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Its Imagine the Fire insertThe Japanese version can be ordered here: http: //www.cdjapan.co.jp/ product/WPCR-18185<br><br>The "Swan Song" is also included on the CD. So it has 3 additional tracks.Theres quite a bit of good unreleased stuff from this score. Stuff like the cue that plays during Alita's first game of motorball with the other kids, the bar fight music, the unused string rendition of Alita's theme and the end titles arrangement of Motorball/Swan Song.Does anyone have the "Motorball" cue from end credits? It sounds like the beginning of the "Motorball" track but it's different than on the OST. It plays directly after the Swan Song track...<br><br>Why is it left off the CD?Huh... Do people at RCP ask H-Z.com to use the official, less accurate credits in some cases? I seem to recall some credit fiasco on POTC4.
So what happened to the credits here? It used to be a mixture of solo Atli cues with Atli/Dave Fleming, and now all three guys are credited for every track even though Tillman is only listed as a musician? Is this like with Armageddon, where the "official" credits aren't as accurate as the older ones were? :pMost of the album is comprised of suites, with one consistent tempo per track. <br><br>The material that was scored to picture was scored using the risset rhythm technique, which gave a lot of those tracks their "infinitely getting faster" feeling in the film, so the tempo is always climbing in the film versions. The suites have a stable tempo (except for a couple normal tempo changes, which are different)Not really any... "Nothing Out There" contains the sad piano theme from Begins and Dark Knight, but otherwise the themes that get reprised are pretty much Hans stuff. <br><br>Speaking of credits, any chance the complete score page could be updated with what's out there and official?Could somebody tell me in what cues JNH's themes appear on album?Yeah, that cue was either a last minute rewrite or one of the music editors did it.... As for where you can find it...Google is your friend. But it's not going to be available anywhere officially.
I think it will be in between NOT ORDINARY CITIZEN / THE SLOW KNIFE and IMAGINE THE FIRE, Does anybody know where can I find it?<br>I noticed that this score doesn't has the soundtrack of the part where Blake is taking the people to the bridge and he is discusing with the other police officer before he blows the bridgeThat's right, I forgot about that... And I totally agree about the score vs. the album. I had no use for this score on album at first, but now that I've watched the movie a few times, I can really hear the logic behind the score and I "get it." <br><br>I still don't get the music as heard on album, though. Are the longer pieces some early suites Hans wrote? Or did he specifically make these arrangements for the album? Do you know the answer to that one, Hybrid?I wanna say I heard the full Cat Suite somewhere... I can't remember if it was legit, but it was 15:39 and it was indeed quite repetitive. It was basically the Selina Kyle Suite from the Z+ app, along with demos of several of the Catwoman-related cues in the final score. If you've listened through the score, you've basically heard the unreleased stuff.@Mike<br>Zimmer has said in interviews that he “mapped out” the film with one long piece of music to establish the changing tempo of the story, and apparently the script was written to capture the rhythmic feel of the film. So from the very beginning the story was always split up between the three.<br><br>I think a big part of the initial disappointment with the score was the album presentation, which gives off the impression that the music is just some sound design that Zimmer threw together (this is how I personally felt when I first gave it a listen). In actuality it’s a technically impressive score, I really can’t think of any other film score that is so synchronized with a film’s tempo and flows as one long piece of music. Apparently it was a nightmare for Hans, especially when the smallest edits to the film would ruin the flow.<br><br>Doing the 59-minute album was a pretty big disservice to the whole purpose of the music. If you remove one piece the whole thing falls apart, which is part of the reason the album feels so disjointed.
Anyone here listened "The Predator" FYC score? <br>Any chance to compare tracklist and running time with official release?These versions suites haven't been officially released, but maybe you can find them somewhere around the Internet unofficially.<br><br>As for the Cat Suite, the most important parts of it can be found in "Selina Kyle" (it's a shortened version of it actually) and "Mind if I cut in?" from the OST. I remember that Hybrid once said that the 15mins Cat Suite was too repetitive, that's why a 5min only version was released, so maybe you are just fine with those two.<br>Where can I listen to the Cat Suite? Or is it literally: Selina Kyle Theme? <br>The Mole P1 (0-1:57)<br>Regimental Brothers P1 (0-1:19)<br>The Mole P2 (1:57-3:44)<br>Regimental Brothers P3 (2:44 onward)<br>We Need Our Army Back<br>Shivering Soldier<br>Supermarine P1 (0-2:47)<br>The Mole P3 (3:45 onward)<br>We Need Our Army Back (again) <br>Supermarine P2 (*5:33)<br>Impulse<br>The Tide<br>Home <br>The Oil <br>Variation 15<br>End Credits <br><br>As everyone said already, the album is made up of suites that combine several cues and several "sounds" used in various places. For example, the is a sound in The Mole (At 2:05) that sounds like a fuse being ignited. This sound is actually right after The Tide in the film.<br>The only tracks that are almost identical to the film are: The Tide, Variation 15 and End Credits, the rest is different. <br><br>So if you were to order the tracks as first heard in the film it would be: <br>The Mole <br>Regimental Brothers <br>We Need Our Army Back<br>Shivering Soldier <br>Supermarine <br>Impluse <br>The Tide <br>Home <br>The Oil<br>Variation 15<br>End credits<br><br>As much as I enjoyed listening to this release, I wish they didn't butcher the score the way they did. I like the suites but there are so many great cues in this film that weren't released. If only they released an isolated score track on Blu-ray. Listening to film extracts is just not enough.I noticed that as well — the ticking goes all through the movie, except for the boat scenes, and only stops when they get on the train. <br><br>I wonder...could the film have originally been shot so that the beach, sea, and air sequences were there own arcs, and the longer album tracks were written for that? And then Nolan went in and turned the movie into the frenetic, constantly cutting-back-and-forth final product? <br><br>While the album is fine, I personally don't understand why we couldn't have just gotten the film cues. They might have had to stitch several together for each track, but it could have worked.
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Conductor
Hans ZimmerGavin GreenawayHarry Gregson-WilliamsAdam Smalley
ComposerAdditional MusicAdditional MusicScore Producer
The Peacemaker
Label: Dreamworks Records
Length: 54'43
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (8737 votes)
  1. Train (13:53)
  2. Devoe's Revenge (5:15)
  3. Sarajevo (8:42)
  4. Chase (17:07)
  5. Peacemaker (9:44)
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Pages << 1 2 >>

UPSer reply Replies: 4 || 2018-04-02 21:45:29
Did Gavin Greenaway wright the melody for Devoe or did he just arrange Hans' theme?


Dawn2018-04-03 00:36:37
That's just my opinion but... If Gavin Greenaway had written the themes for Devoe, shouldn't he be credited for the other cues that contain those themes (Train, Chase, Peacemaker...)?
I think Devoe's Revenge is arranged by Gavin Greenaway, but it's mostly Hans content. Greenaway probably wrote many other tracks for this film (but they're not featured on this release).


Hybrid Soldier2018-04-03 00:51:20
Back in the days crediting worked differently.

If someone arranged a lot of music on a film, he wouldn't necessarly be credited on all those cues, but instead Hans would give them 100% of credit on one of the cues (even if said cue is actually using Hans' music). Like Devoe's Revenge here with Gavin, or Flashback & Fries for NGS on Drop Zone, or I Dreamt I Woke Up for Nick again on Beyond Rangoon.

Nowadays it's a little more realistic, the guy will rather get 25% or 15% or 10% or whatever of all he co-wrote...


Mike (OTM)2018-04-03 17:36:26
Wait, Hybrid, do they actually list those percentages somewhere, or is it a money thing?


Hybrid Soldier2018-04-03 20:22:01
It's rarely listed but on ASCAP or BMI, if let's say you have a Batman V Superman cue listed to Hans (ASCAP) & Andrew K (BMI), you can see that the percentage is 80% for ASCAP, then it's 80% Hans... ;)

If they both are BMI or both are ASCAP, you can't see, cause it'll be 100% for either ASCAP or BMI... lol

And yes, it's mainly a money thing. Percentages kinda depend. Let's just say the "convention" is mostly if an additional did a cue, like almost all of it, it'll be devided 50% / 50% with the main composer, cause the man basically for the additional the job. But sometimes it can be very precise, like 77,5% / 22,5% or whatever. Most of the time Hans will give 1 to 5% to various staff, music editors, a soloist or even a tech guy for he helped design Hans' gear... lol

SPECTER reply Replies: 0 || 2018-02-06 15:58:47
8:30 of track 5 "Peacemaker" is absolutely incredible.
Such Emotion, Such Sadness, Such Passion.

Dimitris Krommidas reply Replies: 0 || 2015-07-15 11:46:25
Another classic from mr.Zimmer!!
I am very glad to own this album too.
Together with Crimson Tide and The Rock, this score complete a favorite trilogy of scores from the 90s".

Adam reply Replies: 3 || 2014-05-03 03:54:37
Expanded release confirmed by LLL! Out on the 20th.


Anonymous2014-05-03 04:31:31
man, i just bought this one recently.... *sigh*


trent easton navarro2014-05-03 14:17:04
Excellent! My fave Zimmer action score. There's so much good stuff missing on the original release. And another bootleg I can toss out


Hispano2014-05-03 14:34:58
I never liked the cover, LLL might have changed this.

badbu reply Replies: 16 || 2013-12-04 11:46:01
never heard :( is it a must have? :)


Ds2013-12-04 12:53:27
I don't think so. If i had discovered it 10 years ago maybe it'd have a special place in my heart. But i discovered it a few months ago and there isn't anything really new in it. It's like a mix of Gladiator, Crimson Tide and a few others, but never as good as they are. Not unpleasing though :-)


Ds2013-12-04 12:54:37
(of course this is just my opinion, judging by the HZimmer.com rating, i guess other people are quite fond of it)


badbu2013-12-04 13:03:27
thanks for the info :)


Mikel Siw (a fan from Spain)2013-12-04 14:28:58
Masterpiece!!!


trent easton navarro2013-12-04 18:17:11
In my opinion one of Zimmer's best action scores. Hope LLL or Intrada will release an expanded version one dat


MacArthur2013-12-04 18:49:18
Love the score myself.


Edmund Meinerts2013-12-04 19:26:18
I think it is. It's a very important transitional score for Zimmer, still written very much in that mid-90s MV style but also pushing a little bit in the direction of the pseudo-Holst/Stravinsky stylings of Gladiator. Has some great Russian flavor to it as well. Very solid score.


MacArthur2013-12-04 19:58:36
I've listened to holst/Stravinsky it's some weird stuff I think Zimmer's stuff makes more sense than the 2 I mentioned.


Edmund Meinerts2013-12-04 20:12:54
Oh MacArthur...you really are a goldmine of unintentional comedy. "Some weird stuff"...priceless :D


MacArthur2013-12-04 20:33:53
Heh it's what i'm known for. lol. :)


MacArthur2013-12-04 20:34:51
I meant Hey* pops :)


Lambegue2013-12-04 20:41:12
I agree with what Edmund said, it's an important transitional score. It is very interesting to listen as a Zimmer fan. But I don't think it is one of his best works overall, and for a lambda listener, it's maybe not really a must have.


Mike2014-01-10 18:07:58
I would say it's a must-have, myself. Sure, certain tracks are slightly obnoxious in their bombast (Devoe's Revenge, for example), but the unadulterated, masculine epicness of the score (particularly in "The Chase") and the interesting extension of the Crimson Tide sound make it worth having, especially for fans of the "90's action" Zimmer. To me, if you like Crimson Tide and The Rock, you'll like this one.


Edmund Meinerts2014-01-10 23:30:25
Devoe's Revenge is my favorite track!


Mike2014-01-11 00:12:26
lol....I'm sorry. It's definitely not bad at all, but it gets a little grating at points, imo.


Mortifer V.2014-01-24 21:37:36
definitely a must have.

MacArthur reply Replies: 2 || 2013-09-01 19:26:17
It's funny Greenway uses parts of Zimmer's stuff in Devoe's Revenge


trent easton navarro2013-12-04 09:26:37
Why is that funny? That part i basically one of the themes of the score, so seems logical Greenaway used it


Edmund Meinerts2013-12-04 19:23:10
Yeah, and it's funny how Balfe uses Zimmer's stuff in Inception, and how Zanelli/Jackman/Orvarsson/Balfe/Gire/Sponsler/Glennie-Smith/ Badelt/Jablonsky/Djawadi/Neely/Morris/Hendrickson use Zimmer's stuff in the Pirates scores.

No, wait, actually, it's perfectly normal. What was the point of this again?

Ds reply Replies: 2 || 2013-10-30 22:56:06
Re-discovering this score right now, it's amazing how it sounds like Gladiator! I had never noticed that before.


MacArthur2013-10-31 02:46:58
Agreed!


Mike2013-12-03 19:35:39
There's also a lot of The Rock and Crimson Tide... ;)

trent easton navarro reply Replies: 0 || 2013-11-16 22:34:10
Decided to give this one a spin today. Still a wonderful score, truly one of Zimmer's best action scores.

I remember when I bought this one, I was still in high school. The day after I got it, the day at school seemed to last forever. I just wanted to go home and play it again and again. Here's hoping La La Land or Intrada will release an expanded version soon

MacArthur reply Replies: 0 || 2013-09-01 19:25:02
My favorite part is the last 2 minutes of Chase epic music one of Zimmer's best love it.

inspector mittens reply Replies: 0 || 2012-08-29 21:07:04
Gavin Greenaway wrote track #2, other tracks are written by Hans Zimmer.

Sanyey reply Replies: 0 || 2008-09-30 00:00:00
Hi all! Anyone knows who wrote the chore song (Russian kind) in the beginning of the train seen.. when they took a camera shot on the steamer from a helcopter or somekind... I would really love to have that song. but I cant find a site even mentioning this song.. #### . anyone has ideas? ##### thx to all! :)

me reply Replies: 0 || 2008-07-23 00:00:00
This is a great soundtrack. This is Zimmer's greatest action score to date! And the choir pieces rival those in Crimson Tide. Great score for any Zimmer collector.

Anthony reply Replies: 0 || 2008-06-03 00:00:00
I really want to get my hands on the 2 CD set of The Peacemaker: Soundtrack. I know it is very hard to find but if anyone knows how i can get my hands in one oleas let me know

Anthony reply Replies: 0 || 2008-05-18 00:00:00
We have 2 Anthonys here how?!

Anthony reply Replies: 0 || 2008-05-18 00:00:00
Why is this Cd So hard to find? Does any one know?
And why is it for sale @ $45.00 and up?

If only iTunes would get it, i would be sooooo happy.

John Doe reply Replies: 0 || 2008-01-16 00:00:00
05c35dfef90711447ea06111b5f23009

Lesleylionel reply Replies: 0 || 2007-08-10 00:00:00
Just amazing!!! The best!!!

gjsdhivncv reply Replies: 0 || 2007-06-14 00:00:00
Hello! Good Site! Thanks you! jqbzvttztapp

Angel reply Replies: 0 || 2007-02-04 00:00:00
We said that the piano composition that the little girl performs is Frederic Chopin's Nocturne (=Nocturnal) Opus 55 No. 1 In F Minor.
Also the other piano composition that the guy performs (because he has lost his spouse and daughter) is again Chopin's Nocturne No.20 In C Sharp Minor. These compositions ain't Hans Zimmer. Frederic Chopin is the composer. AND THEY AIN'T SONGS EITHER. THEY ARE NOCTURNES!!!!!! DO YOU COPY THAT?


Go here for music sheets
http://www.sheetmusicarchive.net/index.cfm

http://vkgfx.com/scores/

Or purchase an album with Chopin's Nocturnes at www.amazon.com

Bjorn reply Replies: 0 || 2007-02-02 00:00:00
I would like to inquire what the classic song is in the movie The Peacemaker. It is the classic piano song I am referring to and I was wondering if this is a Hans Zimmer track as well?

Regards,

bjorn

Suicune reply Replies: 0 || 2007-01-16 00:00:00
The best Zimmer action-movie soundtrack after Crimson Tide. Excellent to listen in a boring afternoon. Be careful. It's very militaristic.

David Annel reply Replies: 0 || 2006-12-10 00:00:00
great score !!!!!
my favourite soundtrack :-)

many greetings from germany !
david annel

OKKU reply Replies: 0 || 2006-09-25 00:00:00
ONLY CHASE TRACK.
THANKS Z&#304;MMER

roger reply Replies: 0 || 2006-09-11 00:00:00
It's a pity that the two Chopin pieces wre not included in the subject soundtrack. Anyone know of a version where they are included? Tks v m

Levente reply Replies: 0 || 2006-09-08 00:00:00
Anyone knows the lyrics for the choir parts?

Many thanks.

Dusan reply Replies: 0 || 2006-07-10 00:00:00
For Vincent- It was Serbian! Not Russian! But anway, it's the St. Dimitrija Choir and they were singing "Jelici" (or "Elici").

Angel reply Replies: 0 || 2006-03-02 00:00:00
Buy the OST man

Jelmer reply Replies: 0 || 2006-02-28 00:00:00
Where can i find the song called "--train"-- when the train rides throught the mountains ??


Angel reply Replies: 0 || 2006-02-23 00:00:00
Perhaps it is the London Choir &-- a choral cue??

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The Peacemaker soundtrack - Hans Zimmer 1997