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More than Zimmer?I honestly commend what Steve Jablonsky composed for the 2nd movie but I really have to say that Brian Tyler's theme was more heroic for me and I'm a big fan of orchestral music that's why I wanted to hear Tyler's Ninja turtles theme again.Maul’s Call, Empire Recruitment, End Credits Suite, etc. <br><br>This release looks amazing! :Othis is awesome!!!!Pemberton is probably the most obvious choice right now. I would definitely love to see Pemberton score this one
Yep, I received the news too.<br>Antwerp Sportpaleis is now scheduled on 23rd February 2022, a Wednesday !<br>Tour postponed to 2022 :'(Asides, Uncharted 4 and The Lost Legacy, dosen't sound like the two Jumanji written by Jackman, by anymeans, and in prefer those two scores over his Uncharted material, altough i like both.If you want a Silvestrian-type of action... Edmonson's action writting in the three Uncharted are terrific, specially Among the Thieves and Drake's Deception.i think Uncharted 4 and 2 have the best score. U2 is amazing in all regards but I hope Henry does the movie cause he's better at writing action music
If is Paramount, expect a digital release, but this people is certainly very difficult to guess...A exclusive clip from the film where some of Zimmer's score can be heard   https://youtu.be/EucuM3EuUJA?t=238<br><br>Loving the short synth part at the very startIt sounds a JP theme. But also sounds like HZ did arrangements of it. The beginning of "shifu's end" kind of sounds like one.  The HZ/Jackman cues for the "splits" and "battle for the scroll" which use it are good, fun cues - but they're kind of awkward and stop/start compared to JP's smoother, more confident arrangements. And they notably don't use the whole theme only fragmented bits where as the JP/Smith cues "prison", "the bridge", "shifu's end" make use of the entire theme and sound more comfortable with the frenetic orchestra material. Just my opinion though.<br>Jungleland is getting released in cinemas and on streaming Nov. 6 and 10 respectively. I hope Lorne's score gets a release alongside it, as the film sounds like it has some good scoring potential.Well, the two scores by Jackman are good, neither as good as Edmonson's previous work in the franchise, if Naughty Dog have to choose a composer, Edmonson is my choice.<br><br>As for comparations with Tom's Tomb Raider, remember, this franchise is a more classical adventure than a survival action.
If he's one of Jackman's best,I hope naughty dog &#8203;&#8203;will hire him again. I just hope that the film does not present a score as loose as Tom's tomb raidervery excited!!!<br>@hybrid theme by hans and the rest david? :PThe soundtrack to Uncharted 4 in my opinion is one of the best Henry has done along with first class. I hope and pray he does the movie although I have no hope for that film. But unfortunately the director likes to work with Ludwig so I don’t think Henry will do it. But I pray he doesMilan Records is going to release it, they said it in his Twitter.But Rupert's Scores are always good!
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Additional Music
Harry Gregson-WilliamsHalli CautheryMatthew MargesonDavid Buckley
ComposerAdditional MusicAdditional MusicAdditional Music
Prince Of Persia - The Sands Of Time
Label: Walt Disney Records
Length: 66'19
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (16172 votes)
  1. The Prince Of Persia (5:20)
  2. Raid On Alamut (6:32)
  3. Tamina Unveiled (2:34)
  4. The King And His Sons (2:59)
  5. Dastan And Tamina Escape (4:31)
  6. Journey Through The Desert (2:55)
  7. Ostrich Race (0:59)
  8. Running From Sheik Amar (3:27)
  9. Trusting Nizam (4:37)
  10. Visions Of Death (1:46)
  11. So, You're Going To Help Me? (2:20)
  12. The Oasis Ambush (1:54)
  13. Hassassin Attack (2:59)
  14. Return To Alamut (3:05)
  15. This Is No Ordinary Dagger (4:39)
  16. The Sand Glass Chamber (3:09)
  17. Sands Of Time (3:58)
  18. Destiny (3:38)
  19. I Remain - Alanis Morissette (4:57)
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Miles reply Replies: 0 || 2010-05-17 00:00:00
I was whistling the the theme heard in "The Prince of Persia." It's actually kind of catchy! Even if it resembles "Kingdom of Heaven," there is a certain style which composers tend towards when writing for this kind of setting.

Ele reply Replies: 0 || 2010-05-17 00:00:00
There's memorable theme for me :) Second theme in Prince Of Persia, beginning This is No Ordinary Dagger, or ending Raid on Alamut. Very catchy, and impressive in its simplicity. I like how HGW used Tillman. The same way as in Narnia - staccato rhytms in the background

Anonymous reply Replies: 0 || 2010-05-15 00:00:00
did john powell co-write Ostrich race? If anything they were hanging out that day together when it was it written, it sounds like!

craig reply Replies: 0 || 2010-05-14 00:00:00
@Ele

i agree.

it's a little generic in places, but for a bruckheimer production, this is far better than a heck of a lot of other RC scores released of late.

i'm still utterly shocked there are woodwinds in the score! even more so than pirates 3!!!!!!

did jb finally see the light??? :O

Ele reply Replies: 0 || 2010-05-14 00:00:00
It's actually a very good score!

Anonymous reply Replies: 0 || 2010-05-14 00:00:00
By filtered drums I mean drums that are filtered.... A Filter being a 'pass' that stops certain frequencies, resulting in various sound modulations. For example you could cut out the 4k range, or the 2k range, meaning you're stopping or reducing any requencies in that range. It's sort of like an eq. Thats how he gets that different sounding electronic percussion. It's he by the way :)

Andrew reply Replies: 0 || 2010-05-14 00:00:00
I think by "filtered drums" s/he means programmed computer percussions.

Miles reply Replies: 0 || 2010-05-13 00:00:00
The track names situation is weird...all the American sites still have the original titles. Could there be different titles for the U.S. and U.K. editions?

Andrew reply Replies: 0 || 2010-05-13 00:00:00
Given that Amazon UK has track samples and running time while Amazon US does not, I guess the UK details are the ones we are likely to see.

Andrew reply Replies: 0 || 2010-05-13 00:00:00
By the way, webmasters, the score portion is 61:22, not 62:22

Pianoscore reply Replies: 0 || 2010-05-13 00:00:00
My only regret is that he keeps using filtered drums... particularly in scores that are set 1000's of years before the filter was invented lol... I mean i know sometimes you have to sacrifice accuracy for effectiveness, but something just feels wrong about it IMO. Otherwise one of his better scores by the previews. Coming from someone whose not a big HGW fan; I liked his work with Powell though...

Miles reply Replies: 0 || 2010-05-13 00:00:00
I've never heard of filtered drums before. What are they?

Ravi Krishna reply Replies: 0 || 2010-05-11 00:00:00
The track lengths are finally listed, at Amazon UK. From my rough estimation, the score portion runs about 56 min. Don't count my not-so-good math skills though! :D

Ravi Krishna reply Replies: 0 || 2010-05-11 00:00:00
And yes, track 16 "The Passages" seems to have been renamed to "The Sand Glass Chamber".

Andrew reply Replies: 0 || 2010-05-11 00:00:00
@ Ravi Krishna

The score portion is 61:22.
Amazon.co.uk has got the total length just below the tracklisting.

Ravi Krishna reply Replies: 0 || 2010-05-11 00:00:00
Thanks. Glad this one's getting a decently long release. Can't wait to hear it!

Hybrid Soldier reply Replies: 0 || 2010-05-11 00:00:00
Weird Disney put the money for both a physical CD and 60 min of score...

HGW finished the score in late 2009, I guess there was enough time to negociate a proper thing... Or maybe Disney just likes HGW (Narnia 2 had a similar release)... :P

Anonymous reply Replies: 0 || 2010-05-11 00:00:00
Possibly the two Narnia scores sold well enough to convince Disney that HGW scores were popular enough to warrant good releases like this. I do hope the trend follows!

HGW4 reply Replies: 0 || 2010-05-11 00:00:00
I agree...and perhaps one day we will see a proper release of a complete score :) One can only hope.

jon reply Replies: 0 || 2010-05-09 00:00:00
@ZED , in which way your music and your interview is related to the Prince Of Persia score ??

ZED reply Replies: 0 || 2010-05-06 00:00:00
Hey guys and girls! I'm really looking forward to this score! Sounds great so far form the very short clips we've been able to listen to. If you are interested, I have an interview about myself and my background in composing at the website www.scorenotes.com

I hope you enjoy the read and I hope you enjoy my music. Please feel free to leave me any comments/feedback. I hope Hans gets a chance to read it too. BRING ON INCEPTION! Though Robin Hood is sounding good too!

Take care and stay inspired!

http://www.myspace.com/zaalentallis

HGW4 reply Replies: 0 || 2010-05-06 00:00:00
Why don't you listen to a different composer's music then? Stop saying rude things about people who ARE VERY good at their job! If you are not aware of this, almost all film composers use the same cues and themes in all of their scores. That's what makes it a Harry Gregson-Williams score...a Hans Zimmer score...John Powell....Klaus Badelt....etc. Appreciate the new music and enjoy the variations on old music. You have a right to your own opinion, but try to be respectful at the same time.

tomPoland reply Replies: 0 || 2010-05-06 00:00:00
I just expect that every film has it's own theme. Track "Prince of Persia" is a copy of KoH. #4 - Sindbad. You can't hear that?

I'm tired of copy of a copy. They ran out of ideas? Stop composing and find another job.

Miles reply Replies: 0 || 2010-05-06 00:00:00
Whoever you are, I think that your response was very well thought out and sensible. It is, of course, always a pleasant surprise when a film score has a symphonic quality to it, like Klaus Badelt's "The Promise," but as you say, that's probably not what they were aiming for here.

Anonymous reply Replies: 0 || 2010-05-06 00:00:00
Maybe Harry isnt interested in "themes" but rather effective music for the film. You try to reference him to Horner, yet Harry Doesnt copy other composers (classical or film) like horner clearly has. So please stop putting him up next to horner. Nevertheless, I still love horner anyway. I am very confident that the producers have an expectation, especially since its a Bruckheimer film, they want the sound to be a certain way. I am sure HGW has to comply in some regard. It is a job after all. From what I heard of this score, I hear fun, entertaining music, that will have more than one listen on my mp3 player. I am sure thats all Harry was trying to do. Not write a major symphony. Its prince of persia!

Bruno Lasala reply Replies: 0 || 2010-05-06 00:00:00
Dejen de trolear el score tontos weones. El disco todavía no sale y vienen a darle mala nota imbéciles. Como dice el amigo de abajo, si no te gusta, ándate a la cresta. HGW RULES!!!!!!!!!!!!!

Miles reply Replies: 0 || 2010-05-06 00:00:00
I don't think there's a need for that. They've heard the samples and formed their own opinions. Whether they're correct or not will be revealed.

NeodeosX reply Replies: 0 || 2010-05-06 00:00:00
I can't believe there are people stupid enough to rate this soundtrack, before it's even released.

If you don't like HGW, just GTFO, haters.

Sato reply Replies: 0 || 2010-05-06 00:00:00
Again?
I'm tired.

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Prince Of Persia - The Sands Of Time soundtrack - Harry Gregson-Williams 2010