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Well my bet is that either Elfman or Giacchino will end up scoring the film, and we all know how willing they are to use other composers' themes. :p<br><br>I severely doubt either Horner's or Zimmer's theme will reappear. If Giacchino scores it he'll probably write yet another theme or rework his own Spidey theme, and if Elfman gets the gig I expect him to just use his own theme.Well, it's either an edit of these cues, or it's an original one, recorded in that form (theme suite or something like that), and the other film cues are just based on that one!So more and more websites have been saying that Tobey Maguire and Andrew Garfield are going to have cameos in Doctor Strange 2. Which begs the question, if Garfield appears and they do use unique music for him, what theme are they gonna use for him? Horner's or Zimmer's? <br><br>Horner's is probably more revered, but neither theme is necessarily iconic among general audiences since they each only had one movie to develop.It happened with Sherlock Holmes 2 OST.Thank you, but I noticed that Tennessee is actually a micro edited hell of End Titles + Main Titles + Danny & Evelyn Make Love :/
I think I know what happend here:<br><br>They somehow messed up the sampling rate of either the source files or while recording the master.<br><br>When I record a part in 48kHz on my computer and play it back at 44.1kHz it sounds right to my ears.<br><br>I'm of course not sure if that's a mistake on paramount or mondo's end but i'ts pretty weird that something like this can happen without someone noticing it...The original soundtrack of rebuilding paradise will be release next week in november 6, 2020 at Lakeshore Records and here's is the tracklist<br><br>1.Rebuilding Paradise<br>2.Day Of Fire<br>3.One Year Anniversary<br>4.Return To Ashes<br>5.Fire Reunited Family<br>6.Aftermath<br>7.We're Coming Back<br>8.Memorial<br>9.Love Of The Land<br><br>Total Album Time: (34:40)<br>Tennessee: Main Titles + Danny & Evelyn Make Love<br><br>Brothers: Young Rafe to the Rescue + Train Station Goodbye + Evelyn Gets the News<br><br>...And Then I Kissed Him: First Date + Rafe Says Goodbye + I'm Pregnant<br><br>I Will Come Back: Rafe Returns + Rafe Gets the News (alt)<br><br>Attack: The Attack + Oklahoma - First Hospital + Roosevelt Gets the News + Trapped Sailors - Roosevelt's Speech<br><br>December 7th: Hospital Carnage - Destroyed Fleet + Men In Trouble<br><br>War: 30 Seconds Over Tokyo<br><br>Heart of a Volunteer: Final Confrontation - Return Home + Danny & Evelyn Make Love<br>Hybrid do you have a breakdown of this album? I've tried doing it myself but the tracks seem to be edited to hell and back.okay wow...that’s a huge difference :D...
I really really pray it’s Henry but it’s most likely gonna be Ludwig since he’s worked with the director before"complete" that's cute, here's an actual list (still not really complete but whatever)<br><br>1m07a Car Crash, pt. I<br>Hans Zimmer, Andy Page<br>1m07b Car Crash, pt. II<br>Hans Zimmer, David Fleming<br>1m08 X-Manor / Title Card<br>Hans Zimmer, Steve Mazzaro<br>1m10 Pre-Space Mission<br>Hans Zimmer, Steve Mazzaro, Andy Page<br>1m11 X-Men Find Shuttle<br>Hans Zimmer, Steve Mazzaro<br>1m12 Commander Left Behind<br>Hans Zimmer, David Fleming<br>1m13 Solar Flare<br>Hans Zimmer, David Fleming<br>1m14-15 X-Men Return / Raven Confronts X<br>1m16a Examining Jean<br>1m16b Jean & Scott Kiss<br>Hans Zimmer, David Fleming<br>2m18 Smith Looks for Luna<br>2m21-22 Party / Jean Unconscious<br>Hans Zimmer, Steve Mazzaro, Andy Page<br>2m23 Cerebro<br>Hans Zimmer, David Fleming<br>2m24a Inside Jean’s Mind<br>Hans Zimmer, David Fleming<br>2m24b Need to See My Father<br>Hans Zimmer, David Fleming<br>2m25 Alien Meeting<br>Hans Zimmer, Steve Mazzaro<br>2m26 Jean Visits Dad<br>Hans Zimmer, David Fleming, Andy Page<br>2m28 Jean Standoff, pt. I<br>Hans Zimmer, David Fleming<br>2m28b Jean Standoff, pt. II<br>Hans Zimmer, Andy Page<br>2m29 Raven Impaled<br>2m30s Funeral Source<br>Hans Zimmer, Steve Mazzaro (Henry Purcell)<br>3m32 Smith Visits Dad<br>Hans Zimmer, Steve Mazzaro<br>3m33 The Island<br>Hans Zimmer, David Fleming<br>3m34 Island Standoff<br>Hans Zimmer, Steve Mazzaro, David Fleming<br>3m35 Peace has Been Shattered<br>3m36 Hello Jean<br>Hans Zimmer, Steve Mazzaro<br>3m39 Smith Shows Jean Force<br>4m40a Sadneto<br>4m40b The Helmet<br>4m41-42 NY Street Fight<br>Hans Zimmer, Steve Mazzaro<br>4m43a Staircase Standoff, pt. I<br>Hans Zimmer, David Fleming<br>4m43b Staircase Standoff, pt. II<br>Hans Zimmer, David Fleming, Andy Page<br>4m44 Jean Transfers Force<br>Hans Zimmer, Steve Mazzaro<br>4m45a Train Tension, pt. I<br>Hans Zimmer, Steve Mazzaro<br>4m45b Train Tension, pt. II<br>Hans Zimmer, Steve Mazzaro (Henry Purcell)<br>4m45c Train Tension, pt. III<br>Hans Zimmer, Steve Mazzaro<br>4m46 Aliens Attack<br>Hans Zimmer, Steve Mazzaro<br>5m48-49 Train Flashback<br>Hans Zimmer, David Fleming<br>5m50 Protect My Family<br>5m51 Break Things<br>Hans Zimmer, David Fleming<br>5m52 Train Wreckage Fight<br>Hans Zimmer, David Fleming<br>5m53 My Emotions<br>Hans Zimmer, Steve Mazzaro<br>5m54a Coda, pt. I<br>Hans Zimmer, David Fleming (Henry Purcell)<br>5m54b Coda, pt. II<br>Hans Zimmer, David Fleming<br>5m55a End Credits, pt. I (Space Scene)<br>Hans Zimmer, David Fleming<br>5m55b End Credits, pt. II (2m24a)<br>Hans Zimmer, David Fleming<br>5m55c End Credits, pt. III (2m26)<br>Hans Zimmer, David Fleming<br>5m55d End Credits, pt. IV (2m24b)<br>Hans Zimmer, David Fleming<br>5m55e End Credits, pt. V (2m25)<br>Hans Zimmer, Steve Mazzaro<br>5m55f End Credits, pt. VI (4m46)<br>Hans Zimmer, Steve Mazzaro<br>5m55g End Credits, pt. VII (2m21-22)<br>Hans Zimmer, Steve Mazzaro, Andy Page"Battle Glorious Suite" is part of "It's Our Fight" (from 2:17 to 3:15) and "Chicago Suite" is "No Prisoners, Only Trophies" but shortened.What is “Battle Glorious” and “Chicago Suite”; can they be found on the official score?here is the complete cue list:<br><br>1M7A    Car Crash - Part 1 //HZ,AP<br>1M7B    Car Crash - Part 2 //HZ,DF<br>1M8     X-Manor / Title Card //HZ,SM<br>1M10    Pre Space Mission //HZ,SM,AP<br>1M11    X-Men Find Shuttle //HZ,SM<br>1M12    Commander Left Behind //HZ,DF<br>1M13    Solar Flare //HZ,DF<br>1M14    X-Men Return<br>1M15    Raven Confronts X<br>1M16A   Examining Jean<br>1M16B   Jean / Scott Kiss //HZ,DF<br>2M18    Smith Looks For Luna<br>2M21/22 Party / Jean Unconscious //HZ,SM,AP<br>2M23    Cerebro //HZ,DF<br>2M24A   Inside Jean's Mind //HZ,DF<br>2M24B   Need To See My Father //HZ,DF<br>2M25    Alien Meeting //HZ,SM<br>2M26    Jean Visits Dad //HZ,DF,AP<br>2M28    Jean Standoff //HZ,DF<br>2M28B   Jean Standoff - Part 2 //HZ,AP<br>2M29    Raven Impaled<br>Funeral (Aeneas) //HZ,SM<br>3M32    Smith Visits Dad //HZ,SM<br>3M33    The Island //HZ,DF<br>3M34    Island Standoff //HZ,SM,DF<br>3M35    Peace Has Been Shattered<br>3M36    Hello Jean //HZ,SM<br>3M39    Smith Shows Jean Force<br>4M40A   Sadneto<br>4M40B   The Helmet<br>4M41/42 NY Street Fight //HZ,SM<br>4M43A   Staircase Standoff - Part 1 //HZ,DF<br>4M43B   Staircase Standoff - Part 2 //HZ,DF,AP<br>4M44    Jean Transfers Force //HZ,SM<br>Train Tension - Part 1 //HZ,SM<br>Train Tension - Part 3 //HZ,SM<br>4M46    Aliens Attack //HZ,SM<br>5M48/49 Train Flashback //HZ,DF<br>5M50    Protect My Family<br>5M51    Break Things //HZ,DF<br>5M52    Train Wreckage Fight //HZ,DF<br>5M53    My Emotions //HZ,SM<br>Coda - Part 1 //HZ,DF<br>Coda - Part 2 //HZ,DF<br>End Credit 1 - Space Scene //HZ,DF<br>End Credit 2    2M24A<br>End Credit 3    2M26<br>End Credit 4    2M24B<br>End Credit 5    2M25<br>End Credit 6    4M46<br>End Credit 7    2M21/22
The whole movie needs to be completed within only 2 months, that is why it has 3 directors, 2 composers and loads of other people dealing with their own parts.Yeah no I don't have translated titles.<br><br>There's also a song out, roughly translated "Heroes Anthem" or "Ode to Heroes", by Tan Weiwei which Andrew did Synth arrangments on.<br><br>And there's also a second score album containing Roc Chen's score (movie apparently has a shitload of directors (lol) and had 2 composers).<br><br><br>China is very complicated as usual !! lolI don't speak Chinese. But I google translated it.<br><br>Overture (with lines) (2:35) <br>King Kong River (3:55) <br>Operator (1:38) <br>Crossing the Bridge (1:08) <br>B29 Incendiary (2:24) <br>Attacking Again (3:26) <br>God of Death (5) :22) <br>Brotherhood (2:13) <br>To die (2:51) <br>The gunner is in place (6:24) <br>Ignite (2:49) <br>To sacrifice life (2:07) <br>Miracle (2:51) <br>Overture (No lines version) ( 2:37)What are Andrew's actual track titles for this? I'd rather have English titles that I can understand and fit with my library.Unfortunately there is no plan to have that one out internationally... :/
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Hans ZimmerLorne BalfeMel WessonAndrew Zack
ComposerAdditional MusicAmbient Music DesignScore Coordinator
Inception
Label: WaterTower Music
Length: 61'49
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (57454 votes)
  1. Half Remembered Dream (1:12)
  2. We Built Our Own World (1:56)
  3. Dream Is Collapsing (2:24)
  4. Radical Notion (3:43)
  5. Old Souls (7:44)
  6. 528491 (2:24)
  7. Mombasa (4:54)
  8. One Simple Idea (2:28)
  9. Dream Within A Dream (5:04)
  10. Waiting For A Train (9:30)
  11. Paradox (3:25)
  12. Time (4:36)
  13. Projections (7:04) *
  14. Don't Think About Elephants (5:35) *
*Bonus tracks available at InceptionScore.com
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Tyler reply Replies: 0 || 2011-02-07 00:00:00
Was the music made before the visual effects throughout the whole movie? It sure seems like it the way everything just forms together. My favorite part? Don't have one but the absolute beginning part of the movie with the loud, heavy brass was tremendously powerful and moving. I sure would love it if a sequel is made!

Zach reply Replies: 0 || 2011-02-07 00:00:00
Dream within a Dream

MHY reply Replies: 0 || 2011-01-24 00:00:00
Anyone who thinks Inception is stupid is ridiculous. Social Network was good but at the end it was like Okay, while Inception with its dream concepts, sleek and special effects; it was on another level. When I saw Inception everyone in the theater went crazy for that ending.could anyone have directed Social Network and come up with something similar? hmmm YES. could anyone have directed Inception and come up with something so groundbreaking and amazing? NO! Nolan is doing things these days that no-one is doing. For god sakes he took Batman and made enough people outraged that it wasn’t up for BEST PICTURE!

coBB reply Replies: 0 || 2011-01-22 00:00:00
tiME

CObb reply Replies: 0 || 2011-01-22 00:00:00
TIme

MIKE reply Replies: 0 || 2011-01-18 00:00:00
They will nominate Inception and the Social Network for score, but they will not win this category. They have to nominate this soundtrack beacuse are part of the best picture nominees, just for that. Both movies has greats scores, but to be Fair, Honestly and a truly movies soundtrack lover, the score of HOW TO TRAIN YOUR DRAGON(John Powell), SHOULD GET THE OSCAR. Is an extraoirdinary score. For me, the best score since the Lion King or the Lord of the Rings(WHAT MAKES A CLASSIC). Is a must-hear-score...and of course the movie.

Dakota reply Replies: 0 || 2011-01-18 00:00:00
@Mike,

I'm guessing you didn't read my post to Hybrid Soldier, Oneill & Levente. UNLESS The Academy of Motion Picture Arts & Sciences changes the ruling of nominating multiple composers for the same work, Trent Reznor & Atticus Ross will not get a nomination. I will bring this up this again, why do you think Gladiator & The Dark Knight weren't even nominated? Becuase they weren't solely Hans Zimmer. He had Lisa Gerrard on Gladiator, and James Newton Howard on The Dark Knight. It will not happen.

MIKE reply Replies: 0 || 2011-01-18 00:00:00
what?? but then, how was The Hurt Locker nominated for his score(it has two composers)?Answer: Because it was nominated for Best Picture. It was just for that, It wasn't a remarkable score (It was a surprise at that time).And I remenber very well the nomination for Hans Zimmer's Gladiator score, the TDK was another issue.

Dakota reply Replies: 0 || 2011-01-18 00:00:00
Hmm...maybe. That could be. Because along with The Hurt Locker, Avatar & Up were other films that were nominated for both Best Picture & Original Score. I never noticed this. Well, I found the ruling for nominating a score, have a look. So maybe I was right - it looks like they did change it, as I mentioned below. The A.M.P.A.S. must have changed the ruling. Here: http://www.oscars.org/awards/academyawards/rules/rule16.html

Levente reply Replies: 0 || 2011-01-18 00:00:00
@Dakota

Well you see it doesn't matter how many times I listen this score it always lets me down. Almost a failure. :(
The last tim ein the past 5 years Zimmer impresed my was Angels & Demons only and only. You could wonder how many times I waited a great soundtrack from "the German".
Maybe that is also I have mixed feelings for this one, not to mention Megamind, which I thought a funny score, but still nothing special.
I'm still impresed by others who says Inception best of the year, Oscar for him!
Narnia, How to Train, Tron, The Last Airbender, Salt, The Expendables for me the years best.
But if Inception gets a nomination, I'll only cheer for Zimmer if Powell will not get a nomination. :)

Hybrid Soldier reply Replies: 0 || 2011-01-18 00:00:00
The Megamind CD presention is pretty bad... Even Lorne agrees with me on that !

The score has heard in film is much much better (there's just half of the score on CD) ! :S

EIRO reply Replies: 0 || 2011-01-17 00:00:00
I completely agree with Dakota, HOW COULD INCEPTION WIN NO GOLDEN GLOBE?!!! NOT FOR MOTION PICTURE - DRAMA IS OUTRAGEOUS, BUT FOR MUSIC, JUST NO... ¬¬
Ah, whatever, it doesn't matters if it wins or not awards, what it matters is that it's one of the best (or THE BEST) movie(s) and soundtrack(s) EVER

Dakota reply Replies: 0 || 2011-01-17 00:00:00
I can't believe Hans didn't win the Golden Globe....... =(

Dakota reply Replies: 0 || 2011-01-17 00:00:00
Agreed. It's just such an awesome movie. I was hoping it would win ALL the Globes it was nominated for, but it was The Stupid Network that won instead. Well, there's always the Academy Awards. And Trent Reznor & Atticus Ross will not even get nominated due to academy regulations, so there's a plus =)

Oneill5491 reply Replies: 0 || 2011-01-17 00:00:00
@Dakota,

I also heard the rumor that the score to "The Social Network" would be disqualified from the Oscar running (from slashfilm.com), but I was unable to find official information on the net about that getting DQed. I think it's still in the running which really ticks me off. I think the judges at the Academy Awards are as stupid and easily swayed by popularity as the ones at the Golden Globes are.

Levente reply Replies: 0 || 2011-01-17 00:00:00
"The Social Network" could be disqualified from the Oscar since two people are credited to scoring it. And it is possible that the amount of music is misisng for each credit. For example Lisa Gerrard wasn't nominated for Gladiator since she didn't had the amount of music credited to her. If you have the DVD listen the commentary by Russel Crow and Ridley Scott they talk about it.

And I knew this score (Inception) wouldn't win. This isn't a fantastic score, it is only a well amde soundtrack that fits perfectly for the movie. Nothing special. If I had to chose I would say: Powell - How to train Your Dragon.

Dakota reply Replies: 0 || 2011-01-17 00:00:00
@Hybrid,

It's just that we want to see our (atleast mine) favorite composers win for their outstanding achievement, ie Hans Zimmer for Inception. My favorite film and score of 2010.

@Oneill & Levente,

It will be disqualified as far as the contenders for Best Original Score, because it is Trent & Atticus. They don't credit multiple composers for one score. An that IS why Hans Zimmer & Lisa Gerrard couldn't get an Oscar nom for Gladiator, or Hans & James Newton Howard for The Dark Knight. And Levente, in your opinion it's not a fantastic score. To me, it is. I've heard How To Train Your Dragon is very very good, but I still haven't seen it. I'll have to watch it soon & download the soundtrack. Anyway, if Inception gets a nomination I hope with all my heart is wins.

Hybrid Soldier reply Replies: 0 || 2011-01-17 00:00:00
Actually, who cares about Awards ?


Only the music matters... You can't listen to awards... Great music, you CAN ! :)

Lara Brown reply Replies: 0 || 2011-01-15 00:00:00
The Inception Music is fantastic!! It fits perfectly to the film! Simly great! Thanks!!!!

Rich reply Replies: 0 || 2011-01-10 00:00:00
I bought the special edition version of the DVD of Inception and was extremely pleased to see that the 5.1 soundtrack is on the second disk. I hoped that the disk may have also included these tracks in MP3 format so I can play them while out and about (when not able to carry a dvd player!). I will probably pick up a copy of the soundtrack on CD though as it really is once of the most fantastic film scores I've ever heard, since listening to these tracks I have also downloaded the iphone/ipod app, if you haven't already it is well worth checking out if you are a fan of the music.

Dakota reply Replies: 0 || 2011-01-10 00:00:00
@Iceboy, I completely agree with you about everything you just said. I finally got a hold of it, it's pretty sweet. I'd like to chat with you, but not constantly posting on here. Shoot me an email so we can discuss this elsewhere - ##########

Anonymous reply Replies: 0 || 2011-01-10 00:00:00
@iceboy couldnt agree more about the bootlegs thing

Hybrid Soldier reply Replies: 0 || 2011-01-09 00:00:00
Actually, we never had bootleg issues here with RCP people...

I just remember an email from Jim Dooley requesting us to remove a Pushing Daisies promo page, as his score for season was about to come out... So we did...

Or Disney (lol) asking for us to remove extracts...

But you know, bootlegs are not an issue for composers... They are for the studios which own the music rights...

Hans, Lorne and some others I know have never complained about that, and actually some do think it's quite funny (lol)... It's more like they close their eyes, "not seen, not taken" ! :P

Iceboy reply Replies: 0 || 2011-01-09 00:00:00
@Dakato, in response to "And, how is it? Worth a look? Any SFX?"

No SFX at all. The track "Inception" is the real treat, featuring the end credits in lossless quality (ie not ripped from DVD). The suite is nice, but nothing really new there, and the trailer music is great too, also in good quality. Its a step up from the commercial album but nothing amazing.

@Anone, in response to "can you guys all stop talking about bootlegs ALL THE TIME it's really annoying. The album is for listening to and the rest of the music is in the film."

I guess your love of the music isnt as great as ours, who want to be able to listen to a complete score without dialog or FX. Theres nothing wrong at all with that wish. Its so disappointing when you find a commercial CD is lacking music or is mixed differently. For example, Edelman's score to xXx is terrible on the commercial CD - its clipped, completely out of sequence, is missing around 70% of the music and some of the music on there isnt even in the film. Whilst the 2CD bootleg is in film order, contains all the right music, is not mastered overly loud and is complete. Its so much better. Granted not every score release is as badly arranged as that but sometimes a bootleg is all you need.

Dakota reply Replies: 0 || 2011-01-08 00:00:00
And, how is it? Worth a look? Any SFX?

sergius reply Replies: 0 || 2011-01-08 00:00:00
and the oscar goes to, Hans Zimmer!! For Inception

Dakota reply Replies: 0 || 2011-01-08 00:00:00
Hybrid, does Hans ever visit here and see all the comments that we leave? I'm just curious, I hope he knows how much of us love his work and could not live without it. I think he is the greatest composer ever.

Hybrid Soldier reply Replies: 0 || 2011-01-08 00:00:00
He does visit here sometimes... :)

But trust me he has NO interest in bootleg discussions like you just keep doing around Dakota !! :S

Discussing music is one thing, discussing bootlegs is another... :S

Anon reply Replies: 0 || 2011-01-08 00:00:00
Yet music is music! I mean, I get it because it's a legal issue and Hans wouldn't want to deal in anything like that. But, from a certain stand point, wouldn't composers want their work heard rather than bought? It can go in the same boat I guess.

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