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So Hybrid, care to tell us why you randomly deleted comments talking about the leaked recording sessions?Yes! That piano part is amazing! <br>„when charles and jean stand in front of the school“Saw the movie. Great score and it really fits the movie.<br><br>Missing stuff:<br>- 25 seconds of a piano version of Gap without the brass and bells<br>- a 30 second badass version of the main theme during the mageneto/jean helicopter stand off<br>- 1.5 minute end credits suite. Typical Zimmer to leave the best and most epic track and best main theme version off the album. I hope it will be on CD2, but knowing Zimmer the best tracks always remain unreleased. This is another escape from ship...after listening and listening...this score is truly amazing! i love it so much! i want the suites and ideas NOW! :DWhere can I find this?
been listening to this score for a week now and i am going to wait a little more before putting a comment on it here... but there's something else i have been saying for a while now. let's stop associating scores with movies and start seeing them as a work of art in their own rights. (albeit inspired by movies)<br><br>people are here complaining about the movie that it didn't speak to them. and then i have the feeling that they project their disappointment on the soundtrack. but both pieces of art co-exist and not depend on each other. i, for example, seldom watch any of these movies. but i have listened to their soundtracks and love them.<br><br>also i never asked for an extended CD before... but we need one for this one. it's very clear that tracks like gap and coda were definitely shortened.<br><br>also i never asked for an extended CD before but we need one for DP. it's clear that tracks like gap and coda were definitely shortened.There's nothing unique about those choirs, standard East European chorus stuff mixed with Johansson. Check out Debbie Wiseman's Warriors from 2000 and you'll get a much more elaborate version of this music.I cant say that this chorus reminds me of anything I have heard Zimmer done before. And I have played all his scores to death.I agree that Gap is the best track. My main complain with this score is that it feels that Zimmer composed it on autopilot. For me those choirs sounded too much to Electro's Theme in TASM. Is too standard and has very few remarkable moments. The movie itself lacks of personality and the score is part of that problem. I think they just wanted "dark" and hired Zimmer for making his dark ostitatos.I thought I read somewhere Armageddon was the last bay film that hgw was a part of<br>===============================<br><br><br>Well, Bay and HGW were not exactly best friends during Armageddon. Bay is very demanding and tough. HGW is also not a shy dude. He is an opinionated guy who stands his ground, as you can tell by his interviews. He reminds me of Mancina…..He's not afraid to speak up and have his opinion heard. And just like Mancina, his relationship with the Bay/Bruckheimer family seemed to be...….a bit complicated. Yet, he worked on Bad Boys 2 and Deja Vu. Now, it is possible - tho not likely - that Bay didn't even know that HGW did some work on BB2. Maybe it was just a favor for Steve and Trevor. Under the table, so to speak..... Personally, I don't believe that's the case. Whatever the truth, this is a great example of how different those composers are. Trevor and Steve work great with Bay/Bruckheimer and they always deliver great results. While composers like HGW and Mancina have problems with more demanding filmmakers. And apparently they don't even like action cinema. I don't necessary blame them, even though Mancina certainly didn't do himself any favors by trashing the genre and the people who back in the 90's gave him a shot to prove himself as a composer.
Love John Powell. But he is not even close to Williams. Williams made his mark on every genre of film scoring. He freaking turn a holocaust movie score into a masterpiece for the ages.<br><br>Today, that score would have been some generic sound design.<br><br>Powell is an incredibly gifted orchestral composer. But he doesn't have the dimensions of someone like Williams. <br><br>You fools, the tracklist was but a scam. The tracks simply wanted to EAT you.Yeah, while this does have a great deal more substance than most of the work Hans has done the past few years, I struggle to say it's a genuinely *good* score.<br><br>I mean, within the first minute I'm reminded of Dunkirk, then we get a pretty standard Zimmer/Balfe buildup we've heard a million times since Inception... and it doesn't get hugely better from there.<br><br>I will definitely give Zimmer credit for the unique and genuinely creative use of female choir in some of the cues, though.Not to disagree for its own sake, but I think Powell has been up there with the greatest film composers since the first HTTYD score. I just wish he'd take on more projects.Yeah, Jesus. This is a prime example of why I'm tempted to think John Powell is more talented than even Williams (yes, I went there).
There's so, so many great themes in the HTTYD scores. And he almost never lets a moment go by where he isn't stating or restating or developing one or more of them (although honestly that's true of a ton of Powell's scores and not an exclusive feature of HTTYD). You can never get bored listening to these, there's always something interesting around the next corner.I got confirmation HGW only wrote Haitian House Shootout (with the help of Mel Wesson). The same ideas were edited into the shorter cue Zoepound, so I'd say you can add this one to his credits.<br><br>Credits on IMDB mentions Paul Linford on the Main Titles.<br><br>Trevor Morris helped Jablonsky on the Ferrari Causeway Chase.<br>Jablonsky worked, for sure, on the Hallway and Helicopter Inserts.<br><br>100% sure Rabin worked on Tapia, Tapia Pissed Off, The Stuff, Wiretap Results, Ocean, Dead Bodies #2, Heart to Heart, Breaking Into Mortuary, Syd's Cover Is Blown, Tapia Has Syd (without Inserts), Prep for Tapia Sneak, Cuba Chase, Guantanamo (those tracks are on the Rabin only-bootleg).Hoping for the Rocketman score to get a release. Loved the score in the movie. Any updates on this ?Additionally, for anyone interested, I've managed to come up with a final list of themes from the series that I believe to be mostly accurate.<br><br>HTTYD 1: Hiccup & Toothless, The Friendship ostinato, Viking Theme, Viking "B" Theme, Dragons, Berk, The Dragon Tamer (Hiccup's unique qualities), Vikings & Dragons, Astrid<br><br>HTTYD 2: Loss, Exploration/Hiccup's Maturance, Drago, Hiccup & Valka, The Alpha, Stoick & Valka, The Chief<br><br>HTTYD 3: The Furies ostinato, Love, The Dragon Liberators, Moving On, The Hidden World, Toothless & The Light Fury, Grimmel, Dragon Trappers<br><br>A list more impressive than Star Wars, and with almost every new theme returning for the next film, while keeping most of the base themes. A masterful achievement by John Powell and his crew, as others have said!Just finished watching the movie, and while it's not much more than fine, it's sure as hell better than every other Star Wars movie that's come out since The Force Awakens (minus the ugly fucking visuals). <br><br>However the score is absolutely amazing. Powell's adaptation and development of the new Han Solo theme from Williams is flawless, the callbacks to other themes from the series are mostly appropriate (and good on him for not using the Force theme once!) and Powell's original material is fresh and exciting in a way that even Williams himself hasn't been able to pull off with the new films. <br><br>Powell might very well be up there with the greatest film composers if he continues to produce work like this from now on (which from HTTYD 3 seems very possible!)
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Hans ZimmerLorne BalfeAndrew ZackBob Badami
ComposerAdditional MusicScore CoordinatorMusic Supervisor
Sherlock Holmes
Label: WaterTower Music
Length: 54'40
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (24659 votes)
  1. Discombobulate (2:25)
    Hans Zimmer, Lorne Balfe
  2. Is It Poison, Nanny? (2:53)
    Lorne Balfe
  3. I Never Woke Up In Handcuffs Before (1:44)
    Hans Zimmer
  4. My Mind Rebels At Stagnation (4:31)
    Hans Zimmer, Lorne Balfe
  5. Data, Data, Data (2:15)
    Hans Zimmer
  6. He's Killed The Dog Again (3:15)
    Hans Zimmer, Lorne Balfe
  7. Marital Sabotage (3:44)
    Hans Zimmer
  8. Not In Blood, But In Bond (2:13)
    Hans Zimmer
  9. Ah, Putrefaction (1:50)
    Hans Zimmer, Lorne Balfe
  10. Panic, Shear Bloody Panic (2:38)
    Hans Zimmer, Lorne Balfe
  11. Psychological Recovery... 6 Months (18:18)
    Hans Zimmer, Lorne Balfe
  12. Catatonic (6:44)
    Hans Zimmer, Lorne Balfe
  13. Holmes (Hans 'n' Guy Version) (2:14) *
    Hans Zimmer
*Buy tickets in advance for Sherlock Holmes and receive a free exclusive of the song Holmes (Hans 'n' Guy Version) by Hans Zimmer on iTunes.
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Mikel Siw (a fan from Spain) reply Replies: 0 || 2010-02-02 00:00:00
oh Yes Yes Yes!!!! :___:

Anonymous reply Replies: 0 || 2010-02-02 00:00:00
I CAN'T BELIEVE!!! GO HANS!!! SHOW THEM WHO IS TH EKING OF THE WORLD!!!
------------------------------------------------------------ ----------------------------------

Exactly.

Anonymous reply Replies: 0 || 2010-02-02 00:00:00
I'm soooooooooooooooooooooooooo happy for you Hans, totally deserve it, I'm soooooooooooooo happy for him.

Jon reply Replies: 0 || 2010-02-02 00:00:00
Yes, way to go, Hans! It's great that he gets the recognition he deserves. It's about time to have him nominated again since Gladiator.

Enrico reply Replies: 0 || 2010-02-02 00:00:00
Yes Giacchino has made a wonderful score but I think you are in mistake...Sherlock Holmes has a great ideas that have never been used before!

Amber reply Replies: 0 || 2010-01-29 00:00:00
I hate to admit that I am only recently (being in the last two years) a fan of Hans Zimmer, but only because I didn't really learn to appreciate the music in films until then. Now, however, I love Hans Zimmer more than anything and his music brings me to heights in which I cannot even describe. This soundtrack is no acception...it is simply incredible. I love the new techniques he uses with not having necessarily the "big band" sound, like in the Pirates movies, but with single instrumentational sounds. It just blows me away. He is the definition of a musical genius.

Daniel reply Replies: 0 || 2010-01-29 00:00:00
Adrian,

Thanks for the reply. If that is the case, that is unfortunate because that means I'll probably never get a copy of the track. :-/ If anyone else has any thoughts on the issue, I'd love to hear them.

As for Dredger, I think he actually *is* French, and Sherlock knew that from the first word that Dredger speaks (English, but with a French accent) upon his arrival in the midget's house. The joke then, is that the 'muscle' of the bad guys is actually quite cultural and respectful of honor. I think this is the case given his look of respect when he sees that Sherlock can fight, as well as their continued banter in French. Plus, think about it - why would a London street level thug speak French if he was English? ;)

~Daniel~

Adrian reply Replies: 0 || 2010-01-28 00:00:00
@ Daniel
If I'm correct the dude is not French, he just happens to speak French... How would Sherlock even know he is French? I think that's joke! Or am I wrong?

As for the music... When I heard it, I assumed it was Hans... The score in the film is million times longer than on this CD, so the chance is big it's a Zimmer-piece that wasn't put on the disc.

Daniel reply Replies: 0 || 2010-01-27 00:00:00
I'm a bit confused, and would really appreciate any help anyone could give. In the movie, during the 1st fight scene with Dredger (the big Frenchman), an Irish-sounding piece of music plays. It has no lyrics, and is not credited separately in the credits at the end of the movie. Is this a piece that HZ wrote that he just didn't put on the soundtrack? I really enjoyed it, as short as it was, and if anyone recognized what it is I would really appreciate your help.

~Daniel~

Plz note: I'm *not* talking about Rocky Road to Dublin.

marcelo reply Replies: 0 || 2010-01-27 00:00:00
the cd is fantastic

gaber reply Replies: 0 || 2010-01-26 00:00:00
i like this movie too mach

Dzingiskan reply Replies: 0 || 2010-01-24 00:00:00
Hans Zimmer has again given a proof how brilliant composer he is...

RJ reply Replies: 0 || 2010-01-24 00:00:00
the soundtrack is what made the movie so sensational. "discombobulated" is brilliant. i cant wait for the sequel of this movie. i hope the soundtrack in that is equally good as well..

Jayita reply Replies: 0 || 2010-01-24 00:00:00
The movie was absolutely brilliant, and the music by Hans Zimmer was even more so. Totally loved it.

Miles reply Replies: 0 || 2010-01-23 00:00:00
@kakashi:

It's "Not In Blood, But In Bond."

bavly reply Replies: 0 || 2010-01-23 00:00:00
gooooooood

Benjie reply Replies: 0 || 2010-01-23 00:00:00
My goodness this score is amazing... Psychological Recovery.....6 Months introduction and approx. 3 minutes... sensational! Huge fan! <3

Asi reply Replies: 0 || 2010-01-23 00:00:00
Wow,the movie was fantastic and the soundtrack too!!totally loved it!!!

Anonymous reply Replies: 0 || 2010-01-22 00:00:00
its a magnificent soundtrack")pulls you rite in the middle"" strong and so energytic" am always been a fan of a good jig" and i woud like to know the irish song when sherlock is fighting"" i don think he is on the soundtrack

ogga reply Replies: 0 || 2010-01-22 00:00:00
the movie is greaaaaaaaat....i wanna the sound track of it cause i couldnt find it plzzzzzz

kakashi reply Replies: 0 || 2010-01-22 00:00:00
which track has the music when watson is caught in the explosion.

jerrymui reply Replies: 0 || 2010-01-20 00:00:00
About Sherlock Holmes 5.1

File this one under "Why Even Bother?!" As per the instructions included in the CD;

Instructions For Downloading and Playing 5.1 Surround Files

1. Go to exclusive website using enhanced CD and click on button to download 5.1 Surround Sound Files
2. Unzip the file "SherlockSurround.zip"
3. Import WAV files and burn audio CD using any burning software (iTunes, Nero, Toast, etc.)
4. Play disc in any home theater system that supports 5.1 Dolby Pro Logic ll audio

Don't waste your time. The actual CD sounds virtually indistinguishable from the "PLll surround encoded" burned disc. Both played via HDMI (PCM stream) to receiver with PLll decoding. Comparing the wav file images from both enhanced CD and dowloaded files (via Wavasaur) reveal no difference - they are both stereo 16/44 files. The music itself while I'm sure complimentary to the viewing of the film, does not really stand up well on its own (IMO).

If you want to enjoy multichannel download files you are much better off buying the grammy nominated David Huber's "Colab" disc from CD Baby (there is also a DTS CD available). The 5.1 MP3 files are actually multichannel and decode VERY discretely.

You would think that with the resources available to Warner Bros and multi Acadamy Award winning composer Hans Zimmer, they could come up with something more sophisticated than this fairy dust - especially when compared to the efforts of someone like Mr. Huber who is self released and has what appears to be very limited resources.

Anonymous reply Replies: 0 || 2010-01-19 00:00:00
Totally understand you there, Matthew. Sometimes there'll be a lot of music in an actual movie that isn't in the released soundtrack, which is also the case with all three of the Pirates of the Caribbean movies, sadly.

matthew reply Replies: 0 || 2010-01-17 00:00:00
no, I'm yust talking about the release cd. rotf is too short. it's almost like a yoke. but avatar has 14 tracks too yust like rotf and it's so long. so who did this with the trans 2 score cd? Length : 43'56???? ohhhh yust great!! and the cd is only about optimus. yeah I know the movie is about optimus...

Mich reply Replies: 0 || 2010-01-17 00:00:00
Was someone saying Hans Zimmer had something to do with the Avatar soundtrack? I thought James Horner composed that?
I can't see Mr. Zimmer doing a movie like Avatar. Dunno why, but it just doesn't seem his thing.

And Matthew, I'm not sure what sound exactly you're referring to, but I can tell you different instruments make all kinds of weird sounds when played different ways, so there's really no unique sound that "belongs" to any one movie. More specifically, every composer has unique styles and quirky techniques, so maybe you're hearing some similarities between the two tracks, which is completely possible.

Enrico reply Replies: 0 || 2010-01-16 00:00:00
This score could be marked with 9 or 10/10!!!
8/10 is very few!!!

Vincent Levin reply Replies: 0 || 2010-01-16 00:00:00
Someone asked who played the uilleann pipes on Psychological Recovery.,It was Brendan McAuley from the Punchbowl Band,an amazing multi-instrumentalist.

ikaros reply Replies: 0 || 2010-01-14 00:00:00
muy buena pelicula me encanto el soundtrack

jerrymui reply Replies: 0 || 2010-01-13 00:00:00
i bought the CD and placed the CD in my computer.Then downloaded the 5.1 surroud sound of this Album and followed the instructions to burn an Audio CD.but when I played it with my home thearter system,it was still stereo 2.0,not 5.1 surroud.My home theater definitely supports 5.1 surroud sound.

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Sherlock Holmes soundtrack - Hans Zimmer 2009