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That's been standard in certain cases, though considerably less nowadays with how complicated these situations have become.<br><br>Having heard both tracks posted, both give me little on their own. I'm sure they work better in the context of the film, and we might see better tracks unveiled eventually.He deserve better.Hans and Lorne like twins. Lorne has a very good personality. I still don't understand why some people are still writing bad comments to Lorne?Probably... lolSo is this how itís gonna be? Official release for Richter and leaks by Balfe :(Lorne posted a track from Ad Astra on his YouTube channel
Thank you. And i suppose "Need You Busting My Balls - End Credits" title would correspond to ASCAP "Need You Busting My Balls" + "RUSH END CREDITS", while "Just Married" to "RUSH MAIN ON END"?Thatís literally the best part of the score though. But itís typical Richter (Miss Sloane, Black Mirror: Nosedive).Hunt Drunken Weirdness is barely a cue actually, it's just a patch up of sound designs by Mel...<br><br>Italian Party is a name I made up for a cue that's not used in the movie ! :)In ASCAP there is a cue "HUNT DRUNKEN WEIRDNESS" - is this by a chance an alias to "Italian Party", which is absent in ASCAP. Though there are different credits Zimmer/Wesson vs Zimmer/Klebe.https://open.spotify.com/ track/2UcUL4jytfVpW0jSXi3Ggi?si=ETyixI67R5u9AOU1YuClPw<br><br>very lame the cue from Max...
Tom Holkenborg:<br><br>After Funeral<br>Anguilo Bugged<br>Bathroom<br>Big Italian Dead<br>Billy Connolly Lunch<br>End Credit Suite<br>Main Title Theme<br>Bring Jimmy Into The Tent<br>Connolly and Marianne In The Kitchen<br>Death of Deborah<br>Death of Halloran<br>Death of McIntyre<br>Death of Mickey<br>Death of Wheeler<br>The Disappearance of Whitey Bulger<br>Halloran Interview<br>Hospital Cafeteria<br>Iíll Ask You Again<br>Informing Connolly <br>Jimmy and Marianne/Loading Valhalla<br>Jimmy and Connollyís First Meeting<br>Make A Case Against Him<br>McGuireís Phone Call<br>Native of Southie<br>Picking Up Tommy King<br>Source Overlay<br>Steak Dinner<br>Thereís Nothing More Iím Going To Know<br>Utmost Respect<br>Weíre Doing This<br>2 MinutesTom Holkenborg:<br><br>Jimmy Arrives at Cabin<br>Main On Ends<br>Opening <br>Main Title Transition<br>Alley Transition<br>Happy Ending <br>Hospital Visit<br>Because Youíre Trash<br>Cops Take Michael <br>Execution/Foot Chase<br>I Used To Watch Your Fights Pt. 1-3<br>Iím Coming After Michael Pt. 1-2<br>Jimmy Calls On Michael<br>Michael Calls Police <br>Jimmy Dies<br>Jimmy Hesitates<br>Jimmy Says Goodbye<br>Sean Kills Kid<br>Sean Dies<br>Sean To Michael Transition<br>Street Source<br>Times Square Transition<br>Us Before You<br>Stay Off Main Streets<br>Whatís The Number, Jim?<br>Hit Man Price<br>Jimmyís Coming<br>Shootout in Woods<br>Train Station Pursuit Pt. 1/2<br><br>Tom Holkenborg, Christian Vorlander<br><br>Car Chase<br>Best Chance Youíve Got<br>New York Transition<br>He Killed His Own Cousin<br>The Projects Pt. 1/2Think Hans probably wrote a few notes in a piano mock-up and Lorne did the rest from that starting point... lolSaw the film today. If to talk music only, I heard Max mostly, but... nothing really different from his previous works. I heard the same motif as used in Hostiles and Morgan and probably elsewhere again and again... Nonetheless, enjoyed the movie itself immensely.From Deuscthe Grammophon.<br><br>BTW, i expect the Max Ritcher soundtrack
@MrZimmerFan Ok, thank you for the update about the full soundtrack next monthfrom Max or Lorne?Expected the full soundtrack next month<br><br>btw...<br>deutsche grammophon release tomorrow a track called "to the stars" from max richteroh man, oh man...<br>let's see what happend tomorrow
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Hans ZimmerLorne BalfeMel WessonAndrew Zack
ComposerAdditional MusicAmbient Music DesignScore Coordinator
Inception
Label: WaterTower Music
Length: 61'49
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (54809 votes)
  1. Half Remembered Dream (1:12)
  2. We Built Our Own World (1:56)
  3. Dream Is Collapsing (2:24)
  4. Radical Notion (3:43)
  5. Old Souls (7:44)
  6. 528491 (2:24)
  7. Mombasa (4:54)
  8. One Simple Idea (2:28)
  9. Dream Within A Dream (5:04)
  10. Waiting For A Train (9:30)
  11. Paradox (3:25)
  12. Time (4:36)
  13. Projections (7:04) *
  14. Don't Think About Elephants (5:35) *
*Bonus tracks available at InceptionScore.com
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Tyler reply Replies: 0 || 2011-02-07 00:00:00
Was the music made before the visual effects throughout the whole movie? It sure seems like it the way everything just forms together. My favorite part? Don't have one but the absolute beginning part of the movie with the loud, heavy brass was tremendously powerful and moving. I sure would love it if a sequel is made!

MHY reply Replies: 0 || 2011-01-24 00:00:00
Anyone who thinks Inception is stupid is ridiculous. Social Network was good but at the end it was like Okay, while Inception with its dream concepts, sleek and special effects; it was on another level. When I saw Inception everyone in the theater went crazy for that ending.could anyone have directed Social Network and come up with something similar? hmmm YES. could anyone have directed Inception and come up with something so groundbreaking and amazing? NO! Nolan is doing things these days that no-one is doing. For god sakes he took Batman and made enough people outraged that it wasnít up for BEST PICTURE!

coBB reply Replies: 0 || 2011-01-22 00:00:00
tiME

CObb reply Replies: 0 || 2011-01-22 00:00:00
TIme

MIKE reply Replies: 0 || 2011-01-18 00:00:00
They will nominate Inception and the Social Network for score, but they will not win this category. They have to nominate this soundtrack beacuse are part of the best picture nominees, just for that. Both movies has greats scores, but to be Fair, Honestly and a truly movies soundtrack lover, the score of HOW TO TRAIN YOUR DRAGON(John Powell), SHOULD GET THE OSCAR. Is an extraoirdinary score. For me, the best score since the Lion King or the Lord of the Rings(WHAT MAKES A CLASSIC). Is a must-hear-score...and of course the movie.

Dakota reply Replies: 0 || 2011-01-18 00:00:00
@Mike,

I'm guessing you didn't read my post to Hybrid Soldier, Oneill & Levente. UNLESS The Academy of Motion Picture Arts & Sciences changes the ruling of nominating multiple composers for the same work, Trent Reznor & Atticus Ross will not get a nomination. I will bring this up this again, why do you think Gladiator & The Dark Knight weren't even nominated? Becuase they weren't solely Hans Zimmer. He had Lisa Gerrard on Gladiator, and James Newton Howard on The Dark Knight. It will not happen.

MIKE reply Replies: 0 || 2011-01-18 00:00:00
what?? but then, how was The Hurt Locker nominated for his score(it has two composers)?Answer: Because it was nominated for Best Picture. It was just for that, It wasn't a remarkable score (It was a surprise at that time).And I remenber very well the nomination for Hans Zimmer's Gladiator score, the TDK was another issue.

Dakota reply Replies: 0 || 2011-01-18 00:00:00
Hmm...maybe. That could be. Because along with The Hurt Locker, Avatar & Up were other films that were nominated for both Best Picture & Original Score. I never noticed this. Well, I found the ruling for nominating a score, have a look. So maybe I was right - it looks like they did change it, as I mentioned below. The A.M.P.A.S. must have changed the ruling. Here: http://www.oscars.org/awards/academyawards/rules/rule16.html

Levente reply Replies: 0 || 2011-01-18 00:00:00
@Dakota

Well you see it doesn't matter how many times I listen this score it always lets me down. Almost a failure. :(
The last tim ein the past 5 years Zimmer impresed my was Angels & Demons only and only. You could wonder how many times I waited a great soundtrack from "the German".
Maybe that is also I have mixed feelings for this one, not to mention Megamind, which I thought a funny score, but still nothing special.
I'm still impresed by others who says Inception best of the year, Oscar for him!
Narnia, How to Train, Tron, The Last Airbender, Salt, The Expendables for me the years best.
But if Inception gets a nomination, I'll only cheer for Zimmer if Powell will not get a nomination. :)

Hybrid Soldier reply Replies: 0 || 2011-01-18 00:00:00
The Megamind CD presention is pretty bad... Even Lorne agrees with me on that !

The score has heard in film is much much better (there's just half of the score on CD) ! :S

EIRO reply Replies: 0 || 2011-01-17 00:00:00
I completely agree with Dakota, HOW COULD INCEPTION WIN NO GOLDEN GLOBE?!!! NOT FOR MOTION PICTURE - DRAMA IS OUTRAGEOUS, BUT FOR MUSIC, JUST NO... ¨¨
Ah, whatever, it doesn't matters if it wins or not awards, what it matters is that it's one of the best (or THE BEST) movie(s) and soundtrack(s) EVER

Dakota reply Replies: 0 || 2011-01-17 00:00:00
Agreed. It's just such an awesome movie. I was hoping it would win ALL the Globes it was nominated for, but it was The Stupid Network that won instead. Well, there's always the Academy Awards. And Trent Reznor & Atticus Ross will not even get nominated due to academy regulations, so there's a plus =)

Dakota reply Replies: 0 || 2011-01-17 00:00:00
I can't believe Hans didn't win the Golden Globe....... =(

Oneill5491 reply Replies: 0 || 2011-01-17 00:00:00
@Dakota,

I also heard the rumor that the score to "The Social Network" would be disqualified from the Oscar running (from slashfilm.com), but I was unable to find official information on the net about that getting DQed. I think it's still in the running which really ticks me off. I think the judges at the Academy Awards are as stupid and easily swayed by popularity as the ones at the Golden Globes are.

Hybrid Soldier reply Replies: 0 || 2011-01-17 00:00:00
Actually, who cares about Awards ?


Only the music matters... You can't listen to awards... Great music, you CAN ! :)

Dakota reply Replies: 0 || 2011-01-17 00:00:00
@Hybrid,

It's just that we want to see our (atleast mine) favorite composers win for their outstanding achievement, ie Hans Zimmer for Inception. My favorite film and score of 2010.

@Oneill & Levente,

It will be disqualified as far as the contenders for Best Original Score, because it is Trent & Atticus. They don't credit multiple composers for one score. An that IS why Hans Zimmer & Lisa Gerrard couldn't get an Oscar nom for Gladiator, or Hans & James Newton Howard for The Dark Knight. And Levente, in your opinion it's not a fantastic score. To me, it is. I've heard How To Train Your Dragon is very very good, but I still haven't seen it. I'll have to watch it soon & download the soundtrack. Anyway, if Inception gets a nomination I hope with all my heart is wins.

Levente reply Replies: 0 || 2011-01-17 00:00:00
"The Social Network" could be disqualified from the Oscar since two people are credited to scoring it. And it is possible that the amount of music is misisng for each credit. For example Lisa Gerrard wasn't nominated for Gladiator since she didn't had the amount of music credited to her. If you have the DVD listen the commentary by Russel Crow and Ridley Scott they talk about it.

And I knew this score (Inception) wouldn't win. This isn't a fantastic score, it is only a well amde soundtrack that fits perfectly for the movie. Nothing special. If I had to chose I would say: Powell - How to train Your Dragon.

Lara Brown reply Replies: 0 || 2011-01-15 00:00:00
The Inception Music is fantastic!! It fits perfectly to the film! Simly great! Thanks!!!!

Rich reply Replies: 0 || 2011-01-10 00:00:00
I bought the special edition version of the DVD of Inception and was extremely pleased to see that the 5.1 soundtrack is on the second disk. I hoped that the disk may have also included these tracks in MP3 format so I can play them while out and about (when not able to carry a dvd player!). I will probably pick up a copy of the soundtrack on CD though as it really is once of the most fantastic film scores I've ever heard, since listening to these tracks I have also downloaded the iphone/ipod app, if you haven't already it is well worth checking out if you are a fan of the music.

Dakota reply Replies: 0 || 2011-01-10 00:00:00
@Iceboy, I completely agree with you about everything you just said. I finally got a hold of it, it's pretty sweet. I'd like to chat with you, but not constantly posting on here. Shoot me an email so we can discuss this elsewhere - ##########

Anonymous reply Replies: 0 || 2011-01-10 00:00:00
@iceboy couldnt agree more about the bootlegs thing

Hybrid Soldier reply Replies: 0 || 2011-01-09 00:00:00
Actually, we never had bootleg issues here with RCP people...

I just remember an email from Jim Dooley requesting us to remove a Pushing Daisies promo page, as his score for season was about to come out... So we did...

Or Disney (lol) asking for us to remove extracts...

But you know, bootlegs are not an issue for composers... They are for the studios which own the music rights...

Hans, Lorne and some others I know have never complained about that, and actually some do think it's quite funny (lol)... It's more like they close their eyes, "not seen, not taken" ! :P

Iceboy reply Replies: 0 || 2011-01-09 00:00:00
@Dakato, in response to "And, how is it? Worth a look? Any SFX?"

No SFX at all. The track "Inception" is the real treat, featuring the end credits in lossless quality (ie not ripped from DVD). The suite is nice, but nothing really new there, and the trailer music is great too, also in good quality. Its a step up from the commercial album but nothing amazing.

@Anone, in response to "can you guys all stop talking about bootlegs ALL THE TIME it's really annoying. The album is for listening to and the rest of the music is in the film."

I guess your love of the music isnt as great as ours, who want to be able to listen to a complete score without dialog or FX. Theres nothing wrong at all with that wish. Its so disappointing when you find a commercial CD is lacking music or is mixed differently. For example, Edelman's score to xXx is terrible on the commercial CD - its clipped, completely out of sequence, is missing around 70% of the music and some of the music on there isnt even in the film. Whilst the 2CD bootleg is in film order, contains all the right music, is not mastered overly loud and is complete. Its so much better. Granted not every score release is as badly arranged as that but sometimes a bootleg is all you need.

Dakota reply Replies: 0 || 2011-01-08 00:00:00
And, how is it? Worth a look? Any SFX?

sergius reply Replies: 0 || 2011-01-08 00:00:00
and the oscar goes to, Hans Zimmer!! For Inception

Dakota reply Replies: 0 || 2011-01-08 00:00:00
Hybrid, does Hans ever visit here and see all the comments that we leave? I'm just curious, I hope he knows how much of us love his work and could not live without it. I think he is the greatest composer ever.

Hybrid Soldier reply Replies: 0 || 2011-01-08 00:00:00
He does visit here sometimes... :)

But trust me he has NO interest in bootleg discussions like you just keep doing around Dakota !! :S

Discussing music is one thing, discussing bootlegs is another... :S

Anon reply Replies: 0 || 2011-01-08 00:00:00
Yet music is music! I mean, I get it because it's a legal issue and Hans wouldn't want to deal in anything like that. But, from a certain stand point, wouldn't composers want their work heard rather than bought? It can go in the same boat I guess.

Anonymous reply Replies: 0 || 2011-01-08 00:00:00
yeah can you guys all stop talking about bootlegs ALL THE TIME it's really annoying. The album is for listening to and the rest of the music is in the film. Hans decides what goes on the album and what doesnt. For sure sometimes theres cues in the film that I wish were on the album (Maelstrom from at world's end comes to mind) but it's no big deal.

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Inception soundtrack - Hans Zimmer 2010