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Well, considering there's a lot more advanced orchestral writing in a lot of Transformers: The Game (which was composed by Jablonsky and Flood), than in many of Steve's other projects, I can't help but feel the more advanced stuff here was Flood too. Plus Flood's contribution to "Flying Battle" in D-War kind of makes him seem like the more advanced orchestra composer.Any idea about Bobby's credits here Hybrid? ASCAP doesn't list anything for the specific album cues and I got no idea what to search for regarding session names. Bobby is credited on the "Outlander Theme" though, so does that mean that every cue with the main theme present he should be credited?If you have no idea what exactly Flood contributed to the cues then theres not much reason to be sad about it.Credits for Jay Flood taken from his soundcloud: <br><br>Divine Magic Kingdom (Prelude)<br>Blessing (Annette Raleigh Theme)<br>Wonderland (Mark Theme)<br><br>Kind of sad to see "Blessing" and "Wonderland" were at least partially composed by Flood instead of Jablonsky, as those were the most rich, unique, and impressively composed.Some credits for Jay Flood taken from his soundcloud: Flashback, and Flying Battle<br><br>Sadly no credits for Pieter A. Schlosser that I've been able to find...
The greatest thing that could happen, if Katsuhiro Otomo, who returns after very long 15 years break, reunited with Steve for his new anime «Orbital Era». I don't know the story behind the creation of «Steamboy» and how Steve get that job, but this was one of the best works of Jablosnky and my favorite. <br><br>It could be the greatest joy to hear Steve in full-orchestral mod and in anime-project like this.<br><br>I know, that all of this is a long shot and almost imposible, but you never know how things could turn.I am still surprised that "X-SS" isn't inserted into "Gap." That is easily the best iteration of the main theme.This is seems like HBO wanting to get Djawadi and couldn't get him so they get the guy next door. <br><br>Honestly, they should have gone for Wallfisch or Harry Gregson-Williams (probably too busy with Mulan).Poor Micheal thinks Mikeal's response is simple disagreement when it contains sentences like;<br><br>"Also film music doesn’t have to sound like it’s from the 1960’s all the time." Implying that's the only music Edmund likes.<br><br>Also, poor Micheal thinks pages can't have any other discussion other than the movies on them! (Plus, considering the fact that Balfe does do projects in a short time span all the time, it's not exactly negative to point out that producers hire him for that task too much.)Poor Edmund thinks disagreeing is having a go !thought this page was about crawl and the music by Aruj and Steffen????they did a great job and the film was fun.
Been a while since one of Balfe's paid (or unpaid?) shills had a go at me. I'm almost nostalgic. :pEdmund maybe listen and watch the show first before being negative about it?Nice strawmanning there MikealTypical Edmund response!!<br>Balfe doesn’t always write the most amazing scores but when he does it’s the best.if Balfe was only “good enough” why do the world top directors want to work with him ????????<br>Also film music doesn’t have to sound like it’s from the 1960’s all the time.Balfe seems to choose projects that don’t always require big melodies all the time.Zaras a girl and I agree with Edmund there is some sine signals and noise in the upper register that is noticeable in some cues. But that's the nature of the media it was recorded on. <br><br>You could use a spectral repair tool and non-destructive noise removal tool to fix them, such as those found in iZotope RX<br>
so only you can hear it eh? Zaralyth? that you? lolWhile I'm sure the Lorne haters will be unhappy, I was very excited today to learn that Mr. Balfe is composing the score for the BBC's new "His Dark Materials" series (adaption of the same book that guided the 2007 film "The Golden Compass", composed by Desplat). I think there might actually be enough emotional material in this project to have Lorne finally write some melodies again! :)Has anyone noticed a high-pitched whining in the background of some tracks? It's particularly bad in the mid-section of "Witt in Brig/Tall and Quintard", from about 4 minutes onwards. It's such a high frequency that I bet a lot of people wouldn't hear it (including the QA team at LLL, I guess), but I can and it's really debilitating.Yeah it's an underwhelming choice for me. Balfe feels like the guy you get when you want "good enough", or when you need a score turned over in a really short time. Doesn't speak to much ambition on the showrunners' part when it comes to the music in this series. I'm sure it won't be bad, but I doubt it will be amazing.Heh, if it's anything like the 1994 score, then you'll be waiting a LOOOOOOOOOOOOOONG time.
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Composer - Musician : Guitar
John PowellTJ LindgrenJohn Ashton ThomasGermaine Franco
ComposerAdditional MusicAdditional MusicMusic Production Coordinator
The Bourne Supremacy (Expanded Score)
Label: Unofficial Release
Length: 107'43
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5519 votes)
CD1
  1. Goa Flashback (1:18)
  2. Goa Flashback (Demo) (1:02)
  3. New Memories (2:16)
  4. New Memories (Alternate) (2:48)
  5. New Memories (Alternate II) (1:36)
  6. New Memories (Alternate III) (2:15)
  7. New Memories (Demo) (1:59)
  8. Morning Run (1:45)
  9. Morning Run (Demo) (1:50)
  10. Goa Chase (4:55)
  11. Underwater (2:18)
  12. The Drop (3:51)
  13. Exposition (1:43)
  14. Funeral Pyre (2:19)
  15. Gathering Data (1:51)
  16. Customs (1:44)
  17. Bourne Again (5:30)
  18. Nach Deutschland (2:39)
  19. Nach Deutschland (Demo) (2:37)
  20. Toaster Bomb-Diner (2:26)
  21. To The Roof (6:34)
  22. To The Roof (Demo) (4:59)
CD2
  1. Alexanderplatz (3:10)
  2. Tube Flashback (1:18)
  3. Room 645 (4:47)
  4. Berlin Foot Chase (5:17)
  5. Abbott Spews (Part 1) (2:32)
  6. Abbott Spews (Part 2) (1:32)
  7. Death Of Abbott (1:31)
  8. To Moscow (2:15)
  9. Moscow Wind Up (7:54)
  10. Moscow Wind Up (Demo) (7:09)
  11. Road Rage (5:09)
  12. Irena (3:05)
  13. Atonement (1:33)
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JB reply Replies: 0 || 2018-09-27 08:22:35
Is there a chance of a rearranged and proper track listing for this score?

TPM reply Replies: 2 || 2010-03-22 00:00:00
There's actually a track missing on here - the scene where Bourne looks for Neski's hotel on the computer, it was used in Ultimatum too in a similar scene


Mike2012-12-29 09:38:19
Later reply, I know, but notice, this is only listed as an "expanded" score. Therefore, some cues would definitely be missing. Heck, even if it were considered complete, it's still possible that some cues wouldn't be listed--say, for example, if they were added later on. The Dark Knight Rises comes to mind. This site has a page for TDKR's complete score, but I can think, off the top of my head, of some cues that are missing from the list.


VJD2016-04-13 21:53:38
The track I believe you are looking for is Hotel Brecker above...

Mike reply Replies: 8 || 2015-08-11 19:18:33
So I was having a Bourne marathon this week, and I know this isn't gonna happen, if Greengrass' and Powell's relationship is as bad as it sounds, but I *really* wish Powell could be convinced to come back and score the fifth movie. On Supremacy and Ultimatum especially, his music really drives the film and ramps up the intensity and suspense. His absence was sorely felt in Legacy, IMO, and if the studio wants to reignite Bourne franchise fervor, they'll need to do all they can to get Powell, and Bourne's signature sound, back.


Edmund Meinerts2015-08-11 19:59:30
It would certainly be nice, although probably in violation of Powell's current work ethic (he's said a lot about staying away from violent films, only scoring things his son can watch etc). To be honest, you can see the cracks showing in the Greengrass/Powell relationship in Ultimatum...so many cues from Identity and Supremacy temped in to replace Powell's far superior original cues that you can hear on the complete score. But I think that Powell still would have had the capability to further develop the franchise sound - he wasn't out of things to say.

If not Powell, I certainly hope the franchise can find a worthier replacement than James Newton Howard's bore-fest that was Legacy. Hell, his own Salt is a far better Bourne score than Legacy.


Mike2015-08-11 21:33:35
"...he wasn't out of things to say."

My thoughts exactly. Like you said, a lot of the new material in Ultimatum ended up replaced with temp tracks from Supremacy, but you could tell listening to Ultimatum as originally written that Powell was really trying to develop the various motifs. And I'd love for him to get the chance to do that for real this time.

Another thing to me is, the music he wrote for this series is a vital part of its DNA. Even among non-score-enthusiasts, most Bourne fans I know have all agreed that the music plays a huge whole in making these movies what they are. Whether Powell wants to continue with these types of movies or not, he certainly did help define some of their appeal. If Howard *does* return (or whoever the composer ends up being), I hope he can be convinced to utilize more of Powell's signature themes beyond the oboe (or is it a bassoon?) theme that defines Bourne's uncertainty (which appeared twice in Legacy).


Anonymous2015-08-11 21:38:17
well he hasn't been active in recent years i don't think but i wonder if they could get james mckee smith to do bourne 5...he worked on the first and third ones and has experience with the series....


Hybrid Soldier2015-09-09 19:58:35
For those still hoping, Powell confirmed again he's not gonna score a sequel...


McKee Smith would be a great idea, but he got some serious injury a few years back which forced him to "retire" from film scoring... Too bad, great writer !!


Scorefan2015-09-09 20:58:44
@ Hybrid, what happened with James Mckee Smith?


Hybrid Soldier2015-09-09 21:08:59
Oh he's fine now, but he doesn't want to come back to film scoring... lol


Bioscope2015-09-10 05:54:32
Do you think they could mend relations with Henry Jackman? His distortes sequencer sounds could be a replacement to Powell's styles...


Brent2015-09-10 09:02:29
I think Jackman or Balfe could make the most sense in terms of musical style. Though, I'm sure neither of them wants to do this, especially Jackman.

Anonymous reply Replies: 0 || 2014-05-17 00:33:40
if only powell had come back for the unnecessary 4th bourne movie. JNH is usually a strong composer but his score there didn't do much for me and felt like a weak powell imitation.

Mike reply Replies: 0 || 2013-02-19 20:45:34
Seeing as this is expanded, does anyone know which tracks are missing? I can think of the scene where he's looking up information on Hotel Brecker, but what else?

sean reply Replies: 0 || 2011-02-21 00:00:00
how do we get the expanded tracks

Andrew reply Replies: 0 || 2010-03-22 00:00:00
Not surprising. There are always several tracks missing from bootlegs.

versatyl reply Replies: 0 || 2010-03-21 00:00:00
Nowhere to buy it ?

TPM reply Replies: 0 || 2010-03-19 00:00:00
Where on earth can I get this???

RuthlessGravity reply Replies: 0 || 2010-03-19 00:00:00
@ TPM

It is a bootleg, you won't be able to get it through retail. We are not authorized to share any link's, sites, or anything of that matter on here. Your all on your own.

RuthlessGravity reply Replies: 0 || 2010-01-29 00:00:00
@ Alex

Nope, but it is a true expanded score. Music that was in the film are here except for "Road Rage", a cover artist placed in 'Film Version' but its not. Everything else that is not on the retail is new music.

Alex reply Replies: 0 || 2010-01-25 00:00:00
Is this a promotional release ?

Bou reply Replies: 0 || 2010-01-16 00:00:00
wow!

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The Bourne Supremacy (Expanded Score) soundtrack - John Powell 2004