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I seriously don't understand why they didn't do two separate releases like most musicals do (La La Land comes to mind - perfect release). <br><br>A soundtrack album and a score album. No missing tracks, no fuss. And optional 2-CD set containing both.<br><br>Instead, they went with a soundtrack album with some of the score and another song album for whatever reason that is lol.The second half of the new "Elephant Graveyard" is basically note for note "I Was Just Trying to Be Brave" from the 1994 version as well, just with a few changes in orchestrationThis is only HGW's score, a good chunk of it was rejected.Wonder if it will take 20 years for an official complete score XD Not to mention any unofficial leaks (it took a long time to even get that for the original film). TBH, I'd prefer a proper release of any score any day of the week.<br><br>To answer the question above me: Mostly it's new material using the same themes from 1994, though if my interpretation the OST is correct, the hyenas and Timon and Pumbaa get new themes. The only true 'copies' of music from 1994 are Circle of Life and Remember, but even then, they are at least partially-new recordings.Do we know who wrote what?
Is it all material from 1994 or is it new 2019 score?I confirm I'm back from it, there's quite a bit of unreleased score.Well, now we have somebody who's seen it (and yes, it's out in some countries today), we know for certain.<br><br>I wouldn't expect anything official any time soon unless Zimmer wants to release a second CD.I absolutely love Kai’s theme in this score, there are so many cool variations that weren’t on the initial album. Hans and Co. really stepped up their game here. I don’t feel the temp as heavily here as KFP2 (which is still an amazing sequel score).Saw the film today, there is a LOT of music missing.
As stupid as this film is, you can tell Tom probably had fun working on it. The music is so over the top, it just goes nuts all the way through.This is one of those scores that I have really warmed up to since it’s release. The emotional stuff for Alita works really well in context and her “Hero Theme” gets some great development (the way it culminates in “Epilogue” is incredible). Also really love the “Motorball” stuff. <br><br>After seeing the film I think the only substantial music not on the album is “Motorball Plan” and “Alita’s Revenge Pt. 1”. The end credits piece I’m guessing is edited from the Full Motorball Suite.Hybrid, did Lorne actually do a lot of writing on this one or is he just being credited for the theme?We've had this argument before, almost any score can fit in a film. But what separates the mediocre composers from the best is the ability to make great music that works on its own, outside of the film. <br><br>Hans has had a lot of work lately that hasn't been doing that, and it's the reason people want him to work with orchestra again and produce is 2000s, late 90s type of style. Because those scores, for whatever problems they had, they felt distinct, memorable (for the most part), and easily could have been enjoyed away from the film.<br><br>Good scores have themes and ideas that both enhance the film, and enhance the listener's experience. Music like Dunkirk, Inferno, or Widows just feel like shallow and empty committee scores that the studio/directors didn't want too much thought put into. "Ah just write one main theme, and fill in the rest with electronics, Hans, it'll be fine!"Hahahahaha well I’m glad he got the credit then :D
I absolutely disagree with you saying Widows is a terrible score. It may not be great on album, but the music fits very well with the film.Actually, I think he only gets credits cause he is the guy... whistling ! :PElectric violinJust out of curiosity... what instrument is playing when Liv and Ben are running towards each other at the end? (Long Distance Goodbye/Landing? I love that instrument!And I’m guessing Neill Blomkamp contributed somehow to the “We Own This Sky” theme that pops up throughout...
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Composer - Musician : Guitar
John PowellTJ LindgrenJohn Ashton ThomasGermaine Franco
ComposerAdditional MusicAdditional MusicMusic Production Coordinator
The Bourne Supremacy (Expanded Score)
Label: Unofficial Release
Length: 107'43
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5491 votes)
CD1
  1. Goa Flashback (1:18)
  2. Goa Flashback (Demo) (1:02)
  3. New Memories (2:16)
  4. New Memories (Alternate) (2:48)
  5. New Memories (Alternate II) (1:36)
  6. New Memories (Alternate III) (2:15)
  7. New Memories (Demo) (1:59)
  8. Morning Run (1:45)
  9. Morning Run (Demo) (1:50)
  10. Goa Chase (4:55)
  11. Underwater (2:18)
  12. The Drop (3:51)
  13. Exposition (1:43)
  14. Funeral Pyre (2:19)
  15. Gathering Data (1:51)
  16. Customs (1:44)
  17. Bourne Again (5:30)
  18. Nach Deutschland (2:39)
  19. Nach Deutschland (Demo) (2:37)
  20. Toaster Bomb-Diner (2:26)
  21. To The Roof (6:34)
  22. To The Roof (Demo) (4:59)
CD2
  1. Alexanderplatz (3:10)
  2. Tube Flashback (1:18)
  3. Room 645 (4:47)
  4. Berlin Foot Chase (5:17)
  5. Abbott Spews (Part 1) (2:32)
  6. Abbott Spews (Part 2) (1:32)
  7. Death Of Abbott (1:31)
  8. To Moscow (2:15)
  9. Moscow Wind Up (7:54)
  10. Moscow Wind Up (Demo) (7:09)
  11. Road Rage (5:09)
  12. Irena (3:05)
  13. Atonement (1:33)
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JB reply Replies: 0 || 2018-09-27 08:22:35
Is there a chance of a rearranged and proper track listing for this score?

TPM reply Replies: 2 || 2010-03-22 00:00:00
There's actually a track missing on here - the scene where Bourne looks for Neski's hotel on the computer, it was used in Ultimatum too in a similar scene


Mike2012-12-29 09:38:19
Later reply, I know, but notice, this is only listed as an "expanded" score. Therefore, some cues would definitely be missing. Heck, even if it were considered complete, it's still possible that some cues wouldn't be listed--say, for example, if they were added later on. The Dark Knight Rises comes to mind. This site has a page for TDKR's complete score, but I can think, off the top of my head, of some cues that are missing from the list.


VJD2016-04-13 21:53:38
The track I believe you are looking for is Hotel Brecker above...

Mike reply Replies: 8 || 2015-08-11 19:18:33
So I was having a Bourne marathon this week, and I know this isn't gonna happen, if Greengrass' and Powell's relationship is as bad as it sounds, but I *really* wish Powell could be convinced to come back and score the fifth movie. On Supremacy and Ultimatum especially, his music really drives the film and ramps up the intensity and suspense. His absence was sorely felt in Legacy, IMO, and if the studio wants to reignite Bourne franchise fervor, they'll need to do all they can to get Powell, and Bourne's signature sound, back.


Edmund Meinerts2015-08-11 19:59:30
It would certainly be nice, although probably in violation of Powell's current work ethic (he's said a lot about staying away from violent films, only scoring things his son can watch etc). To be honest, you can see the cracks showing in the Greengrass/Powell relationship in Ultimatum...so many cues from Identity and Supremacy temped in to replace Powell's far superior original cues that you can hear on the complete score. But I think that Powell still would have had the capability to further develop the franchise sound - he wasn't out of things to say.

If not Powell, I certainly hope the franchise can find a worthier replacement than James Newton Howard's bore-fest that was Legacy. Hell, his own Salt is a far better Bourne score than Legacy.


Mike2015-08-11 21:33:35
"...he wasn't out of things to say."

My thoughts exactly. Like you said, a lot of the new material in Ultimatum ended up replaced with temp tracks from Supremacy, but you could tell listening to Ultimatum as originally written that Powell was really trying to develop the various motifs. And I'd love for him to get the chance to do that for real this time.

Another thing to me is, the music he wrote for this series is a vital part of its DNA. Even among non-score-enthusiasts, most Bourne fans I know have all agreed that the music plays a huge whole in making these movies what they are. Whether Powell wants to continue with these types of movies or not, he certainly did help define some of their appeal. If Howard *does* return (or whoever the composer ends up being), I hope he can be convinced to utilize more of Powell's signature themes beyond the oboe (or is it a bassoon?) theme that defines Bourne's uncertainty (which appeared twice in Legacy).


Anonymous2015-08-11 21:38:17
well he hasn't been active in recent years i don't think but i wonder if they could get james mckee smith to do bourne 5...he worked on the first and third ones and has experience with the series....


Hybrid Soldier2015-09-09 19:58:35
For those still hoping, Powell confirmed again he's not gonna score a sequel...


McKee Smith would be a great idea, but he got some serious injury a few years back which forced him to "retire" from film scoring... Too bad, great writer !!


Scorefan2015-09-09 20:58:44
@ Hybrid, what happened with James Mckee Smith?


Hybrid Soldier2015-09-09 21:08:59
Oh he's fine now, but he doesn't want to come back to film scoring... lol


Bioscope2015-09-10 05:54:32
Do you think they could mend relations with Henry Jackman? His distortes sequencer sounds could be a replacement to Powell's styles...


Brent2015-09-10 09:02:29
I think Jackman or Balfe could make the most sense in terms of musical style. Though, I'm sure neither of them wants to do this, especially Jackman.

Anonymous reply Replies: 0 || 2014-05-17 00:33:40
if only powell had come back for the unnecessary 4th bourne movie. JNH is usually a strong composer but his score there didn't do much for me and felt like a weak powell imitation.

Mike reply Replies: 0 || 2013-02-19 20:45:34
Seeing as this is expanded, does anyone know which tracks are missing? I can think of the scene where he's looking up information on Hotel Brecker, but what else?

sean reply Replies: 0 || 2011-02-21 00:00:00
how do we get the expanded tracks

Andrew reply Replies: 0 || 2010-03-22 00:00:00
Not surprising. There are always several tracks missing from bootlegs.

versatyl reply Replies: 0 || 2010-03-21 00:00:00
Nowhere to buy it ?

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TPM reply Replies: 0 || 2010-03-19 00:00:00
Where on earth can I get this???

RuthlessGravity reply Replies: 0 || 2010-03-19 00:00:00
@ TPM

It is a bootleg, you won't be able to get it through retail. We are not authorized to share any link's, sites, or anything of that matter on here. Your all on your own.

RuthlessGravity reply Replies: 0 || 2010-01-29 00:00:00
@ Alex

Nope, but it is a true expanded score. Music that was in the film are here except for "Road Rage", a cover artist placed in 'Film Version' but its not. Everything else that is not on the retail is new music.

Alex reply Replies: 0 || 2010-01-25 00:00:00
Is this a promotional release ?

Bou reply Replies: 0 || 2010-01-16 00:00:00
wow!

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The Bourne Supremacy (Expanded Score) soundtrack - John Powell 2004