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About his studio at RCP, is it rental or he owns the stuff? What happens to the gear when he is not around?That is probably the fairest thing anyone on this website will say about Clemmensen. :P@Anonymous<br><br>Christian Clemmensen believes that Hans Zimmer found his definitive voice back in the 1990s with scores such as Driving Miss Daisy, Rain Man, Crimson Tide, and Lion King. However, he has in reviews of later scores compared Zimmer's overly obvious chord progressions and masculinity with what the "rock ballad" did to rock-n'roll music of the '70s. To him, it's overly powerful, unsubtle, and aggressive music that appeals to the gut more than the heart or the mind. Some of Zimmer's most popular scores such as Gladiator, Pirates, and The Dark Knight he has given middling reviews for because the general sound is derivative from his earlier works, not colorful, and not creative. He also accuses Zimmer of starting a trend with overly-recycled, bombastic, masculine action music that's big on density and power and low on subtlety and personality. <br><br>I can definitely see where he's coming from, one cannot deny the similarities between Crimson Tide, Lion King, Gladiator, Pirates, Dark Knight and so forth. One also cannot deny that scores such as Dunkirk and Blade Runner 2049 qualify more as sound design than actual symphonic music (mostly). However, if he had his way, every film score would be shamelessly optimistic and flighty, all major chords (and occasionally alternating off-key), with prominent woodwinds and metallic percussion. He definitely knows what he's talking about, but he has an ideal image for film music in mind, and that very much comes through in his Zimmer reviews, some of which I think deserve much more credit than he offered (Pirates 3, Da Vinci Code, and Gladiator come to mind).a more orchestral fury roadTom is gonna score Mortal Engines<br>What kind of sound do you expect?
He has a studio at RCP but mostly work from his own home studio. His business is "Sacred Tiger Music."<br>Does Henry actually work for HZ at RCP or does he have his own film score company now like HGW?Why filmtracks always behave very Aggressive about hans zimmer and always trys to make his scores worthless ??!! Its odd for meAw Hell...<br><br>I guess it never did freeze over.Sorry, I should've been more specific. This is a comment I had originally posted on the Filmtracks forum, NOT from a Christian Clemmensen review. My bad.
Referring to the previous comment (how did it not reply to the the previous message?)That's not the actual review. The length is a pretty big giveaway. Also, I'm fairly certain he's still given some RCP efforts some good scores.WOW....color me impressed at Filmtracks. I thought that site was anti-Zimmer in all aspects far, wide, near and dear.Copied from Filmtracks:<br><br>Excellent score - a little slow in the middle third*, but some really stirring fantasy-adventure elsewhere. "The Internet" is Cue of the Year material. Although it's odd how little synth there is here, particularly in the finale, where the orchestra seems to completely take over; this isn't too bad of a thing because Jackman's orchestral skills are downright breathtaking at times. The references to other Disney scores/musicals (yes, including Star Wars) left a big dumb grin on my face.<br><br>*I get the sense that this movie might be too long (1 hour and 52 minutes).No you're not. I think Jackman has made some great score over the last through years.<br>And I think this is one of them. Both tracks with or without electronics
So I guess I'm the only one who likes less-electronic-Henry?Henry has been removing electronics for 4 years now...Listen to<br><br>A Big Strong Man In Need Of Rescuing.<br><br>That whole track is a damn easter eggI haven't seen the movie yet but I like the score more with each listen. Not a classic Zimmer by any means but still an enjoyable listen at its short running time. Looking forward to the movie as well.This is me or Henry Jackman removed the electronics this year it could be affect to the predator score because I was thinking about the predator score affect him to remove electronics and turned serious & dramatic. That's weird when Henry Jackman used a lot electronics & fun since 2009 to 2017 with his scores.
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Score Technical AdvisorAdditional Music - Musician : GuitarMusician : Bass
Klaus BadeltMark YaegerAndrew RaiherChristopher Carmichael
ComposerTechnical Score AdvisorMusicianMusician
L'Arnacoeur
Label: Labelzero.com (Digital Download Only)
Length: 28'55
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3983 votes)
  1. Love Theme (1:50)
    Klaus Badelt
  2. Bodyguard (1:06)
    Klaus Badelt, Andrew Raiher
  3. Juliette's Theme (0:41)
    Klaus Badelt
  4. Going For A Ride (0:29)
    Klaus Badelt, Andrew Raiher
  5. Bicycle Chase (2:07)
    Klaus Badelt, Andrew Raiher
  6. Rapprochement (1:44)
    Klaus Badelt
  7. Plane To Vegas (3:26)
    Klaus Badelt, Andrew Raiher
  8. Beginning To Fall (0:32)
    Klaus Badelt, Andrew Raiher
  9. Spying Bums (1:09)
    Klaus Badelt, Andrew Raiher
  10. Carjacking (1:01)
    Klaus Badelt, Andrew Raiher
  11. Wedding Dress (0:51)
    Klaus Badelt
  12. Monaco (1:09)
    Klaus Badelt, Andrew Raiher
  13. Don't Cry (0:50)
    Klaus Badelt
  14. Debts (1:11)
    Klaus Badelt, Andrew Raiher
  15. Near Kiss (0:55)
    Klaus Badelt
  16. Nuts (0:54)
    Klaus Badelt, Andrew Raiher
  17. Matteo (0:40)
    Klaus Badelt, Andrew Raiher
  18. Two Of Us (0:46)
    Klaus Badelt
  19. Digging In The Dirt (1:03)
    Klaus Badelt, Andrew Raiher
  20. Desert Village (0:44)
    Klaus Badelt, Andrew Raiher
  21. Dunes (0:52)
    Klaus Badelt
  22. Elevator (1:03)
    Klaus Badelt
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Leevi reply Replies: 0 || 2011-01-16 00:00:00
TheMorseCodes should be releasing the original version soon.

Shu NYC reply Replies: 0 || 2011-01-16 00:00:00
Where can I get the Rebecca Young's song???

Bo reply Replies: 0 || 2011-01-13 00:00:00
I am just wondering, why it is not possible to get a hold of the film version with Rebecca Young - doing the wrong things. I mean it is clearly different to what is on the soundtrack.
Can anyone tell me how to get a hold of it.

Thanks

Evenstar reply Replies: 0 || 2010-04-02 00:00:00
so kind klaus provides this as phyiscal disc, very nice score!

Adrian reply Replies: 0 || 2010-03-26 00:00:00
Thank you so much for the score :-)
It's very very good!

Is the CD a klausbadelt.com-exclusive or will it be on amazon or bol.com soon too ?

Mark Yaeger reply Replies: 0 || 2010-03-26 00:00:00
score available as a FREE download or Pick-Your-Price ONLY at http://score.klausbadelt.com

Surround wavs up soon - happy downloading!

-Mark

Mark Yaeger reply Replies: 0 || 2010-03-25 00:00:00
check your iTunes everyone!

Mark Yaeger reply Replies: 0 || 2010-03-20 00:00:00
it should be up on itunes.com/.fr/.jp, etc (worldwide) within the week!

Hybrid Soldier reply Replies: 0 || 2010-03-18 00:00:00
From Klaus's website =>

"As an added bonus, we will have the score available through our site as a high quality surround .wav download for all you purists asap! So make sure to keep checking back."


That's great news !

Adrian reply Replies: 0 || 2010-03-18 00:00:00
Why .com? I would've expected it on .fr!

Hybrid Soldier reply Replies: 0 || 2010-03-18 00:00:00
So far it's only available through Amazon.com


It should be on iTunes within a week (I hope so !) !

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L'Arnacoeur soundtrack - Klaus Badelt 2010