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How can I answer that ?<br><br><br>"At the moment ?" is my only true answer for you lolThese two tracks are just outstanding:<br><br>1)<br><br>2) can check these out they're brilliant:<br><br>1)<br><br>2), if you think Brothers In Arms is nothing more than a RCP power anthem, then you're obviously missing something... To me it's one of the most brilliant action tracks of the last few years.
Ola team ! <br>Maybe you do know Joe Kramer won't return to score Mission Impossible 6. And no one seems to know who will.<br>So here's my question : any chance to see someone from RC doing this ? <br><br>Thanks for reading me. Keep goin' your good job here, it's appreciated. :)<br>Wow. Pretty solid! It keeps the core track intact and, somehow, adds even more raw power into it. Thanks for sharing!@MrZimmerFan<br><br><Is better because there is variety and orchestration><br><br>It is not because a score is orchestrated that it is automatically superior to one half orchestrated and half electronic. My problem with JL is that it's a small score for a composer with as many facets as Elfman. The music is uninspired and (taking one or another track) ends as it begins, nothing catches yours ears beyond of the romantic moments and of the new interpretations of the themes for the heroes.<br><br>@mpolonest<br><br><I actually love that score, but I think the main issue is Elfman completely ignoring what came before and trying to force the classic themes.><br><br>Elfman had two paths: Ignore everything and do things his way or respect what Zimmer did and maintain the sound of previous films. What did he do? He made an uninspiring hybrid of both.<br><br>@HybridSoldier<br><br><Leagues above, and yet I doubt Ben will be able to write something like "Brothers In Arms" from Mad Max.><br><br>Everyone in RCP knows how to do a power anthem these days.<br><br>@Mephariel<br><br><I would not have gotten a chance to work on blockbuster films like Dunkirk, Blade Runner 2049 without Zimmer's influence.><br><br>Obviously not. It could be in smaller jobs and present some potential for years to come.<br>I think I just sharted myself. Thanks!I'm surprised to have not seen more discussion of this score; I honestly think it represents some of the best music out of RCP in the past half-decade. Yeah, it still has the Journey to the Line / Time four-chord power anthem thing going on, but outside of those themes you have some really creative material that at times doesn't even feel stylistically RCP, and hell, even those structurally-simplistic themes are unusually well-orchestrated. And there's a real orchestra!
Some of you may like this guy's cover of Brothers in Arms! Pretty epic, honestly. <br><br> com/watch?v=LCIY41hopq4This score has improved my mood on more than one occasion. Nancy Meyers needs to make another movie, so Hans can score it. lol.Hello great team of Hans Zimmer,<br><br>I was recently listening to "The Might of Rome" (Gladiator soundtrack) and I am craving to listen the long version of the piece around 2:38 - 2:48 (something like an oriental flute). Does it exist as a standalone composition? Is it inspired from some third party artist, if yes, can you please tell my which one?<br><br>Thanks!@Olive<br><br>Wallfisch's career unquestionably benefited from his involvement with Zimmer. He wouldn't have gotten a chance to work on blockbuster films like Dunkirk, Blade Runner 2049 without Zimmer's influence. Wallfisch is a very talented composer, but let's be honest here, his music doesn't immediately strikes anyone as a big action guy. Having Zimmer's name pushing you helps.Hybrid, what do you admire more: Black Hawk Down or Tears of the Sun?
"Elfman's score is like Whedon, horrendous & out of place."<br><br>Out of place, yes. Horrendous, no.Leagues above, and yet I doubt Ben will ever be able to write something like "Brothers In Arms" from Mad Max.<br><br>Comparing people is kinda useless...<br><br>The only who's right is Hans in the end, he knows when to use one and when to use the other... ;)@Edmund<br>Iím in the same boat. When I watch a movie I normally donít pay attention to the music unless itís really distinctive. As a stand alone listening experience I usually want to get music that fits a mood and can hold my interest throughout. Take Silvestriís Avengers score for example. The big statements of the main theme and some of the action cues are excellent. Unfortunately itís surrounded by generic underscore that slows the album down imo. But then you have TASM2, which constantly has something going on no matter what. I feel like thatís something which does relate to the directors, not so much the talent level of the composers.<br><br>@olive<br>Ben Wallfisch is LEAGUES ahead of JXL as a composer, partly because heís had years of experience in film composing. Hopefully his recent successes give him more high profile projects.<br><br>As for Justice League, I actually love that score, but I think the main issue is Elfman completely ignoring what came before and trying to force in the classic themes. Had he done his own spin on Zimmerís material there would a better connection to the previous ones.Elfman's score is like Whedon, horrendous & out of place.@Olive: Is better because there is variety and orchestration, and i'm not a purist (i liked BvS, there is more complexity in it than in MoS), but Danny Elfman has more integrity in that score than in that two scores.

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Mark MancinaDon HarperJohn Van TongerenChristopher Ward
ComposerAdditional MusicAdditional MusicAdditional Music
Speed 2 - Cruise Control
Label: La-La Land Records
Length: 70'24 rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3089 votes)


  1. Twentieth Century Fox Fanfare - Motorcycle Chase (4:18)
    Mark Mancina
  2. Alex And Annie - Caribbean Cruise (4:42)
    Mark Mancina
  3. Engine Room (5:02)
    Mark Mancina, John Van Tongeren
  4. Overboard (8:40)
    Mark Mancina, Don Harper, John Van Tongeren
  5. Last Lifeboat (7:01)
    Mark Mancina, Don Harper
  6. Goodbye, Alex (4:06)
    Mark Mancina, Christopher Ward
  7. Reunion (2:43)
    Mark Mancina, Christopher Ward
  8. Tanker Turn (5:02)
    Mark Mancina, John Van Tongeren
  9. Geiger Grabs Annie (1:48)
    Mark Mancina, John Van Tongeren
  10. Escape (7:31)
    Mark Mancina
  11. The Harbor (7:16)
    Mark Mancina, Don Harper
  12. Final Chase (7:23)
    Mark Mancina, Don Harper
  13. Underwater Rescue (1:46)
    Mark Mancina
  14. Cruising (2:58)
    Mark Mancina
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Edmund Meinerts reply Replies: 1 || 2012-02-03 12:51:23
A question: If Christopher Ward and Don Harper are only credited as arranger and orchestrator, does that mean they didn't actually compose the cues they are credited on?

Dawn2012-02-04 14:49:14
That means they helped in some ways and at some point during the creation of those cues.

There is no way to know if they did 1% or 100% of the cues they worked on.

Aggelos reply Replies: 0 || 2011-12-04 16:21:52
This is a great score - 5/5! Too bad the La-La Land release didn't feature some extra music/cues from the Speed 2 promo....
Despite that, it's a freaking awesome release for all the Mark Mancina (and action score) fans out there!! Grab it while it lasts!

Jason LeBlanc did a quick comparison to the composer promo, and this is what he came up with :
01 Main Title (1:51) = 01 Twentieth Century Fox Fanfare / Motorcycle Chase (0:00-1:47) (with clean ending)
02 Annie & Alex (2:16) = 02 Alex and Annie (0:00-2:12) (with clean ending)
03 Seabourn Legend (2:54) = NOT ON LA LA LAND (Similar to 14 Cruising (2:58))
04 Geiger (3:46) = 03 Engine Room (0:00-3:20) then the tick tock percussion isolated on the composer promo plays under the next cue on the LLL
05 Eindhoven Lion (0:35) = NOT ON LA LA LAND
06 Close The Hatch (1:31) = 06 Goodbye Alex (2:38-4:06) (with clean opening)
07 Lifeboat (1:54) = 07 Reunion (0:00-1:50) (with clean ending)
08 Bow Thrusters (2:21) = 08 Tanker Turn (0:00-2:18) (with clean ending)
09 Grenade (0:54) = NOT ON LA LA LAND
10 Evacuation (6:59) = 05 Last Lifeboat (7:01)
11 Why Don't We Stop (0:48) = 12 Final Chase (0:00-0:42) (with clean ending)
12 Crashing Into The Island (6:42) = 12 Final Chase (0:42-7:23) (with clean opening)
13 Golfclubs (1:43) = 13 Underwater Rescue (1:46)
14 Caribbean (0:53) = NOT ON LA LA LAND
15 Tuneman (3:53) = NOT ON LA LA LAND
16 That's Odd (1:18) = 04 Overboard (0:00-1:14) (with clean ending)

Hybrid Soldier reply Replies: 0 || 2011-02-23 00:00:00
Engine Room => Mancina / Van Tongeren

Overboard => Mancina / Van Tongeren / Harper

Last Lifeboat => Mancina / Harper

Goodbye, Alex => Mancina / Ward

Reunion => Mancina / Ward

Tanker Run => Mancina / Van Tongeren

Geiger Grabs Annie => Mancina / Van Tongeren

The Harbor => Mancina / Harper

Final Chase => Mancina / Harper

To be extreeeeeeemely precise !! ;)

Mr Tweedy reply Replies: 0 || 2011-02-23 00:00:00
I know only 2 cues credited John Van Tongeren (from his own website) :
"Auto-Pilot" which is heard in the last minute of "Engine Room", and "Man Overboard" which is the first minute of "Overboard".
But as "additional music credits" always is quiet tricky, I'm not sure these cues were fully arranged by JVT...

Btw, from what I read in the Speed 2 liner note, I think the promo cues "Seabourne Legend" and "We Not Gonna Stop" are some kind of themes suites (cues not meant to synchronize to pictures but developping primary ideas from the score) that the music editor incorporated several small bits into the movie.

Bondo reply Replies: 0 || 2011-02-23 00:00:00
Is any of Van Tongeren's music contained in this release?

Iceboy reply Replies: 0 || 2011-02-17 00:00:00
Mr Tweedy, I dont have this score nor have I seen the film. What tracks are different to the film music?

Anonymous reply Replies: 0 || 2011-02-17 00:00:00
Here we go :

"Caribbean Cruise" is different from the film version. You can find the film version on Speed 2 promo ("Welcome to the Seabourne Legend"). IMO, film/promo version is WAY better than Lala version !

"Engine Room" is a mix of two cues used in the movie, but the sound editor decided to butcher both those tracks in the movie.

There's a cue missing after "Engine Room", featured on the promo (sometimes called "We Not Gonna Stop" or "Evacuation"). But in the movie they butchered it, and you only hear a few seconds of it.

There's a cue missing after "Goodbye, Alex" (when Annie opens a door with a chainsaw). You can hear similar music during the middle of "Escape". Not featured on the promo.

There's a cue missing after "Tanker Turn", featured on the promo, but I don't find its name. It was called "Grenade" I think, but was used when Geiger is about to leave the ship.

Another cue missing, after "Escape", featured on the promo : "A Peaceful Village" or "Caribbean", depending on which version you got. In fact, this "Caribbean" cue replaces a few seconds of "The Harbor" in the movie (just before the action section begins).

The end of the film doesn't contain any unreleased material. They edited "Alex and Annie" and "Welcome to the Seabourne Legend" so the music matches the pictures. But these are not "unreleased cues".

"Cruising" has its beginning used earlier in the movie, but all the saxophone part was rejected. You hear something like 40 seconds of it.

Mr Tweedy reply Replies: 0 || 2011-02-17 00:00:00

Oh well, I forgot to fill the name !
That was... me :)

Andy reply Replies: 0 || 2010-07-15 00:00:00
Thank you very much Mark Mancina!

Hybrid Soldier reply Replies: 0 || 2010-07-08 00:00:00
Sometimes I wonder if La-La's doing it on purpose...

Generally they misspell Names, like "Pouchet" instead of "Fouchet" in Bad Boys, "Gieger" instead of "Geiger" here...

Legal issues ? :P

Boss reply Replies: 0 || 2010-07-08 00:00:00
My bad, it really has errors on back cover.

Cloud reply Replies: 0 || 2010-07-08 00:00:00
What do you mean; "Carribean" with two Rs is written on the back cover. How is that not a spelling error? ;) Unless of course they corrected it on a newer batch.

Boss reply Replies: 0 || 2010-07-08 00:00:00
There are no spelling errors on CD's tracks, only in this website.

Cloud reply Replies: 0 || 2010-06-25 00:00:00
Wow, there's two spelling errors on the back of the case - "Carribean" instead of "Caribbean" and "Gieger" instead of "Geiger"... how the hell does that happen, is there no one to check the spelling before they friggin' print it 3000 times? Otherwise flawless album presentation by La-La Land though...

fabien reply Replies: 0 || 2010-06-25 00:00:00
Probably the best from Mark. Rythmic, thematic and lyric at the same time with this touch of Zimmer 's sound sometimes.. awesome!

Prott reply Replies: 0 || 2010-06-22 00:00:00
Yeah, fantastic score!

Adrian reply Replies: 0 || 2010-06-18 00:00:00
Great release, La La Land!!! :D

Mikel Siw (a fan from Spain) reply Replies: 0 || 2010-06-18 00:00:00
Nice Album :__:

Mr Tweedy reply Replies: 0 || 2010-06-18 00:00:00
Wonderful score. 13 years and we finally get it. Can't wait, really ! Mancina at his best.

Hybrid Soldier reply Replies: 0 || 2010-06-10 00:00:00
Caaaaaaaan't wait !!! :D© 2001-2017 OST 
Speed 2 - Cruise Control soundtrack - Mark Mancina 1997