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Tina had a lot of work to do here!Each time I listen to "The Oil," I'm convinced it can't get any louder and larger, but it does. If you don't look at the track time, you're just constantly thinking it's about to end, and yet it somehow continues to up the ante until you almost can't handle anymore!I was on three concerts so far and just at the one at Frankfurt some band members came down from the stage after the concert. I didn'f got a autograph but I did photos with nile marr and nick glennie smith. But if you would ask some of the band members I am sure they will say "ok perhaps I can arrange it" would try it this way :)I really like it. It's a clever score that sounds like it had an awful lot of thought put into it.A fanmade.<br><br>Hybrid probably took the track from here because the guy behind the channel was stating that it was original without being. Leaving the link here would only give him more audience.
So I'm curious about something...that fake End Titles track that was posted here twice and removed...if it wasn't Dunkirk, what WAS it? It was actually a decent piece and sounded like Hans.I agree.  This to me was Nolan's Revenant. Good looking cinematography, but almost no story and zero emotional connection to anything happening.  I disagree with Adam.  It doesn't drudge up negative feelings either because, unless you have an explicit connection to the Battle of Dunkirk, it doesn't try to give anything meaning.  The film was everything I feared when I saw the trailer, boring and limited in depth.  As I was leaving I heard someone describe as a documentary, but I wouldn't even call it that.  It is like an art film, definitely not for everyone.  I'd probably call it a historical recreation on film.<br><br>As for the "music".  It definitely fit the "movie" in that it hardly was the fundamental thing it is described as.  Mostly droning noise, air, or ticking.  Not for everyone and not really listenable either.<br><br>Overall this felt like a pop-avant garde project.  Maybe Dunkirk is something extremely culturally relevant in England? Like still present in the vernacular? I don't know but this movie fails to take add anything to the human experience. It does not transcend its basic scenario and title. Dunkirk. That is it.Nope, it has the inicial feeling of 528491 of Inception.Shivering Soldier is DEFINITELY similar to Bruce's theme in BVSThe Tracklist Of This movie has Been Released At film Music reporter And Film Music Site. There Us much Of The Score By Atli Örvarsson And Various Artists:<br><br>1.Nobody Gets Out Alive<br>(Samuel L.jackson)<br>2.Hello(Lionel Ritchie)<br>3.Hitman's Bodyguard(Atli Örvarsson)<br>4.Ships On The Ocean(Kunior Well's Chicago Blues Band)<br>5.Smells Like Ass Back Here<br>(Atli Örvarsson)<br>6.Jag Didn't Smells Like Ass <br>(Atli Örvarsson)<br>7.I Want To Know What Love Is<br>(Foreigner)<br>8.Amsterdam Chase(Dmitri Golovko)<br>9.Black Betty(Spiderbait)<br>10.Little Quennie(Chuck Berry)<br>11.One Of The Good Guys?<br>(Atli Örvarsson)<br>12.Kincaid's Gospel<br>(Atli Örvarsson)<br>13.Dukovish(Atli Örvarsson)<br>14.Broken Wing(Atli Örvarsson)<br>15.Dancing In The Moonlight<br>(King Harvest)<br><br>Atli Örvarsson:Composer<br>Additional Music By Claudio Olachea & Dmitri Golovko<br>Music Supervisor By Selena Arizanonic
Has anyone had any luck getting an autograph after one of his concerts? Going to one soon.*four. Yes, I can do math. :PI like that Lorne is directly credited on Regimental Brothers and End Titles. Ditto Wallfisch with Home, Variation 15, and End Titles. That's three credits from the start!I agree, but this one is much better.It probably felt less emotionally engaging because we've been fed with emotions like friendships, love, joy or sorrow in most of the films. Dunkirk was emotionally engaging with emotions like fear of death, longing to go home. Hope this gives you another perspective
Divisive opinion:<br>I honestly wasn't crazy about the film. It wasn't bad, and the score was very appropriate, but I felt they could have done something different to not just be visually engaging, but emotionally engaging. Maybe I'm crazy, I'm seeing it again today, but that's my initial reaction.@Hari "I am afraid?"<br><br>There is no need to fear. Lol.<br>They have been doing this since ... always<br>Filmtracks since 2003.<br>The problem is that HZ has no formal musical training and this will always put him on a step down when compared to those who have or who in one way or another try to follow in a more orchestral way."At least for people who claim to be more cultured"<br><br>--------------------------------------------------<br><br>@Hari No! He never assumed that. The other day, I think in BvS or Boss Baby review, he commented that people accuse him of always bashing HZ works in exchange for views. But he denies, saying he does this to make it clear that not all people are satisfied with the current situation of the scores produced these days. And that HZ has yes, his share of guilt about it.<br><br>--------------------------------------------------<br><br>I do not like hatred in what he writes. First because it influences other reviewers to do the same and second because it is not 100% fair.<br><br>For PoTC 5, for example, he gave 3 stars. While the other scores of the franchise were always migrating between 1 and 2 stars.<br>If everyone had 3 stars, with the exception of the 4 effort, I'd be okay with that.And his justification for this is that Geoff is ridding the music of the damage franchise brought by Hans. WTF?<br><br>But at the end of the day I'm okay with that too.<br>----------------------------------------------<br>I make it clear that I do not have so much trouble with the way he review the scores. No problem. The problem is the use of hate words whenever it comes with a score review by Hans.<br><br>He called Captain Philips of a piece of shit. Even if I agree with him that it is bad, is sad that you read this. But okay.<br>Wonder Woman wasn't too bad :Dits just Tick Took effect, Great for the Movie but so Disappointed As an Album.<br>You misunderstood me, everything I've heard about the score excited me and I still am very excited to see the movie and to hear the score. I was one of the people who defended Hans' approach early on when "Supermarine" was released. I like what i've heard from the score and I don't want a melody or a main theme. (even though it seems like Supermarine can count as a main theme from what I've heard about the score)<br><br>My issue is with the 11 track 59 minute album. Let's take "The Mole" for example, I've been told that at the 2:00 mark there was a section that's in the movie but was cut out of the track so "The Mole" would've been much longer than 5 minutes. That section is one of my favorite things about the score (it was featured in the prologue). The first clip with Mark Rylance featured music that is similar to the end of "The Mole" but it's not the same cue and it doesn't appear elsewhere on the album. <br>I'm a big, big fan of Hans and Nolan but the fact that they keep screwing up their soundtrack official releases is bothersome to me.
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Conductor
Steve JablonskyJay FloodClay DuncanNick Glennie-Smith
ComposerAdditional MusicAmbient Music DesignConductor
A Nightmare On Elm Street
Label: WaterTower Music
Length: 49'56
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (11412 votes)
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  1. Freddy's Coming For You (4:28)
    Steve Jablonsky
  2. Main Title (2:35)
    Steve Jablonsky
  3. Missing Pictures (2:22)
    Steve Jablonsky
  4. Rufus? (1:34)
    Steve Jablonsky
  5. Quiet Drive (1:48)
    Steve Jablonsky
  6. Jesse And Kris (1:08)
    Steve Jablonsky
  7. Jesse And The Police (2:50)
    Steve Jablonsky
  8. You Smell Different (2:14)
    Steve Jablonsky
  9. A Man Named Fred Krueger (5:03)
    Steve Jablonsky
  10. Research (2:22)
    Steve Jablonsky, Jay Flood
  11. It's Hot In Here (3:12)
    Steve Jablonsky
  12. The School (0:52)
    Steve Jablonsky
  13. Where The Monster Lives (4:51)
    Steve Jablonsky
  14. Wake Me Up (4:55)
    Steve Jablonsky
  15. Boo (1:06)
    Steve Jablonsky
  16. Like It Used To Be (5:32)
    Steve Jablonsky
  17. One More Nap (2:44)
    Steve Jablonsky
  18. Jump Rope (0:20)
    Steve Jablonsky (Charles Bernstein)
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Dakota reply Replies: 0 || 2011-05-26 09:19:44
How about it, Hyrbid. You said you are an Elm Street specialist, so can you edit who did what here? Please and Thank You =)

Dakota reply Replies: 0 || 2011-03-30 00:00:00
In "Freddy's Coming For You", around 1:56 the music starts getting weird like there's a hidden message played in reverse or something. I love that. That would be really awesome if it is, but I doubt it.

SnakesInPantaloons reply Replies: 0 || 2010-11-18 00:00:00
Sorry Dude. It's Better To Watch It, But, I'm Lucky Another Version Didn't Come Out Yet... Because Since I Just Released It, I Guess That It Was Dumb To Do So.

Anonymous reply Replies: 0 || 2010-11-17 00:00:00
But isnt it better to watch the movie then as you ripped it straight from the DVD with sfx and all?
just wondering

SnakesInPantaloons reply Replies: 0 || 2010-11-14 00:00:00
It's Okay..... I Find It Decent

Dakota reply Replies: 0 || 2010-11-14 00:00:00
And how's the sound quality?

SnakesInPantaloons reply Replies: 0 || 2010-11-13 00:00:00
Here's The Tracklist To My Release Of The Expanded Score. Tracks With * In Them Contain SFX, The Others Don't :
01. Main Title
02. Springwood Diner*
03. You're Not Real*
04. The Graveyard*
05. Missing Pictures
06. The Attic
07. Fall Asleep In Class*
08. Have A Nice Trip*
09. We're Having The Same Dream*
10. Rufus?
11. Kris's Dream*
12. Found You*
13. Jesse And The Police*
14. Powell's Book Store
15. Jesse's Nightmare*
16. We're Running Out Of Time*
17. You Smell Different
18. Clues
19. Research(Alternate)*
20. You Killed Krueger
21. Store Accident*
22. The Hospital*
23. Quiet Drive
24. The School(The School / Where The Monster Lives)
25. The Only Way
26. Tag, You're It
27. Boo!*
28. Like It Used To Be(Like It Used To Be / Krueger's Final Kill)*
29. End Credits

SnakesInPantaloons reply Replies: 0 || 2010-10-20 00:00:00
I Made A Cover For The Expanded Score Not Too Long Ago... Like I Said, I Hope It Gets Released

Tricky Dick reply Replies: 0 || 2010-10-16 00:00:00
SnakeDude...Are you on drugs *LOL* I don´t understand what you are rambling about here...
What covers??

SnakesInPantaloons reply Replies: 0 || 2010-10-14 00:00:00
I Forgot. I'm A Score Collector and An Album Cover Designer. The One I Made For This Was Okay.

SnakesInPantaloons reply Replies: 0 || 2010-10-14 00:00:00
Sorry About The Email Dude....

Dakota reply Replies: 0 || 2010-10-13 00:00:00
@SnakesInPantaloons

Ya, I've stopped. None of that is allowed here, this site is just to come look at all the work these amazing composers have done, which I am grateful for.

SnakesInPantaloons reply Replies: 0 || 2010-10-12 00:00:00
Sorry About The Email Thing Dakota. I Don't Think I Can Give That Info Out To People... Sorry

Tricky Dick reply Replies: 0 || 2010-10-12 00:00:00
@Snake
What are talking about covers?

SnakesInPantaloons reply Replies: 0 || 2010-09-08 00:00:00
I Like Making Covers To Albums... They're Soo Much Fun!!!! Even This One Wasn't That Bad.

SnakesInPantaloons reply Replies: 0 || 2010-08-22 00:00:00
@Freddy Kreuger
Fine!

Freddy Kreuger reply Replies: 0 || 2010-08-22 00:00:00
@Dakota
I know how to spell Krueger but my spelling here is with eu OK.its my nickname
Yes this is a great place to be but asking for boots mean trouble...

@Snake
yes I will have a heart when you get a brain...stop promoting your bootlegs here OK!

Anonymous reply Replies: 0 || 2010-08-15 00:00:00
@Dakota,
Proceeds from tickets sold to the Inception film premiere and after-party event will benefit the Alliance for Climate Protection

Anonymous reply Replies: 0 || 2010-08-15 00:00:00
@Dakota,
The two bonus tracks, “Projections” and “Don’t Think About Elephants,” will go live at noon PT on Thursday, August 12th

Dakota reply Replies: 0 || 2010-08-15 00:00:00
Ya, I got the two bonus tracks and love them. But why did you list the release date for NOES? I know it came out on the 30th, and is states it above.

Dakota reply Replies: 0 || 2010-08-15 00:00:00
How does the Web Radio work? Can anyone tell me please?

Anonymous reply Replies: 0 || 2010-08-15 00:00:00
@Dakota,
Courtesy of Universal & UIP

Anonymous reply Replies: 0 || 2010-08-15 00:00:00
@Dakota,
Each comment can be possibly edited or deleted to ensure it is suitable for public presentation

Anonymous reply Replies: 0 || 2010-08-15 00:00:00
Dakota,
Freddy's Coming For You

Dakota reply Replies: 0 || 2010-08-15 00:00:00
Ok, whatever......

Anonymous reply Replies: 0 || 2010-08-15 00:00:00
Geez.... This Might Be A While... There Will Probably More Than 20 Tracks... I'm Guessing

Anonymous reply Replies: 0 || 2010-08-15 00:00:00
Dakota,
Release date : 04/30/2010

Dakota reply Replies: 0 || 2010-08-15 00:00:00
@ Mikel Siw (a fan from Spain)

Yes, it is a very nice site, I love it. It's good to have a place to come check out all the extensive work for all my favorite Composers.

Anonymous reply Replies: 0 || 2010-08-15 00:00:00
@Dakota,
Oublier l'Amore is from a Suite For Dumas that includes a vocal version of the tune with words by claude Lettessier

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