Meet Dredger"... ;)


Anonymous2013-05-13 14:06:21
The slates and titles are clearly from ASCAP. Some cues are mis-titled at parts too.

lkjj reply Replies: 1 || 2013-05-12 17:24:56
For fucks sake stop leaking...


lkjj2013-05-12 17:25:38
Sorry, that was unapropriet

Anonymous reply Replies: 0 || 2013-05-12 07:07:25
Does anyone else hear Angelica's POTC4 theme in Data, Data, Data?

Pages << 1 2 3 4 5 6 7 8 9 10 11 12 >>

 HANS-ZIMMER.com© 2001-2018 OST 
Sherlock Holmes soundtrack - Hans Zimmer 2009