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Will any tracks from Man of Steel be played on the Live2021 tour? It is a life ambition of mine to experience a live performance of it!I missed Jasha Klebe. I thought he did some really good stuff at Bleeding Fingers. I am looking forward to hearing more from Kara Talve. I think she is a really good talent.<br><br>What happened to Marc Streitenfeld? I was going to ask about Klaus Badelt, but I am pretty sure I am not going to get that story.<br>Tom's more recent work has received more love, but I personally love the Fury Road and Rise of an Empire type soundtrack more. I'm looking forward to this and I hope it's close to what Man of Steel and Dawn of Justice sounded like. Although, the snippet he shared doesn't really sound like it. We'll see.That´s why I asked myself, why dont they ever re-unite like before, so yea, they sometimes doInterestingly, Aljoscha is collaborating a lot with 2WEI these days. The Junkie Team reassembles ! lol
Oh I see, very interesting! Many thanks for the answer :)Fired ?!
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<br>Haha no.
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<br>You gotta realize being an additional composer is not exactly an easy thing. Some jump ship after a few years or have other aspirations, try to work solo and so on.
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<br>Vörlander worked for Junkie from 2010 to 2015, then started his own business of writing for commercials, trailers etc. (it's called 2WEI, in Germany) He even did keep working on some trailers for JXL's scores after that, or helped on FIFA 17. Junkie had Aljoscha Christenhuß who worked for him from 2015 to 2018. Then Antonio jointed in 2016, Sara Barone joined more recently last year.
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<br>Thomas is doing his own thing too, he founded Chromium Music and is doing some solo projects now.
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<br>Jasha, after working for Lorne & Hans, "transfered" to Bleeding Fingers but after a while left to focus on his own solo career too.
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<br>Ultimately, everyone leaves, sooner or later... :)@Hybrid, I was always wondering, what happened to composers like Thomas Farnon, Jasha Klebe or Christian Vorlander - why are they not working with Lorne/Junkie anymore? Did they get fired or did they just move on? I find it weird, that Lorne/Rupert/Junkie/Etc would fire their additional composers after all those years of collaboration.The theme he was supposed to write but didn't ? :D lol<br><br>Well don't take word for word what he says. He's being general, the interview was for Forbes afterall.<br><br>Just take the extract we got, it had a quote from BvS that had nothing to do with either Superman or Wonder Woman... lol*forgot to mentioned
"Besides the Man of Steel theme for Superman and the theme for Wonder Woman, which I have given a new spin, all the other themes for this movie are brand new,”<br><br>I hope Tom just forget to mention about Batman's theme and will reuse it too, because if he don't, then what's the point of it?Junkie's score for GvK is probably going to be better than his score for Justice League if he is that interested in doing a score for a godzilla movie.And this<br><br>“On Godzilla vs. Kong, I said, ‘I think we need the biggest bass drum on the planet for this score. I know the guy who can build it, what do you think?’ They just said, ‘Let’s do it.’ So I said I want a bass drum that is at least eight feet in diameter,” he laughed. “The guy called me back, and he asked, ‘Is it okay if it’s only six?’ I said, ‘Could we do eight? Why can’t we do ten?’ The answer was, ‘Well, there’s simply no cow alive that has a skin big enough to cover for a ten-foot bass drum.’ So, we have to scale it down to eight.Also, a bit of GvK:<br><br>'A perfect example is the Godzilla vs. Kong movie that is coming out next year,” he enthused. “I’m such a Godzilla freak. I have all the Japanese versions of the movies. At a certain point, just for s**ts and giggles, I wrote something for Godzilla. About two years ago, I met the director because he showed interest in me as a composer. I asked him, ‘Do you know I’m the biggest Godzilla fan on the planet, and, years ago, I wrote some stuff.’ He was like, ‘You’re kidding me?’ So we started communicating, I tweaked what I did, played it for him, and he was totally in love.”Tom's interview kinda exactly confirms what I said ! lol<br><br>"Besides the Man of Steel theme for Superman and the theme for Wonder Woman, which I have given a new spin, all the other themes for this movie are brand new,” he revealed. “Some of them I did the groundwork on four years ago, but as you grow as a composer, you look at what you did and maybe have a better way of doing it now or a better idea. It was inspiring. I would get an idea in my downtime and think, ‘Oh, let’s rework this thing. Let’s do that.’ Because I knew for a while that this was coming, I had the time and space to shape it into its best possible form."
@Hybrid besides Tom style, do you like the more orchestral style with Di Lorio or the more electronic style with Vorlander?Interesting! It sounds like he’s almost starting from the ground up, which actually might end up sounding better than what we would’ve gotten had the original film been released in 2017. <br><br>I’m also interested in the theme suites/sketchbooks he wrote back then, and if they will still be used as a basis for the score. Either way the end result is gonna be cool I feel, hopefully we get a great score release from WaterTower!Well since the thing is completely going to be re-edited (series format, probably 4h movie after), lots of scenes added & altered (something even if Snyder had stayed in 2017, he couldn't have done freely), a lot of work to be done for sure.
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<br>Writing new cues, maybe changing others completely. Rewriting with all the edits probably making scenes longer etc.
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<br>You probably have the core of the score, the themes, the big ideas & cues done, but you have to readapt it almost completely ! And, as I said, in 3 years, maybe Tom can listen to something he wrote 3 years ago and go "ok, I got that completely wrong, let's try something else."@HybridSoldier<br>That’s completely true. Do you think we will ultimately get a hybrid of Tom’s original score mixed with whatever else he is writing currently? <br><br>He says in the preview that there is much more to write, which is interesting considering the original cut was supposedly “mostly done”...Wanted, such underrated action score
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John PowellJames McKee SmithMichael John MolloPaul Mounsey
ComposerAdditional MusicAdditional MusicAdditional Music
Green Zone
Label: Varese Sarabande
Length: 52'43
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (7895 votes)
  1. Opening Book (2:32)
  2. 1st WMD Raid (2:39)
  3. Traffic Jam (2:59)
  4. Meeting Raid (4:31)
  5. Helicopter - Freddy Runs (2:43)
  6. Questions (3:26)
  7. Miller Googles (1:53)
  8. Truth - Magellan - Attack (3:50)
  9. Mobilize - Find Al Rawi (5:15)
  10. Evac Preps Part 1 (8:34)
  11. Evac Preps Part 2 (3:22)
  12. Attack And Chase (5:25)
  13. WTF (1:15)
  14. Chaos - Email (4:17)
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Anonimo reply Replies: 1 || 2011-09-05 08:57:41
Tracklist from expanded Score:
Tracklist:
01-Opening book (1m1) (2:31)
02-1st WMD raid (1m2) (2:39)
03-No WMD (1m3) (2:22)
04-Airport arrival (1m4) (1:26)
05-Traffic Jam (2m7) (2:56)
06-Freddy sees Al-Rawi (2m8) (1:23)
07-3m9 (1:08)
08-Meeting raid (3m10-11) (4:33)
09-3m12 (2:28)
10-Miller book (3m13) (1:40)
11-Helicopters (3m14) (2:43)
12-Fred runs (3m14R) (1:01)
13-Miller, Brown, Poundstone questions (3m15-16) (3:24)
14-Miller googles (4m19) (1:53)
15-Poundstone visit (4m20) (0:50)
16-Briefing – Camp arrival (4m21-22) (3:30)
17-Walk to prison (4m23) (0:58)
18-Miller sees Seyyed (4m24) (0:47)
19-Death assassination (5m25-26) (3:22)
20-Truth – Magellan (5m27-29) (3:50)
21-Freddy’s Plea – Al-Rawi warned (5m30) (3:09)
22-Mobilize – Find Al-Rawi (5m32-33) (5:22)
23-Evac preps (part 1) (6m34-38) (8:33)
24-Evac preps (part 2) (6m34-38) (3:21)
25-Attack and chase (6m39-40) (5:22)
26-Al-Rawi chase (7m41-42) (1:59)
27-Al-Rawi cornered (7m42b) (0:52)
28-WTF (7m43) (1:15)
29-Chaos – Email (4:17)


Anonymous2011-10-02 05:58:59
30-End Titles
Just to complete

Mikel Siw (a fan from Spain) reply Replies: 0 || 2010-09-18 00:00:00
HAPPY BIRTHDAY JOHN!!!!

RuthlessGravity reply Replies: 0 || 2010-07-19 00:00:00
@ Saix

Yes, it's titled "Attack and Chase"

Lasse reply Replies: 0 || 2010-04-26 00:00:00
@Mr John ;)

WTF = what the fuck ;)
there you go ;)

Mr John reply Replies: 0 || 2010-04-26 00:00:00
What is WTF??

Urias reply Replies: 0 || 2010-04-22 00:00:00
the sound is amazed...

Saix reply Replies: 0 || 2010-04-10 00:00:00
Is the music that plays when Miller and the other army guy at the end of the movie chasing Al-Rawi in the soundtrack? It starts playing when Miller gets into Freddie's car to catch up to Al-Rawi and then gets out and saves Al-Rawi before the army guy can take the shot. Is that music there? I loved that part of the music because it was so tense and fast-paced

Anonymous reply Replies: 0 || 2010-03-14 00:00:00
i hear this score was written and then rewritten 3 full times

Vishagh reply Replies: 0 || 2010-03-13 00:00:00
This score was actually a disappointment to me. Nothing great about it. Just the same cues from Bourne trilogy. I guess this will go into my short term storage drive.

Anonymous reply Replies: 0 || 2010-03-12 00:00:00
I have two words to say: Bourne 4. It doesn't mean I don't like it. It's great. Finally non-animated crap from Powell.

Vki reply Replies: 0 || 2010-03-08 00:00:00
I think the drums the best in it, so I love this score but I wait the "How to train your dragons" curiosly of course ;) I hope it'll be great too :)

kakashi reply Replies: 0 || 2010-03-07 00:00:00
I was a bit disappointed with this one, to much drums and very little orchestra but this is probably what the director wanted, looking forward to dragons, the main theme is really great, cant wait.

Dani reply Replies: 0 || 2010-03-07 00:00:00
You're right RuthlessGravity ! I could listen too, and it was awesome :-O He's the best I think :)

RuthlessGravity reply Replies: 0 || 2010-03-07 00:00:00
@ Ele

No, and I got the chance to listen to the full soundtrack and I have to say that John Powell is back on this score.

Fan reply Replies: 0 || 2010-03-04 00:00:00
Wie kann man das schon bewerten? Wenn die CD noch nicht veröffentlicht wurde???

Dani reply Replies: 0 || 2010-03-03 00:00:00
Thanks for the sample ! They're very promising :)

Anonymous reply Replies: 0 || 2010-03-02 00:00:00
Yes, both are being released on the 9th.

Ele reply Replies: 0 || 2010-03-02 00:00:00
@RuthlessGravity

Me too! Wow, Chaos / Email will be awesome! Btw, correct me if im wrong, but is this released in the same day as Pacific?

RuthlessGravity reply Replies: 0 || 2010-03-01 00:00:00
@ Ele

I listened to the samples, and I honestly cannot wait for a release of this!

Ele reply Replies: 0 || 2010-03-01 00:00:00
You can listen to the samples at www dot cinemamusica dot de/1460/john-powell-s-green-zone-exklusives-first-listen

  Your name :   

Please enter number: 933 

Dani reply Replies: 0 || 2010-02-27 00:00:00
My favourite composer, I love his works. The most talented composer whomever I've seen :) Ican't wait until march 9 :D I will be crazy... :)

Dennis reply Replies: 0 || 2010-02-20 00:00:00
I can't wait for this score! I love all of John's previous scores. I have to say that Mr. and Mrs. Smith is by far the best action score by him! And his best animated is Bolt and the track "Scooter Chase"

Kurt reply Replies: 0 || 2010-02-16 00:00:00
Looks good. Track 13 made me giggle. John Powell is amazing.

gilraen reply Replies: 0 || 2010-02-16 00:00:00
The Bourne Supremacy really IS the best score out there....

Anonymous reply Replies: 0 || 2010-02-16 00:00:00
hes the best by far, even hans knows it.

max reply Replies: 0 || 2010-02-15 00:00:00
See you !

Miles reply Replies: 0 || 2010-02-14 00:00:00
Well, Powell's animation scores have a magic all their own, you know.

Adrian reply Replies: 0 || 2010-02-14 00:00:00
@ Hybrid,

Let's hope it's Bourne 3,5! The film seems like it... Too bad Matt won't be back for a fourth Bourne, at least, that is what I read...
I hope the music will be like Bourne 1... (L)

RuthlessGravity reply Replies: 0 || 2010-02-14 00:00:00
@ Miles

True, very true.

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Green Zone soundtrack - John Powell 2010