Music Composed by Hans Zimmer Music Produced by Hans Zimmer & Lorne Balfe
Additional Music by Lorne Balfe Album Produced by Hans Zimmer & Lorne Balfe Score Wrangler: Bob Badami Music Editor: Peter Oso Snell Featured Soloists: Aleksey Igudesman, Atli Örvarsson, Ann Marie Calhoun, Davey Johnstone, Noah Sorota, Tina Guo & Diego Stocco Scored Recorded & Mixed by Geoff Foster Assistant Engineer: Katia Lewin Orchestra Conducted by Gavin Greenaway Orchestrators: Bruce Fowler, Walter Fowler, Suzette Moriarty & Kevin Kaska Orchestral Contractor: Isobel Griffiths Assistant Orchestra Contractor: Charlotte Matthews Technical Score Engineers: Thomas Broderick & Andrew Kawczynski Digital Instrument Design: Mark Wherry Music Production Services: Steven Kofsky Score Coordinator: Andrew Zack
Principal Violin: Perry Montague-Mason Principal Viola: Peter Lale Principal & Solo Cello: Anthony Pleeth Principal Bass: Mary Scully Principal Flute: Eliza Marshall Principal Clarinet: Nicholas Bucknall Principal Oboe: David Theodore Principal Bassoon: Richard Skinner Principal Horn: Richard Watkins Principal Trumpet: Maurice Murphy Principal Tenor Trombone: Dudley Bright Principal Bass Trombone: Dave Stewart Principal Tuba: Owen Slade Synthesizer: Hans Zimmer
Technical Assistants: Nick Delaplane & Jacob Shea Assistant Engineers: Chris Barrett & Adam Miller Album Mastered by Patricia Sullivan of Bernie Grundman Mastering Music Preparation: Dakota Music, London, UK
Score Recorded at Air Lyndhurst, London, UK
Soundtrack Coordination: Sandeep Sriram Album Business Affairs: Keith Zajic & Dirk Hebert
Hans Zimmer would like to thank: Guy Ritchie, Joel Silver, Jeff Robinov, Susan Downey, Lionel Wigram, Robert Downey Jr. Bob Badami, Lorne Balfe, James Herbert, Steve Clark-Hall, James Mather, Lauren Meek, Nico Abondolo, Slamm Andrews, Ryeland Allison, Eva & David Balfe, Ron Bartlett, Jeffrey Biggers, Akos Bischof, Katharina Bischof, Tiffany Bordenave, Claudius Bruese, Ben Burfield, Alison Burton & the staff at Air Studios, Ronni Chasen, James Dooley, Ramin Djawadi, Toby Emmerich, Sibylle Engel, Sam Estes, Dave Fleming, Kevin Finucane, Doug Frank, Patricia & James Golfar, Max Golfar, Michael Gorfaine, Daniel Gott, Isobel Griffiths, Dibor Huber, Steve Jablonsky, Henry Jackman, Steven Kofsky, Crista Kruger, Heather Macfarlane, Christina Mansky, Lisa Margolis, Charlotte Matthews, Brendan McAuley, Alana McGowan, Elke Morgenroth, Trevor Morris, Stephen Mulhern, Jimmy Levine, Michael Levine, Jason Linn, Henning Lohner, Satoshi Noguchi, Kathy & Stephen Paine, Heitor Pereira, Satnam Ramgotra, Gerhard Rothenaicher, Czarina Russell, Jeff Sanderson, Mick Sands, Christian Schäfer, Sam Schwartz, Shalini Singh, Debi Streeter, Chris Strong, Martin Tillman, Helge Topka, Nikki Walsh, Robert Weil, Andrew Zack, Keith Zajic, Geoff Zanelli & Emma Zee
Suzanne Zimmer & the Mini Z's & Zoe Zimmer
Thanks to: Rebecca Aguilar, Carter Armstrong, Peter Axelrad, Kim Baum, Ivona Belda, Maria Belli, Jon Berg, Kevin Berg, Bruce Berman, Joseph Bille, Lori Blackstone, David Blaikley, Roy Button, Stephen Carroll, Melissa Crow, Bill Draper, Susie Elson, Dan Furie, Diane Gascoigne, Kerrylyn Genetive, Darren Higman, Carla Holt, Alan Horn, Natalia Jacke, Gita Jackson, Joe Kara, Liz Keaney, Kevin Kertes, Christyn Koschmann, Bill Larkin, Ny Lee, Melisa Levine, Charlie Light, Dan Lin, Kris Little, Ollie Madden, Kevin McCormick, Kari Miazek, Elizabeth Miller-Gaveus, Genevieve Morris, Melissa Musson, Steve Papazian, Judith Sacco, Erin Scully, Rishi Shah, Niki Sherrod, Marc Solomon, Michael Tadross, Bobby Thornburg, Michael Tritter & Robert Zick
Release date : 01/12/2010
Behind the scenes of the 'Sherlock Holmes' soundtrack by Aleksey Igudesman
Discombobulate (2:25) Hans Zimmer, Lorne Balfe
Is It Poison, Nanny? (2:53) Lorne Balfe
I Never Woke Up In Handcuffs Before (1:44) Hans Zimmer
My Mind Rebels At Stagnation (4:31) Hans Zimmer, Lorne Balfe
Data, Data, Data (2:15) Hans Zimmer
He's Killed The Dog Again (3:15) Hans Zimmer, Lorne Balfe
Marital Sabotage (3:44) Hans Zimmer
Not In Blood, But In Bond (2:13) Hans Zimmer
Ah, Putrefaction (1:50) Hans Zimmer, Lorne Balfe
Panic, Shear Bloody Panic (2:38) Hans Zimmer, Lorne Balfe
Psychological Recovery... 6 Months (18:18) Hans Zimmer, Lorne Balfe
Catatonic (6:44) Hans Zimmer, Lorne Balfe
Holmes (Hans 'n' Guy Version) (2:14) * Hans Zimmer
*Buy tickets in advance for Sherlock Holmes and receive a free exclusive of the song Holmes (Hans 'n' Guy Version) by Hans Zimmer on iTunes.
Write your own comment here (in english please)
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love this score. hasn't grown on me. was listening to it on my commute today. do you guys know if the track "psychological recovery" is the "suite" that came first. and then other cues developed from it? thanks
Hybrid Soldier
2018-08-16 17:54:33
Nope, not a suite, a mix of about 4/5 cues.
Edmund Meinerts
2018-08-16 17:56:53
No, "Psychological Recovery" is scored to picture, a bunch of cues put together from the climax of the film. IIRC the first three minutes or so are a solo Balfe cue actually.
Mike
2018-08-16 18:36:53
...and a very good solo Balfe cue, at that. That theme and Hans' Moriarty theme are the most engaging ideas of these movies, to me.
Hey, while I'm here, any word on Hans doing the third movie?
Why you still don't add the Complete Score Page? It's since a long time out
Mike (OTM)
2018-05-14 18:56:10
He said a few years back that he "doesn't like" this bootleg. I imagine he still doesn't like it. ;)
Medigo
2018-05-14 19:32:03
Its because its the film mix as opposed to the sessions, isnt it?
Anonymous
2018-05-15 15:19:06
yes it is the film mix. I have it. plays like an isolated score. including source cues.
Edmund Meinerts
2018-05-15 16:14:16
Yeah, it's pretty frustrating. It's full of unmusical crossfades and volume fluctuations, and to be honest there isn't a whole lot of worthwhile material there that wasn't already covered by the album (only the Dredger/boatyard fight music is really necessary). Still worth checking out if you're a big fan of the score, of course, but if you skip it you're not missing too much.
mpolonest123
2018-05-15 17:22:18
Someone did an edit on that release which removes the source music and cross fades, as well as fixing the volume. Still not great but much better than the other version.
But Edmund is right, almost everything necessary (excluding the Dredger fight and Blackwood Resurrection) is on the album. Probably one of Zimmer’s best album releases.
Medigo
2018-05-15 17:47:21
I also quite like the Saving Irene/Blackwood Plan Explained tracks and the proper opening of course
Bibi
2018-06-07 15:25:08
I've got the new edit of the recording sessions, it's so much better than the previous one. Now I don't see any quality difference with the recordings sessions of Game of Shadows.
what's now with a Complete Score Page for Sherlocke Holmes & Sherlock Holmes: A Game of Shadows??
Anonymous
2017-01-21 00:46:18
Am i missing something?
Is Sherlock 2 out already?
Anonymous
2017-01-21 01:45:54
Umm...there aren't pages for the complete scores
Vivien
2017-01-21 16:00:19
Game of shadows complete score is a dream...
Kusi
2017-01-21 22:23:44
SH2 is one of my holy grails, the train scene score is absolutly great
Edmund Meinerts
2017-01-22 00:03:35
The album for that one is such a disaster. I don't remember much about the score in film but I do remember there being a lot of really good stuff. Would love to hear a complete...
Hey Hybrid how come there is no page for the complete score? That would be awesome if you made one! With credits and all!! :D
Zimson
2015-04-08 08:39:40
Ain't going to happen.
Adam
2015-04-08 09:57:45
Why not, Zimson?
Zimson
2015-04-08 23:29:51
.. because its just another silly waste of time and space to post a score that no one can ever buy legally. I just steal them myself off of pirated websites, screw the law.
Adam
2015-04-09 02:13:06
But isn't it nice to have a proper place to discuss it? And there's no way of legally buying it so there's only one option! I would just like to have the credits that Hybrid Soldier posts on some of the other complete scores. That information is most helpful and I am thankful for that :)
Zimson
2015-04-09 08:23:10
Get your own name, Anonymous!
Zimson
2015-04-09 15:29:50
Just kidding. It's RealFingMusic.
Zimson
2015-04-09 15:30:07
Just kidding. It's RealFingMusic.
RealFfingMusic
2015-04-09 18:23:00
That ain't me, pisspot.
Zimson
2015-04-09 19:25:33
Gosh what a loser I am, I keep pretending I'm someone else. I need help.
Anonymous
2015-04-09 19:51:16
@Adam, I believe somewhere down the page, you might read that Hybrid Soldier doesn't care for the version of the complete score that became available not too long ago. And if you know anything about how Hybrid Soldier is, you could figure that if he doesn't like something, then it doesn't deserve to have its own page...or some bullshit.
Adam
2015-04-09 20:52:30
Yup I read further down the page and saw him comment as well as the cues with all credits. Silly me XD
It's too bad it won't get a page but oh well!
Zimson
2015-04-10 11:22:48
If you're the same guy who thought the earth is 6000 years old, I recommend you to get help.
Interesting....Remember how Hybrid said that if Lorne gets an "additional music / score producer" credit, it's a disguised way of saying he's a co-composer? Well if you look at the "Thanks" section in here and on Inception, it lists "Eva and David Balfe", who are usually only thanked in scores where Lorne is a fully-fledged composer, right? ;)
Anonymous
2014-05-07 18:25:53
Part of me thinks that calling Balfe a co-composer on this one is understatement.
Mike
2014-05-07 19:28:36
Same with Inception and any other score of Hans' he "produced"....lol
Zimson
2014-06-03 19:08:13
He did the first half, or so of "Psychological Recovery... 6 Months", the rest is basically arrangements, I suppose.
I always thought Discombobulate was by Hans? On lornebalfe.com it says that the end credits music is by Lorne (It's basically the same thing).
MacArthur
2014-02-11 19:29:15
I think it's by both.
Mike
2014-02-11 19:48:59
It's Lorne Balfe's arrangement of Hans' original theme (check "Holmes (Hans 'n' Guy Version)"). So it is essentially by Hans, yes. All the elements found in Discombobulate are pretty much in Hans' original theme.
Zimson
2014-02-11 21:00:14
Yeah, the theme is by Hans, but I've once red a post by Hans in a composer forum, where he says that he composed Discombobulate (indirectly, to be honest), after he got criticized by another composer. It was like: "Hey, I wrote it." or sth. like that if I remember it correctly.
Btw, I have the link, but I am not allowed to post it. (Or is it no problem?). Use Google and type in: "Hans Zimmer in a forum!!!??" The first link that should appear is to a thread on the John Williams Fan Network site. The first post features a number of links. Click on the second one from below where it says "(his review about a member's piece, and about Sherlock Holmes)". Then look out for member "rctec".
Hybrid Soldier
2014-02-11 21:06:44
Discombobulate is 90% HZ, what's this debate about ? lol
Zimson
2014-02-11 21:11:57
@Hybrid Well, the end credits music is basically Discombobulate with more brass and and according to Lorne's website it's by him. So I thought this would be worth a discussion.
Mike
2014-02-11 22:36:54
Well even on this website, Lorne's name is under Discombobulate....
RealFfingMusic
2014-02-12 03:37:00
If anyone wants to bet here, I'm on Hans. Apparently Discombobulate is so awesome everybody wants their name on it! (Except Hans, Heh-heh)
Yeah, the theme is by Hans, but I've once red a post by Hans in a composer forum, where he says that he composed Discombobulate (indirectly, to be honest), after he got criticized by another composer. It was like: "Hey, I wrote it." or sth. like that if I remember it correctly.
Btw, I have the link, but I am not allowed to post it. (Or is it no problem?). Use Google and type in: "Hans Zimmer in a forum!!!??" The first link that should appear is to a thread on the John Williams Fan Network site. The first post features a number of links. Click on the second one from below where it says "(his review about a member's piece, and about Sherlock Holmes)". Then look out for member "rctec".
Who wrote Blackwood's theme, Lorne Balfe or Hans Zimmer?
SamFisher
2013-09-26 21:14:47
Lorne Balfe
Areozz
2013-09-27 00:22:23
Methinks that by now, Blackwood's theme originated from music that has to be public domain. Unless we're not talking about the same theme, the one I'm thinking of bears a strong resemblance to the tune that grandfather clocks play. In fact, one occurrence of the theme happens during a shot of Big Ben.
Are we thinking of the same theme?
Mike
2013-09-27 00:59:40
I daresay we are. Had you not mentioned it, I wouldn't have noticed the similarities, but now they're really obvious.
MacArthur
2013-09-27 03:15:09
And I think that the "To the Opera" part was Hans If I'm not Mistaken.
Mike
2014-01-28 18:45:34
To the Opera, from the second one, was done by Matthew Margeson. ;)
I'm convinced that "The Game Is On" from the BBC series of Sherlock was influenced by Hans' Sherlock Holmes sound. I could honestly picture that track being in here.
Lorne Balfe is an enigma to me. Sometimes I like his music a lot ("Is It Poison, Nanny?", credited solely to him, is my favorite track on this album, and I love the whole Inception score, as well as the Skylanders and MW2 scores). On the other hand, I dislike some of his stuff and think it sounds cheap (a lot of the TDKR cues and the AC3 score).
Apparently the Game of Shadows album is a bad one...How about this one (I haven't seen the movie in a while, so I can't remember if the music sounded different?)
Hybrid Soldier
2013-07-03 21:05:26
No that one is well done... :)
Richard
2013-07-04 03:17:51
Personally I think Game of Shadows is one of the best releases!
Edmund Meinerts
2013-07-04 11:50:45
Yeah...what with all the music sped up, and most of the score not present in favor of source pieces and classical "mutilations"...definitely one of the BEST releases. :/
Rick Grimes
2013-07-08 13:38:59
I actually loved the first one but was kinda let down by the second. The first one proved to be a great ally as I navigated the zombie apocalypse. Ever try fighting zombies with Discombobulate in your ears? Don't.
Meta
2013-07-08 17:04:32
LOL I played that through headset once while playing Left for Dead 2 back in 09....Everybody was gong nuts
My Name Is Mime
2013-07-09 09:07:52
Nice, I used to play discombobulate to wake my parents out. With speakers.
01 - 1m1-1A Race To Ritual Pts. 1 & 2 02 - 1m1B Main Titles 03 - 2m3 Holmes' Room 04 - 2m4AS 05 - 2m4BS-5-6S Offends Mary 06 - 2m8S-2m9 Blackwood's Request 07 - 2m11S Violin Plucking Source 1 08 - 2m13-14 pt1 Arriving At The Prison I 09 - 2m13-14 pt2 Arriving At The Prison II 10 - 3m15 Holmes & Irene 11 - 3m16S Violin Plucking Source 2 12 - 3m17 The Man In The Carriage 13 - 3m18A-18BS-18C Holmes Follows Irene 14 - 3m19-20-21S Blackwood Resurrection - Street Source 15 - 3m22 Gypsy Fortune Teller 16 - 3m23S-24 pt1 Investigating Reordon's Lab Pt. 1 17 - 3m24 pt2 Investigating Reordon's Lab Pt. 2 18 - 4m25A 19 - 4m25S Arrival Of Dredger 20 - 4m26A Holmes & Dredger Talk 21 - 4m26B The Boat 22 - 4m26S Chase Dredger 23 - 4m27 Marital Sabotage 24 - 4m28 Meet Sir Thomas Rotherin 25 - 4m29 Stop Blackwood 26 - 4m30 Irene Subdues Holmes 27 - 4m31 Death Of Rotherin 28 - 5m32 Rotherin's Secret Chamber 29 - 5m33 Death Of The Ambassador 30 - 5m34 Corpse Examination 31 - 5m35-36A Boat To Slaughterhouse - Save Irene 32 - 5m36B Save Irene Pt. 2 33 - 5m37 Tripwire 34 - 6m37A Moriarity & Irene On A Train 35 - 6m38 Hospital Through Ritual 36 - 6m39 37 - 6m39S Violin Plucking Source 3 38 - 6m40 Blackwood's Plan Explained 39 - 6m40A Holmes Wakes Up 40 - 6m42 41 - 6m42A Holmes Smokes Coward 42 - 6m43A Parliament Final Battle 43 - 7m43B Parliament Final Battle Pt. 2 44 - 7m43C 45 - 7m43D 46 - 7m46A Moriarity Case Reopened 47 - 7m46B End Titles Pt. 1 48 - 7m46C End Titles Pt. 2 49 - 7m46D End Titles Pt. 3 50.- Sherlock Holmes Suite 51.- Holmes (Hans 'n' Guy Version
JayAndSilent
2013-05-11 07:34:20
Nice!
Any chance this gets leaked in the near future?
e
2013-05-11 08:59:41
Got a tracklist for game of shadows?
Score_Trader
2013-05-11 09:19:48
I am going to call this guy's bluff.
I don't believe Garage sent you anything due to the fact that he would be risking his source, and I am sure he is smarter than that.
Garage
2013-05-11 09:20:54
FAKE !!!
Mike
2013-05-11 09:51:58
I'm beginning to think that anyone who claims to have a complete score on this site will now use the name Anonymous123.
Cody
2013-05-11 23:02:46
This track list is legit.
T-Mann036
2013-05-12 17:30:10
The leak is FINALLY here!!!!!
Hybrid Soldier
2013-05-12 17:56:04
And no, I won't create a page for that one...
Cause I basically don't want to... Cause I don't like that bootleg (the boot, not the music :P).
al bundy
2013-05-12 17:59:26
has now been leaked as well.
Anonymous
2013-05-12 18:42:48
This thing sounds like it was taken directly from the film. All the edits and cuts and crossfades are present - but no dialogue and sfx. How strange.
cheesy
2013-05-12 18:57:36
I noticed that, too. As opposed to Inception and TDKR, which sound like they were earlier than the actual film mix.
Hybrid Soldier
2013-05-12 18:58:15
You just explained my previous message... :)
cheesy
2013-05-12 19:04:22
Hey Hybrid, any idea why some bootlegs from around 2008 (Iron Man and TDK being the best examples) sound much more richly mastered and have more noticeable bass than most others (like POTC and TDKR or even Inception) which sound... emptier, almost?
Hybrid Soldier
2013-05-12 19:06:09
Hard to say... Just depends on the original recording... Some are recorded loud, some are not. Bootlegs are original files so not mastered by definition. There's no rule.
Mr Motivator
2013-05-12 22:12:21
the 'boot' actually sounds better than the commercial release imo
Medigo
2013-05-12 23:43:38
Makes ya wonder how many bootlegs are still out there
watch it be the next thing everyone begs about
Rene
2013-05-13 13:57:01
Hybrid; Now i can say this is not the original sessions, it is only an complete isolated score(bootleg) but i do not know the source of this and the slates!!!!
Hybrid Soldier
2013-05-13 14:04:47
I honestly don't know the source, nor understand it. Is it some DVD isolated production (like WarmButter DVDs) ? Is it true sessions "arranged" in film mix by someone ? No idea.
The titles just come from the cue sheet I posted years ago...
And some are even wrong here, Arrival Of Dredger should actually be "Meet Dredger"... ;)
Anonymous
2013-05-13 14:06:21
The slates and titles are clearly from ASCAP. Some cues are mis-titled at parts too.
To be honest, I thought the score to the first movie didn't fit the onscreen material very well (A Game of Shadows was much better with that), but I gotta hand it to Zimmer: he did something different. That's really admirable in and of itself.
01. Opening Titles / Race To Ritual (4:10) 02. Holmes (2:16) 03. Holmes' Room (1:08) 04. Offends Mary (1:53) 05. Arrival At The Prison (3:31) 06. The Man In The Carriage (1:29) 07. Holmes Follows Irene (1:47) 08. Blackwood Resurrection (4:44) 09. Gypsy Fortuneteller (0:58) 10. Irene Subduse Holmes (2:20) 11. Unused Cue (1:34) 12. Corpse Examination (1:05) 13. Boat To Slaughternouse (1:34) 14. Tripwire (2:19) 15. Hospital Through Ritual (Pt.1) (1:48) 16. Hospital Through Ritual (Pt.2) (1:35) 17. Holmes Smoked Coward (Pt.1) (0:55) 18. Holmes Smoked Coward (Pt.2) (4:55) 19. Parliament Final Battle (Pt.1) (11:16) 20. Parliament Final Battle (Pt.2) (2:22) 21. Moriaty Case Reopended (2:24) 22. End Credits (Pt.1) (2:06) 23. End Credits (Pt.2) (3:22) 24. Suite (8:52)
Mr. Fate
2012-05-14 22:41:12
Thanks for putting the original soundtrack in film order, Felix, and using the ASCAP track titles. I'm not trying to sound like a dick or anything. I just thought I'd let people know that if an/the edit ever surfaces that corresponds to this list, nothing new or mind-blowing will be found in it.
[I did an analysis of the score myself recently, to put the slate numbers and names to the appropriate music and then took a look at what of that music is available on the OST.]
Does anybody know what was temp-track for this movie?
cheesy
2012-01-01 22:05:33
Pretty sure it was the score for The Dark Knight, which is why Guy Ritchie wanted to work with HZ in the first place.
Mr. Fate
2012-01-02 15:11:25
Temp tracks? Like what they used as temporary score before Zimmer wrote something for this film? I'm pretty sure they did that for PotC2 since part of Hello Beastie sounds almost identical to a track from King Arthur.
Has a score released for "A Game of Shadows" been confirmed yet?
Dakota
2011-07-13 08:43:28
It's not definite confirmation, but Hans' name is in the credits at the end of the trailer. And the music in it is the same as the first one.
Dave
2011-07-19 22:06:21
I'm excited to see what Hans and the gang come up with for the sequel. Hopefully we get a nice, 55+ min score release too.
Jimmer
2011-07-31 20:27:19
I hope there's more of what was in "Psychological Recovery...6 Months" in the score to A Game of Shadows. That cue is one of my all-time favorites my Zimmer. Of course, Balfe is great too. His contribution can't be forgotten and here's hoping he's involved on the second soundtrack as well.
cheesy
2011-07-31 21:32:02
I'm just praying that Hans Zimmer devotes enough time and energy into the score for Game of Shadows and makes it as original and charismatic as the first score, and doesn't simply hand the job off to his protégées and we end up with a heap of uninspired and recycled expendable garbage.
Jimmer
2011-07-31 22:10:13
@cheesy: Yes, I'm all for Balfe adding his flair to the score, but I pray that the myriad of other guys don't touch this score because the first was good because Zimmer controlled the extras and soloists. Sort of like controlled chaos that made for a wonderful listen in the end. But as we saw and heard with On Stranger Tides, Zimmer's minions aren't quite up to par with the maestro himself yet.
kaka
2011-07-31 22:15:17
so....after all the disappointments this year Game of Shadows is the next one...
Here's what I know:
Zimmer likes trilogies - he likes expanding on his initial scores, so this might be a good thing for this one...
Bad news? If he does to this what he did with Rango and Pirates 4 its gonna stink.
cheesy
2011-07-31 22:33:52
Well, another reason I'm worried is because Hans Zimmer has already started working on TDKR. From what I've heard in various interviews with him, he likes to take it one project at a time, and fully get into the "mode" of his next project, which he seemingly has already done for TDKR. So why would he want to suddenly switch gears and go into full-time "Holmes mode" like last time around? Wouldn't it be much easier for him to just hand it off to the other guys and then sit in the recording booth and nod?
It is possible that HZ will set TDKR aside for the time being and take the necessary time to be fully devoted to Game of Shadows to expand upon his initial score like kaka is saying, which I'm praying is what happens...but honestly, given the reputation of RCP so far this year, which outcome seems more likely?
Dakota
2011-07-31 23:07:14
I think I would rather have him focused on TDKR than Sherlock. As awesome as Sherlock is, I would like him to top TDK and see what we get from TDKR. TDK is one of the best film scores ever, in my opinion.
cheesy
2011-07-31 23:49:44
@Dakota I do suppose you're right about that. It would just be sad to sacrifice a series of scores with so much potential like Sherlock. If James Newton Howard was returning for TDKR, then I would be much more inclined. But since (at least as of now) JNH isn't involved...I don't know if TDKR can top TDK and BB. I have no doubt in my mind Zimmer will give us something epically phenomenal, I'm just saying, there may be a severe element of elegance missing that detracts from it what made TDK and BB complete works of art.
But back to the subject at hand, I guess I would feel better if Hans hadn't started on TDKR yet. That way we could have gotten both. But I guess we won't know until the soundtrack comes out.
snoopD
2011-07-31 23:50:10
Dosent Zim usually just develop a theme and hand it off to his crew for completion? I expect him to pretty much do that with both Sherlock and the final Batman flick. Guy seems to be less involved with each sequel he does.
cheesy
2011-08-01 00:07:26
**Sorry, I wrote that last part in a rush. I think "we could've gotten both" was the wrong way to phrase that. Disregard.
Jimmer
2011-08-01 03:58:31
But none of that makes sense because isn't A Game of Shadows being released before The Dark Knight Rises? If so, that would mean the score for Sherlock 2 should be nearing completion. I want Zimmer to have all the time in the world for the last entry in Christopher Nolan's Batman franchise. The movie is going to be epic and the score must match that in scope, scale, and feel. And plus with Newton Howard not attached to this movie Zimmer needs more time. Just saying.
Cordrol
2011-08-20 19:53:55
Zimmer neds to step up to the plate, seriously. Many of his scores (with the exception of the Dark knight, the only release to have a decept amount of music released on the 1st disk alone) are usually always between 45-55 mins. long. Where's a nice 75 min release? Huh? Like Brian Tyler or Michael Giacchino. I'm fed up with this, he's too humble? Bull, he just doesn't release enough music, keep the fans happy, it doesn't matter if you think your work sucks or not, if people like it, then by all means, give them more.
SMH Hans Zimmer -__-
Jo
2011-08-22 08:02:15
I'm glad to see that I'm not the only one who is a bit worried. I LOVE the SH score, imo it's the best after TDK. Which makes it all the more frightening, as he does that one about now as well. I couldn't live with either one not living up to his best work. And I think he knows that too. I have come to love the Spanish tracks from Pirates 4, as well as Mermaids. But of course, compared to Pirates 3 .... 'nuff said. I think he needs a break from all those sequels. Yet, those two sequels really need to be amazing. Oh pretty please!
4/5
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