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Why never ? <br>He dislikes the saga or not interested ? I'm curious.Does anyone know why "Knight's March" is not in the original album and if there is a extended edition that has this cue?<br><br>Rogue One was last minute change on Giacchino. I would like to hear Alexandre Desplat score to make a correct analysis from both scores. Besides that and with the little time, Giacchino's score is good, in the same style from maestro Williams. <br>Solo score is more different. Maestro Williams wrote the main theme and more cues, but what make the score different is Powell. He adapts Solo theme, and some of themes the original trilogy, but he puts him own stamp. Definitely is a Star Wars Score but with Powell stamp. Something Giacchino, maybe for the time, did not develop.<br>The film, well, i will watch on DVD.graciasWhile I always liked this score, it wasn’t until recently (when I revisited the film and album) that I realized how amazing it really is. There is still nothing that tops “Evacuating London” or the “Aslan” theme in terms of modern fantasy material. Each of the themes are brilliantly interconnected with each other, but stand on their own as well. I do wish there something a bit more distinctive for the White Witch, but that’s a small complaint.<br><br>The only other score that really reminds me of this (in terms of the string writing and piano material) is “Winters Tale” by Rupert. Also a pretty solid fantasy score.
I LOVE IT!!They kept the volume of the music so low in the movie, while rouge ones was jacked up and used as a center piece rather than side music like they did for John. Johnson piece is far better,  it they gave it a back seat <br>But Rogue One or Solo?<br><br>Because i remember more the music in RO after watching the movie than in Solo (well, maybe is because that theme for the character is so unispired and only i remember certain moments of the music)We are just gonna have to agree to disagree. ;-)I just said I haven't watched the movie or listened to the full score yet.
Still have to disagree, I love the new “Park Theme” and the way it sort of takes over from the classic theme. Then you have the Indominus theme, Owen’s theme, the villain theme, the family theme, the source music, etc.<br>I’ll take that any day over Lost World and JP3. Is it as good as the original score? Hell no, but not many scores are.'<br><br>The Lost World was a coherent evolution in the franchise, Williams maintains the original theme, but creates a darker and more percussive score (listen the expanded version by La La Land), because the movie isn't like Jurassic Park. And i getting appreciate more the Don Davis score for JPIII, better orchestrated than Jurassic World, both scores are FAR better than Jurassic World (one for a coherent and agressive tone and more memorable, and the other because is better orchestrated)<br><br>'And I do see the similarities between the vulture theme and those other ones listed. It’s definitely not original, but it is effective.'<br><br>I don't see any similaraties with the Avengers theme, effective?, yeah, but not memorable and i'll pick up any day than any theme in Jurassic WorldDo you remember any music outside the space chase?<br><br>Because i don't.I only watched the movie once, but the fact that I didn't take away any memorable music from Rogue One is a huge problem for a Star Wars film. I haven't listened to this score yet, but I have more hopes for this than Rogue One.Between this one and Rogue One, I'll take the last one.<br><br>Unfortunately the two scores run away from the typical sound of the franchise and at various times seem just a pastiche copy.<br><br>It's a good score, but it does not feel so natural. Even Han's theme is almost unrecognizable, forgettable and incoherent with the character. It does not have the same identity as the themes of Luke, Leia, Rey, Anakin, Jyn, Yoda or Dameron.woow! love it
It's funny that when they announced that the star wars story films would be scored by different conposers, I was like... COME ONE JOHNY GET ON IT and sure enough a year later... Same with Pan (one of his best scores in my opinion).Well, for starters, the HAN SOLO theme Williams wrote is kind of...well...meh....<br><br>And I can see where Powell had to incorporate the original Star Wars and some Empire themes....Asteroid Field being one of them.<br><br>I just kinda hoped Powell would adapt Asteroid Field into something more than whatever the hell butchery happened here....Whoa, whoa, whoa, whoa! When was there a flute in this score?? I just noticed there's a credit for a flute soloist, and I've listened to this score several times and never noticed a flute? Does anyone have any idea which track it might be?It's really sad how more than half of this score is just very messy bombastic sound rather than a more structured melodic/thematic approach, this coming from a hardcore Powell fan. The saddest thing is that this was THE film for him to score, full of action and chase sequences, which John has always excelled at. Here however, rather than his usual voice, it sounds as if he shies away from it and goes back to anything established by Williams every 30 seconds or so. Whenever it sounds like a cue is leading up to something interesting and exploring a new idea, it just shies away from it. This might have been on the directors/producer's side of things... or that's what I'm choosing to believe, at least. Don't get me wrong, every so often there are some sections that really do shine, this often being when Powell isn't just trying to sound Williamsy and/or referencing old SW material. Maybe I just need to give the album a few more listens. Usually happens whenever a new Powell soundtrack album is released. Not sure, though. Just by listening to Ferdinand a few times, for example, you could really feel and understand the story, its characters and their development, as their themes developed as well. This one is just a mess and feels... off.Such an inspiring track. Loved it when it was released and still love it.
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Conductor
Steve JablonskyJay FloodClay DuncanNick Glennie-Smith
ComposerAdditional MusicAmbient Music DesignConductor
A Nightmare On Elm Street
Label: WaterTower Music
Length: 49'56
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (12245 votes)
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  1. Freddy's Coming For You (4:28)
    Steve Jablonsky
  2. Main Title (2:35)
    Steve Jablonsky
  3. Missing Pictures (2:22)
    Steve Jablonsky
  4. Rufus? (1:34)
    Steve Jablonsky
  5. Quiet Drive (1:48)
    Steve Jablonsky
  6. Jesse And Kris (1:08)
    Steve Jablonsky
  7. Jesse And The Police (2:50)
    Steve Jablonsky
  8. You Smell Different (2:14)
    Steve Jablonsky
  9. A Man Named Fred Krueger (5:03)
    Steve Jablonsky
  10. Research (2:22)
    Steve Jablonsky, Jay Flood
  11. It's Hot In Here (3:12)
    Steve Jablonsky
  12. The School (0:52)
    Steve Jablonsky
  13. Where The Monster Lives (4:51)
    Steve Jablonsky
  14. Wake Me Up (4:55)
    Steve Jablonsky
  15. Boo (1:06)
    Steve Jablonsky
  16. Like It Used To Be (5:32)
    Steve Jablonsky
  17. One More Nap (2:44)
    Steve Jablonsky
  18. Jump Rope (0:20)
    Steve Jablonsky (Charles Bernstein)
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Dakota reply Replies: 0 || 2011-05-26 09:19:44
How about it, Hyrbid. You said you are an Elm Street specialist, so can you edit who did what here? Please and Thank You =)

Dakota reply Replies: 0 || 2011-03-30 00:00:00
In "Freddy's Coming For You", around 1:56 the music starts getting weird like there's a hidden message played in reverse or something. I love that. That would be really awesome if it is, but I doubt it.

SnakesInPantaloons reply Replies: 0 || 2010-11-18 00:00:00
Sorry Dude. It's Better To Watch It, But, I'm Lucky Another Version Didn't Come Out Yet... Because Since I Just Released It, I Guess That It Was Dumb To Do So.

Anonymous reply Replies: 0 || 2010-11-17 00:00:00
But isnt it better to watch the movie then as you ripped it straight from the DVD with sfx and all?
just wondering

SnakesInPantaloons reply Replies: 0 || 2010-11-14 00:00:00
It's Okay..... I Find It Decent

Dakota reply Replies: 0 || 2010-11-14 00:00:00
And how's the sound quality?

SnakesInPantaloons reply Replies: 0 || 2010-11-13 00:00:00
Here's The Tracklist To My Release Of The Expanded Score. Tracks With * In Them Contain SFX, The Others Don't :
01. Main Title
02. Springwood Diner*
03. You're Not Real*
04. The Graveyard*
05. Missing Pictures
06. The Attic
07. Fall Asleep In Class*
08. Have A Nice Trip*
09. We're Having The Same Dream*
10. Rufus?
11. Kris's Dream*
12. Found You*
13. Jesse And The Police*
14. Powell's Book Store
15. Jesse's Nightmare*
16. We're Running Out Of Time*
17. You Smell Different
18. Clues
19. Research(Alternate)*
20. You Killed Krueger
21. Store Accident*
22. The Hospital*
23. Quiet Drive
24. The School(The School / Where The Monster Lives)
25. The Only Way
26. Tag, You're It
27. Boo!*
28. Like It Used To Be(Like It Used To Be / Krueger's Final Kill)*
29. End Credits

SnakesInPantaloons reply Replies: 0 || 2010-10-20 00:00:00
I Made A Cover For The Expanded Score Not Too Long Ago... Like I Said, I Hope It Gets Released

Tricky Dick reply Replies: 0 || 2010-10-16 00:00:00
SnakeDude...Are you on drugs *LOL* I don´t understand what you are rambling about here...
What covers??

SnakesInPantaloons reply Replies: 0 || 2010-10-14 00:00:00
I Forgot. I'm A Score Collector and An Album Cover Designer. The One I Made For This Was Okay.

SnakesInPantaloons reply Replies: 0 || 2010-10-14 00:00:00
Sorry About The Email Dude....

Dakota reply Replies: 0 || 2010-10-13 00:00:00
@SnakesInPantaloons

Ya, I've stopped. None of that is allowed here, this site is just to come look at all the work these amazing composers have done, which I am grateful for.

SnakesInPantaloons reply Replies: 0 || 2010-10-12 00:00:00
Sorry About The Email Thing Dakota. I Don't Think I Can Give That Info Out To People... Sorry

Tricky Dick reply Replies: 0 || 2010-10-12 00:00:00
@Snake
What are talking about covers?

SnakesInPantaloons reply Replies: 0 || 2010-09-08 00:00:00
I Like Making Covers To Albums... They're Soo Much Fun!!!! Even This One Wasn't That Bad.

SnakesInPantaloons reply Replies: 0 || 2010-08-22 00:00:00
@Freddy Kreuger
Fine!

Freddy Kreuger reply Replies: 0 || 2010-08-22 00:00:00
@Dakota
I know how to spell Krueger but my spelling here is with eu OK.its my nickname
Yes this is a great place to be but asking for boots mean trouble...

@Snake
yes I will have a heart when you get a brain...stop promoting your bootlegs here OK!

Anonymous reply Replies: 0 || 2010-08-15 00:00:00
@Dakota,
Proceeds from tickets sold to the Inception film premiere and after-party event will benefit the Alliance for Climate Protection

Anonymous reply Replies: 0 || 2010-08-15 00:00:00
@Dakota,
The two bonus tracks, “Projections” and “Don’t Think About Elephants,” will go live at noon PT on Thursday, August 12th

Dakota reply Replies: 0 || 2010-08-15 00:00:00
Ya, I got the two bonus tracks and love them. But why did you list the release date for NOES? I know it came out on the 30th, and is states it above.

Dakota reply Replies: 0 || 2010-08-15 00:00:00
How does the Web Radio work? Can anyone tell me please?

Anonymous reply Replies: 0 || 2010-08-15 00:00:00
@Dakota,
Courtesy of Universal & UIP

Anonymous reply Replies: 0 || 2010-08-15 00:00:00
@Dakota,
Each comment can be possibly edited or deleted to ensure it is suitable for public presentation

Anonymous reply Replies: 0 || 2010-08-15 00:00:00
Dakota,
Freddy's Coming For You

Dakota reply Replies: 0 || 2010-08-15 00:00:00
Ok, whatever......

Anonymous reply Replies: 0 || 2010-08-15 00:00:00
Geez.... This Might Be A While... There Will Probably More Than 20 Tracks... I'm Guessing

Anonymous reply Replies: 0 || 2010-08-15 00:00:00
Dakota,
Release date : 04/30/2010

Dakota reply Replies: 0 || 2010-08-15 00:00:00
@ Mikel Siw (a fan from Spain)

Yes, it is a very nice site, I love it. It's good to have a place to come check out all the extensive work for all my favorite Composers.

Anonymous reply Replies: 0 || 2010-08-15 00:00:00
@Dakota,
Oublier l'Amore is from a Suite For Dumas that includes a vocal version of the tune with words by claude Lettessier

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