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Its Imagine the Fire insertThe Japanese version can be ordered here: http: //www.cdjapan.co.jp/ product/WPCR-18185<br><br>The "Swan Song" is also included on the CD. So it has 3 additional tracks.Theres quite a bit of good unreleased stuff from this score. Stuff like the cue that plays during Alita's first game of motorball with the other kids, the bar fight music, the unused string rendition of Alita's theme and the end titles arrangement of Motorball/Swan Song.Does anyone have the "Motorball" cue from end credits? It sounds like the beginning of the "Motorball" track but it's different than on the OST. It plays directly after the Swan Song track...<br><br>Why is it left off the CD?Huh... Do people at RCP ask H-Z.com to use the official, less accurate credits in some cases? I seem to recall some credit fiasco on POTC4.
So what happened to the credits here? It used to be a mixture of solo Atli cues with Atli/Dave Fleming, and now all three guys are credited for every track even though Tillman is only listed as a musician? Is this like with Armageddon, where the "official" credits aren't as accurate as the older ones were? :pMost of the album is comprised of suites, with one consistent tempo per track. <br><br>The material that was scored to picture was scored using the risset rhythm technique, which gave a lot of those tracks their "infinitely getting faster" feeling in the film, so the tempo is always climbing in the film versions. The suites have a stable tempo (except for a couple normal tempo changes, which are different)Not really any... "Nothing Out There" contains the sad piano theme from Begins and Dark Knight, but otherwise the themes that get reprised are pretty much Hans stuff. <br><br>Speaking of credits, any chance the complete score page could be updated with what's out there and official?Could somebody tell me in what cues JNH's themes appear on album?Yeah, that cue was either a last minute rewrite or one of the music editors did it.... As for where you can find it...Google is your friend. But it's not going to be available anywhere officially.
I think it will be in between NOT ORDINARY CITIZEN / THE SLOW KNIFE and IMAGINE THE FIRE, Does anybody know where can I find it?<br>I noticed that this score doesn't has the soundtrack of the part where Blake is taking the people to the bridge and he is discusing with the other police officer before he blows the bridgeThat's right, I forgot about that... And I totally agree about the score vs. the album. I had no use for this score on album at first, but now that I've watched the movie a few times, I can really hear the logic behind the score and I "get it." <br><br>I still don't get the music as heard on album, though. Are the longer pieces some early suites Hans wrote? Or did he specifically make these arrangements for the album? Do you know the answer to that one, Hybrid?I wanna say I heard the full Cat Suite somewhere... I can't remember if it was legit, but it was 15:39 and it was indeed quite repetitive. It was basically the Selina Kyle Suite from the Z+ app, along with demos of several of the Catwoman-related cues in the final score. If you've listened through the score, you've basically heard the unreleased stuff.@Mike<br>Zimmer has said in interviews that he “mapped out” the film with one long piece of music to establish the changing tempo of the story, and apparently the script was written to capture the rhythmic feel of the film. So from the very beginning the story was always split up between the three.<br><br>I think a big part of the initial disappointment with the score was the album presentation, which gives off the impression that the music is just some sound design that Zimmer threw together (this is how I personally felt when I first gave it a listen). In actuality it’s a technically impressive score, I really can’t think of any other film score that is so synchronized with a film’s tempo and flows as one long piece of music. Apparently it was a nightmare for Hans, especially when the smallest edits to the film would ruin the flow.<br><br>Doing the 59-minute album was a pretty big disservice to the whole purpose of the music. If you remove one piece the whole thing falls apart, which is part of the reason the album feels so disjointed.
Anyone here listened "The Predator" FYC score? <br>Any chance to compare tracklist and running time with official release?These versions suites haven't been officially released, but maybe you can find them somewhere around the Internet unofficially.<br><br>As for the Cat Suite, the most important parts of it can be found in "Selina Kyle" (it's a shortened version of it actually) and "Mind if I cut in?" from the OST. I remember that Hybrid once said that the 15mins Cat Suite was too repetitive, that's why a 5min only version was released, so maybe you are just fine with those two.<br>Where can I listen to the Cat Suite? Or is it literally: Selina Kyle Theme? <br>The Mole P1 (0-1:57)<br>Regimental Brothers P1 (0-1:19)<br>The Mole P2 (1:57-3:44)<br>Regimental Brothers P3 (2:44 onward)<br>We Need Our Army Back<br>Shivering Soldier<br>Supermarine P1 (0-2:47)<br>The Mole P3 (3:45 onward)<br>We Need Our Army Back (again) <br>Supermarine P2 (*5:33)<br>Impulse<br>The Tide<br>Home <br>The Oil <br>Variation 15<br>End Credits <br><br>As everyone said already, the album is made up of suites that combine several cues and several "sounds" used in various places. For example, the is a sound in The Mole (At 2:05) that sounds like a fuse being ignited. This sound is actually right after The Tide in the film.<br>The only tracks that are almost identical to the film are: The Tide, Variation 15 and End Credits, the rest is different. <br><br>So if you were to order the tracks as first heard in the film it would be: <br>The Mole <br>Regimental Brothers <br>We Need Our Army Back<br>Shivering Soldier <br>Supermarine <br>Impluse <br>The Tide <br>Home <br>The Oil<br>Variation 15<br>End credits<br><br>As much as I enjoyed listening to this release, I wish they didn't butcher the score the way they did. I like the suites but there are so many great cues in this film that weren't released. If only they released an isolated score track on Blu-ray. Listening to film extracts is just not enough.I noticed that as well — the ticking goes all through the movie, except for the boat scenes, and only stops when they get on the train. <br><br>I wonder...could the film have originally been shot so that the beach, sea, and air sequences were there own arcs, and the longer album tracks were written for that? And then Nolan went in and turned the movie into the frenetic, constantly cutting-back-and-forth final product? <br><br>While the album is fine, I personally don't understand why we couldn't have just gotten the film cues. They might have had to stitch several together for each track, but it could have worked.
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John PowellJames McKee SmithMichael John MolloPaul Mounsey
ComposerAdditional MusicAdditional MusicAdditional Music
Green Zone
Label: Varese Sarabande
Length: 52'43
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (7051 votes)
  1. Opening Book (2:32)
  2. 1st WMD Raid (2:39)
  3. Traffic Jam (2:59)
  4. Meeting Raid (4:31)
  5. Helicopter - Freddy Runs (2:43)
  6. Questions (3:26)
  7. Miller Googles (1:53)
  8. Truth - Magellan - Attack (3:50)
  9. Mobilize - Find Al Rawi (5:15)
  10. Evac Preps Part 1 (8:34)
  11. Evac Preps Part 2 (3:22)
  12. Attack And Chase (5:25)
  13. WTF (1:15)
  14. Chaos - Email (4:17)
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Anonimo reply Replies: 1 || 2011-09-05 08:57:41
Tracklist from expanded Score:
Tracklist:
01-Opening book (1m1) (2:31)
02-1st WMD raid (1m2) (2:39)
03-No WMD (1m3) (2:22)
04-Airport arrival (1m4) (1:26)
05-Traffic Jam (2m7) (2:56)
06-Freddy sees Al-Rawi (2m8) (1:23)
07-3m9 (1:08)
08-Meeting raid (3m10-11) (4:33)
09-3m12 (2:28)
10-Miller book (3m13) (1:40)
11-Helicopters (3m14) (2:43)
12-Fred runs (3m14R) (1:01)
13-Miller, Brown, Poundstone questions (3m15-16) (3:24)
14-Miller googles (4m19) (1:53)
15-Poundstone visit (4m20) (0:50)
16-Briefing – Camp arrival (4m21-22) (3:30)
17-Walk to prison (4m23) (0:58)
18-Miller sees Seyyed (4m24) (0:47)
19-Death assassination (5m25-26) (3:22)
20-Truth – Magellan (5m27-29) (3:50)
21-Freddy’s Plea – Al-Rawi warned (5m30) (3:09)
22-Mobilize – Find Al-Rawi (5m32-33) (5:22)
23-Evac preps (part 1) (6m34-38) (8:33)
24-Evac preps (part 2) (6m34-38) (3:21)
25-Attack and chase (6m39-40) (5:22)
26-Al-Rawi chase (7m41-42) (1:59)
27-Al-Rawi cornered (7m42b) (0:52)
28-WTF (7m43) (1:15)
29-Chaos – Email (4:17)


Anonymous2011-10-02 05:58:59
30-End Titles
Just to complete

Mikel Siw (a fan from Spain) reply Replies: 0 || 2010-09-18 00:00:00
HAPPY BIRTHDAY JOHN!!!!

RuthlessGravity reply Replies: 0 || 2010-07-19 00:00:00
@ Saix

Yes, it's titled "Attack and Chase"

Lasse reply Replies: 0 || 2010-04-26 00:00:00
@Mr John ;)

WTF = what the fuck ;)
there you go ;)

Mr John reply Replies: 0 || 2010-04-26 00:00:00
What is WTF??

Urias reply Replies: 0 || 2010-04-22 00:00:00
the sound is amazed...

Saix reply Replies: 0 || 2010-04-10 00:00:00
Is the music that plays when Miller and the other army guy at the end of the movie chasing Al-Rawi in the soundtrack? It starts playing when Miller gets into Freddie's car to catch up to Al-Rawi and then gets out and saves Al-Rawi before the army guy can take the shot. Is that music there? I loved that part of the music because it was so tense and fast-paced

Anonymous reply Replies: 0 || 2010-03-14 00:00:00
i hear this score was written and then rewritten 3 full times

Vishagh reply Replies: 0 || 2010-03-13 00:00:00
This score was actually a disappointment to me. Nothing great about it. Just the same cues from Bourne trilogy. I guess this will go into my short term storage drive.

Anonymous reply Replies: 0 || 2010-03-12 00:00:00
I have two words to say: Bourne 4. It doesn't mean I don't like it. It's great. Finally non-animated crap from Powell.

Vki reply Replies: 0 || 2010-03-08 00:00:00
I think the drums the best in it, so I love this score but I wait the "How to train your dragons" curiosly of course ;) I hope it'll be great too :)

kakashi reply Replies: 0 || 2010-03-07 00:00:00
I was a bit disappointed with this one, to much drums and very little orchestra but this is probably what the director wanted, looking forward to dragons, the main theme is really great, cant wait.

Dani reply Replies: 0 || 2010-03-07 00:00:00
You're right RuthlessGravity ! I could listen too, and it was awesome :-O He's the best I think :)

RuthlessGravity reply Replies: 0 || 2010-03-07 00:00:00
@ Ele

No, and I got the chance to listen to the full soundtrack and I have to say that John Powell is back on this score.

Fan reply Replies: 0 || 2010-03-04 00:00:00
Wie kann man das schon bewerten? Wenn die CD noch nicht veröffentlicht wurde???

Dani reply Replies: 0 || 2010-03-03 00:00:00
Thanks for the sample ! They're very promising :)

Anonymous reply Replies: 0 || 2010-03-02 00:00:00
Yes, both are being released on the 9th.

Ele reply Replies: 0 || 2010-03-02 00:00:00
@RuthlessGravity

Me too! Wow, Chaos / Email will be awesome! Btw, correct me if im wrong, but is this released in the same day as Pacific?

RuthlessGravity reply Replies: 0 || 2010-03-01 00:00:00
@ Ele

I listened to the samples, and I honestly cannot wait for a release of this!

Ele reply Replies: 0 || 2010-03-01 00:00:00
You can listen to the samples at www dot cinemamusica dot de/1460/john-powell-s-green-zone-exklusives-first-listen

Dani reply Replies: 0 || 2010-02-27 00:00:00
My favourite composer, I love his works. The most talented composer whomever I've seen :) Ican't wait until march 9 :D I will be crazy... :)

Dennis reply Replies: 0 || 2010-02-20 00:00:00
I can't wait for this score! I love all of John's previous scores. I have to say that Mr. and Mrs. Smith is by far the best action score by him! And his best animated is Bolt and the track "Scooter Chase"

Kurt reply Replies: 0 || 2010-02-16 00:00:00
Looks good. Track 13 made me giggle. John Powell is amazing.

gilraen reply Replies: 0 || 2010-02-16 00:00:00
The Bourne Supremacy really IS the best score out there....

Anonymous reply Replies: 0 || 2010-02-16 00:00:00
hes the best by far, even hans knows it.

max reply Replies: 0 || 2010-02-15 00:00:00
See you !

Miles reply Replies: 0 || 2010-02-14 00:00:00
Well, Powell's animation scores have a magic all their own, you know.

Adrian reply Replies: 0 || 2010-02-14 00:00:00
@ Hybrid,

Let's hope it's Bourne 3,5! The film seems like it... Too bad Matt won't be back for a fourth Bourne, at least, that is what I read...
I hope the music will be like Bourne 1... (L)

RuthlessGravity reply Replies: 0 || 2010-02-14 00:00:00
@ Miles

True, very true.

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Green Zone soundtrack - John Powell 2010