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Most of them are done actually and should have been released a while ago !Hybrid why is HZ scoring so many films lately, has he placed a bet with himself or something? lol<br><br>Looking forward to it. Boss Baby was a really fun score.I'm confident he would care. Not saying he has any control over it. <br>I don't think Mondo should be making any money from this release. It ought to be canceled and removed from their website. <br><br>It's more than just a tempo issue. The tone is entirely off, and parts that were once pleasing to hear, now sound awful to my ears.<br><br>Seems Mondo is lacking the proper quality control. Hopefully this is a wake up call for them. If enough people avoid buying this album or return it, they'll get the message. I like to see capitalism work properly. <br>Maybe Pope is involved.Great news! The first one is fun, not Zimmer’s best animated score imo but it’s still pretty enjoyable. I almost wish they got Conrad Pope involved again, “Love” is one of the most beautiful cues of the past few years.
The first one was quite pretty good.We knew Steve would return for quite some time, but I was surprised Hans would actually return too. But he's very involved with that one.Who is Hans Zimmerman?i want it so much <3I guess it's only fair that they do shoulder the blame, considering again that releases like these aren't really the norm for them. I still wouldn't expect a recall and replacement, since it'd be a lot of money down the drain there. Their loss ultimately at the end of the day.<br><br>A bit disappointed about the content being the exact same as the leak, as I would've liked some of the film edits or at least the alt mixes I've seen pop up. I guess I'll just have to hope Disney does end up cooperating with LLL sooner than later.
You gotta realize one thing, most of the time, Hans doesn't even know about these releases (and honestly I think he doesn't care). Only a few labels like LLL play ball and have him involved (but as Hans doesn't own most of his music, they have no other reason than courtesy to do so).<br><br>As for MI2, people who complained about the "content" instead of the tech aspect of it were goddamn wrong. Yes, the film mixes / OST mixes are pretty different. Because you have suites & sometimes material specifically arranged for the album or alternate cues.<br><br>Mondo having released the final mixes (and I know what Paramount provided them, it's just exactly the same 2 CD set copy that leaked years ago), I have no problem if the content is different.<br><br>And that's the topic on which they answered, James. Technically, they're not wrong, but they are ditching the REAL problem, for which they are responsible for ! The speed issue is on them, not on what they got.Considering the recent issues with the isolated score on Days of Thunder's 4K release sounding very inconsistent, I do wonder if Paramount has simply been poor in preserving stuff. Especially when they mention the studio and not the record label, which might've had a better copy on hand (they did finally put the OST on digital recently, after all).<br><br>I am not going to hold Mondo responsible for this, especially considering they normally do just press the regular OSTs onto LPs. I don't expect them to be fully privy to if a score sounds fine or not, since they're often just given the stuff prepared for them. Besides, repressing records would be a super expensive ordeal, especially with how limited they're often designed to be now.<br><br>And honestly: since no one has made the comparison to Sherlock 2 yet, how bad sounding is it really? I'd much rather it be slightly off than it being complete trash like the Perseverance release of Rain Man was. If HZ was able to let that slide once, then he won't be so worked up over a small tempo issue.So this is what Mondo had to say about their massive screw up. I've never heard something so stupid in my life. If I had a direct line to Hans Zimmerman himself I'd call him about this. I'm sure he would be interested to know they butchered his album. <br><br>"Hi James,<br><br>I talked with the soundtracks department and here's what they had to say:<br><br>We’ve been made aware of a discrepancy between how the audio sounds on our album versus how it was previously released in original releases.<br><br>Our masters came directly from the studio and from original recording sessions, and we did not do any adjustments to the masters in post other than standard vinyl mastering process. But it seems any previous post production on those original releases, and cues used in the film itself, are absent from our release and may account for the differences you notice.<br><br>We currently do not have any plans on remastering the score."<br>Great. Thx.<br><br>Score has much similarities with Sherlock, so there is many of Lorne's cues...Known credits are Runaway Train for Mazzaro (was on his website), for Andrew K : The Rangers, Cannibal, Dead Rangers & Finish Him (on his Soundcloud). Geoff is the only guy with Ann Marie Simpson that got the privilege of cuesheet credit.
<br>
<br>Battle of Aughrim arrangement (so everything lifted from "Silver") is Hans & Ann Marie.
<br>
<br>Geoff did a good part of the score, every other classical pieces arrangements are his (so, everywhere the William Tell Overture appears). Train Chase, the End Credits, This Is A Robbery.
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<br>The stuff that sounds more or less like Sherlock have definitely Lorne. And I suspect a bit more epic drama have RGW.
Hello there!<br>Hybrid, do we have some composer's credits on this score?<br>Or this is situation like on Transformers score?<br><br>Somewhere I read that Geoff Zanelli helped Hans on Train Chase (pts 1&2), Mazzaro did Runaway Train and Kawczynski did like 2 or 3 tracks (the rangers, finish him). Is that correct?<br><br>btw good score, not genius, but pretty good action score.<br><br>Made in Italy<br><br>Beautiful new score by Alex Belcher, check it out!Oh, yes.<br><br>Maybe this month, right?The album is ready. Just waiting for legal to settle it... It'll happen.And about The Rhythm Section?, Mazzaro said the score is mastered...
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Marc StreitenfeldBenjamin WallfischSunna WehrmeijerSven Faulconer
ComposerAdditional MusicAdditional MusicMusic Assistant
Robin Hood
Label: Varese Sarabande
Length: 51'12
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (14287 votes)
  1. Destiny (3:35)
  2. Creatures (2:09)
  3. Fate Has Smiled Upon Us (2:01)
  4. Godfrey (3:32)
  5. Ambush (1:14)
  6. Pact Sworn In Blood (2:52)
  7. Returning The Crown (1:13)
  8. Planting The Fields (1:17)
  9. Sherwood Forest (2:19)
  10. John Is King (4:01)
  11. Robin Speaks (2:31)
  12. Killing Walter (1:58)
  13. Nottingham Burns (2:11)
  14. Siege (2:09)
  15. Landing Of The French (2:46)
  16. Walter’s Burial (3:04)
  17. Preparing For Battle (2:38)
  18. Charge (1:18)
  19. Clash (2:41)
  20. The Final Arrow (2:29)
  21. The Legend Begins (1:27)
  22. Merry Men (1:48)
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Jim reply Replies: 0 || 2010-05-12 00:00:00
When will this be available on iTunes?

Cloud reply Replies: 0 || 2010-05-12 00:00:00
Wow, just wow. What a pleasant surprise.

Feared reply Replies: 0 || 2010-05-11 00:00:00
Great music, bravo Marc!
Epic, grand, and rich instrumentation.
Almost in rank with Kingdom Of Heaven.
The length is perfect too, 50-51 mins is a nice running time for a score album.
Thumbs up!!! Must buy!

Enrico reply Replies: 0 || 2010-05-10 00:00:00
How did you get the score already?!!! It should be ready for tomorrow!

Hybrid Soldier reply Replies: 0 || 2010-05-10 00:00:00
This score is brilliant !


I absolutely LOVE it ! Great main theme !!!

Well done Marc !! :D

Tiba reply Replies: 0 || 2010-05-10 00:00:00
Godfrey's theme is interesting - you don't often get a villian scored with woodwind!!

Lasse reply Replies: 0 || 2010-05-10 00:00:00
i like :
merry men
sherwood forest
Fate Has Smiled Upon Us
Nottingham burns
Robin Speaks
Walter’s Burial
siege

this is a awsome soundtrack. Marc Streitenfeld did it again :) he made a soundtrack that i simply love, like he did whit American Gangster and Body of lies :)

Miles reply Replies: 0 || 2010-05-10 00:00:00
I like this score too, and "Merry Men" is also one of my favorite tracks. I also like "Charge," because it presents a really heroic statement of the main theme, and "Godfrey," because it manages to effectively convey threatening evil with a clever juxtaposition of high and low tones. All in all, a very strong score from Streitenfeld; definitely on my "to-buy" list!

Tiba reply Replies: 0 || 2010-05-10 00:00:00
Wow it's brilliant, I think my favourite track is Merry Men the main theme is really good. Doesn't sound like there are many other themes from hearing the score but we'll have to see the film to see how other motifs are developed.

Ravi Krishna reply Replies: 0 || 2010-05-10 00:00:00
Indeed, I'm liking it as well. The orchestrations are good, nice celtic themes and great use of percussion/brass. The main theme is kinda similar to Langdon's theme but that's not bad, I like it a lot. Great job Mr. Streitenfeld!

Robin Hood reply Replies: 0 || 2010-05-10 00:00:00
I've heard the score too! Brilliant.

Hans Zimmer should be embarrassed, no offense to the man, but this score is better than anything he has come up with in a long time.

Not to mention this has far superior orchestration than anything Zimmer has done in his entire career to date.

Yet more proof the RC sound doesn't have to be a dumbed down one.

This score is absolute proof it's not the RC sound that's the problem, it's Zimmer's approach to it.

I was extremely skeptical at first I will admit, but Marc Streitenfeld has made me stand up and pay attention.

Well done Marc!

Robin Hood reply Replies: 0 || 2010-05-10 00:00:00
@craig

Of course it isn't. Why do you think the orchestration has been brought up so often, particularly by myself?

Because the orchestration wasn't any good in Clash Of The Titans, then again why would it have been? Djawadi followed the Zimmer approach to the letter. The rather amateurish quality of the mix didn't help matters either.

I'm glad Streitenfeld's score turned out the way it did. Very glad indeed. :)

craig reply Replies: 0 || 2010-05-10 00:00:00
oh and i should have said the transformers theme sounding like a classic mv "theme" excuse me. :D

i just want to say that i've heard the score album in full now...

and i love it! great stuff!!!!!!!!

this is no clash of the titans recycle job either, that much is for sure.

craig reply Replies: 0 || 2010-05-10 00:00:00
@Robin Hood

i agree, but i think enrico meant the transformers theme sounding like a classic mv score, not robin hood as a whole sounding like it. i can see why you would make that mistake robin hood because enrico didn't exactly word it properly but otherwise i agree with you.

the robin hood score is way better than anything zimmer has done in a long time, it's easily better than transformers.

the orchestration alone sets this score apart from many other RC scores. none of the zimmer trademark "banal" orchestration, the type with doubled up brass, synth layers etc are present in the robin hood score.

Robin Hood reply Replies: 0 || 2010-05-10 00:00:00
@Enrico

It's not the same theme at all Enrico and you know it isn't. ;)

There is a harmony that's similar to Transformers, yes.

Plus, this isn't the classic RC sound at all. If it were classic then it would feature all of the things it doesn't.

I would regard the classic sound as something like "Crimson Tide" and this score sounds nothing like that score. It doesn't even sound anything like Transformers, outside of the similar harmonies in the theme.

Enrico reply Replies: 0 || 2010-05-10 00:00:00
To Robin Hood:

What are you saying? This score has the SAME main theme of Jablonsky "Trasformers" and the main theme is the copy of the classic MV sound. I must hear the entire score, but the main theme is the "MAIN THEME OF RCP"...That's all!

Robin Hood reply Replies: 0 || 2010-05-10 00:00:00
This score also had a wonderful mixing job.

No pointless pulsating bass, no samples, no banal orchestration. Just a fully realized well produced score.

I also look forward to Prince Of Persia, which judging by the samples I have heard, also has some wonderful orchestration and woodwind work.

Lasse reply Replies: 0 || 2010-05-09 00:00:00
nice to hear :)

cant wait to see how this score fits to the movie :)
Im gonna see it wednesday :)
im sure its gonna be awsome.
ridley scott always makes good movies :)

Anonymous reply Replies: 0 || 2010-05-09 00:00:00
Can't agree with you more Lasse specially for how incredible film scores are. :)

Lasse reply Replies: 0 || 2010-05-09 00:00:00
i just LOVE this score :)
its so amazing.

Maxxi reply Replies: 0 || 2010-05-09 00:00:00
Love it...nice catchy main theme..i didnt expected it to be that pleasant, the Walter's burial track is also a good one but overall the whole score is really nice i cant wait to hear it on screen!

David reply Replies: 0 || 2010-05-09 00:00:00
Only 5 samples in colloseum.de?

Andy reply Replies: 0 || 2010-05-08 00:00:00
Very Good!!!

Bar reply Replies: 0 || 2010-05-04 00:00:00
ok tanx,I relly want to listen those tracks!!

yasin saghian reply Replies: 0 || 2010-05-02 00:00:00
hi , hey hans strong than you.

Lasse reply Replies: 0 || 2010-05-01 00:00:00
@Bar

the soundtrack will be released 11 may. the movie will come out 12 may in some countries like Norway and England but it will come out the 14th may in the states

bar reply Replies: 0 || 2010-05-01 00:00:00
where can i get the tracks? the movie isn't out yet in my country....

Me reply Replies: 0 || 2010-04-30 00:00:00
I like this.

Choir, little bit of folk and nice orchestration.

I probably gonna get this one.

Robin Hood reply Replies: 0 || 2010-04-28 00:00:00
@Lasse

Good for you. I'm glad it makes you feel that way. Who wants to miserable all the time?

Film music is a great escape from things. ;)

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Robin Hood soundtrack - Marc Streitenfeld 2010