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what the hell is Quaker steak and lube????I disagree on Catwoman. I love Zimmer's theme and I thought it is one of his most underrated themes.Loved the new tracks!<br><br>Hans & Chris really did something special.<br><br>I enjoyed the Tenet score, but honestly Ludwig's work doesn't compare to Zimmer's. I just hope they work together again instead of Chris choosing Ludwig as his main collaborator from now on.Agreed.<br><br>I don’t know, TDKR feels a little oppressive to me in comparison with BB and TDK , probably as a result of Nolan’s musical tastes veering away from symphonic to more abstract. Reading the new book on Nolan gives me the impression that he has a very similar approach to his music as he does his filmmaking. With that said though, TDKR is still a solid conclusion to the franchise. Bane’s theme is excellent and the culmination of the various “Bat-Themes” do feel well earned. Catwoman’s theme is solid, but for some reason is dropped from most of the movie in favor of the repeating two-note phrase.<br><br>@Moggyman<br>Honestly I feel as if JNH’s work on the first two Hunger Games sequels showed a strong improvement in writing and theme building. The last score was a bit too much of a pastiche, but orchestrally a stronger fit than the first one. And “Crimes of Grindelwald” is easily one of the best sequel scores in the past few years (alongside Star Wars and HTTYD). Unfortunately we still don’t have a good album situation for that though. -_-Counterpoint: I liked Crimes of Grindelwald more than the first Fantastic Beasts. And forget Hanging Tree - "Air Raid Drill" from the first and "Sewer Attack" from the second Mockingjay are the best cues from that series. Plus, JNH honestly hasn't worked on that many sequels so we don't really have enough to go on here. <br><br>I think having JNH on board for Catwoman would have done wonders for this score. Hans' theme is okay, but feels like a bit of an afterthought compared to Bane.
TDK & TDKR have amazing theme suites.<br><br>But as for the scores in film, they don't even get close to Batman Begins !I like Tom but idk he's gone downhill in my book. Alita was boring, i was over the moon excited for Terminator cause that was a perfect mix and it was disappointed big time. I'd love to hear Steve Jablonsky tackle that and get back to being as great as he used to, he has been phoning it in big time latelyOk, before I eat my words, JNH did create the Hanging Tree in Mockingjay p1 which was good, but nothing else other than that in the sequels.For being the so called "weakest", it's very good. And if you think that Bane's theme is repetitive, I would say the same about the Joker's theme in TDK (to me they are both good though). <br><br>Now in all fairness, JNH could have probably added good material to the score since he's a genius, but I personally think he doesn't do well on sequels. Sure, in TDK he gave harvey dent a theme that resonated with his character (but was similar to material already used in BB). Yet, if you look at his work in the hunger games, its seems to me that he couldn't bring something both new and compelling to the sequels as he did in the first movie. I will agree with you that Batman Begins has the best music of the series though.After re-listening to this one, it's clearly the weakest of the trilogy. Of course it's not bad, the new themes are pretty good (though I think Bane's theme is a bit too repetitive and dry at times), there's still emotional moments, but JNH's absence really left a hole in this score.<br><br>I get to an extent that's the point, that all of Bruce's potential for a happy life is gone, but even the emotional tracks to me have nowhere near the emotional resonance that JNH's themes brought to the films. <br><br>"Come With Me" is the best example, where the slow emotional Selina Kyle chords just don't leave much of an impact. Definitely could have used JNH's "Courthouse Pt. 1" or the main theme from "Bruce Left For Dead" to emphasize Bruce's giving up of a quiet life. <br><br>Of course I still appreciate the way the 2 note motif is developed into a theme of its own, as well as the score as a whole, but then you get tracks like "Many Forms of Immortality" which just emphasize how much more effective the thematic work in Batman Begins was.
It could also be Tom, who worked on Run All Night, and is already an established DC composer<br>Either way I'll be happyI lowkey think James is gonna score the Black Adam movie. it's the same director from Jungle Cruise so I'm sure he'll be brought along for itsameNo no, it's just a fake rumor. I was just responding to that MusoPT guy who made it sound like it's totally inconceivable that Balfe could ever be replaced.Wait!<br>So has Balfe been replaced due to having other projects?<br>I thought it had been completed?
Why was there the change of composers?...wouldn't being really busy be an argument *for* him possibly being replaced? When you're signed on to 10 movies and release schedules are being constantly pushed around because nobody has a clue when theaters are going to open again, you shouldn't be surprised if eventually you might run into some conflicts.Jackman is not replacing Balfe! <br>Balfe is the most busiest composer at the moment so he isn’t going to get replaced last minute!!!!!Thank you for your replies. On IMDB she is listed.Alright, after re-listening to the score, I've made a few educated guesses of what the additional composers did, based on what we know about the score and their previous work. Note that none of this is confirmed by Hybrid, just my opinion.<br><br>Lorne Balfe: Seems to practically be a co-composer here. I hear a lot of him in this score. It seems he did Invasion (as he's known for contributing trailer music to films he works on) seemingly the suites "Brooding", "Deciphering the Signal", "Battle", and the one we know he cowrote, "Journey Suite". Based on this here's my guess as to what he contributed. <br><br>Soccent Attack - Sounds like his style, probably him arranging AllSpark and Decepticon material. <br><br>Keller's Briefing - Arrangement of "Deciphering the Signal"<br><br>Deciphering the Signal - Obviously another arrangement of "Deciphering the Signal" with Batman Begins-like action at the end.<br><br>Sam's Pink Bike Ride (Part 2) - Sounds like an arrangement of "Brooding" material. <br><br>(Possibly?) Are You LadiesMan217? - Some arrangement of "Brooding" and "Journey Suite" material, although hard to say whether the theme at 1:10 is Steve's or Lorne's. Could be Steve arranging Lorne material, as it sounds more Jablonsky-esque to me. <br><br>Autobots to the Rescue - Could be Steve imitating Batman Begins style, but sounds far too Lorne for me to not consider it a co-written track. <br><br>Sector 7 Chase - Part 1 sounds more Jablonsky than Lorne, but there's no question to me that part 2 has a lot of Balfe in there. <br><br>Where Is My Car? - Batman Begins-like again, probably Lorne solo, or Lorne and Steve<br><br>Decepticons Mobilize (Part 2) - Arrangement of "Brooding"<br><br>Freeway Fight - Battle version of Decepticon theme from "Brooding"<br><br>Stumble Bumble (Part 1) & (Part 2 Alternate) - Arrangement of "Journey Suite", second part not used in the film sounds like Steve & Lorne Combo to me. Film version of part 2 sounds pure Steve to me. <br><br>You're A Soldier Now (Parts 1 & 3) - Lorne being heavily involved in the final battle is known, and Parts 1 and 3 have arrangements of Lorne material. I'm also fairly certain that Lorne wrote the Optimus vs Megatron theme from Part 3 and "Optimus vs Megatron".<br><br>Optimus vs Megatron - Finale of theme introduced in "You're A Soldier Now (Part 3)" as well as the "Journey / AllSpark" theme which could be Lorne's or Steve's. <br><br>Trevor Morris: I can infer from his work on Pirates 2, The Island, and the one track we know he worked on. <br><br>Soldiers Arrive - Not sure why, but I've always assumed this military theme was Morris'.<br><br>Arctic 1897 - Dark theme that reminds me a lot of his work from Pirates 2. <br><br>Scorponok - Known fact that he co-wrote this. <br><br>Hoover Dam - Arrangement of military theme<br><br>Transforming -  Same theme from Arctic 1897<br><br>Sam on the Roof (Part 2) - Arrangement of theme from Scorponok, though could be Steve or Lorne arranging it.<br><br>Optimus vs Megatron - A slight hint to the Military theme when they begin attacking Blackout, and Scorponok theme reprisal, once again could be Steve or Lorne arranging these themes. <br><br>Creeper Suite / A Call to Arms (Unused) - Original music for Optimus' Epilogue, contains arrangement of military theme. <br><br>Jay Flood: Can be inferred from his work on Transformers: The Game, his overall more orchestral writing, and his contributions to Nightmare on Elm Street, Sims 3, and Desperate Housewives. <br><br>Camaro on the Run - Definitely has a TF: The Game sound to it overall. As well as a bit of Thomas Newman-esque music. <br><br>Witwicky (Parts 1-3) - Definitely some of his style here along with Steve's overall Desperate Housewives-esque music. <br><br>Decepticons 2 Suite / Frenzy - The suspenseful strings make me think of Flood's Nightmare on Elm Street work, and the brass writing seems more characteristic of him than Jablonsky to me, though it was still probably a co-written suite. <br><br>Tense Action Suite - Once again reminds me of Flood's Nightmare suspenseful string writing, probably at least co-composed with Jablonsky. <br><br>Clay Duncan - I can guess somewhat based on his contributions to "The Island" but otherwise I don't know much about him so I'm not sure about any of the inferences I'm about the make. <br><br>Angry Camaro - This sort of drone music sounds like it could be him as his contributions were very electronic in The Island.<br><br>Bumblebee vs Barricade - Strange electronics and sounds plus more minimalist writing make me think Duncan. <br><br>Tow Truck Charge - Definitely has The Island's sound. Could be Trevor Morris too. <br><br>TJ Lindgreen: I know so little about his style except he works with Elfman and did additional music for TF: The Game so not much I can say for what he did. <br><br>Belly Shot(?) - The ethereal choir style sounds somewhat like TF: The Game's score and Elfman's choir. <br><br>Not to Hear That(?) - Maybe he composed this motif for Mikaela that also appeared in "Belly Shot". <br><br>Surreal Mikaela(?) - Once again I'm hoping the specific choir sound is part of his style. <br><br>Anything I didn't mention is a track I'm assuming is all Jablonsky. Please note that I'm not trying to take away from Steve's work on this score, and that for most of these track I'm assuming Steve had some involvement in as well, I'm just speculating for fun because I've always wanted to know who did what on this score.
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Additional Music
Harry Gregson-WilliamsHalli CautheryMatthew MargesonDavid Buckley
ComposerAdditional MusicAdditional MusicAdditional Music
Prince Of Persia - The Sands Of Time
Label: Walt Disney Records
Length: 66'19
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (16269 votes)
  1. The Prince Of Persia (5:20)
  2. Raid On Alamut (6:32)
  3. Tamina Unveiled (2:34)
  4. The King And His Sons (2:59)
  5. Dastan And Tamina Escape (4:31)
  6. Journey Through The Desert (2:55)
  7. Ostrich Race (0:59)
  8. Running From Sheik Amar (3:27)
  9. Trusting Nizam (4:37)
  10. Visions Of Death (1:46)
  11. So, You're Going To Help Me? (2:20)
  12. The Oasis Ambush (1:54)
  13. Hassassin Attack (2:59)
  14. Return To Alamut (3:05)
  15. This Is No Ordinary Dagger (4:39)
  16. The Sand Glass Chamber (3:09)
  17. Sands Of Time (3:58)
  18. Destiny (3:38)
  19. I Remain - Alanis Morissette (4:57)
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SCORE reply Replies: 0 || 2015-09-24 00:56:13
Tracklist Sessions

01.- 1m1 Opening
02.- 1m1 Opening edit
03.- 1m2 Roof Escape
04.- 1m2 Roof Escape edit
05.- 1m5 Alamut Treachery
06.- 1m5 Alamut Treachery edit
07.- 2m6 I Must Pray
08.- 2m6 I Must Pray edit
09.- 2m7-8 Climbing The Wall
10.- 2m7-8 Climbing The Wall edit
11.- 2m9 The Victory
12.- 2m9 The Victory edit
13.- 2m10 Dagger Lost And Found
14.- 2m10 Dagger Lost And Found edit
15.- 2m11b Tamina Unveiled
16.- 2m11b Tamina Unveiled edit
17.- 2m11c Tamina Sees Knife And Dastan edit
18.- 2m14 Angry King
19.- 2m14 Angry Kind edit
20.- 2m16 Kill Tamina edit
21.- 2m17 Dagger Sting
22.- 3m18 A Great Man
23.- 3m18 A Great Man insert
24.- 3m18 A Great Man edit
25.- 3m20 Escape
26.- 3m20 Escape edit
27.- 3m22 River Rewind
28.- 3m22 River Rewind alt front
29.- 3m22a River Rewind A
30.- 3m22a River Rewind B
31.- 3m22a River Rewind C
32.- 3m24 Walk And Talk
33.- 3m24 Walk And Talk alt mix
34.- 3m24a Walk And Talk A edit
35.- 3m24a Walk And Talk B edit
36.- 4m32 Ostrich Race
37.- 4m32 Ostrich Race alt mix
38.- 4m32 Ostrich Race edit
39.- 4m32a Waitress Tamina
40.- 4m32a Waitress Tamina edit
41.- 4m35 Over Here!
42.- 4m35 Over Here! edit
43.- 4m38 Kings Coffin
44.- 4m38 Kings Coffin edit
45.- 4m40 Market Chase
46.- 4m40a Market Chase A edit
47.- 4m40a Market Chase B edit
48.- 5m44 Visions Of Death
49.- 5n44a-45-44b Visions Of Death-Training
50.- 5m45 Hassansins-Sanctuary
51.- 5m45 Hassansins-Sanctuary edit
52.- 5m47 Sands Of Time
53.- 5m47 Sands Of Time edit
54.- 5m49-50 Ostrich-Snake Attack
55.- 5m49 Ostrich edit
57.- 5m52-54 The Hassansin Attack
58.- 5m52-54 The Hassansin Attack edit
59.- 6m55 Cave Whip Fight
60.- 6m55 Cave Whip Fight edit
61.- 6m56-59 Back To Almut
62.- 6m56-59 Back To Almut edit
63.- 6m70 Seso Fight And Death
64.- 6m70 Seso Fight And Death edit
65.- 6m71-74 Tus Uses The Dagger
66.- 6m71-74 Tus Uses The Dagger edi
67.- 7m75 Sand Drain
68.- 7m75 Sand Drain insert
69.- 7m75 Sand Drain edit
70.- 7m77 Dastan Fights Nazam
71.- 7m77 Dastan Fights Nazam edit
72.- 7m78 The Fall & Final Battle
73.- 7m78 The Fall & Final Battle edit
74.- 7m81 Nazam Exposed
75.- 7m81 Nazam Exposed edit
76.- 7m82 Nazam Over The Edge
77.- 7m82 Nazam Over The Edge edit
78.- 7m83 Walk With Me
80.- 7m83 Walk WIth Me ALT ending
81.- 7m83 Walk WIth Me ALT edit
82.- 7m84 Tail Montage edit
83.- 7m85 Tail Montage

Warfighter reply Replies: 0 || 2013-04-16 03:27:17
Is it "true" the main theme was composed by HZ? Or is this just an urban legend. Considering this is a JB production; i imagine HZ was at the very least considered and possible involved in some way? Thanks!

Macejko reply Replies: 2 || 2012-12-09 21:22:00
I have a question, which was in my mind for a long time: didn't they consider Ramin Djawadi for this one? Because Prince of Persia would be a great fit for him, considering he is part iranian (persian).


Edmund Meinerts2012-12-10 12:02:26
Djawadi grew up in Germany, didn't he? Just because he has Iranian roots doesn't automatically make him the right choice. Correct me if I'm wrong but I THINK that the Persia shown in this movie probably has some slight differences to modern-day Iran. ;)


Macejko2012-12-10 12:31:50
You are, of course, right in every way, but I believe he knows a lot about iranian culture. I was just wondering, nothing more.

Tick Tock reply Replies: 2 || 2012-05-23 21:14:18
This is an Expaded Score Track list :)

1m1 Opening
1m2 Roof Escape
1m5 Alamut Treachery
2m6 I Must Pray
2m7-8 Climbing The Wall
2m9 The Victory
2m10 Dagger Lost And Found
2m11b Tamina Unveiled
2m11c Tamina Sees Knife And Dastan
2m14 Angry King
2m16 Kill Tamina
2m17 Dagger Sting
3m18 A Great Man
3m20 Dastan & Tamina Escape
3m22 River Rewind
3m24 Walk And Talk
4m32 Ostrich Race
4m32a Waitress Tamina
4m35 Over Here! R
4m38 Kings Coffin/ Trusting Nizam
4m40 Market Chase
5m44 Visions Of Death/ Training
5m45 Hassansins/ Sanctuary
5m47 Sands Of Time
5m49-50 Ostrich/ Snake Attack
5m52 The Hassansin Attack
6m55 Cave Whip Fight
6m56-59 Back To Alamut
6m70 Seso Fight And Death
6m71-74 Tus Uses The Dagger
7m75 Sand Drain
7m77 Dastan Fights Nizam
7m78 The Fall & Final Battle
7m81 Nizam Exposed
7m82 Nizam Over The Edge
7m83 Walk With Me
7m85 Tail Montage


Mr. Fate2012-05-24 01:03:44
ALRIGHT! Compared to the track list posted immediately below THIS one, we've lost the track lengths, but we now have slate numbers. Hooray for progress!


Expanded2012-05-24 20:12:30
Expanded Score


1. Opening (2:31)
2. Roof Escape (3:14)
3. Alamut Treachery (1:54)
4. I Must Pray (1:01)
5. Hassansins Sanctuary (1:50)
6. Climbing the Wall (3:51)
7. The Victory (3:40)
8. Dagger Lost and Found (1:19)
9. Tamina Unveiled (1:55)
10. Tamina Sees Knife and Das (0:56)
11. Angry King (2:19)
12. Kill Tamina (0:44)
13. Dagger Sting (0:17)
14. A Great Man (3:33)
15. River Rewind (5:29)
16. River Rewind (alternate) (1:15)
17. Walk and Talk (6:25)
18. Ostrich Race (0:45)
19. Over Here! (3:30)
20. Waitress Tamina (0:46)
21. Market Chase (4:41)
22. Visions of Death (3:46)
23. Sands of Time (5:42)
24. Snake Attack (1:56)
25. The Hassansin Attack (4:40)
26. Cave Whip Fight (1:57)
27. Back to Almut (3:56)
28. Seso Fight and Death (3:00)
29. Tus Uses the Dagger (7:07)
30. Sand Drain (4:13)
31. Dastan Fights Nazam (2:05)
32. The Fall & Final Battle (2:27)
33. Nazam Exposed (2:27)
34. Nazam Over the Edge (0:32)
35. Walk With Me (4:50)
36. Tail Montage (7:06)

They are missing tracks on the expanded score ;- Trust nizam & dastan and tamina escape and Ostrich track when Sheik Amar areested dastan and tamina........ where are these tracks ?

tomPoland reply Replies: 1 || 2011-11-05 10:24:40
Expanded score showed up


1. Opening (2:31)
2. Roof Escape (3:14)
3. Alamut Treachery (1:54)
4. I Must Pray (1:01)
5. Hassansins Sanctuary (1:50)
6. Climbing the Wall (3:51)
7. The Victory (3:40)
8. Dagger Lost and Found (1:19)
9. Tamina Unveiled (1:55)
10. Tamina Sees Knife and Das (0:56)
11. Angry King (2:19)
12. Kill Tamina (0:44)
13. Dagger Sting (0:17)
14. A Great Man (3:33)
15. River Rewind (5:29)
16. River Rewind (alternate) (1:15)
17. Walk and Talk (6:25)
18. Ostrich Race (0:45)
19. Over Here! (3:30)
20. Waitress Tamina (0:46)
21. Market Chase (4:41)
22. Visions of Death (3:46)
23. Sands of Time (5:42)
24. Snake Attack (1:56)
25. The Hassansin Attack (4:40)
26. Cave Whip Fight (1:57)
27. Back to Almut (3:56)
28. Seso Fight and Death (3:00)
29. Tus Uses the Dagger (7:07)
30. Sand Drain (4:13)
31. Dastan Fights Nazam (2:05)
32. The Fall & Final Battle (2:27)
33. Nazam Exposed (2:27)
34. Nazam Over the Edge (0:32)
35. Walk With Me (4:50)
36. Tail Montage (7:06)
37. Trusting Nizam (Film Version) (4:37)


Anonymous2011-11-05 20:07:15
Nope. Some mistakes in that version.

Bondo reply Replies: 2 || 2011-07-04 11:35:56
Does anyone know if Margeson's 'additional arrangements' are on this OST?


Evenstar2011-07-04 20:42:51
Margeson is everywhere :D


Bondo2011-07-04 22:37:28
Yeah, apparently he's the new Lorne Balfe! :P

pureocean reply Replies: 1 || 2010-07-17 00:00:00
Exactly as I expected, boring musics...

Disney's composer choice was wrong. Music Composer should be Stuart Chatwood & Hans Zimmer.

I advice everybody to listen of Stuart Chatwood's Prince of Persia game-series soundtrack compositions from Youtube.


Snake2011-06-06 05:11:53
pureocean.

This is an amazing score. Too bad for you that you haven't listened to the soudtrack well. Not every score should have epic tracks. NO! Because if it has them, the score would be boring!!!! This score has everything that every film score should have; relaxed, serious, dramatic and epic tracks among others which means this score is very complete and selective. Like Transformers: Revenge of the Fallen. Not every movie should have Hans Zimmer in charge of the music department (even I'm a fan of him). Besides, Zimmer wouldn't work with Chatwood because he only works with his disciples and former disciples such as Henry Jackman, Steve Jablosnky, Ramin Djawadi and even Harry Gregson-Williams himself. This was the right decision from Disney to put Harry Gregson-Williams in charge of the music because he's very well prepared for every film genre including this one and because he has experience working in the videogame industry if you didn't know and that's reason why I think it was the right decision for this movie. And by the way, the music from the game is good, but not that good. For the game, I always thought that Chatwood wasn't the right choice as a composer and Ubisoft should have included Michael Giacchino, Jeremy Soule or even Gregson-Williams because of their previous works in the videogame industry. Also, Chatwood only works on videogames, not in films.

HGW4 reply Replies: 0 || 2010-07-17 00:00:00
@pureocean
Actually, it is a great score; but not everyone has the same taste...are you sure you listened carefully :) I have to say, it is one of the best scores Harry Gregson-Williams has produced since Narnia. I think it deserves much praise!

Anonymous reply Replies: 0 || 2010-07-04 00:00:00
ok is not bad good!

unknowncode reply Replies: 0 || 2010-06-13 00:00:00
amazing

Nerwen reply Replies: 0 || 2010-06-01 00:00:00
I've been listening to the soundtrack over and over again and I can admitt that I love it!!

There are a lot of things that identify HGW as its composer - like it's own mark on the music, Hans has it as well - and there are some particular themes I love! There is one in particularlly that reminds me something though I can't quite put my finger on it!

However, loved the soundtrack.

I've heard it before watching the movie - a thing I like a lot - and I couldn't wait till I watched the movie and give my opinion about it as a whole.

As for the movie; well, I'm not a fan of the video-game - never played it before - but I loved the movie every much! It's very Disney and Jerry, if you know what I mean, and adding this wonderful score gives an epic dimension to the movie.

Great Jobs Harry and thank you for the amazing music you've created... ^_^

gab reply Replies: 0 || 2010-05-31 00:00:00
I've already watched the movie...twice to be exact:) plan to watch it again for the third time...I love Dastan and Tamina tandem and the best track for me was when Dastan and Tamina escape...two thumbs up for the whole casts...one of the best movie i ever watched..:))

DK reply Replies: 0 || 2010-05-30 00:00:00
Sounds really good so far! The movie was awesome! Haven't had time to listen to the whole thing yet, but does anyone know if the music when Dastan uses The Dagger for the first time is on here? Possibly The Dagger's theme? Maybe it's "This Is No Ordinary Dagger?" Loved the music at that part, awesome.

DK reply Replies: 0 || 2010-05-30 00:00:00
Yes! You were right! It is "Dastan And Tamina Escape". It starts right at about 3:24. Love It.

Miles reply Replies: 0 || 2010-05-30 00:00:00
I haven't seen the movie yet, but I think it's on "Dastan and Tamina Escape."

blondie reply Replies: 0 || 2010-05-29 00:00:00
Well I just saw PoP and the movie and the score blew my socks off!! Thanks so much Harry, I've been waiting for a really good score from you since Prince Caspian! Shrek 4 is great as well! Keep up the good work and dont think twice about doing a PoP sequel if there is one!!!

Miles reply Replies: 0 || 2010-05-27 00:00:00
It looks like I was right: Tracks 11, 15, 16, and 17 do have different names depending on whether it's a US or UK release. No matter; it's still a good score--rich, epic and exotic.

Cloud reply Replies: 0 || 2010-05-27 00:00:00
I don't know about the digital release, but the track titles on the back cover of the physical release are a bit different.

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HGW4 reply Replies: 0 || 2010-05-26 00:00:00
I LOVE this score!!!! Job well done!!! Fulfilled my need for a new Harry Gregson-Williams' score!!!! :)

tomPoland reply Replies: 0 || 2010-05-25 00:00:00
There are lots of 'borrowings' from other scores (HGW and others). But it works quite well in the movie. Especially to someone that doesn't know who HGW is (like my friends;).

Andrew reply Replies: 0 || 2010-05-24 00:00:00
Miles, I think what that person is referring to is the similarities between a small portion of the theme that starts around 0:37 in track 1 of Prince of Persia, and the love theme in Mummy Returns. Though it's too small to be called "Copy".

I too agree with HGW4, this is one of the better Gregson-Williams in recent years. I don't consider myself a hardcore Gregson-Williams fan, but I even enjoyed the bits that many people are calling "generic".

Two thumbs up!

HGW4 reply Replies: 0 || 2010-05-24 00:00:00
I agree...where are you guys getting this from? This is a great score...again Harry Gregson-Williams has composed a great score!

Miles reply Replies: 0 || 2010-05-23 00:00:00
Are you kidding? It sounds nothing like The Mummy Returns!

Anonymous reply Replies: 0 || 2010-05-23 00:00:00
There is no theme just a copy of Silvestri's Mummy Returns ! It's a shame and the action sequences are musically bad ! Where is the HGW of Kingdom of Heaven and Sinbad ?

Miles reply Replies: 0 || 2010-05-22 00:00:00
I mean Indiana's comment, of course. I like what I've heard so far!

Miles reply Replies: 0 || 2010-05-22 00:00:00
Most reviews of the film itself I've seen disagree with you...

HGW4 reply Replies: 0 || 2010-05-22 00:00:00
Actually...it is a very GOOD score!

Indiana reply Replies: 0 || 2010-05-22 00:00:00
Very bad score !

Miles reply Replies: 0 || 2010-05-18 00:00:00
Oh yeah, I like that one too. :)

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Prince Of Persia - The Sands Of Time soundtrack - Harry Gregson-Williams 2010