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Oh dear . Where is the theme ?Comes across very likeable and enthusiastic.Now I'm even more excited!I'm on track 9 at the moment. Nothing especially memorable so far, but I do love the return of the Love Theme and Hoist the Colors.<br><br>Salazar's theme isn't as bad as I thought it would be, but it does seem to get repetative quickly. Hopefully the score isn't as blatantly bad on-screen as OST was. That film and score was a mess.Cool insight on POTC 5 !
Now that the album is out there I can easily say that I love this score. Definitely my 2nd favorite behind MoS. <br><br>Musically, much of it has that "Last Samurai/Transformers" power anthem style (with one of the themes sounding like King Arthur) but with RGW's string writing style as opposed to the bass heavy approach of those scores. The WW cello theme isn't used a whole lot, but when it gets some screen time it feels earned, and steals the show. The villain material is the weakest part, but instrumentally is pretty cool with the incorporation of the cimbalom (it reminds me slightly of Sherlock at points)<br><br>Overall, easily one of the best scores so far this year.Hans has not done this one because he was working on dunkirk at the time as far as I know. I saw the movie last night and for sure things like "What shall we die for", "One day", "Jack Sparrow", the legendary "He's a pirate" or even the bit of the musical clock/bell theme from davy jones and Calypso at the VERY end of the film are things that Hans wrote of course. In the movie itself you hear this stuff very often especially in the first hour of the movie which is packed with old themes. But Geoff Zanelli still wrote the other 60%/65% of the music so I can imagine that Hans said that they can give it to Zanelli because even if most of the themes are from Hans, he was most likely not heavily involved at the writing and scoring process. He was most likely there at the beginning of the process like Zanelli said in an interview and made sure that this story needed things like one day or the medallion calls. And he is not credited because of the fact that he was doing dunkirk and for sure his live tour and so he was like mentioned before only there at the beginning of the process and wrote/refined the new versions of one day or he's a pirate if he did anything. But i thought as well that they could have mentioned him in the credits like they mentioned Zanelly or even Steve Jablonsky in the credits of the first one or John Williams at Rogue One.I missed that, sorry! I agree with your other comment.<br><br>Jackman's contribution to the 2nd half of love suite, his rollicking orchestral mayhem in "I don't know if now is the best time" provide plenty of evidence of him imposing his style effectively on the material. <br>"Going back to ground 0" doesn't mean "make a poor movie".<br>I would like more Pirates movies, but not if they make them as bad as the 4th and 5th ones. They could have written an original story (I'm sure there are good writers out there who could have found something fresh) and started a new adventure just like the 2nd and 3rd movies did. It's not impossible.<br>But rather they just tried to remake the 1st movie. If they did it for the 5th one, why do you think they wouldn't do it for the 6th one? Judging by the post-credit scene, they are clearly not afraid of ripping off the previous movies even more... :-DHi Hans!<br><br>Your scores helped me pass through difficult times, in life.<br>Never heard music that touches me so deep inside.<br>Thanks - to you and your Team - and go on like this.<br>When do you come to Germany with your Team (live in concert)?<br><br>If you like to answer: atlantis42195@gmail.com<br>------------------------------------------<br>Hallo Hans!<br><br>Ein dickes Lob an Sie und Ihr Team.<br>Ihre Musik half mir, durch schwere Zeiten im Leben zu kommen.<br>Nie zuvor kannte ich Musik, welche mich derart berührt.<br>Wann kommen Sie wieder nach Deutschland, mit Ihrem Team?<br><br>Weiter so und beste Grüße, aus Düsseldorf!<br>Falls Sie antworten möchten:atlantis42195@gmail.com<br><br>Jill W.<br>
Yeah... I know what you mean...<br><br>First of all, I want this movie to be a fun ride. I cannot ask of it what I would ask of a Nolan production, for once. But I know I cannot ask of this movie what I would ask of a 2nd or a 3rd part. I say this because since DMTNT begins production they (producers) hinted it was the BEGINNING of a new adventure, So they had to go back to "ground 0". And is not too difficult to guess that they'd try the Star Wars formula; POTC 5 is basically Force Awakens in its intentions at the least.<br><br>So what really put me off is the fact that all this hate will only cause to not greenlit more adventures :( , because, well.. apparently audience doesn't want this dessert anymore.If that cheesy ending was "so so cool", it's just because it's a powerful reminder of how beautiful the 3rd movie was. And even more so in comparison to this dreadful 5th outing.Yeah I made a shitty suite ! :( :( :( lolLots of people complaining about the film and the score, makes me a little bit irritated. Of course this was never gonna reach the level of the first films. It never will be, it's been 10 years. I am a hugh fan of these films and after watching the new film I felt so good. That cheesy ending was actually so so cool. The movie wasn't perfect put they did some good things in it. I haven't heard this album yet but I listened to the samples and everything I wanted on this album, I did hear those parts in the samples. Afterwards I was humming that new adventure theme all day, even how unoriginal it is. It's cool and Carina's theme is a great new addition. This score is much than On Stranger Tides maybe think about that. Let this score grow on you. Most people now base their opinion on just this suite. Honestly ? It doens't reflect the score that well.I have yet to listen to the score, and I will after see the movie because I want to experience it on the movie itself first.<br><br>But if you read the very insightful interview with Zanelli for filmmusicamg, he talks about the "differences" between composers at RCP, and when Zimmer liked something of Zenelli its because, in Zimmer's words "it sounds so Geoff" (I think he was racalling it about Tia Dalma's theme and the tribal island music from DMC). So I think is kind of unfair to expect Geoff's music to sound very Zimmer's, realistically speaking. <br><br>I've been listening Zanelli's scores a few years now, and I think I Identify his style and his type os themes, which are not like Zimmer`s at all (talking about notes specifically)... so based on his scores I expect this to be a very Geoff Zanelli score leaning to POTC style and just a little of Zimmer.<br><br>You can see the differences in the OST album, just listen on what Zimmer composed and the listen the Spaniard's theme, which is by Zanelli.
Actually, iii, I expressed similar sentiments to yours in a reply below this post. :) Hans' absence is definitely felt. <br><br>As for Jackman vs. Zanelli, I'm not sure the two can be fairly compared. Yes, Henry made interesting arrangements, but most of what he did was the love theme from POTC 3. Zanelli, on the other hand, has worked on all four films and written a couple themes. So I feel like Jackman would have had to work on more for us to really say whether he's the stronger composer for the franchise.'I think they couldn't have picked a better composer than Geoff in Hans' absence'<br><br>I disagree, Mike. The strongest arrangements of Hans' material in the franchise were Henry Jackman. <br><br>'some would argue Geoff wasn't properly credited when Hans was in charge.'<br><br>'some' would be wrong. Geoff Zanelli was credited as an additional music arranger because that's what he did. The weakness of this score's ideas in comparison to particularly the third one speaks to the importance of the primary composer. There is nothing in this score the equivalent of "Marry Me" or "Hoist the Colors" or "Jack Sparrow" or "The Kraken" or even "Mermaids". <br><br>The score misses Zimmer big time, but I suspect if the film had looked interesting he might've been tempted back. The reality is Hans (love it or hate it) has a strong musical voice and you can feel its absence. <br><br>The main new theme is boring and the dreary cello version in the end credits is a completely over-used sound these days. And the mix of the whole score is appalling - even worse than On Stranger Tides flat soundscape. How did they manage to make a 100 piece orchestra sound like a demo for an off the shelf sample library? <br><br>Everything is just another backwards step. <br>Wow! 78 minutes of score! Cool.Man, I loved this movie.Hm, Angel On The Wing sounds a lot like the Cerberus theme from Mass Effect 2.
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Additional MusicAdditional MusicAdditional Music
Ramin DjawadiGeoff ZanelliBobby TahouriNoah Sorota
ComposerAdditional MusicAdditional MusicAdditional Music
Clash Of The Titans
Label: WaterTower Music
Length: 75'18
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (13704 votes)
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  1. The Storm That Brought Me To You (4:50)
    Tina Dico, Neil Davidge, Ramin Djawadi
  2. There Is A God In You (1:38)
    Ramin Djawadi
  3. Perseus (6:33)
    Ramin Djawadi
  4. You Can't Hide From Hades (3:30)
    Ramin Djawadi, Noah Sorota
  5. Medusa (4:07)
    Ramin Djawadi
  6. Scorpiox (3:23)
    Ramin Djawadi, Noah Sorota
  7. Argos (1:53)
    Ramin Djawadi
  8. You Fall, You Die (1:14)
    Ramin Djawadi
  9. Written In The Stars (2:54)
    Ramin Djawadi
  10. Pegasus (2:22)
    Ramin Djawadi
  11. Bring Everything (But The Owl) (1:47)
    Ramin Djawadi
  12. Killed By A God (1:50)
    Ramin Djawadi
  13. Djinn (1:56)
    Ramin Djawadi, Bobby Tahouri
  14. Eyes Down (4:19)
    Ramin Djawadi, Dominic Lewis
  15. You Were Saved For A Reason (1:20)
    Ramin Djawadi
  16. Redemption Through Blood (2:14)
    Ramin Djawadi, Noah Sorota
  17. I Have Everything I Need (3:15)
    Ramin Djawadi
  18. King Acrisius (2:27)
    Ramin Djawadi
  19. It's Expensive Where You're Going (2:50)
    Ramin Djawadi, Dominic Lewis
  20. Be My Weapon (10:09)
    Neil Davidge, Bobby Tahouri
  21. The Best Of Both (1:29)
    Ramin Djawadi
  22. Release The Kraken (6:03)
    Ramin Djawadi, Geoff Zanelli
  23. It's Almost Human Of You (3:15)
    Ramin Djawadi
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Mr. Charles reply Replies: 2 || 2012-01-26 17:39:39
I'm disappointed Ramin Djawadi isn't returning to score Wrath of the Titans. Instead, Javier Navarrett is scoring the film. Hopefully some of Djawadi's themes remain in there, but I also look forward to some new material


Edmund Meinerts2012-01-26 23:29:35
True, but it's also a good chance for Navarrete to get his big break. He had some pretty good fantasy stuff on Pan's Labyrinth and Inkheart, so it'll be cool to hear what he comes up with on a big-budget blockbuster. Unfortunately, I doubt he'll keep Djawadi's themes in there...not sure why, but it just seems unlikely.

Also, it gives Djawadi more time to work on A Clash of Kings (or Game of Thrones Season 2, what have you). I thought the first one could have been Djawadi's best score if there had been less underscore and the synth orchestra didn't sound quite so crappy (hopefully HBO gives him a bigger budget this time around).


Mr. Charles2012-01-26 23:56:46
I have the same feeling about Navarrette not keeping Djawadi's theme in there. I never heard Game of Thrones, I've never even seen it as I don't have HBO or Showtime or whatever channel it's on.

Felix reply Replies: 5 || 2011-11-06 23:14:02
i've listen from an expanded score with 2cd's


Areozz2011-11-06 23:27:17
Good for you.


Per2011-11-07 00:03:39
Let me guess, the OST + Zanelli cues from his website ...and perhaps the Armstrong thingy ripped from the end credits, eh ?


Areozz2011-11-07 01:12:37
I don't know a thing about this OST or what extra material is available for it, but it sure as hell was not difficult for someone to take what little expanded material we had from Inception and turn it into a "2CD expanded score". It was 88 minutes long, and the typical CD holds like 80 minutes, so yeah, I can see why you'd have to call it 2CD but it was hardly expanded--just the iTunes bonus tracks, the end credits ripped from the DVD, and that JunkieXL remix track. Ooh, big fancy bootleg score--something special! NOT!!

So, yeah, you're probably about right on that one, Per.


Anonymous2011-11-07 01:50:47
Areozz, noone called it big and fancy. If a bootleg has extra music, its expanded, if its a little amount of music or not. Why get so fucking pissed off about it? Jesus Christ.


Areozz2011-11-07 02:22:46
What I was saying is that the 2CD expanded bootleg of Inception was not incredibly expanded. I consider something expanded when it contains material that was not available prior to its release or leaking. At the time that bootleg came out, everything that was on it was already available elsewhere. All someone did was rearrange the OST and add in the other tracks I mentioned before.

And why do people have to get so mad? Slinging around bad words like you do is a sign of weakness. I can have a perfectly civilized and effective argument with someone without uttering a single bad word. People think those words mean something. They used to, but they don't anymore because of people like you. Go watch a few videos by the Angry Video Game Nerd and then tell me what you think. Meaningless, eh?--And a sign of weakness!

Good day to you all!

////// reply Replies: 0 || 2011-10-27 01:54:41
Where can we find all of these cues?

Arrival of the Sword and Pegasus
Calibos Forest Fight
Djinn Arrival
Djinn Together
Hades Arrival
Hades Venom
Harpies Attack Into Hades
I Do it as a Man
Io Dies
Io in Woods
Io Stabbed & Calibos
Kracken Destruction
Leaving Argos
Opening Stars
Medusa
Mudusa Suite (End Titles 3)
Medusa's Lair
Mount Olympus
Perseus
Perseus Makes His Decision
Perseus Suite (End Titles 2)
Redemption Through Blood
Release The Kraken
Release The Kraken pt 2
Scorpiox
Scorpiox Fight
Scorpiox Journey
Stygian Mountain
To Argos

And yes Hybrid, I'm sure these are old and that there's plenty more before you tell me and rub it in my face. I love this score, I want more of it

Dakota reply Replies: 12 || 2011-05-28 07:58:14
Is this topic really opened back up again? Is it because the site got a make-over? Well, whatever the reason is - I'm glad. I LOVE this score, it's awesome. I can't believe how many people trash-talked it, it's insulting. Happy it's opened up again, this way I can ask the moderators who did each track =)


Ele2011-05-28 09:54:31
Release the Kraken is Zanelli :)


Dakota2011-05-28 10:10:17
Why, thank you sir. Anything else you know?


Bondo2011-05-28 10:24:27
You Can Hide From Perseus - Noah Sorota
Bring Everything But the Owl - Dom Lewis
Scorpiox - Noah Sorota
Djinn - Bobby Tahouri
Redemption Through Blood - Noah Sorota
It's Expensive Where You're Going - Dom Lewis
Eyes Down - Dom Lewis
The Stygian Witches - Geoff Zanelli



Dakota2011-05-28 10:33:31
Thanks Bondo. The Stygian witches isn't on here, did you find that from the ASCAP or something?


Hybrid Soldier2011-05-28 10:48:34
It was on Geoff Zanelli's website back then... Now the site is down... :S


SB2011-05-28 12:19:22
I'm almost certain that the choral theme for Io that appears in "The Best of Both" and towards the end of "It's Almost Human of You" is Craig Armstrong's contribution.


Adrian2011-05-28 12:51:26
One should listen the end credits completely too, at the end is ''Io's Theme'', composed by Armstrong. It's nice to see that the directer indeed appreciated Craaig's contributions.

Thanks for the tip SB, gonna check the tracks out!


Hybrid Soldier2011-05-28 12:52:18
No it's not. There's nothing Armstrong in this release...

But the last part of the End Credits is an Armonstrong theme (and not bad !) !

:)


Jeason2011-05-28 15:38:29
Well, regardless of what people say. There is a god in you is awesome! Also, when you guys refer to the last part of the end credits, supposedly Armstrong's, is it that vocal motif that is also featured in the track Perseus? I really love that theme, I think it is the best of the album, shame it's so short :(


Hybrid Soldier2011-05-28 16:32:24
Once again, there's not any single second of Armstrong's work in this CD...


SB2011-05-28 22:27:59
well I wouldn't expect there to be any of Armstrong's work on the disk (and the official score credits only list his only surviving contribution as being in the end credits), but the film itself *does* credit him for composing "Io's Theme," and the music that plays whenever it shows Io is that choral piece... Plus it just sounds very similar to some of Craig Armstrong's music. I think he was fired before he was able to actually record any of what he wrote, so maybe it's possible that it's just a Djawadi arrangement of his theme?


Adrian2011-05-29 10:11:20
SB, that's not very likely if you compare styles.
Io features not much synths, but a lot of violins and horns/flutes (whatever they are called). If you know some Armstrong scores, you'll hear it's his entirely and no Djawadi arrangement or something.

Takehiro reply Replies: 2 || 2011-05-28 18:28:57
Why did Armstrong leave the project?


Hybrid Soldier2011-05-28 18:32:43
He was simply fired by the producers...

Life is tough !


Dakota2011-05-29 07:07:56
Nothing against Craig Armstrong, but I'm glad Ramin was hired to do it. I love this score! I always think what only would have become of Pirates if Alan Silvestri had stayed on as composer.

Bou reply Replies: 0 || 2010-04-29 00:00:00
the problem is simply because this site comment section is like Fu... Youtube , this is not a forum with edit functions or moderators so anybody can post craps comments like "this score sucks" without explanation or "OMG luv u hans zimmer" , "you're the best" , "Ramind Dajwadi is a hack" , "worst score ever" or sh... like that.

Adrian reply Replies: 0 || 2010-04-29 00:00:00
No one seems to understand that director Louis Leterier wanted this music, because Craig Armstrong was fired. So don't fire off Ramin, then do Louis. But it's his film, they are in the business for a reason, everyone here is not, and I think that's for a perfectly good reason too.

Now we got a Clash here too, and Zeus has just entered the ring... :-)

Lasse reply Replies: 0 || 2010-04-29 00:00:00
@Nicolas

no hard fealings , i like the socre of clash of the titans.
But there is no reason to write comments like that to Ryan. We are all here to talk and discuss soundtrack in a good way. i dont like when people attack each other for having a diffrent opinion.
film score is something beautiful and fantastic so its sad that people are gonna fight against each other over a score.

sorry for my bad english but i hope you understand what i mean. and as i said no hard fealings.

Paul reply Replies: 0 || 2010-04-29 00:00:00
Whoa, calm down people! Just let bygones be bygones, some love this score, most hate it.

That's life.

Cloud reply Replies: 0 || 2010-04-29 00:00:00
Nicolas, I'm surprised anybody comes to this site with that attitude.

Stop acting like a snob, this score sucks and that's that.

Plus, why attack Lasse too? You're a dick for doing that dude.

Jeff Valino reply Replies: 0 || 2010-04-29 00:00:00
I don't see what the problem is.

90% of the people find this a bad soundtrack and lot's of people motivated in a constructive way. There is no need to punish then for pointing out their opinion.

Also a lot of people seem to say 'it is not original but hey it is fun to listen to'. For me personally I think that some of the Remote Control composers are the Britney Spears of soundtracks.

It's been done thousands time before, it sounds fun to listen to and after a month no one except the fans remember anything about it...

Luckily Remote Control has other and better composers.

Nicolas, Webmaster reply Replies: 0 || 2010-04-29 00:00:00
We just thought that people could be reasonable enough to write constructives things... We're not on youtube where everybody from all worlds come and post. We're on a very specific website with people liking Film music, a pre-selection has been made ; they don't come and post here accidentally...
But not, witness this last stupid comment "Remote Control has other and better composers" ; you don't know how to express kindly your opinion, a sad finding...

This comment section will be closed tonight, only for Clash Of The Titans, some IP will be banned, and i will have a look more often on those sections as you people can't control yourself... Maybe the return to censorship with some posts erased... Too bad...

Just 1 question ;
If you had Ramin Djawadi (and consider writing in this section is almost the same) in front of you, would you use terms like "crap", "shit" or "luckily, there are better composers than you in RCProds" ?
I don't think so, then i put that behaviour on stupidity & cowardice to be hide behind your anonymity. It's poor, it's human, what could ask more from you ?
And i really do hope you're so demanding in your own job than you're demanding to others in so nice words...

And I really thank to 80% others that post constructives comments to make this section live in harmony. It's hard to be just a responsible person today...

Nicolas, Webmaster reply Replies: 0 || 2010-04-29 00:00:00
What's more, Clash Of Titans is one of the Album the most requested on our Webradio... Looking error !

Lasse reply Replies: 0 || 2010-04-29 00:00:00
in fact like i said before : I cant understand how people could not like this score. i thin its pretty enjoyable :)

Enrico reply Replies: 0 || 2010-04-29 00:00:00
For people that sau that this score is good, listen to score of Zimmer, or Williams, or others and listen THE music, not this bad noise...

Lasse reply Replies: 0 || 2010-04-29 00:00:00
im a huge fan of hans zimmer, marc streitenfeld , james horner and vangelis.
but i still think this is a great and enjoyable soundtrack.

Antas, Webmaster reply Replies: 0 || 2010-04-29 00:00:00
Bou said :
'the problem is simply because this site comment section is like Fu... Youtube , this is not a forum with edit functions or moderators so anybody can post craps comments like 'this score sucks' without explanation or 'OMG luv u hans zimmer' , 'you're the best' , 'Ramind Dajwadi is a hack' , 'worst score ever' or sh... like that.'

The latest stupid post by Enrico is a good example...

That's precisely the main reason I close this topic.

ps: there are moderators [Nicolas & myself] and be sure we have lot's of work !

Ryan reply Replies: 0 || 2010-04-28 00:00:00
I might have been able to enjoy this score, if the mix hadn't been so utterly crap.

Who the hell mixed this thing? It sounds jumbled and overly compressed most of the time!

Buy the mixing guy a hearing aid somebody.

Nicolas, Webmaster reply Replies: 0 || 2010-04-28 00:00:00
All critics are welcome on this website, but you could choose words or arguments more nices and constructives. What's more, names of the mixer are written in the credits above, then start and buy glasses for yourself...

Ryan reply Replies: 0 || 2010-04-28 00:00:00
I missed it! A mistake of myself.

Okay then...

Alan Meyerson needs a hearing aid!

Ryan reply Replies: 0 || 2010-04-28 00:00:00
What's more, you tell me to be nice and constructive, then you go and act like a smart ass by implying I need glasses?

That's what I call a hypocrite Nicolas. Don't worry I won't waste my time posting here again.

Goodbye.

Lasse reply Replies: 0 || 2010-04-28 00:00:00
@ Ryan

please dont care about what Nicolas said, it was a shitty comment he made.

Oliver reply Replies: 0 || 2010-04-28 00:00:00
@Ryan

I can see your frustration, it's been reported on some Soundtrack websites. I don't know whether you will read this, but here you go anyway. If not the others here can read this too.

From Filmtracks:

All of the composers' most unique instrumental elements are drowned out by the orchestra's mix. The "Medusa" cue is the most blatant example of an instance where someone absolutely butchers the mix of a score to render its solo performances moot. How can an organization like Remote Control have so many recording and engineering gurus and manage to provide a score so incompetently mixed and/or mastered for album?

http://www.filmtracks.com/titles/clash_titans.html

Nicolas, Webmaster reply Replies: 0 || 2010-04-28 00:00:00
I begin beeing upset by comment on this soundtrack ! You have perfectly the right no to like it, but i can't understand guys who think that their stupid comments can bring something constructive to their opinion. Just be adult, try to think there's a job behind this music, a composer, a team who worked a lot of days/month, and try to have a respectful opinion considering that. I just don't want my website to become a playground for people who don't know how to be noticed by others.
So if you wan't to leave, please do, we will be on holiday... And others (like Lasse) who can't understand that elementary opinion, just go away too. I'm fed up with all the stupid things i read on this "Clash Of The Titans" page...
Respect, do i ask too much ???

Lukas reply Replies: 0 || 2010-04-27 00:00:00
A very good Score!!!!

ahmed reply Replies: 0 || 2010-04-27 00:00:00
hanz zimmer u rock

snah remmiz reply Replies: 0 || 2010-04-27 00:00:00
I think this score is not such good though it had a big orchestra sound.

dido reply Replies: 0 || 2010-04-21 00:00:00
in fact very hemenous

Lasse reply Replies: 0 || 2010-04-20 00:00:00
this is in fact a very good score i think.
i cant understand how people can complaine about this. i enjoy this score very much :)

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Clash Of The Titans soundtrack - Ramin Djawadi 2010