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Edmund: And posted their one-sentence review of it on the Hans Zimmer fan site.Anything missed from the official release?oh damn really? huh that would be cool. even with the ultimate edition there’s still deleted scenes and I wish they were put on the Blu ray.<br><br>it plays during the scene after the knightmare when Clark is looking through the polaroids that say judge jury executioner on them. i don’t remember if that’s an extended scene or not as I’ve only seen the theatrical cut once in theaters. one and done lol"Chicken Run really makes you FEEL like you're in a concentration camp." - IGNI guess it comes from a deleted scene where Jesse Eisenberg gets playful with his dinner. Rumor has it it's gonna be included in the Snyder Cut.
I love the notion of Barack Obama and IGN teaming up to review 20 year old film scores.Smoothly done soundtrack. IGN - 10/10what the hell is Quaker steak and lube????I disagree on Catwoman. I love Zimmer's theme and I thought it is one of his most underrated themes.Loved the new tracks!<br><br>Hans & Chris really did something special.<br><br>I enjoyed the Tenet score, but honestly Ludwig's work doesn't compare to Zimmer's. I just hope they work together again instead of Chris choosing Ludwig as his main collaborator from now on.
Agreed.<br><br>I don’t know, TDKR feels a little oppressive to me in comparison with BB and TDK , probably as a result of Nolan’s musical tastes veering away from symphonic to more abstract. Reading the new book on Nolan gives me the impression that he has a very similar approach to his music as he does his filmmaking. With that said though, TDKR is still a solid conclusion to the franchise. Bane’s theme is excellent and the culmination of the various “Bat-Themes” do feel well earned. Catwoman’s theme is solid, but for some reason is dropped from most of the movie in favor of the repeating two-note phrase.<br><br>@Moggyman<br>Honestly I feel as if JNH’s work on the first two Hunger Games sequels showed a strong improvement in writing and theme building. The last score was a bit too much of a pastiche, but orchestrally a stronger fit than the first one. And “Crimes of Grindelwald” is easily one of the best sequel scores in the past few years (alongside Star Wars and HTTYD). Unfortunately we still don’t have a good album situation for that though. -_-Counterpoint: I liked Crimes of Grindelwald more than the first Fantastic Beasts. And forget Hanging Tree - "Air Raid Drill" from the first and "Sewer Attack" from the second Mockingjay are the best cues from that series. Plus, JNH honestly hasn't worked on that many sequels so we don't really have enough to go on here. <br><br>I think having JNH on board for Catwoman would have done wonders for this score. Hans' theme is okay, but feels like a bit of an afterthought compared to Bane.TDK & TDKR have amazing theme suites.<br><br>But as for the scores in film, they don't even get close to Batman Begins !I like Tom but idk he's gone downhill in my book. Alita was boring, i was over the moon excited for Terminator cause that was a perfect mix and it was disappointed big time. I'd love to hear Steve Jablonsky tackle that and get back to being as great as he used to, he has been phoning it in big time latelyOk, before I eat my words, JNH did create the Hanging Tree in Mockingjay p1 which was good, but nothing else other than that in the sequels.
For being the so called "weakest", it's very good. And if you think that Bane's theme is repetitive, I would say the same about the Joker's theme in TDK (to me they are both good though). <br><br>Now in all fairness, JNH could have probably added good material to the score since he's a genius, but I personally think he doesn't do well on sequels. Sure, in TDK he gave harvey dent a theme that resonated with his character (but was similar to material already used in BB). Yet, if you look at his work in the hunger games, its seems to me that he couldn't bring something both new and compelling to the sequels as he did in the first movie. I will agree with you that Batman Begins has the best music of the series though.After re-listening to this one, it's clearly the weakest of the trilogy. Of course it's not bad, the new themes are pretty good (though I think Bane's theme is a bit too repetitive and dry at times), there's still emotional moments, but JNH's absence really left a hole in this score.<br><br>I get to an extent that's the point, that all of Bruce's potential for a happy life is gone, but even the emotional tracks to me have nowhere near the emotional resonance that JNH's themes brought to the films. <br><br>"Come With Me" is the best example, where the slow emotional Selina Kyle chords just don't leave much of an impact. Definitely could have used JNH's "Courthouse Pt. 1" or the main theme from "Bruce Left For Dead" to emphasize Bruce's giving up of a quiet life. <br><br>Of course I still appreciate the way the 2 note motif is developed into a theme of its own, as well as the score as a whole, but then you get tracks like "Many Forms of Immortality" which just emphasize how much more effective the thematic work in Batman Begins was.It could also be Tom, who worked on Run All Night, and is already an established DC composer<br>Either way I'll be happyI lowkey think James is gonna score the Black Adam movie. it's the same director from Jungle Cruise so I'm sure he'll be brought along for itsame
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Hans ZimmerLorne BalfeMel WessonAndrew Zack
ComposerAdditional MusicAmbient Music DesignScore Coordinator
Inception
Label: WaterTower Music
Length: 61'49
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (57539 votes)
  1. Half Remembered Dream (1:12)
  2. We Built Our Own World (1:56)
  3. Dream Is Collapsing (2:24)
  4. Radical Notion (3:43)
  5. Old Souls (7:44)
  6. 528491 (2:24)
  7. Mombasa (4:54)
  8. One Simple Idea (2:28)
  9. Dream Within A Dream (5:04)
  10. Waiting For A Train (9:30)
  11. Paradox (3:25)
  12. Time (4:36)
  13. Projections (7:04) *
  14. Don't Think About Elephants (5:35) *
*Bonus tracks available at InceptionScore.com
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Anonymous reply Replies: 0 || 2010-07-09 00:00:00
4 or 5 scenes from inception in this video http://www.youtube.com/watch?v=46vPmxbiSeU

the last one is the mombasa track - sounds great!! Not much other music really though.

Brian Hamm reply Replies: 0 || 2010-07-09 00:00:00
damn yall are arguing over music? damn, chill the fuck out, losers.

just sit back and listen to it. it's just the dark knight's music thats recycled.

delekhan reply Replies: 0 || 2010-07-09 00:00:00
ok, it's releasing on Tuesday, can't wait to hear it! I liked audio previews very much, sounds similar to batman, but more diverse!

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Please enter number: 927 

delekhan reply Replies: 0 || 2010-07-09 00:00:00
And by the way, only in remote control productions you can get a sound like this, with state of the art equipment and great sound designers and music assistants, and of course with Hans Zimmer in the lead :)
No other composer/studio can make this kind of music!

Victor reply Replies: 0 || 2010-07-08 00:00:00
@cloud and everybody else, Hans zimmer is the master, he is the one, no Williams no nothing, Hans rules, I mean star wars, what the he'll guys, star wars ha sthe shittiest soundtrack ever, at least Hans comes up with new ideas in each and every movie he does, Williams not so much, he's old and still holds his old ideas,what a loser, go Hans

Anonymous reply Replies: 0 || 2010-07-08 00:00:00
I like both Zimmer and Williams. Both great. I think John has just been around longer and shown up in some famous films that make him more well known that Hans to a general audience point of view.
Im not saying Zimmer isnt good, I think he's a very talented composer.

JaJo reply Replies: 0 || 2010-07-08 00:00:00
A little too much hubris in all these comments

Cloud reply Replies: 0 || 2010-07-08 00:00:00
Too much fanboys, to be correct. And Victor, I'm sure even Hans would slap you for what you said.

Anonymous reply Replies: 0 || 2010-07-08 00:00:00
I have not seen those "digital version exclusives" listed on any websites or outlets.

Enrico reply Replies: 0 || 2010-07-08 00:00:00
I agree with Cloud!!!

Rorschach reply Replies: 0 || 2010-07-08 00:00:00
Victor if you talk that way at Williams you only have a name to define you. MOTHER-FUCKER

Anonymous reply Replies: 0 || 2010-07-08 00:00:00
Of course Hans would slap Victor, he has the utmost respect for John Williams, as he should. John Williams is a true genius who is a mile above other any other composers in this age in terms of classical, symphonic composition. He belongs with the greats like Beethoven, Mozart, Brahms, and Wagner. Yet he also has the talent of writing for film, and every note he's ever written suits the film completely. Directors just know that whatever he does will be perfect, there's no need for collaboration and he can just write everything sitting at his piano. Hans is also a brilliant musician and composer, who writes a different style of music, in a different way. You can't really compare them, they both write for film but in different genres. Just because hans is more innovative in technology than Williams, doesn't mean that Williams sounds stale. I think his recent Harry Potter music was some of the best of his career, and I can't wait to see what Tintin sounds like. Victor obviously doesn't like classical music, hence his loathing of Maestro Williams.

Victor reply Replies: 0 || 2010-07-08 00:00:00
I'm sorry all, I never meant to disrespect Williams, I just think u gotta go with the technology and synthesizers like Hans does, u can't always stay on the old stuff like williams

Robbie M reply Replies: 0 || 2010-07-07 00:00:00
How can I order the soundtrack to Inception with the extra tracks? I am a big fan of Hans Zimmer and Chris Nolan.

DavidSPa reply Replies: 0 || 2010-07-07 00:00:00
Zimmer u r my fucking god! Completly awesome ost...John Williams should learn from Zimmer...hes so repetitive....lol. Zimmer rules.

Anonymous reply Replies: 0 || 2010-07-07 00:00:00
oh my god!! i can't wait!!!!!!!

Cloud reply Replies: 0 || 2010-07-07 00:00:00
Williams should learn from Zimmer? That's one of the most outrageous and downright ridiculous things I've heard in my entire life :D

Anonymous reply Replies: 0 || 2010-07-07 00:00:00
@Cloud: I love many composers out there but I still don't understand why everybody is so in love with John Williams. Maybe I'm not long enough in the soundtrack business with my 8 years. I guess he was good and revolutionary in his time. But now in 2010 I think soundtracks have progressed to a more modern sound which is as equally good as the previous era...

Anonymous reply Replies: 0 || 2010-07-07 00:00:00
will the extra tracks be on itunes? they're not on there now but maybe on july 13 they will have them...?

DavidSPa reply Replies: 0 || 2010-07-07 00:00:00
Cloud i said that cause John Williams didnt make anything original in years....all his soundtracks, from Star Wars are the same, u hear War of the Worlds and u believe u r listening star wars ost. Sorry my english xD

DavidSPa reply Replies: 0 || 2010-07-07 00:00:00
"@Cloud: I love many composers out there but I still don't understand why everybody is so in love with John Williams. Maybe I'm not long enough in the soundtrack business with my 8 years. I guess he was good and revolutionary in his time. But now in 2010 I think soundtracks have progressed to a more modern sound which is as equally good as the previous era..."

Yeah, i completly agree with that.

Buzzfunk reply Replies: 0 || 2010-07-07 00:00:00
"@Cloud: I love many composers out there but I still don't understand why everybody is so in love with John Williams. Maybe I'm not long enough in the soundtrack business with my 8 years. I guess he was good and revolutionary in his time. But now in 2010 I think soundtracks have progressed to a more modern sound which is as equally good as the previous era.."

Sure enough Hans cannot sit down and write an entire score with a piece of paper and a pen. Williams is a classically trained guy while Hans is not. They are both very good at what they do but also very different. I beg to differ and have you check out Williams entire body of work between 1974 and 2008.

However to assess Williams work as "passe" or to say Williams should learn from Zimmer is just plain wrong. And to say that Williams work sounds 'repetitive' is laughable and ironic as Hans is basically reusing his own riffs and melodies in ALL of this scores.

Really with statements like these you lose any credibility you had and obviously shouldn't be posting on forums.

DavidSPa reply Replies: 0 || 2010-07-07 00:00:00
"Really with statements like these you lose any credibility you had and obviously shouldn't be posting on forums"

Why not? its my opinion, who are you? the admin? What i mean, with "Williams should learn from Zimmer" is in the evolution of compositions....yes Williams is a classically trained, i agree, but at this time, the "form?" of composition has changed from 1974. Dont be rude saying to me not posting in the forums...-.-

chamso reply Replies: 0 || 2010-07-06 00:00:00
great

ramin reply Replies: 0 || 2010-07-05 00:00:00
Zimmer is very turbulent !! still !!!

Ashley reply Replies: 0 || 2010-07-05 00:00:00
log in (zaloguj si&#281;/Za&#322;ó&#380; konto, do&#322;&#261;cz do nas! - in the upper right corner)
and vote for HZ ;)

http://www.filmweb.pl/person/Hans.Zimmer

Joshua reply Replies: 0 || 2010-07-04 00:00:00
Just gotta add that this feels like an all out Zimmer action score. And the cue "Time" is about as Zimmerish as you can get.

Miles reply Replies: 0 || 2010-07-04 00:00:00
My first reaction to "Time" was "Hans Zimmer meets John Murphy". Not that that's a bad thing; far from it!

Joshua reply Replies: 0 || 2010-07-04 00:00:00
Samples at Amazon! Kinda has a Terminator (Brad Fiedel), Dark Knight feel. Man I cant wait!

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Inception soundtrack - Hans Zimmer 2010