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Theres quite a bit of good unreleased stuff from this score. Stuff like the cue that plays during Alita's first game of motorball with the other kids, the bar fight music, the unused string rendition of Alita's theme and the end titles arrangement of Motorball/Swan Song.Does anyone have the "Motorball" cue from end credits? It sounds like the beginning of the "Motorball" track but it's different than on the OST. It plays directly after the Swan Song track...<br><br>Why is it left off the CD?Huh... Do people at RCP ask H-Z.com to use the official, less accurate credits in some cases? I seem to recall some credit fiasco on POTC4.So what happened to the credits here? It used to be a mixture of solo Atli cues with Atli/Dave Fleming, and now all three guys are credited for every track even though Tillman is only listed as a musician? Is this like with Armageddon, where the "official" credits aren't as accurate as the older ones were? :pMost of the album is comprised of suites, with one consistent tempo per track. <br><br>The material that was scored to picture was scored using the risset rhythm technique, which gave a lot of those tracks their "infinitely getting faster" feeling in the film, so the tempo is always climbing in the film versions. The suites have a stable tempo (except for a couple normal tempo changes, which are different)
Not really any... "Nothing Out There" contains the sad piano theme from Begins and Dark Knight, but otherwise the themes that get reprised are pretty much Hans stuff. <br><br>Speaking of credits, any chance the complete score page could be updated with what's out there and official?Could somebody tell me in what cues JNH's themes appear on album?Thanks MIKE, Any ideas of how can I Google it?Yeah, that cue was either a last minute rewrite or one of the music editors did it.... As for where you can find it...Google is your friend. But it's not going to be available anywhere officially.I think it will be in between NOT ORDINARY CITIZEN / THE SLOW KNIFE and IMAGINE THE FIRE, Does anybody know where can I find it?<br>
I noticed that this score doesn't has the soundtrack of the part where Blake is taking the people to the bridge and he is discusing with the other police officer before he blows the bridgeThat's right, I forgot about that... And I totally agree about the score vs. the album. I had no use for this score on album at first, but now that I've watched the movie a few times, I can really hear the logic behind the score and I "get it." <br><br>I still don't get the music as heard on album, though. Are the longer pieces some early suites Hans wrote? Or did he specifically make these arrangements for the album? Do you know the answer to that one, Hybrid?I wanna say I heard the full Cat Suite somewhere... I can't remember if it was legit, but it was 15:39 and it was indeed quite repetitive. It was basically the Selina Kyle Suite from the Z+ app, along with demos of several of the Catwoman-related cues in the final score. If you've listened through the score, you've basically heard the unreleased stuff.@Mike<br>Zimmer has said in interviews that he “mapped out” the film with one long piece of music to establish the changing tempo of the story, and apparently the script was written to capture the rhythmic feel of the film. So from the very beginning the story was always split up between the three.<br><br>I think a big part of the initial disappointment with the score was the album presentation, which gives off the impression that the music is just some sound design that Zimmer threw together (this is how I personally felt when I first gave it a listen). In actuality it’s a technically impressive score, I really can’t think of any other film score that is so synchronized with a film’s tempo and flows as one long piece of music. Apparently it was a nightmare for Hans, especially when the smallest edits to the film would ruin the flow.<br><br>Doing the 59-minute album was a pretty big disservice to the whole purpose of the music. If you remove one piece the whole thing falls apart, which is part of the reason the album feels so disjointed.Anyone here listened "The Predator" FYC score? <br>Any chance to compare tracklist and running time with official release?
These versions suites haven't been officially released, but maybe you can find them somewhere around the Internet unofficially.<br><br>As for the Cat Suite, the most important parts of it can be found in "Selina Kyle" (it's a shortened version of it actually) and "Mind if I cut in?" from the OST. I remember that Hybrid once said that the 15mins Cat Suite was too repetitive, that's why a 5min only version was released, so maybe you are just fine with those two.<br>Where can I listen to the Cat Suite? Or is it literally: Selina Kyle Theme? <br>The Mole P1 (0-1:57)<br>Regimental Brothers P1 (0-1:19)<br>The Mole P2 (1:57-3:44)<br>Regimental Brothers P3 (2:44 onward)<br>We Need Our Army Back<br>Shivering Soldier<br>Supermarine P1 (0-2:47)<br>The Mole P3 (3:45 onward)<br>We Need Our Army Back (again) <br>Supermarine P2 (*5:33)<br>Impulse<br>The Tide<br>Home <br>The Oil <br>Variation 15<br>End Credits <br><br>As everyone said already, the album is made up of suites that combine several cues and several "sounds" used in various places. For example, the is a sound in The Mole (At 2:05) that sounds like a fuse being ignited. This sound is actually right after The Tide in the film.<br>The only tracks that are almost identical to the film are: The Tide, Variation 15 and End Credits, the rest is different. <br><br>So if you were to order the tracks as first heard in the film it would be: <br>The Mole <br>Regimental Brothers <br>We Need Our Army Back<br>Shivering Soldier <br>Supermarine <br>Impluse <br>The Tide <br>Home <br>The Oil<br>Variation 15<br>End credits<br><br>As much as I enjoyed listening to this release, I wish they didn't butcher the score the way they did. I like the suites but there are so many great cues in this film that weren't released. If only they released an isolated score track on Blu-ray. Listening to film extracts is just not enough.I noticed that as well — the ticking goes all through the movie, except for the boat scenes, and only stops when they get on the train. <br><br>I wonder...could the film have originally been shot so that the beach, sea, and air sequences were there own arcs, and the longer album tracks were written for that? And then Nolan went in and turned the movie into the frenetic, constantly cutting-back-and-forth final product? <br><br>While the album is fine, I personally don't understand why we couldn't have just gotten the film cues. They might have had to stitch several together for each track, but it could have worked.Does anyone know where you can get a digital version of the Japanese versions 2 bonus tracks?
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Hans ZimmerLorne BalfeAndrew ZackBob Badami
ComposerAdditional MusicScore CoordinatorMusic Supervisor
Sherlock Holmes
Label: WaterTower Music
Length: 54'40
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (24435 votes)
  1. Discombobulate (2:25)
    Hans Zimmer, Lorne Balfe
  2. Is It Poison, Nanny? (2:53)
    Lorne Balfe
  3. I Never Woke Up In Handcuffs Before (1:44)
    Hans Zimmer
  4. My Mind Rebels At Stagnation (4:31)
    Hans Zimmer, Lorne Balfe
  5. Data, Data, Data (2:15)
    Hans Zimmer
  6. He's Killed The Dog Again (3:15)
    Hans Zimmer, Lorne Balfe
  7. Marital Sabotage (3:44)
    Hans Zimmer
  8. Not In Blood, But In Bond (2:13)
    Hans Zimmer
  9. Ah, Putrefaction (1:50)
    Hans Zimmer, Lorne Balfe
  10. Panic, Shear Bloody Panic (2:38)
    Hans Zimmer, Lorne Balfe
  11. Psychological Recovery... 6 Months (18:18)
    Hans Zimmer, Lorne Balfe
  12. Catatonic (6:44)
    Hans Zimmer, Lorne Balfe
  13. Holmes (Hans 'n' Guy Version) (2:14) *
    Hans Zimmer
*Buy tickets in advance for Sherlock Holmes and receive a free exclusive of the song Holmes (Hans 'n' Guy Version) by Hans Zimmer on iTunes.
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nvictor reply Replies: 3 || 2018-08-16 15:24:52
love this score. hasn't grown on me. was listening to it on my commute today. do you guys know if the track "psychological recovery" is the "suite" that came first. and then other cues developed from it? thanks

Hybrid Soldier2018-08-16 17:54:33
Nope, not a suite, a mix of about 4/5 cues.

Edmund Meinerts2018-08-16 17:56:53
No, "Psychological Recovery" is scored to picture, a bunch of cues put together from the climax of the film. IIRC the first three minutes or so are a solo Balfe cue actually.

Mike2018-08-16 18:36:53
...and a very good solo Balfe cue, at that. That theme and Hans' Moriarty theme are the most engaging ideas of these movies, to me.

Hey, while I'm here, any word on Hans doing the third movie?

Felix reply Replies: 7 || 2018-05-14 17:26:09
@Hybrid Soldier:

Why you still don't add the Complete Score Page? It's since a long time out

Mike (OTM)2018-05-14 18:56:10
He said a few years back that he "doesn't like" this bootleg. I imagine he still doesn't like it. ;)

Medigo2018-05-14 19:32:03
Its because its the film mix as opposed to the sessions, isnt it?

Anonymous2018-05-15 15:19:06
yes it is the film mix. I have it. plays like an isolated score. including source cues.

Edmund Meinerts2018-05-15 16:14:16
Yeah, it's pretty frustrating. It's full of unmusical crossfades and volume fluctuations, and to be honest there isn't a whole lot of worthwhile material there that wasn't already covered by the album (only the Dredger/boatyard fight music is really necessary). Still worth checking out if you're a big fan of the score, of course, but if you skip it you're not missing too much.

mpolonest123 2018-05-15 17:22:18
Someone did an edit on that release which removes the source music and cross fades, as well as fixing the volume. Still not great but much better than the other version.

But Edmund is right, almost everything necessary (excluding the Dredger fight and Blackwood Resurrection) is on the album. Probably one of Zimmer’s best album releases.

Medigo2018-05-15 17:47:21
I also quite like the Saving Irene/Blackwood Plan Explained tracks
and the proper opening of course

Bibi2018-06-07 15:25:08
I've got the new edit of the recording sessions, it's so much better than the previous one. Now I don't see any quality difference with the recordings sessions of Game of Shadows.

Felix reply Replies: 6 || 2017-01-20 23:35:47
Hey @Hybrid,

what's now with a Complete Score Page for Sherlocke Holmes & Sherlock Holmes: A Game of Shadows??

Anonymous2017-01-21 00:46:18
Am i missing something?

Is Sherlock 2 out already?

Anonymous2017-01-21 01:45:54
Umm...there aren't pages for the complete scores

Vivien2017-01-21 16:00:19
Game of shadows complete score is a dream...

Kusi2017-01-21 22:23:44
SH2 is one of my holy grails, the train scene score is absolutly great

Edmund Meinerts2017-01-22 00:03:35
The album for that one is such a disaster. I don't remember much about the score in film but I do remember there being a lot of really good stuff. Would love to hear a complete...

KingfannypackistheMILFcommander2018-05-14 20:08:10
Sherlock 2 is out, came out 2 days ago

Izzy reply Replies: 0 || 2016-05-30 02:01:44
How can I get the violin sheet music for Not in Blood, But in Bond?

Izzy reply Replies: 0 || 2016-05-30 02:01:43
How can I get the violin sheet music for Not in Blood, But in Bond?

Zimson reply Replies: 2 || 2015-04-23 16:48:47
This seems real. Where the hell did he get it?

https://www.youtube.com/ watch?v=4trLnD5pIGk

thejok3rrules2015-04-23 17:22:10
If I recall correclty, this track has been on Lorne Balfe's website for a while now.

Also, a complete isolated score has surfaced a certain time ago, including every material heard in the movie, sfx-free of course.

Anonymous2015-04-23 19:01:34
It surfaced same day as Inception and Rango. Almost 2 years ago

Adam reply Replies: 13 || 2015-04-08 07:08:59
Hey Hybrid how come there is no page for the complete score? That would be awesome if you made one! With credits and all!! :D

Zimson2015-04-08 08:39:40
Ain't going to happen.

Adam2015-04-08 09:57:45
Why not, Zimson?

Zimson2015-04-08 23:29:51
.. because its just another silly waste of time and space to post a score that no one can ever buy legally. I just steal them myself off of pirated websites, screw the law.

Adam2015-04-09 02:13:06
But isn't it nice to have a proper place to discuss it? And there's no way of legally buying it so there's only one option! I would just like to have the credits that Hybrid Soldier posts on some of the other complete scores. That information is most helpful and I am thankful for that :)

Zimson2015-04-09 08:23:10
Get your own name, Anonymous!

Zimson2015-04-09 15:29:50
Just kidding. It's RealFingMusic.

Zimson2015-04-09 15:30:07
Just kidding. It's RealFingMusic.

RealFfingMusic2015-04-09 18:23:00
That ain't me, pisspot.

Zimson2015-04-09 19:25:33
Gosh what a loser I am, I keep pretending I'm someone else. I need help.

Anonymous2015-04-09 19:51:16
@Adam, I believe somewhere down the page, you might read that Hybrid Soldier doesn't care for the version of the complete score that became available not too long ago. And if you know anything about how Hybrid Soldier is, you could figure that if he doesn't like something, then it doesn't deserve to have its own page...or some bullshit.

Adam2015-04-09 20:52:30
Yup I read further down the page and saw him comment as well as the cues with all credits. Silly me XD

It's too bad it won't get a page but oh well!

Zimson2015-04-10 11:22:48
If you're the same guy who thought the earth is 6000 years old, I recommend you to get help.

Zimson2015-04-10 11:23:57
Oh yeah, and don't feed the troll I guess.

Mike reply Replies: 2 || 2014-10-16 17:50:38
Who is the violinist in I Never Woke Up In Handcuffs Before and Not In Blood, But In Bond ??

Mike2014-10-16 17:51:57
Just kidding, didn't realize that was in the details hahaha

Mike Previous2014-10-16 18:30:59
Just for clarity's sake, this was not I, the Mike who commented on the Spider-Man, Dead Man's Chest, and X-Men pages earlier.... :P

Dimitris Krommidas reply Replies: 0 || 2014-09-15 00:32:04
One of the most brilliant and clever scores from Hans Zimmer!

Mike reply Replies: 3 || 2014-05-07 18:12:32
Interesting....Remember how Hybrid said that if Lorne gets an "additional music / score producer" credit, it's a disguised way of saying he's a co-composer? Well if you look at the "Thanks" section in here and on Inception, it lists "Eva and David Balfe", who are usually only thanked in scores where Lorne is a fully-fledged composer, right? ;)

Anonymous2014-05-07 18:25:53
Part of me thinks that calling Balfe a co-composer on this one is understatement.

Mike2014-05-07 19:28:36
Same with Inception and any other score of Hans' he "produced"....lol

Zimson2014-06-03 19:08:13
He did the first half, or so of "Psychological Recovery... 6 Months", the rest is basically arrangements, I suppose.

Zimson reply Replies: 8 || 2014-02-11 18:58:03
I always thought Discombobulate was by Hans? On lornebalfe.com it says that the end credits music is by Lorne (It's basically the same thing).
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MacArthur2014-02-11 19:29:15
I think it's by both.

Mike2014-02-11 19:48:59
It's Lorne Balfe's arrangement of Hans' original theme (check "Holmes (Hans 'n' Guy Version)"). So it is essentially by Hans, yes. All the elements found in Discombobulate are pretty much in Hans' original theme.

Zimson2014-02-11 21:00:14
Yeah, the theme is by Hans, but I've once red a post by Hans in a composer forum, where he says that he composed Discombobulate (indirectly, to be honest), after he got criticized by another composer. It was like: "Hey, I wrote it." or sth. like that if I remember it correctly.

Btw, I have the link, but I am not allowed to post it. (Or is it no problem?).
Use Google and type in: "Hans Zimmer in a forum!!!??" The first link that should appear is to a thread on the John Williams Fan Network site. The first post features a number of links. Click on the second one from below where it says "(his review about a member's piece, and about Sherlock Holmes)". Then look out for member "rctec".

Hybrid Soldier2014-02-11 21:06:44
Discombobulate is 90% HZ, what's this debate about ? lol

Zimson2014-02-11 21:11:57
@Hybrid Well, the end credits music is basically Discombobulate with more brass and and according to Lorne's website it's by him. So I thought this would be worth a discussion.

Mike2014-02-11 22:36:54
Well even on this website, Lorne's name is under Discombobulate....

RealFfingMusic2014-02-12 03:37:00
If anyone wants to bet here, I'm on Hans.
Apparently Discombobulate is so awesome everybody wants their name on it! (Except Hans, Heh-heh)

Zimson2014-02-12 08:27:50
That's right! He's so modest. :D

Zimson reply Replies: 0 || 2014-02-11 20:59:38
Yeah, the theme is by Hans, but I've once red a post by Hans in a composer forum, where he says that he composed Discombobulate (indirectly, to be honest), after he got criticized by another composer. It was like: "Hey, I wrote it." or sth. like that if I remember it correctly.

Btw, I have the link, but I am not allowed to post it. (Or is it no problem?).
Use Google and type in: "Hans Zimmer in a forum!!!??" The first link that should appear is to a thread on the John Williams Fan Network site. The first post features a number of links. Click on the second one from below where it says "(his review about a member's piece, and about Sherlock Holmes)". Then look out for member "rctec".

Anonymous reply Replies: 0 || 2014-02-09 19:47:46
Holmes (Hans n Guy Version) — did the director help write the theme???

Mike reply Replies: 5 || 2013-09-26 20:14:48
Who wrote Blackwood's theme, Lorne Balfe or Hans Zimmer?

SamFisher2013-09-26 21:14:47
Lorne Balfe

Areozz2013-09-27 00:22:23
Methinks that by now, Blackwood's theme originated from music that has to be public domain. Unless we're not talking about the same theme, the one I'm thinking of bears a strong resemblance to the tune that grandfather clocks play. In fact, one occurrence of the theme happens during a shot of Big Ben.

Are we thinking of the same theme?

Mike2013-09-27 00:59:40
I daresay we are. Had you not mentioned it, I wouldn't have noticed the similarities, but now they're really obvious.

MacArthur2013-09-27 03:15:09
And I think that the "To the Opera" part was Hans If I'm not Mistaken.

Mike2014-01-28 18:45:34
To the Opera, from the second one, was done by Matthew Margeson. ;)

Mike reply Replies: 0 || 2014-01-23 19:20:13
I'm convinced that "The Game Is On" from the BBC series of Sherlock was influenced by Hans' Sherlock Holmes sound. I could honestly picture that track being in here.

... reply Replies: 2 || 2013-12-10 20:19:07
@Hybrid

Say, do you know if Zimmer will be scoring Guy Ritchie new movie (The Man From U.N.C.L.E.)

I am asking this because the two of them collaborated on two Holmes movies!:P

Mike2013-12-10 22:51:25
If I remember right, Zimmer himself said no to that one. :)

...2013-12-10 23:50:22
Okay thanks!

Anonymous reply Replies: 0 || 2013-08-13 18:48:40
Lorne Balfe is an enigma to me. Sometimes I like his music a lot ("Is It Poison, Nanny?", credited solely to him, is my favorite track on this album, and I love the whole Inception score, as well as the Skylanders and MW2 scores). On the other hand, I dislike some of his stuff and think it sounds cheap (a lot of the TDKR cues and the AC3 score).

Anonymous reply Replies: 0 || 2013-08-03 00:12:14
Any news on SH3 and a possible Hans/Lorne score? ;)

Mike reply Replies: 6 || 2013-07-03 20:51:04
Apparently the Game of Shadows album is a bad one...How about this one (I haven't seen the movie in a while, so I can't remember if the music sounded different?)

Hybrid Soldier2013-07-03 21:05:26
No that one is well done... :)

Richard2013-07-04 03:17:51
Personally I think Game of Shadows is one of the best releases!

Edmund Meinerts2013-07-04 11:50:45
Yeah...what with all the music sped up, and most of the score not present in favor of source pieces and classical "mutilations"...definitely one of the BEST releases. :/

Rick Grimes2013-07-08 13:38:59
I actually loved the first one but was kinda let down by the second.
The first one proved to be a great ally as I navigated the zombie apocalypse.
Ever try fighting zombies with Discombobulate in your ears?
Don't.

Meta2013-07-08 17:04:32
LOL I played that through headset once while playing Left for Dead 2 back in 09....Everybody was gong nuts

My Name Is Mime2013-07-09 09:07:52
Nice, I used to play discombobulate to wake my parents out.
With speakers.

Anonymous reply Replies: 1 || 2013-07-08 21:22:45
What exactly is Homes (Hans and Guy Version)? Is it like a demo theme?

Hybrid Soldier2013-07-08 21:59:55
Actually, that's exactly what it is ! :)

Anonymous reply Replies: 0 || 2013-06-08 02:59:28
I mean, this score could be used for Sherlock Holmes or...next-to-nothing. But please don't tell Warner Brothers that. ;)

--Hans Zimmer in one interview

Anonymous123 reply Replies: 19 || 2013-05-11 07:20:34
SHERLOCK HOLMES COMPLETE SCORE

01 - 1m1-1A Race To Ritual Pts. 1 & 2
02 - 1m1B Main Titles
03 - 2m3 Holmes' Room
04 - 2m4AS
05 - 2m4BS-5-6S Offends Mary
06 - 2m8S-2m9 Blackwood's Request
07 - 2m11S Violin Plucking Source 1
08 - 2m13-14 pt1 Arriving At The Prison I
09 - 2m13-14 pt2 Arriving At The Prison II
10 - 3m15 Holmes & Irene
11 - 3m16S Violin Plucking Source 2
12 - 3m17 The Man In The Carriage
13 - 3m18A-18BS-18C Holmes Follows Irene
14 - 3m19-20-21S Blackwood Resurrection - Street Source
15 - 3m22 Gypsy Fortune Teller
16 - 3m23S-24 pt1 Investigating Reordon's Lab Pt. 1
17 - 3m24 pt2 Investigating Reordon's Lab Pt. 2
18 - 4m25A
19 - 4m25S Arrival Of Dredger
20 - 4m26A Holmes & Dredger Talk
21 - 4m26B The Boat
22 - 4m26S Chase Dredger
23 - 4m27 Marital Sabotage
24 - 4m28 Meet Sir Thomas Rotherin
25 - 4m29 Stop Blackwood
26 - 4m30 Irene Subdues Holmes
27 - 4m31 Death Of Rotherin
28 - 5m32 Rotherin's Secret Chamber
29 - 5m33 Death Of The Ambassador
30 - 5m34 Corpse Examination
31 - 5m35-36A Boat To Slaughterhouse - Save Irene
32 - 5m36B Save Irene Pt. 2
33 - 5m37 Tripwire
34 - 6m37A Moriarity & Irene On A Train
35 - 6m38 Hospital Through Ritual
36 - 6m39
37 - 6m39S Violin Plucking Source 3
38 - 6m40 Blackwood's Plan Explained
39 - 6m40A Holmes Wakes Up
40 - 6m42
41 - 6m42A Holmes Smokes Coward
42 - 6m43A Parliament Final Battle
43 - 7m43B Parliament Final Battle Pt. 2
44 - 7m43C
45 - 7m43D
46 - 7m46A Moriarity Case Reopened
47 - 7m46B End Titles Pt. 1
48 - 7m46C End Titles Pt. 2
49 - 7m46D End Titles Pt. 3
50.- Sherlock Holmes Suite
51.- Holmes (Hans 'n' Guy Version

JayAndSilent2013-05-11 07:34:20
Nice!

Any chance this gets leaked in the near future?

e2013-05-11 08:59:41
Got a tracklist for game of shadows?

Score_Trader2013-05-11 09:19:48
I am going to call this guy's bluff.

I don't believe Garage sent you anything due to the fact that he would be risking his source, and I am sure he is smarter than that.


Garage2013-05-11 09:20:54
FAKE !!!

Mike2013-05-11 09:51:58
I'm beginning to think that anyone who claims to have a complete score on this site will now use the name Anonymous123.

Cody2013-05-11 23:02:46
This track list is legit.

T-Mann0362013-05-12 17:30:10
The leak is FINALLY here!!!!!

Hybrid Soldier2013-05-12 17:56:04
And no, I won't create a page for that one...


Cause I basically don't want to... Cause I don't like that bootleg (the boot, not the music :P).

al bundy2013-05-12 17:59:26
has now been leaked as well.

Anonymous2013-05-12 18:42:48
This thing sounds like it was taken directly from the film. All the edits and cuts and crossfades are present - but no dialogue and sfx. How strange.

cheesy2013-05-12 18:57:36
I noticed that, too. As opposed to Inception and TDKR, which sound like they were earlier than the actual film mix.

Hybrid Soldier2013-05-12 18:58:15
You just explained my previous message... :)

cheesy2013-05-12 19:04:22
Hey Hybrid, any idea why some bootlegs from around 2008 (Iron Man and TDK being the best examples) sound much more richly mastered and have more noticeable bass than most others (like POTC and TDKR or even Inception) which sound... emptier, almost?

Hybrid Soldier2013-05-12 19:06:09
Hard to say... Just depends on the original recording... Some are recorded loud, some are not. Bootlegs are original files so not mastered by definition. There's no rule.

Mr Motivator2013-05-12 22:12:21
the 'boot' actually sounds better than the commercial release imo

Medigo2013-05-12 23:43:38
Makes ya wonder how many bootlegs are still out there

watch it be the next thing everyone begs about

Rene2013-05-13 13:57:01
Hybrid; Now i can say this is not the original sessions, it is only an complete isolated score(bootleg) but i do not know the source of this and the slates!!!!

Hybrid Soldier2013-05-13 14:04:47
I honestly don't know the source, nor understand it. Is it some DVD isolated production (like WarmButter DVDs) ? Is it true sessions "arranged" in film mix by someone ? No idea.

The titles just come from the cue sheet I posted years ago...

And some are even wrong here, Arrival Of Dredger should actually be "Meet Dredger"... ;)

Anonymous2013-05-13 14:06:21
The slates and titles are clearly from ASCAP. Some cues are mis-titled at parts too.

lkjj reply Replies: 1 || 2013-05-12 17:24:56
For fucks sake stop leaking...

lkjj2013-05-12 17:25:38
Sorry, that was unapropriet

Anonymous reply Replies: 0 || 2013-05-12 07:07:25
Does anyone else hear Angelica's POTC4 theme in Data, Data, Data?

Mike reply Replies: 0 || 2012-11-24 09:12:28
To be honest, I thought the score to the first movie didn't fit the onscreen material very well (A Game of Shadows was much better with that), but I gotta hand it to Zimmer: he did something different. That's really admirable in and of itself.

Felix reply Replies: 1 || 2012-05-14 21:52:54
01. Opening Titles / Race To Ritual (4:10)
02. Holmes (2:16)
03. Holmes' Room (1:08)
04. Offends Mary (1:53)
05. Arrival At The Prison (3:31)
06. The Man In The Carriage (1:29)
07. Holmes Follows Irene (1:47)
08. Blackwood Resurrection (4:44)
09. Gypsy Fortuneteller (0:58)
10. Irene Subduse Holmes (2:20)
11. Unused Cue (1:34)
12. Corpse Examination (1:05)
13. Boat To Slaughternouse (1:34)
14. Tripwire (2:19)
15. Hospital Through Ritual (Pt.1) (1:48)
16. Hospital Through Ritual (Pt.2) (1:35)
17. Holmes Smoked Coward (Pt.1) (0:55)
18. Holmes Smoked Coward (Pt.2) (4:55)
19. Parliament Final Battle (Pt.1) (11:16)
20. Parliament Final Battle (Pt.2) (2:22)
21. Moriaty Case Reopended (2:24)
22. End Credits (Pt.1) (2:06)
23. End Credits (Pt.2) (3:22)
24. Suite (8:52)

Mr. Fate2012-05-14 22:41:12
Thanks for putting the original soundtrack in film order, Felix, and using the ASCAP track titles. I'm not trying to sound like a dick or anything. I just thought I'd let people know that if an/the edit ever surfaces that corresponds to this list, nothing new or mind-blowing will be found in it.

[I did an analysis of the score myself recently, to put the slate numbers and names to the appropriate music and then took a look at what of that music is available on the OST.]

Anonymous reply Replies: 3 || 2012-01-01 16:16:42
Does anybody know what was temp-track for this movie?

cheesy2012-01-01 22:05:33
Pretty sure it was the score for The Dark Knight, which is why Guy Ritchie wanted to work with HZ in the first place.

Mr. Fate2012-01-02 15:11:25
Temp tracks? Like what they used as temporary score before Zimmer wrote something for this film? I'm pretty sure they did that for PotC2 since part of Hello Beastie sounds almost identical to a track from King Arthur.

Anonymous2012-01-02 15:41:20
Zimmer has confirmed it was TDK

Mr. Charles reply Replies: 2 || 2011-11-12 05:25:00
Additional Music posted on Lorne's site:

3m19 Blackwood Resurrects
6m42 Parliament
7m46 End Credits

Again, none of these are named properly

Anonymous2011-11-12 06:51:38
BLACKWOOD RESURRECTION (3M19 - 20)
PARLIAMENT FINAL BATTLE (6M43A - R7 CROS
END TITLES PT 1 (7M46B)

Mr. Charles2011-11-12 07:52:41
Cool, thanks. Now let's get the others sorted

Timmy reply Replies: 14 || 2011-07-13 06:51:05
Has a score released for "A Game of Shadows" been confirmed yet?

Dakota2011-07-13 08:43:28
It's not definite confirmation, but Hans' name is in the credits at the end of the trailer. And the music in it is the same as the first one.

Dave2011-07-19 22:06:21
I'm excited to see what Hans and the gang come up with for the sequel. Hopefully we get a nice, 55+ min score release too.

Jimmer2011-07-31 20:27:19
I hope there's more of what was in "Psychological Recovery...6 Months" in the score to A Game of Shadows. That cue is one of my all-time favorites my Zimmer. Of course, Balfe is great too. His contribution can't be forgotten and here's hoping he's involved on the second soundtrack as well.

cheesy2011-07-31 21:32:02
I'm just praying that Hans Zimmer devotes enough time and energy into the score for Game of Shadows and makes it as original and charismatic as the first score, and doesn't simply hand the job off to his protégées and we end up with a heap of uninspired and recycled expendable garbage.

Jimmer2011-07-31 22:10:13
@cheesy: Yes, I'm all for Balfe adding his flair to the score, but I pray that the myriad of other guys don't touch this score because the first was good because Zimmer controlled the extras and soloists. Sort of like controlled chaos that made for a wonderful listen in the end. But as we saw and heard with On Stranger Tides, Zimmer's minions aren't quite up to par with the maestro himself yet.

kaka2011-07-31 22:15:17
so....after all the disappointments this year Game of Shadows is the next one...

Here's what I know:

Zimmer likes trilogies - he likes expanding on his initial scores, so this might be a good thing for this one...

Bad news? If he does to this what he did with Rango and Pirates 4 its gonna stink.

cheesy2011-07-31 22:33:52
Well, another reason I'm worried is because Hans Zimmer has already started working on TDKR. From what I've heard in various interviews with him, he likes to take it one project at a time, and fully get into the "mode" of his next project, which he seemingly has already done for TDKR. So why would he want to suddenly switch gears and go into full-time "Holmes mode" like last time around? Wouldn't it be much easier for him to just hand it off to the other guys and then sit in the recording booth and nod?

It is possible that HZ will set TDKR aside for the time being and take the necessary time to be fully devoted to Game of Shadows to expand upon his initial score like kaka is saying, which I'm praying is what happens...but honestly, given the reputation of RCP so far this year, which outcome seems more likely?

Dakota2011-07-31 23:07:14
I think I would rather have him focused on TDKR than Sherlock. As awesome as Sherlock is, I would like him to top TDK and see what we get from TDKR. TDK is one of the best film scores ever, in my opinion.

cheesy2011-07-31 23:49:44
@Dakota I do suppose you're right about that. It would just be sad to sacrifice a series of scores with so much potential like Sherlock. If James Newton Howard was returning for TDKR, then I would be much more inclined. But since (at least as of now) JNH isn't involved...I don't know if TDKR can top TDK and BB. I have no doubt in my mind Zimmer will give us something epically phenomenal, I'm just saying, there may be a severe element of elegance missing that detracts from it what made TDK and BB complete works of art.

But back to the subject at hand, I guess I would feel better if Hans hadn't started on TDKR yet. That way we could have gotten both. But I guess we won't know until the soundtrack comes out.

snoopD2011-07-31 23:50:10
Dosent Zim usually just develop a theme and hand it off to his crew for completion? I expect him to pretty much do that with both Sherlock and the final Batman flick. Guy seems to be less involved with each sequel he does.

cheesy2011-08-01 00:07:26
**Sorry, I wrote that last part in a rush. I think "we could've gotten both" was the wrong way to phrase that. Disregard.

Jimmer2011-08-01 03:58:31
But none of that makes sense because isn't A Game of Shadows being released before The Dark Knight Rises? If so, that would mean the score for Sherlock 2 should be nearing completion. I want Zimmer to have all the time in the world for the last entry in Christopher Nolan's Batman franchise. The movie is going to be epic and the score must match that in scope, scale, and feel. And plus with Newton Howard not attached to this movie Zimmer needs more time. Just saying.

Cordrol2011-08-20 19:53:55
Zimmer neds to step up to the plate, seriously. Many of his scores (with the exception of the Dark knight, the only release to have a decept amount of music released on the 1st disk alone) are usually always between 45-55 mins. long. Where's a nice 75 min release? Huh? Like Brian Tyler or Michael Giacchino. I'm fed up with this, he's too humble? Bull, he just doesn't release enough music, keep the fans happy, it doesn't matter if you think your work sucks or not, if people like it, then by all means, give them more.

SMH Hans Zimmer -__-

Jo2011-08-22 08:02:15
I'm glad to see that I'm not the only one who is a bit worried. I LOVE the SH score, imo it's the best after TDK. Which makes it all the more frightening, as he does that one about now as well. I couldn't live with either one not living up to his best work. And I think he knows that too.
I have come to love the Spanish tracks from Pirates 4, as well as Mermaids. But of course, compared to Pirates 3 .... 'nuff said.
I think he needs a break from all those sequels. Yet, those two sequels really need to be amazing. Oh pretty please!

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