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Giacchino IS going to be in Spider-Man 3, but if Raimi is in Doctor Strange 2, 100% sure is going to be Elfman (or Christopher Young, which some people spread the rumor before Giacchino get the gig for Doc 1)<br><br>But, i'm not big fan of Giacchino's work for Spidey (neither Zimmer's TASM2)I really like Elfman, especially his early work or scores like Alice In Wonderland, Dumbo or parts kf Age Of Ultron.<br><br>But please let Giacchino score both Spider-Man 3 & Doctor Strange 2. His scores for the Marvel films and his other work are outstanding. It would be a shame to let someone else take his 2 trilogy of movies in the MCU.Like everyone else, I've been looking for the "Safe in my Arms" song...for over 15 years! <br><br>I spoke with Valerie a while back and she did not have a way for me to purchase the song :( <br><br>See you guys in another 15 years!Well my bet is that either Elfman or Giacchino will end up scoring the film, and we all know how willing they are to use other composers' themes. :p<br><br>I severely doubt either Horner's or Zimmer's theme will reappear. If Giacchino scores it he'll probably write yet another theme or rework his own Spidey theme, and if Elfman gets the gig I expect him to just use his own theme.Well, it's either an edit of these cues, or it's an original one, recorded in that form (theme suite or something like that), and the other film cues are just based on that one!
So more and more websites have been saying that Tobey Maguire and Andrew Garfield are going to have cameos in Doctor Strange 2. Which begs the question, if Garfield appears and they do use unique music for him, what theme are they gonna use for him? Horner's or Zimmer's? <br><br>Horner's is probably more revered, but neither theme is necessarily iconic among general audiences since they each only had one movie to develop.It happened with Sherlock Holmes 2 OST.Thank you, but I noticed that Tennessee is actually a micro edited hell of End Titles + Main Titles + Danny & Evelyn Make Love :/I think I know what happend here:<br><br>They somehow messed up the sampling rate of either the source files or while recording the master.<br><br>When I record a part in 48kHz on my computer and play it back at 44.1kHz it sounds right to my ears.<br><br>I'm of course not sure if that's a mistake on paramount or mondo's end but i'ts pretty weird that something like this can happen without someone noticing it...The original soundtrack of rebuilding paradise will be release next week in november 6, 2020 at Lakeshore Records and here's is the tracklist<br><br>1.Rebuilding Paradise<br>2.Day Of Fire<br>3.One Year Anniversary<br>4.Return To Ashes<br>5.Fire Reunited Family<br>6.Aftermath<br>7.We're Coming Back<br>8.Memorial<br>9.Love Of The Land<br><br>Total Album Time: (34:40)<br>
Tennessee: Main Titles + Danny & Evelyn Make Love<br><br>Brothers: Young Rafe to the Rescue + Train Station Goodbye + Evelyn Gets the News<br><br>...And Then I Kissed Him: First Date + Rafe Says Goodbye + I'm Pregnant<br><br>I Will Come Back: Rafe Returns + Rafe Gets the News (alt)<br><br>Attack: The Attack + Oklahoma - First Hospital + Roosevelt Gets the News + Trapped Sailors - Roosevelt's Speech<br><br>December 7th: Hospital Carnage - Destroyed Fleet + Men In Trouble<br><br>War: 30 Seconds Over Tokyo<br><br>Heart of a Volunteer: Final Confrontation - Return Home + Danny & Evelyn Make Love<br>Hybrid do you have a breakdown of this album? I've tried doing it myself but the tracks seem to be edited to hell and back.okay wow...that’s a huge difference :D...I really really pray it’s Henry but it’s most likely gonna be Ludwig since he’s worked with the director before"complete" that's cute, here's an actual list (still not really complete but whatever)<br><br>1m07a Car Crash, pt. I<br>Hans Zimmer, Andy Page<br>1m07b Car Crash, pt. II<br>Hans Zimmer, David Fleming<br>1m08 X-Manor / Title Card<br>Hans Zimmer, Steve Mazzaro<br>1m10 Pre-Space Mission<br>Hans Zimmer, Steve Mazzaro, Andy Page<br>1m11 X-Men Find Shuttle<br>Hans Zimmer, Steve Mazzaro<br>1m12 Commander Left Behind<br>Hans Zimmer, David Fleming<br>1m13 Solar Flare<br>Hans Zimmer, David Fleming<br>1m14-15 X-Men Return / Raven Confronts X<br>1m16a Examining Jean<br>1m16b Jean & Scott Kiss<br>Hans Zimmer, David Fleming<br>2m18 Smith Looks for Luna<br>2m21-22 Party / Jean Unconscious<br>Hans Zimmer, Steve Mazzaro, Andy Page<br>2m23 Cerebro<br>Hans Zimmer, David Fleming<br>2m24a Inside Jean’s Mind<br>Hans Zimmer, David Fleming<br>2m24b Need to See My Father<br>Hans Zimmer, David Fleming<br>2m25 Alien Meeting<br>Hans Zimmer, Steve Mazzaro<br>2m26 Jean Visits Dad<br>Hans Zimmer, David Fleming, Andy Page<br>2m28 Jean Standoff, pt. I<br>Hans Zimmer, David Fleming<br>2m28b Jean Standoff, pt. II<br>Hans Zimmer, Andy Page<br>2m29 Raven Impaled<br>2m30s Funeral Source<br>Hans Zimmer, Steve Mazzaro (Henry Purcell)<br>3m32 Smith Visits Dad<br>Hans Zimmer, Steve Mazzaro<br>3m33 The Island<br>Hans Zimmer, David Fleming<br>3m34 Island Standoff<br>Hans Zimmer, Steve Mazzaro, David Fleming<br>3m35 Peace has Been Shattered<br>3m36 Hello Jean<br>Hans Zimmer, Steve Mazzaro<br>3m39 Smith Shows Jean Force<br>4m40a Sadneto<br>4m40b The Helmet<br>4m41-42 NY Street Fight<br>Hans Zimmer, Steve Mazzaro<br>4m43a Staircase Standoff, pt. I<br>Hans Zimmer, David Fleming<br>4m43b Staircase Standoff, pt. II<br>Hans Zimmer, David Fleming, Andy Page<br>4m44 Jean Transfers Force<br>Hans Zimmer, Steve Mazzaro<br>4m45a Train Tension, pt. I<br>Hans Zimmer, Steve Mazzaro<br>4m45b Train Tension, pt. II<br>Hans Zimmer, Steve Mazzaro (Henry Purcell)<br>4m45c Train Tension, pt. III<br>Hans Zimmer, Steve Mazzaro<br>4m46 Aliens Attack<br>Hans Zimmer, Steve Mazzaro<br>5m48-49 Train Flashback<br>Hans Zimmer, David Fleming<br>5m50 Protect My Family<br>5m51 Break Things<br>Hans Zimmer, David Fleming<br>5m52 Train Wreckage Fight<br>Hans Zimmer, David Fleming<br>5m53 My Emotions<br>Hans Zimmer, Steve Mazzaro<br>5m54a Coda, pt. I<br>Hans Zimmer, David Fleming (Henry Purcell)<br>5m54b Coda, pt. II<br>Hans Zimmer, David Fleming<br>5m55a End Credits, pt. I (Space Scene)<br>Hans Zimmer, David Fleming<br>5m55b End Credits, pt. II (2m24a)<br>Hans Zimmer, David Fleming<br>5m55c End Credits, pt. III (2m26)<br>Hans Zimmer, David Fleming<br>5m55d End Credits, pt. IV (2m24b)<br>Hans Zimmer, David Fleming<br>5m55e End Credits, pt. V (2m25)<br>Hans Zimmer, Steve Mazzaro<br>5m55f End Credits, pt. VI (4m46)<br>Hans Zimmer, Steve Mazzaro<br>5m55g End Credits, pt. VII (2m21-22)<br>Hans Zimmer, Steve Mazzaro, Andy Page
"Battle Glorious Suite" is part of "It's Our Fight" (from 2:17 to 3:15) and "Chicago Suite" is "No Prisoners, Only Trophies" but shortened.What is “Battle Glorious” and “Chicago Suite”; can they be found on the official score?here is the complete cue list:<br><br>1M7A    Car Crash - Part 1 //HZ,AP<br>1M7B    Car Crash - Part 2 //HZ,DF<br>1M8     X-Manor / Title Card //HZ,SM<br>1M10    Pre Space Mission //HZ,SM,AP<br>1M11    X-Men Find Shuttle //HZ,SM<br>1M12    Commander Left Behind //HZ,DF<br>1M13    Solar Flare //HZ,DF<br>1M14    X-Men Return<br>1M15    Raven Confronts X<br>1M16A   Examining Jean<br>1M16B   Jean / Scott Kiss //HZ,DF<br>2M18    Smith Looks For Luna<br>2M21/22 Party / Jean Unconscious //HZ,SM,AP<br>2M23    Cerebro //HZ,DF<br>2M24A   Inside Jean's Mind //HZ,DF<br>2M24B   Need To See My Father //HZ,DF<br>2M25    Alien Meeting //HZ,SM<br>2M26    Jean Visits Dad //HZ,DF,AP<br>2M28    Jean Standoff //HZ,DF<br>2M28B   Jean Standoff - Part 2 //HZ,AP<br>2M29    Raven Impaled<br>Funeral (Aeneas) //HZ,SM<br>3M32    Smith Visits Dad //HZ,SM<br>3M33    The Island //HZ,DF<br>3M34    Island Standoff //HZ,SM,DF<br>3M35    Peace Has Been Shattered<br>3M36    Hello Jean //HZ,SM<br>3M39    Smith Shows Jean Force<br>4M40A   Sadneto<br>4M40B   The Helmet<br>4M41/42 NY Street Fight //HZ,SM<br>4M43A   Staircase Standoff - Part 1 //HZ,DF<br>4M43B   Staircase Standoff - Part 2 //HZ,DF,AP<br>4M44    Jean Transfers Force //HZ,SM<br>Train Tension - Part 1 //HZ,SM<br>Train Tension - Part 3 //HZ,SM<br>4M46    Aliens Attack //HZ,SM<br>5M48/49 Train Flashback //HZ,DF<br>5M50    Protect My Family<br>5M51    Break Things //HZ,DF<br>5M52    Train Wreckage Fight //HZ,DF<br>5M53    My Emotions //HZ,SM<br>Coda - Part 1 //HZ,DF<br>Coda - Part 2 //HZ,DF<br>End Credit 1 - Space Scene //HZ,DF<br>End Credit 2    2M24A<br>End Credit 3    2M26<br>End Credit 4    2M24B<br>End Credit 5    2M25<br>End Credit 6    4M46<br>End Credit 7    2M21/22The whole movie needs to be completed within only 2 months, that is why it has 3 directors, 2 composers and loads of other people dealing with their own parts.Yeah no I don't have translated titles.<br><br>There's also a song out, roughly translated "Heroes Anthem" or "Ode to Heroes", by Tan Weiwei which Andrew did Synth arrangments on.<br><br>And there's also a second score album containing Roc Chen's score (movie apparently has a shitload of directors (lol) and had 2 composers).<br><br><br>China is very complicated as usual !! lol
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Additional Music
Harry Gregson-WilliamsHalli CautheryMatthew MargesonDavid Buckley
ComposerAdditional MusicAdditional MusicAdditional Music
Prince Of Persia - The Sands Of Time
Label: Walt Disney Records
Length: 66'19
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (16206 votes)
  1. The Prince Of Persia (5:20)
  2. Raid On Alamut (6:32)
  3. Tamina Unveiled (2:34)
  4. The King And His Sons (2:59)
  5. Dastan And Tamina Escape (4:31)
  6. Journey Through The Desert (2:55)
  7. Ostrich Race (0:59)
  8. Running From Sheik Amar (3:27)
  9. Trusting Nizam (4:37)
  10. Visions Of Death (1:46)
  11. So, You're Going To Help Me? (2:20)
  12. The Oasis Ambush (1:54)
  13. Hassassin Attack (2:59)
  14. Return To Alamut (3:05)
  15. This Is No Ordinary Dagger (4:39)
  16. The Sand Glass Chamber (3:09)
  17. Sands Of Time (3:58)
  18. Destiny (3:38)
  19. I Remain - Alanis Morissette (4:57)
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Miles reply Replies: 0 || 2010-05-17 00:00:00
I was whistling the the theme heard in "The Prince of Persia." It's actually kind of catchy! Even if it resembles "Kingdom of Heaven," there is a certain style which composers tend towards when writing for this kind of setting.

Ele reply Replies: 0 || 2010-05-17 00:00:00
There's memorable theme for me :) Second theme in Prince Of Persia, beginning This is No Ordinary Dagger, or ending Raid on Alamut. Very catchy, and impressive in its simplicity. I like how HGW used Tillman. The same way as in Narnia - staccato rhytms in the background

Anonymous reply Replies: 0 || 2010-05-15 00:00:00
did john powell co-write Ostrich race? If anything they were hanging out that day together when it was it written, it sounds like!

craig reply Replies: 0 || 2010-05-14 00:00:00
@Ele

i agree.

it's a little generic in places, but for a bruckheimer production, this is far better than a heck of a lot of other RC scores released of late.

i'm still utterly shocked there are woodwinds in the score! even more so than pirates 3!!!!!!

did jb finally see the light??? :O

Ele reply Replies: 0 || 2010-05-14 00:00:00
It's actually a very good score!

Anonymous reply Replies: 0 || 2010-05-14 00:00:00
By filtered drums I mean drums that are filtered.... A Filter being a 'pass' that stops certain frequencies, resulting in various sound modulations. For example you could cut out the 4k range, or the 2k range, meaning you're stopping or reducing any requencies in that range. It's sort of like an eq. Thats how he gets that different sounding electronic percussion. It's he by the way :)

Andrew reply Replies: 0 || 2010-05-14 00:00:00
I think by "filtered drums" s/he means programmed computer percussions.

Miles reply Replies: 0 || 2010-05-13 00:00:00
The track names situation is weird...all the American sites still have the original titles. Could there be different titles for the U.S. and U.K. editions?

Andrew reply Replies: 0 || 2010-05-13 00:00:00
Given that Amazon UK has track samples and running time while Amazon US does not, I guess the UK details are the ones we are likely to see.

Andrew reply Replies: 0 || 2010-05-13 00:00:00
By the way, webmasters, the score portion is 61:22, not 62:22

Pianoscore reply Replies: 0 || 2010-05-13 00:00:00
My only regret is that he keeps using filtered drums... particularly in scores that are set 1000's of years before the filter was invented lol... I mean i know sometimes you have to sacrifice accuracy for effectiveness, but something just feels wrong about it IMO. Otherwise one of his better scores by the previews. Coming from someone whose not a big HGW fan; I liked his work with Powell though...

Miles reply Replies: 0 || 2010-05-13 00:00:00
I've never heard of filtered drums before. What are they?

Ravi Krishna reply Replies: 0 || 2010-05-11 00:00:00
The track lengths are finally listed, at Amazon UK. From my rough estimation, the score portion runs about 56 min. Don't count my not-so-good math skills though! :D

Ravi Krishna reply Replies: 0 || 2010-05-11 00:00:00
And yes, track 16 "The Passages" seems to have been renamed to "The Sand Glass Chamber".

Andrew reply Replies: 0 || 2010-05-11 00:00:00
@ Ravi Krishna

The score portion is 61:22.
Amazon.co.uk has got the total length just below the tracklisting.

Ravi Krishna reply Replies: 0 || 2010-05-11 00:00:00
Thanks. Glad this one's getting a decently long release. Can't wait to hear it!

Hybrid Soldier reply Replies: 0 || 2010-05-11 00:00:00
Weird Disney put the money for both a physical CD and 60 min of score...

HGW finished the score in late 2009, I guess there was enough time to negociate a proper thing... Or maybe Disney just likes HGW (Narnia 2 had a similar release)... :P

Anonymous reply Replies: 0 || 2010-05-11 00:00:00
Possibly the two Narnia scores sold well enough to convince Disney that HGW scores were popular enough to warrant good releases like this. I do hope the trend follows!

HGW4 reply Replies: 0 || 2010-05-11 00:00:00
I agree...and perhaps one day we will see a proper release of a complete score :) One can only hope.

jon reply Replies: 0 || 2010-05-09 00:00:00
@ZED , in which way your music and your interview is related to the Prince Of Persia score ??

ZED reply Replies: 0 || 2010-05-06 00:00:00
Hey guys and girls! I'm really looking forward to this score! Sounds great so far form the very short clips we've been able to listen to. If you are interested, I have an interview about myself and my background in composing at the website www.scorenotes.com

I hope you enjoy the read and I hope you enjoy my music. Please feel free to leave me any comments/feedback. I hope Hans gets a chance to read it too. BRING ON INCEPTION! Though Robin Hood is sounding good too!

Take care and stay inspired!

http://www.myspace.com/zaalentallis

HGW4 reply Replies: 0 || 2010-05-06 00:00:00
Why don't you listen to a different composer's music then? Stop saying rude things about people who ARE VERY good at their job! If you are not aware of this, almost all film composers use the same cues and themes in all of their scores. That's what makes it a Harry Gregson-Williams score...a Hans Zimmer score...John Powell....Klaus Badelt....etc. Appreciate the new music and enjoy the variations on old music. You have a right to your own opinion, but try to be respectful at the same time.

tomPoland reply Replies: 0 || 2010-05-06 00:00:00
I just expect that every film has it's own theme. Track "Prince of Persia" is a copy of KoH. #4 - Sindbad. You can't hear that?

I'm tired of copy of a copy. They ran out of ideas? Stop composing and find another job.

Miles reply Replies: 0 || 2010-05-06 00:00:00
Whoever you are, I think that your response was very well thought out and sensible. It is, of course, always a pleasant surprise when a film score has a symphonic quality to it, like Klaus Badelt's "The Promise," but as you say, that's probably not what they were aiming for here.

Anonymous reply Replies: 0 || 2010-05-06 00:00:00
Maybe Harry isnt interested in "themes" but rather effective music for the film. You try to reference him to Horner, yet Harry Doesnt copy other composers (classical or film) like horner clearly has. So please stop putting him up next to horner. Nevertheless, I still love horner anyway. I am very confident that the producers have an expectation, especially since its a Bruckheimer film, they want the sound to be a certain way. I am sure HGW has to comply in some regard. It is a job after all. From what I heard of this score, I hear fun, entertaining music, that will have more than one listen on my mp3 player. I am sure thats all Harry was trying to do. Not write a major symphony. Its prince of persia!

Bruno Lasala reply Replies: 0 || 2010-05-06 00:00:00
Dejen de trolear el score tontos weones. El disco todavía no sale y vienen a darle mala nota imbéciles. Como dice el amigo de abajo, si no te gusta, ándate a la cresta. HGW RULES!!!!!!!!!!!!!

Miles reply Replies: 0 || 2010-05-06 00:00:00
I don't think there's a need for that. They've heard the samples and formed their own opinions. Whether they're correct or not will be revealed.

NeodeosX reply Replies: 0 || 2010-05-06 00:00:00
I can't believe there are people stupid enough to rate this soundtrack, before it's even released.

If you don't like HGW, just GTFO, haters.

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Sato reply Replies: 0 || 2010-05-06 00:00:00
Again?
I'm tired.

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Prince Of Persia - The Sands Of Time soundtrack - Harry Gregson-Williams 2010