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Why was there the change of composers?...wouldn't being really busy be an argument *for* him possibly being replaced? When you're signed on to 10 movies and release schedules are being constantly pushed around because nobody has a clue when theaters are going to open again, you shouldn't be surprised if eventually you might run into some conflicts.Jackman is not replacing Balfe! <br>Balfe is the most busiest composer at the moment so he isn’t going to get replaced last minute!!!!!Thank you for your replies. On IMDB she is listed.Alright, after re-listening to the score, I've made a few educated guesses of what the additional composers did, based on what we know about the score and their previous work. Note that none of this is confirmed by Hybrid, just my opinion.<br><br>Lorne Balfe: Seems to practically be a co-composer here. I hear a lot of him in this score. It seems he did Invasion (as he's known for contributing trailer music to films he works on) seemingly the suites "Brooding", "Deciphering the Signal", "Battle", and the one we know he cowrote, "Journey Suite". Based on this here's my guess as to what he contributed. <br><br>Soccent Attack - Sounds like his style, probably him arranging AllSpark and Decepticon material. <br><br>Keller's Briefing - Arrangement of "Deciphering the Signal"<br><br>Deciphering the Signal - Obviously another arrangement of "Deciphering the Signal" with Batman Begins-like action at the end.<br><br>Sam's Pink Bike Ride (Part 2) - Sounds like an arrangement of "Brooding" material. <br><br>(Possibly?) Are You LadiesMan217? - Some arrangement of "Brooding" and "Journey Suite" material, although hard to say whether the theme at 1:10 is Steve's or Lorne's. Could be Steve arranging Lorne material, as it sounds more Jablonsky-esque to me. <br><br>Autobots to the Rescue - Could be Steve imitating Batman Begins style, but sounds far too Lorne for me to not consider it a co-written track. <br><br>Sector 7 Chase - Part 1 sounds more Jablonsky than Lorne, but there's no question to me that part 2 has a lot of Balfe in there. <br><br>Where Is My Car? - Batman Begins-like again, probably Lorne solo, or Lorne and Steve<br><br>Decepticons Mobilize (Part 2) - Arrangement of "Brooding"<br><br>Freeway Fight - Battle version of Decepticon theme from "Brooding"<br><br>Stumble Bumble (Part 1) & (Part 2 Alternate) - Arrangement of "Journey Suite", second part not used in the film sounds like Steve & Lorne Combo to me. Film version of part 2 sounds pure Steve to me. <br><br>You're A Soldier Now (Parts 1 & 3) - Lorne being heavily involved in the final battle is known, and Parts 1 and 3 have arrangements of Lorne material. I'm also fairly certain that Lorne wrote the Optimus vs Megatron theme from Part 3 and "Optimus vs Megatron".<br><br>Optimus vs Megatron - Finale of theme introduced in "You're A Soldier Now (Part 3)" as well as the "Journey / AllSpark" theme which could be Lorne's or Steve's. <br><br>Trevor Morris: I can infer from his work on Pirates 2, The Island, and the one track we know he worked on. <br><br>Soldiers Arrive - Not sure why, but I've always assumed this military theme was Morris'.<br><br>Arctic 1897 - Dark theme that reminds me a lot of his work from Pirates 2. <br><br>Scorponok - Known fact that he co-wrote this. <br><br>Hoover Dam - Arrangement of military theme<br><br>Transforming -  Same theme from Arctic 1897<br><br>Sam on the Roof (Part 2) - Arrangement of theme from Scorponok, though could be Steve or Lorne arranging it.<br><br>Optimus vs Megatron - A slight hint to the Military theme when they begin attacking Blackout, and Scorponok theme reprisal, once again could be Steve or Lorne arranging these themes. <br><br>Creeper Suite / A Call to Arms (Unused) - Original music for Optimus' Epilogue, contains arrangement of military theme. <br><br>Jay Flood: Can be inferred from his work on Transformers: The Game, his overall more orchestral writing, and his contributions to Nightmare on Elm Street, Sims 3, and Desperate Housewives. <br><br>Camaro on the Run - Definitely has a TF: The Game sound to it overall. As well as a bit of Thomas Newman-esque music. <br><br>Witwicky (Parts 1-3) - Definitely some of his style here along with Steve's overall Desperate Housewives-esque music. <br><br>Decepticons 2 Suite / Frenzy - The suspenseful strings make me think of Flood's Nightmare on Elm Street work, and the brass writing seems more characteristic of him than Jablonsky to me, though it was still probably a co-written suite. <br><br>Tense Action Suite - Once again reminds me of Flood's Nightmare suspenseful string writing, probably at least co-composed with Jablonsky. <br><br>Clay Duncan - I can guess somewhat based on his contributions to "The Island" but otherwise I don't know much about him so I'm not sure about any of the inferences I'm about the make. <br><br>Angry Camaro - This sort of drone music sounds like it could be him as his contributions were very electronic in The Island.<br><br>Bumblebee vs Barricade - Strange electronics and sounds plus more minimalist writing make me think Duncan. <br><br>Tow Truck Charge - Definitely has The Island's sound. Could be Trevor Morris too. <br><br>TJ Lindgreen: I know so little about his style except he works with Elfman and did additional music for TF: The Game so not much I can say for what he did. <br><br>Belly Shot(?) - The ethereal choir style sounds somewhat like TF: The Game's score and Elfman's choir. <br><br>Not to Hear That(?) - Maybe he composed this motif for Mikaela that also appeared in "Belly Shot". <br><br>Surreal Mikaela(?) - Once again I'm hoping the specific choir sound is part of his style. <br><br>Anything I didn't mention is a track I'm assuming is all Jablonsky. Please note that I'm not trying to take away from Steve's work on this score, and that for most of these track I'm assuming Steve had some involvement in as well, I'm just speculating for fun because I've always wanted to know who did what on this score.
LP sadly, but it's also on Spotify.Technical reasons ! lol ;)<br><br>But she was there.Most welcome news. Should be a nice replacement for the Fantastic Beasts score that will have to have been pushed off. I imagine his work on Jungle Cruise will be great as well. 2021 is looking pretty exciting for score releases!She definitely performed on the score, I don't know why she is uncredited...The poster shows Lorne Balfe as the composer.<br><br>But then it also did have Desplat!
So no solo cello by Tina Guo? Is it digital then or is it no cello?CD or LP release?Why is Lorne Balfe not nominated for a Grammy for Ad Astra ?To my understanding, James never worked for Hans or Remote Control. They’re simply friends and have collaborated on a few projects. Powell (and Gregson-Williams) used to work at Remote Control before moving on to his own studio/endeavors. <br><br>BUT, I am equally as excited for James to return to Disney Animation. Very excited for this and Jungle Cruise.I guess James Newton Howard doesn't count as a Remote Control composer anymore (and yet John Powell does? I don't get it), but anyway, he's scoring Disney Animation Studios' Raya and the Last Dragon. After his epic trilogy of Dinosaur, Atlantis, and Treasure Planet, I welcome his return to the studio!
Some original cue titles with slates from a music mixing CD-R:<br>1M13 Transactions<br><br>2M16 Jake Gets Stoned<br>2M20A Alley<br>2M21 Rapists Castration<br><br>3M24 My Old Division<br>3M27 Go Fetch Dog<br>3M30 The Freeway<br>3M32 Alonzo Steals Money<br>3M33 Into The Jungle<br><br>4M41 Safety Is First / Busting Into Rogers<br><br>5M46 Helicopter<br>5M48 Sunset / Wet Streets<br>5M51 Jake Gets Beaten<br>5M52 Smiley Calls His Cousin<br><br>6M57 On The Roof<br>6M58 Jake Lands On Car<br><br>7M61 Alonzo Dies<br>7M63 Sun ShotMovie credits:<br><br>Music by Hans Zimmer & David Fleming<br><br>Music Supervisor: Joe Rudge<br><br>Score Produced by Hans Zimmer<br>Supervising Music Editor: Ryan Rubin<br>Music Editor: Nate Underkuffler<br>Music Production Services: Steven Kofsky<br>Additional Music by Ben Powell<br>Featured Guitar Soloist: Derek Trucks<br>Score Mixed by Seth Waldmann<br>Score Mix Assistant: Aldo Arechar<br>Technical Score Engineer: Chuck Choi<br>Technical Assistants: James Grimwade, Aldo Arechar, Steven Doar & Fabio Marks<br>Synth Programming: Hans Zimmer<br>Digital Instrument Design: Mark Wherry<br>Digital Instrument Preparation: Taurees Habib, Raul Vega, David Naroth & Paul Salerno<br>Studio Manager for Remote Control Productions: Shalini Singh<br>Assistant to Hans Zimmer: Cynthia Park<br>Score Mixed at Remote Control Productions, Santa Monica CA<br>Music Clearances: Jessica Dolingerthats trueCan't think of a more meaningless and laughable award than the Oscar.an oscar for this one? nahh...<br>maybe he gets a nomination for dune or bond
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Hans ZimmerLorne BalfeAndrew ZackBob Badami
ComposerAdditional MusicScore CoordinatorMusic Supervisor
Sherlock Holmes
Label: WaterTower Music
Length: 54'40
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (27266 votes)
  1. Discombobulate (2:25)
    Hans Zimmer, Lorne Balfe
  2. Is It Poison, Nanny? (2:53)
    Lorne Balfe
  3. I Never Woke Up In Handcuffs Before (1:44)
    Hans Zimmer
  4. My Mind Rebels At Stagnation (4:31)
    Hans Zimmer, Lorne Balfe
  5. Data, Data, Data (2:15)
    Hans Zimmer
  6. He's Killed The Dog Again (3:15)
    Hans Zimmer, Lorne Balfe
  7. Marital Sabotage (3:44)
    Hans Zimmer
  8. Not In Blood, But In Bond (2:13)
    Hans Zimmer
  9. Ah, Putrefaction (1:50)
    Hans Zimmer, Lorne Balfe
  10. Panic, Shear Bloody Panic (2:38)
    Hans Zimmer, Lorne Balfe
  11. Psychological Recovery... 6 Months (18:18)
    Hans Zimmer, Lorne Balfe
  12. Catatonic (6:44)
    Hans Zimmer, Lorne Balfe
  13. Holmes (Hans 'n' Guy Version) (2:14) *
    Hans Zimmer
*Buy tickets in advance for Sherlock Holmes and receive a free exclusive of the song Holmes (Hans 'n' Guy Version) by Hans Zimmer on iTunes.
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Enrico reply Replies: 0 || 2010-02-02 00:00:00
I CAN'T BELIEVE!!! GO HANS!!! SHOW THEM WHO IS TH EKING OF THE WORLD!!!

Anonymous reply Replies: 0 || 2010-02-02 00:00:00
And The Academy Award for best Original Motion Picture Score goes to.....JAMES HORNER for AVATAR....I can see the Future....

Anonymous reply Replies: 0 || 2010-02-02 00:00:00
Giacchino will win. "Married Life" is better than this whole score.

Enrico reply Replies: 0 || 2010-02-02 00:00:00
Maybe, but we must hope...Avatar has been escluded from Golden Globe & Grammy Award...

Enrico reply Replies: 0 || 2010-02-02 00:00:00
Yes Giacchino has made a wonderful score but I think you are in mistake...Sherlock Holmes has a great ideas that have never been used before!

Jon reply Replies: 0 || 2010-02-02 00:00:00
Yes, way to go, Hans! It's great that he gets the recognition he deserves. It's about time to have him nominated again since Gladiator.

Anonymous reply Replies: 0 || 2010-02-02 00:00:00
I'm soooooooooooooooooooooooooo happy for you Hans, totally deserve it, I'm soooooooooooooo happy for him.

Anonymous reply Replies: 0 || 2010-02-02 00:00:00
I CAN'T BELIEVE!!! GO HANS!!! SHOW THEM WHO IS TH EKING OF THE WORLD!!!
------------------------------------------------------------ ----------------------------------

Exactly.

Mikel Siw (a fan from Spain) reply Replies: 0 || 2010-02-02 00:00:00
oh Yes Yes Yes!!!! :___:

ZimmerFan from Italy reply Replies: 0 || 2010-02-02 00:00:00
Finally!!!
Congratulations to Hans!!!!

Amber reply Replies: 0 || 2010-01-29 00:00:00
I hate to admit that I am only recently (being in the last two years) a fan of Hans Zimmer, but only because I didn't really learn to appreciate the music in films until then. Now, however, I love Hans Zimmer more than anything and his music brings me to heights in which I cannot even describe. This soundtrack is no acception...it is simply incredible. I love the new techniques he uses with not having necessarily the "big band" sound, like in the Pirates movies, but with single instrumentational sounds. It just blows me away. He is the definition of a musical genius.

Daniel reply Replies: 0 || 2010-01-29 00:00:00
Adrian,

Thanks for the reply. If that is the case, that is unfortunate because that means I'll probably never get a copy of the track. :-/ If anyone else has any thoughts on the issue, I'd love to hear them.

As for Dredger, I think he actually *is* French, and Sherlock knew that from the first word that Dredger speaks (English, but with a French accent) upon his arrival in the midget's house. The joke then, is that the 'muscle' of the bad guys is actually quite cultural and respectful of honor. I think this is the case given his look of respect when he sees that Sherlock can fight, as well as their continued banter in French. Plus, think about it - why would a London street level thug speak French if he was English? ;)

~Daniel~

Adrian reply Replies: 0 || 2010-01-28 00:00:00
@ Daniel
If I'm correct the dude is not French, he just happens to speak French... How would Sherlock even know he is French? I think that's joke! Or am I wrong?

As for the music... When I heard it, I assumed it was Hans... The score in the film is million times longer than on this CD, so the chance is big it's a Zimmer-piece that wasn't put on the disc.

marcelo reply Replies: 0 || 2010-01-27 00:00:00
the cd is fantastic

Daniel reply Replies: 0 || 2010-01-27 00:00:00
I'm a bit confused, and would really appreciate any help anyone could give. In the movie, during the 1st fight scene with Dredger (the big Frenchman), an Irish-sounding piece of music plays. It has no lyrics, and is not credited separately in the credits at the end of the movie. Is this a piece that HZ wrote that he just didn't put on the soundtrack? I really enjoyed it, as short as it was, and if anyone recognized what it is I would really appreciate your help.

~Daniel~

Plz note: I'm *not* talking about Rocky Road to Dublin.

gaber reply Replies: 0 || 2010-01-26 00:00:00
i like this movie too mach

Dzingiskan reply Replies: 0 || 2010-01-24 00:00:00
Hans Zimmer has again given a proof how brilliant composer he is...

RJ reply Replies: 0 || 2010-01-24 00:00:00
the soundtrack is what made the movie so sensational. "discombobulated" is brilliant. i cant wait for the sequel of this movie. i hope the soundtrack in that is equally good as well..

Jayita reply Replies: 0 || 2010-01-24 00:00:00
The movie was absolutely brilliant, and the music by Hans Zimmer was even more so. Totally loved it.

Miles reply Replies: 0 || 2010-01-23 00:00:00
@kakashi:

It's "Not In Blood, But In Bond."

bavly reply Replies: 0 || 2010-01-23 00:00:00
gooooooood

Benjie reply Replies: 0 || 2010-01-23 00:00:00
My goodness this score is amazing... Psychological Recovery.....6 Months introduction and approx. 3 minutes... sensational! Huge fan! <3

Asi reply Replies: 0 || 2010-01-23 00:00:00
Wow,the movie was fantastic and the soundtrack too!!totally loved it!!!

kakashi reply Replies: 0 || 2010-01-22 00:00:00
which track has the music when watson is caught in the explosion.

  Your name :   

Please enter number: 913 

ogga reply Replies: 0 || 2010-01-22 00:00:00
the movie is greaaaaaaaat....i wanna the sound track of it cause i couldnt find it plzzzzzz

Anonymous reply Replies: 0 || 2010-01-22 00:00:00
its a magnificent soundtrack")pulls you rite in the middle"" strong and so energytic" am always been a fan of a good jig" and i woud like to know the irish song when sherlock is fighting"" i don think he is on the soundtrack

jerrymui reply Replies: 0 || 2010-01-20 00:00:00
About Sherlock Holmes 5.1

File this one under "Why Even Bother?!" As per the instructions included in the CD;

Instructions For Downloading and Playing 5.1 Surround Files

1. Go to exclusive website using enhanced CD and click on button to download 5.1 Surround Sound Files
2. Unzip the file "SherlockSurround.zip"
3. Import WAV files and burn audio CD using any burning software (iTunes, Nero, Toast, etc.)
4. Play disc in any home theater system that supports 5.1 Dolby Pro Logic ll audio

Don't waste your time. The actual CD sounds virtually indistinguishable from the "PLll surround encoded" burned disc. Both played via HDMI (PCM stream) to receiver with PLll decoding. Comparing the wav file images from both enhanced CD and dowloaded files (via Wavasaur) reveal no difference - they are both stereo 16/44 files. The music itself while I'm sure complimentary to the viewing of the film, does not really stand up well on its own (IMO).

If you want to enjoy multichannel download files you are much better off buying the grammy nominated David Huber's "Colab" disc from CD Baby (there is also a DTS CD available). The 5.1 MP3 files are actually multichannel and decode VERY discretely.

You would think that with the resources available to Warner Bros and multi Acadamy Award winning composer Hans Zimmer, they could come up with something more sophisticated than this fairy dust - especially when compared to the efforts of someone like Mr. Huber who is self released and has what appears to be very limited resources.

Anonymous reply Replies: 0 || 2010-01-19 00:00:00
Totally understand you there, Matthew. Sometimes there'll be a lot of music in an actual movie that isn't in the released soundtrack, which is also the case with all three of the Pirates of the Caribbean movies, sadly.

Mich reply Replies: 0 || 2010-01-17 00:00:00
Was someone saying Hans Zimmer had something to do with the Avatar soundtrack? I thought James Horner composed that?
I can't see Mr. Zimmer doing a movie like Avatar. Dunno why, but it just doesn't seem his thing.

And Matthew, I'm not sure what sound exactly you're referring to, but I can tell you different instruments make all kinds of weird sounds when played different ways, so there's really no unique sound that "belongs" to any one movie. More specifically, every composer has unique styles and quirky techniques, so maybe you're hearing some similarities between the two tracks, which is completely possible.

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Sherlock Holmes soundtrack - Hans Zimmer 2009