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The Railroad Waits for No One is MazzaroWhat we know about Lorne's work on it? He do "Ranaway Train" aka "The Railroad Waits For No One" or "Finale"? And Zanelli did only "Finale"?Well, considering there's a lot more advanced orchestral writing in a lot of Transformers: The Game (which was composed by Jablonsky and Flood), than in many of Steve's other projects, I can't help but feel the more advanced stuff here was Flood too. Plus Flood's contribution to "Flying Battle" in D-War kind of makes him seem like the more advanced orchestra composer.Any idea about Bobby's credits here Hybrid? ASCAP doesn't list anything for the specific album cues and I got no idea what to search for regarding session names. Bobby is credited on the "Outlander Theme" though, so does that mean that every cue with the main theme present he should be credited?If you have no idea what exactly Flood contributed to the cues then theres not much reason to be sad about it.
Credits for Jay Flood taken from his soundcloud: <br><br>Divine Magic Kingdom (Prelude)<br>Blessing (Annette Raleigh Theme)<br>Wonderland (Mark Theme)<br><br>Kind of sad to see "Blessing" and "Wonderland" were at least partially composed by Flood instead of Jablonsky, as those were the most rich, unique, and impressively composed.Some credits for Jay Flood taken from his soundcloud: Flashback, and Flying Battle<br><br>Sadly no credits for Pieter A. Schlosser that I've been able to find...The greatest thing that could happen, if Katsuhiro Otomo, who returns after very long 15 years break, reunited with Steve for his new anime «Orbital Era». I don't know the story behind the creation of «Steamboy» and how Steve get that job, but this was one of the best works of Jablosnky and my favorite. <br><br>It could be the greatest joy to hear Steve in full-orchestral mod and in anime-project like this.<br><br>I know, that all of this is a long shot and almost imposible, but you never know how things could turn.I am still surprised that "X-SS" isn't inserted into "Gap." That is easily the best iteration of the main theme.This is seems like HBO wanting to get Djawadi and couldn't get him so they get the guy next door. <br><br>Honestly, they should have gone for Wallfisch or Harry Gregson-Williams (probably too busy with Mulan).
Poor Micheal thinks Mikeal's response is simple disagreement when it contains sentences like;<br><br>"Also film music doesn’t have to sound like it’s from the 1960’s all the time." Implying that's the only music Edmund likes.<br><br>Also, poor Micheal thinks pages can't have any other discussion other than the movies on them! (Plus, considering the fact that Balfe does do projects in a short time span all the time, it's not exactly negative to point out that producers hire him for that task too much.)Poor Edmund thinks disagreeing is having a go !thought this page was about crawl and the music by Aruj and Steffen????they did a great job and the film was fun.Been a while since one of Balfe's paid (or unpaid?) shills had a go at me. I'm almost nostalgic. :pEdmund maybe listen and watch the show first before being negative about it?Nice strawmanning there Mikeal
Typical Edmund response!!<br>Balfe doesn’t always write the most amazing scores but when he does it’s the best.if Balfe was only “good enough” why do the world top directors want to work with him ????????<br>Also film music doesn’t have to sound like it’s from the 1960’s all the time.Balfe seems to choose projects that don’t always require big melodies all the time.Zaras a girl and I agree with Edmund there is some sine signals and noise in the upper register that is noticeable in some cues. But that's the nature of the media it was recorded on. <br><br>You could use a spectral repair tool and non-destructive noise removal tool to fix them, such as those found in iZotope RX<br>so only you can hear it eh? Zaralyth? that you? lolWhile I'm sure the Lorne haters will be unhappy, I was very excited today to learn that Mr. Balfe is composing the score for the BBC's new "His Dark Materials" series (adaption of the same book that guided the 2007 film "The Golden Compass", composed by Desplat). I think there might actually be enough emotional material in this project to have Lorne finally write some melodies again! :)Has anyone noticed a high-pitched whining in the background of some tracks? It's particularly bad in the mid-section of "Witt in Brig/Tall and Quintard", from about 4 minutes onwards. It's such a high frequency that I bet a lot of people wouldn't hear it (including the QA team at LLL, I guess), but I can and it's really debilitating.
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Composer - Conductor - OrchestratorAdditional Music - Synth RecordistOrchestrator
Harry Gregson-WilliamsSteve JablonskyHans ZimmerBruce Fowler
ComposerAdditional MusicScore ProducerOrchestrator
The Borrowers
Label: Mojo Trax
Length: 53'42
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4476 votes)
  1. Opening Titles (1:30)
  2. Pete Helps Out (2:12)
  3. Ocious P. Potter (2:35)
  4. Pod's Heroics (2:10)
  5. Killer Hoover (0:58)
  6. Arriety's Sadness (2:52)
  7. A Plan Is Hatched (2:22)
  8. The Policeman Arrives (1:30)
  9. Pod Saves Peagreen (2:00)
  10. Borrower's Galore (2:00)
  11. Stealing The Will (3:00)
  12. Hammered (2:55)
  13. The Borrowers' Revenge (3:25)
  14. Dairy Montage (1:00)
  15. Arriety Is Seen And Caught (1:15)
  16. Life Or Death For Peagreen (4:18)
  17. Pete To The Rescue (4:25)
  18. Potter's Entrance (1:40)
  19. Potter's Angry Now (1:35)
  20. Under The Floorboards (1:53)
  21. Jeff The Exterminator (1:24)
  22. Home & Dry / End Titles (6:16)
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Hybrid Soldier reply Replies: 0 || 2007-08-22 00:00:00
If you want the complete informations :

Music Composed, Orchestrated & Conducted by... Harry Gregson-Williams

Score Produced By... Hans Zimmer

Album Produced By... Harry Gregson-Williams & Hans Zimmer

Additional Orchestration By... Bruce Fowler

Copyist... Joann Kane Music Services

Additional Music By... Steve Jablonsky & Gavin Greenaway

Music Editor... Brian Richards

Orchestral Contractor... Isobel Griffiths

Orchestra Led By... Gavin Wright

Orchestra Recorded & Score Mixed By... Alan Meyerson At Angel Studios, U.K.

Synths Recorded By... Steve & Gregg At Media Ventures

Album Compiled By... Brian Richards

Music Production Services By... Media Ventures

Executive In Charge Of Music For Polygram Filmed Entertainment... Dawn Soler

Album Layout By... JennyO


The Composer Would Like To Thank...

Peter Hewitt for his unswerving vision of eccentricity; Tim Bevan for having faith; Hans for being so particularly Zimmeresque about this project; Steve Jablonsky for more than just assistance; and Karen GW for her extraordinary patience.

Mark Levy at Media Ventures; Maggie Rodford & Becky Bentham at Air-Edel; Tom at Angel; RGW; Adam and his frog; and all who work and sail in Media Ventures.

Falconet reply Replies: 0 || 2007-07-18 00:00:00
Amazing Score! Sound like Chicken Run :-)

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The Borrowers soundtrack - Harry Gregson-Williams 1997