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Richter is a conceptual artist, I love his Leftovers score, but come one, scoring to picture ?<br><br>He writes pieces that are used in scenes, not the other way around...<br><br>Richter scoring a moon buggy chase ? Hell no... lol you could see from day one it was gonna be replaced...^ Yeah the edit floating around matches Felix’s almost to a T. Only major difference is <br><br>“Our Final Stand - Showdown - United Greece - Finale”<br><br>Which is broken up into four separate cues. Realistically you could edit it anyway you want if you prefer the smaller cues. Personally, I like the long suite-like format of this release. Kinda like the album release for “Event Horizon” lol.I hope they at least release Richter's score.My Edit:<br><br>01. Rise Of An Empire - Marathon - King Darius - Artemisia - Man To God - War (13:36)<br>= <br><br>M1A Rise of An Empire (09:48)<br>M1B From Man to God King (03:44)<br><br>02. Greek Council - Persian War Plan - Spartan Fight Training - Greek Conversation - Your Commander Is Greek (10:47) <br>=<br><br>M2 Greek Council (03:39)<br>M3 Greek Conversation (07:06)<br><br>05. Suicide - General Bandari - Circle Battle (7:30) <br>=<br><br>M6 Suicide/General Bandari (02:10)<br>M7 Circle Battle (05:16)<br><br>06. Sex - Fire Battle (12:04) <br>=<br><br>M10 Sex (05:36)<br>M11 Fire Battle (06:21)<br><br>11. Our Final Stand - Showdown - United Greece - Finale (16:08) <br>=<br><br>M15-17A Our Final Stand/Showdown Pt.1 (08:19)<br>M17B-19 Showdown Pt.2/Finale (07:37)I'm not really interested in Balfe's part of work, but it would be a big disappointment if Richter's work wouldn't released.<br><br>But I think there's a good chance that movie (and music in particular) get an Oscar nominations, so let's just hope for the best.
@mpolonest123 any idea how to break up the really long cues on the complete? it’s a lot of tracks that are made up of several cuesArtemisia Suite = History of Artemisia <br>Greek Action Suite = Marathon <br>Xerxes Rebirth Suite = From Man to God King<br>Greek Sacrifice Suite = ???<br>Artemisia’s Childhood Suite = Artemisia’s Childhood<br>Greek Attack Suite = Greeks on Attack<br>Queen Gorgo Suite = Queen Gorgo<br>Xerxes Thoughts Suite = Xerxes Thoughts<br>Greek History Suite = History of the Greeks<br>Greek Victory Suite = Greeks Are Winning<br><br>Hope this helps! :-)Hybrid can you tell us what album cues are the suites ?!well, from what Lorne wrote on Twitter, it should be releasedCool thanks for getting back! I am still a little bit confused though. Do any Basil Poledouris cues go somewhere in that list? It’s been a very very long time since I have seen the film.
The Hans cues used are :<br><br>1M1 OPENING CREDITS / MAIN TITLE (USED FROM 2:18 TO 3:03)<br>1M2 GOLDEN STAIRCASE (USED FROM 0:00 TO 1:56)<br>2M2 JACK SEES WOLVES<br>2M3 BLACK WOLF<br>2M6 THE TREK CONTINUES (USED FROM 0:28 TO 1:15)<br>3M1 THIN ICE<br>3M2 SKUNKER'S DEATH<br>3M3 FULL MOON WOLF ATTACK<br>3M3A MORNING WOLF ATTACK<br>6M4 THE BEAR<br>6M4A THE BEAR ATTACK<br>7M3 IN THE STABLE<br>7M5 WHITE FANG FIGHTS SATAN<br>8M1 FIGHT MONTAGE (FIRST HALF USED)<br>8M3 PIT FIGHT (FINAL 20 SEC USED)<br><br>All the rest, by definition, is Basil's score...Hey hybrid soldier! You mentioned on the ghost in the shell page about white fang so I came here! Can you give us a list of the cues as they appear in the film please? The Basil Poledouris cues and the Hans Zimmer cues pleaseI imagined it ... hopefully this time Max Ritcher does not give him a lollipop and refuses to launch his musicYes Unbreakable.
<br>
<br>Exactly like White Fang. Have Poledouris write a score, then HZ do another, then pick what you want from both.
<br>
<br>Ghost In The Shell was kinda different...In the credits of the movie, Max Ritcher appears as the Main Composer, meanwhile, Lorne appears as Additional Music
I find that it would be best to accredit both and launch the two soundtracks and all happy.Hybrid implies that Max Ritcher's score was rejected, and that Lorne made a new one and in the end, the best of both has been used.  I am right?ANd now apparently another guy is scoring it as well lmaoTechnically he's a little under 50% used so there's no obligation. But he wrote a whole score for it.but if Lorne has written 50% of the score you should have a credit like in Ghost in the shell
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Composer - Musician : Guitar
John PowellTJ LindgrenJohn Ashton ThomasGermaine Franco
ComposerAdditional MusicAdditional MusicMusic Production Coordinator
The Bourne Supremacy (Expanded Score)
Label: Unofficial Release
Length: 107'43
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5546 votes)
CD1
  1. Goa Flashback (1:18)
  2. Goa Flashback (Demo) (1:02)
  3. New Memories (2:16)
  4. New Memories (Alternate) (2:48)
  5. New Memories (Alternate II) (1:36)
  6. New Memories (Alternate III) (2:15)
  7. New Memories (Demo) (1:59)
  8. Morning Run (1:45)
  9. Morning Run (Demo) (1:50)
  10. Goa Chase (4:55)
  11. Underwater (2:18)
  12. The Drop (3:51)
  13. Exposition (1:43)
  14. Funeral Pyre (2:19)
  15. Gathering Data (1:51)
  16. Customs (1:44)
  17. Bourne Again (5:30)
  18. Nach Deutschland (2:39)
  19. Nach Deutschland (Demo) (2:37)
  20. Toaster Bomb-Diner (2:26)
  21. To The Roof (6:34)
  22. To The Roof (Demo) (4:59)
CD2
  1. Alexanderplatz (3:10)
  2. Tube Flashback (1:18)
  3. Room 645 (4:47)
  4. Berlin Foot Chase (5:17)
  5. Abbott Spews (Part 1) (2:32)
  6. Abbott Spews (Part 2) (1:32)
  7. Death Of Abbott (1:31)
  8. To Moscow (2:15)
  9. Moscow Wind Up (7:54)
  10. Moscow Wind Up (Demo) (7:09)
  11. Road Rage (5:09)
  12. Irena (3:05)
  13. Atonement (1:33)
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JB reply Replies: 0 || 2018-09-27 08:22:35
Is there a chance of a rearranged and proper track listing for this score?

TPM reply Replies: 2 || 2010-03-22 00:00:00
There's actually a track missing on here - the scene where Bourne looks for Neski's hotel on the computer, it was used in Ultimatum too in a similar scene


Mike2012-12-29 09:38:19
Later reply, I know, but notice, this is only listed as an "expanded" score. Therefore, some cues would definitely be missing. Heck, even if it were considered complete, it's still possible that some cues wouldn't be listed--say, for example, if they were added later on. The Dark Knight Rises comes to mind. This site has a page for TDKR's complete score, but I can think, off the top of my head, of some cues that are missing from the list.


VJD2016-04-13 21:53:38
The track I believe you are looking for is Hotel Brecker above...

Mike reply Replies: 8 || 2015-08-11 19:18:33
So I was having a Bourne marathon this week, and I know this isn't gonna happen, if Greengrass' and Powell's relationship is as bad as it sounds, but I *really* wish Powell could be convinced to come back and score the fifth movie. On Supremacy and Ultimatum especially, his music really drives the film and ramps up the intensity and suspense. His absence was sorely felt in Legacy, IMO, and if the studio wants to reignite Bourne franchise fervor, they'll need to do all they can to get Powell, and Bourne's signature sound, back.


Edmund Meinerts2015-08-11 19:59:30
It would certainly be nice, although probably in violation of Powell's current work ethic (he's said a lot about staying away from violent films, only scoring things his son can watch etc). To be honest, you can see the cracks showing in the Greengrass/Powell relationship in Ultimatum...so many cues from Identity and Supremacy temped in to replace Powell's far superior original cues that you can hear on the complete score. But I think that Powell still would have had the capability to further develop the franchise sound - he wasn't out of things to say.

If not Powell, I certainly hope the franchise can find a worthier replacement than James Newton Howard's bore-fest that was Legacy. Hell, his own Salt is a far better Bourne score than Legacy.


Mike2015-08-11 21:33:35
"...he wasn't out of things to say."

My thoughts exactly. Like you said, a lot of the new material in Ultimatum ended up replaced with temp tracks from Supremacy, but you could tell listening to Ultimatum as originally written that Powell was really trying to develop the various motifs. And I'd love for him to get the chance to do that for real this time.

Another thing to me is, the music he wrote for this series is a vital part of its DNA. Even among non-score-enthusiasts, most Bourne fans I know have all agreed that the music plays a huge whole in making these movies what they are. Whether Powell wants to continue with these types of movies or not, he certainly did help define some of their appeal. If Howard *does* return (or whoever the composer ends up being), I hope he can be convinced to utilize more of Powell's signature themes beyond the oboe (or is it a bassoon?) theme that defines Bourne's uncertainty (which appeared twice in Legacy).


Anonymous2015-08-11 21:38:17
well he hasn't been active in recent years i don't think but i wonder if they could get james mckee smith to do bourne 5...he worked on the first and third ones and has experience with the series....


Hybrid Soldier2015-09-09 19:58:35
For those still hoping, Powell confirmed again he's not gonna score a sequel...


McKee Smith would be a great idea, but he got some serious injury a few years back which forced him to "retire" from film scoring... Too bad, great writer !!


Scorefan2015-09-09 20:58:44
@ Hybrid, what happened with James Mckee Smith?


Hybrid Soldier2015-09-09 21:08:59
Oh he's fine now, but he doesn't want to come back to film scoring... lol


Bioscope2015-09-10 05:54:32
Do you think they could mend relations with Henry Jackman? His distortes sequencer sounds could be a replacement to Powell's styles...


Brent2015-09-10 09:02:29
I think Jackman or Balfe could make the most sense in terms of musical style. Though, I'm sure neither of them wants to do this, especially Jackman.

Anonymous reply Replies: 0 || 2014-05-17 00:33:40
if only powell had come back for the unnecessary 4th bourne movie. JNH is usually a strong composer but his score there didn't do much for me and felt like a weak powell imitation.

Mike reply Replies: 0 || 2013-02-19 20:45:34
Seeing as this is expanded, does anyone know which tracks are missing? I can think of the scene where he's looking up information on Hotel Brecker, but what else?

sean reply Replies: 0 || 2011-02-21 00:00:00
how do we get the expanded tracks

Andrew reply Replies: 0 || 2010-03-22 00:00:00
Not surprising. There are always several tracks missing from bootlegs.

versatyl reply Replies: 0 || 2010-03-21 00:00:00
Nowhere to buy it ?

TPM reply Replies: 0 || 2010-03-19 00:00:00
Where on earth can I get this???

RuthlessGravity reply Replies: 0 || 2010-03-19 00:00:00
@ TPM

It is a bootleg, you won't be able to get it through retail. We are not authorized to share any link's, sites, or anything of that matter on here. Your all on your own.

RuthlessGravity reply Replies: 0 || 2010-01-29 00:00:00
@ Alex

Nope, but it is a true expanded score. Music that was in the film are here except for "Road Rage", a cover artist placed in 'Film Version' but its not. Everything else that is not on the retail is new music.

Alex reply Replies: 0 || 2010-01-25 00:00:00
Is this a promotional release ?

Bou reply Replies: 0 || 2010-01-16 00:00:00
wow!

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The Bourne Supremacy (Expanded Score) soundtrack - John Powell 2004