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Theres quite a bit of good unreleased stuff from this score. Stuff like the cue that plays during Alita's first game of motorball with the other kids, the bar fight music, the unused string rendition of Alita's theme and the end titles arrangement of Motorball/Swan Song.Does anyone have the "Motorball" cue from end credits? It sounds like the beginning of the "Motorball" track but it's different than on the OST. It plays directly after the Swan Song track...<br><br>Why is it left off the CD?Huh... Do people at RCP ask H-Z.com to use the official, less accurate credits in some cases? I seem to recall some credit fiasco on POTC4.So what happened to the credits here? It used to be a mixture of solo Atli cues with Atli/Dave Fleming, and now all three guys are credited for every track even though Tillman is only listed as a musician? Is this like with Armageddon, where the "official" credits aren't as accurate as the older ones were? :pMost of the album is comprised of suites, with one consistent tempo per track. <br><br>The material that was scored to picture was scored using the risset rhythm technique, which gave a lot of those tracks their "infinitely getting faster" feeling in the film, so the tempo is always climbing in the film versions. The suites have a stable tempo (except for a couple normal tempo changes, which are different)
Not really any... "Nothing Out There" contains the sad piano theme from Begins and Dark Knight, but otherwise the themes that get reprised are pretty much Hans stuff. <br><br>Speaking of credits, any chance the complete score page could be updated with what's out there and official?Could somebody tell me in what cues JNH's themes appear on album?Thanks MIKE, Any ideas of how can I Google it?Yeah, that cue was either a last minute rewrite or one of the music editors did it.... As for where you can find it...Google is your friend. But it's not going to be available anywhere officially.I think it will be in between NOT ORDINARY CITIZEN / THE SLOW KNIFE and IMAGINE THE FIRE, Does anybody know where can I find it?<br>
I noticed that this score doesn't has the soundtrack of the part where Blake is taking the people to the bridge and he is discusing with the other police officer before he blows the bridgeThat's right, I forgot about that... And I totally agree about the score vs. the album. I had no use for this score on album at first, but now that I've watched the movie a few times, I can really hear the logic behind the score and I "get it." <br><br>I still don't get the music as heard on album, though. Are the longer pieces some early suites Hans wrote? Or did he specifically make these arrangements for the album? Do you know the answer to that one, Hybrid?I wanna say I heard the full Cat Suite somewhere... I can't remember if it was legit, but it was 15:39 and it was indeed quite repetitive. It was basically the Selina Kyle Suite from the Z+ app, along with demos of several of the Catwoman-related cues in the final score. If you've listened through the score, you've basically heard the unreleased stuff.@Mike<br>Zimmer has said in interviews that he “mapped out” the film with one long piece of music to establish the changing tempo of the story, and apparently the script was written to capture the rhythmic feel of the film. So from the very beginning the story was always split up between the three.<br><br>I think a big part of the initial disappointment with the score was the album presentation, which gives off the impression that the music is just some sound design that Zimmer threw together (this is how I personally felt when I first gave it a listen). In actuality it’s a technically impressive score, I really can’t think of any other film score that is so synchronized with a film’s tempo and flows as one long piece of music. Apparently it was a nightmare for Hans, especially when the smallest edits to the film would ruin the flow.<br><br>Doing the 59-minute album was a pretty big disservice to the whole purpose of the music. If you remove one piece the whole thing falls apart, which is part of the reason the album feels so disjointed.Anyone here listened "The Predator" FYC score? <br>Any chance to compare tracklist and running time with official release?
These versions suites haven't been officially released, but maybe you can find them somewhere around the Internet unofficially.<br><br>As for the Cat Suite, the most important parts of it can be found in "Selina Kyle" (it's a shortened version of it actually) and "Mind if I cut in?" from the OST. I remember that Hybrid once said that the 15mins Cat Suite was too repetitive, that's why a 5min only version was released, so maybe you are just fine with those two.<br>Where can I listen to the Cat Suite? Or is it literally: Selina Kyle Theme? <br>The Mole P1 (0-1:57)<br>Regimental Brothers P1 (0-1:19)<br>The Mole P2 (1:57-3:44)<br>Regimental Brothers P3 (2:44 onward)<br>We Need Our Army Back<br>Shivering Soldier<br>Supermarine P1 (0-2:47)<br>The Mole P3 (3:45 onward)<br>We Need Our Army Back (again) <br>Supermarine P2 (*5:33)<br>Impulse<br>The Tide<br>Home <br>The Oil <br>Variation 15<br>End Credits <br><br>As everyone said already, the album is made up of suites that combine several cues and several "sounds" used in various places. For example, the is a sound in The Mole (At 2:05) that sounds like a fuse being ignited. This sound is actually right after The Tide in the film.<br>The only tracks that are almost identical to the film are: The Tide, Variation 15 and End Credits, the rest is different. <br><br>So if you were to order the tracks as first heard in the film it would be: <br>The Mole <br>Regimental Brothers <br>We Need Our Army Back<br>Shivering Soldier <br>Supermarine <br>Impluse <br>The Tide <br>Home <br>The Oil<br>Variation 15<br>End credits<br><br>As much as I enjoyed listening to this release, I wish they didn't butcher the score the way they did. I like the suites but there are so many great cues in this film that weren't released. If only they released an isolated score track on Blu-ray. Listening to film extracts is just not enough.I noticed that as well — the ticking goes all through the movie, except for the boat scenes, and only stops when they get on the train. <br><br>I wonder...could the film have originally been shot so that the beach, sea, and air sequences were there own arcs, and the longer album tracks were written for that? And then Nolan went in and turned the movie into the frenetic, constantly cutting-back-and-forth final product? <br><br>While the album is fine, I personally don't understand why we couldn't have just gotten the film cues. They might have had to stitch several together for each track, but it could have worked.Does anyone know where you can get a digital version of the Japanese versions 2 bonus tracks?
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Hans ZimmerLorne BalfeAndrew ZackBob Badami
ComposerAdditional MusicScore CoordinatorMusic Supervisor
Sherlock Holmes
Label: WaterTower Music
Length: 54'40
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (24435 votes)
  1. Discombobulate (2:25)
    Hans Zimmer, Lorne Balfe
  2. Is It Poison, Nanny? (2:53)
    Lorne Balfe
  3. I Never Woke Up In Handcuffs Before (1:44)
    Hans Zimmer
  4. My Mind Rebels At Stagnation (4:31)
    Hans Zimmer, Lorne Balfe
  5. Data, Data, Data (2:15)
    Hans Zimmer
  6. He's Killed The Dog Again (3:15)
    Hans Zimmer, Lorne Balfe
  7. Marital Sabotage (3:44)
    Hans Zimmer
  8. Not In Blood, But In Bond (2:13)
    Hans Zimmer
  9. Ah, Putrefaction (1:50)
    Hans Zimmer, Lorne Balfe
  10. Panic, Shear Bloody Panic (2:38)
    Hans Zimmer, Lorne Balfe
  11. Psychological Recovery... 6 Months (18:18)
    Hans Zimmer, Lorne Balfe
  12. Catatonic (6:44)
    Hans Zimmer, Lorne Balfe
  13. Holmes (Hans 'n' Guy Version) (2:14) *
    Hans Zimmer
*Buy tickets in advance for Sherlock Holmes and receive a free exclusive of the song Holmes (Hans 'n' Guy Version) by Hans Zimmer on iTunes.
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Eddy reply Replies: 0 || 2010-02-27 00:00:00
I finally found the music!

Eddy reply Replies: 0 || 2010-02-27 00:00:00
The title is "He's Killed The Dog Again"start 0.51 seconde

Eddy reply Replies: 0 || 2010-02-26 00:00:00
Please!What is the name of the music?!

mostafa reply Replies: 0 || 2010-02-26 00:00:00
thaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaanks

Eddy reply Replies: 0 || 2010-02-24 00:00:00
it start at 1h28min25sec

Eddy reply Replies: 0 || 2010-02-24 00:00:00
I like this song a lot

Eddy reply Replies: 0 || 2010-02-24 00:00:00
Hi!i'm french i speack english a little.I would like to know the title of the musical film 1h28min sherlock homes

Enrico reply Replies: 0 || 2010-02-24 00:00:00
For KM:
That's because these tracks weren't of Hans Zimmer...

Km reply Replies: 0 || 2010-02-24 00:00:00
I loved the music but I was so disspaointed when I saw the movie and heard that two of the best tracks were ommited (The music from the boat building place fight scene and from saving irene in the slaughter house).Does anyone know where I could ge these tracks? Ha anyone rippeed he or someting?

Christiana reply Replies: 0 || 2010-02-21 00:00:00
Mr. Zimmer, you are a Genious!!!!! You can create excellent music!!!!!!!!! I have listened to many fantastic soundtracks from movies (Like: Sherlock Holmes, Gladiator, Madagascar...e.t.c)

Jack reply Replies: 0 || 2010-02-20 00:00:00
I dont' know where to post my message, so you are free to delete it.
In this recent interview http://www.youtube.com/watch?v=j_CZBz_70aU Hans says that he is woking on a Dreamwork's movie calld Megamind (min. 3:23). Any news?

Jack reply Replies: 0 || 2010-02-20 00:00:00
I dont' know where to post my message, so you are free to delete it.
In this recent interview http://www.youtube.com/watch?v=j_CZBz_70aU Hans says that he is woking on a Dreamwork's movie calld Megamind (min. 3:23). Any news?

Era reply Replies: 0 || 2010-02-17 00:00:00
Ive got a film order done for this soundtrack.
1. Main titles
2. Ritual Sabotage
3. My Mind rebels at Stagnation
4. Well Done, Old Boy
5. Death...is only the Beginning
6. Lethal Envelope
7. Moriarty & Adler
8. My Lucky day
9. Blackwood
10. To The Slaughter House
11. Wanted Holmes
12. Shear Bloody Panic
13. Not Murder...Mercy
14. The Sewers of Parliament
15. London Bridge
16. Powder Burns on his Eyebrows
17. End Credits
18. Sherlock Holmes

Jessica reply Replies: 0 || 2010-02-11 00:00:00
All I have to say is:
I went to see the movie in the theaters TWICE!!!!!!! The movie was amazing!!!!! And the music was just awesome. I play in my high school orchestra and I play the Viola. I love to listen to hans zimmers creations. I can't wait to get the music book so that I too can play his music. Thank you for blessing me with your personal authentic music.

Jimena (from Chile) reply Replies: 0 || 2010-02-09 00:00:00
Hello Mr. Zimmer:

Yesterday i saw Sherlock Holmes in the cinema, and i found the soundtrack gorgeous. At the end of it i stay just to see who was the composer and i saw your name there. I said to myself: - Of course, Zimmer. So, i want to congratulate you for giving us another fantastic masterpiece, and i would like to congratulate too to the violin solo, Noah Sorota, because i thought that his performance was pretty good and beautiful.
Regars,

Jimena

Bob Schoenmaker reply Replies: 0 || 2010-02-06 00:00:00
Dear mister Zimmer, I just returned back with my young sun Roderick from that very good film Sherlock Holmes. Esspecially the Irish musich was VERY good, brought back many memories from the past when I was in the Dutch Marines in Scotland. I hope to be able to buy the music a.s.a.p. and also
hope we'll hear more of it with other films.

Kind regards.

Bob Schoenmaker

Ele reply Replies: 0 || 2010-02-03 00:00:00
"Giacchino will win. "Married Life" is better than this whole score."

And War and Becoming One Of The People is better than whole Up score.

Adrian reply Replies: 0 || 2010-02-03 00:00:00
"Giacchino will win. "Married Life" is better than this whole score."

It's uncomparable actually. Giacchino made a conventional score. Hans did not. I think he deserves an oscar just for delivering a good! unconcentional score.

Where is the nomination for the Echelon Conspiracy ? :P

Sherwan Shamil reply Replies: 0 || 2010-02-03 00:00:00
Congratulations to HANS ZIMMER

Mikel Siw (a fan from Spain) reply Replies: 0 || 2010-02-03 00:00:00
Avatar, Up and our friend Holmes are pure pieces of Art. Great music!!!! 3 genious; 3 masterpieces. LOVE AND PEACE!! and... Zimmer forever!! :)

Enrico reply Replies: 0 || 2010-02-03 00:00:00
Right Mikel Siw!!! Absolutely agree!!!

Anonymous reply Replies: 0 || 2010-02-02 00:00:00
Nominated for Oscar?!?!?!?! This is ridiculous!

AJF reply Replies: 0 || 2010-02-02 00:00:00
Congratulations, Hans! Well deserved after being neglected for so many years.

Matteo Falsaperla reply Replies: 0 || 2010-02-02 00:00:00
Congratulations, Hans!

Alexander reply Replies: 0 || 2010-02-02 00:00:00
Finally another Academy Award nomination. Very pleasant surprise. Big congratulations to Hans. He deserves it, especially being ignored for so many years.

Enrico reply Replies: 0 || 2010-02-02 00:00:00
I CAN'T BELIEVE!!! GO HANS!!! SHOW THEM WHO IS TH EKING OF THE WORLD!!!

Anonymous reply Replies: 0 || 2010-02-02 00:00:00
And The Academy Award for best Original Motion Picture Score goes to.....JAMES HORNER for AVATAR....I can see the Future....

Enrico reply Replies: 0 || 2010-02-02 00:00:00
Maybe, but we must hope...Avatar has been escluded from Golden Globe & Grammy Award...

Anonymous reply Replies: 0 || 2010-02-02 00:00:00
Giacchino will win. "Married Life" is better than this whole score.

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Sherlock Holmes soundtrack - Hans Zimmer 2009