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Not as simply as that.... Training is Ramin's arrangement of a Hans theme, and the core of Mr. Charles when the Fischer theme isn't playing is a Hans idea, too, as far as I know. Take the Zimmer out and those moments wouldn't be the same.I think Balfe working with Nolan would have done a great jobBob,The Training is basically Ramin Djawadi and Mr.Charles is BalfeI hope these two team up again. Zimmer's score is the main driving force for some memorable scenes. Just a few<br>Batman Begins-The Training<br>TDK- Joker crash the party, Gordon's speech and ending<br>Inception - Time, Mr.Charles, <br>TKDR - the climb, imagine the fire and orphan<br>Interstellar-Stay, Docking, coward, mountain<br>Dunkirk - well the entire movieJustin Hurwitz I can see. I enjoyed La La Land and First Man. But Both Hurwitz and Göransson are several notches above Lorne Balfe. <br><br>I think 80/100 directors would rather work with Göransson than Balfe.
I really believe that Nolan has made a mistake as a composer.I think Lorne Balfe, David Julyan or Justin Hurwitz would be much better options than Ludwig Goransson.Interesting news. <br><br>Geoff Zanelli is one of those composers who I’ve loved his additional music over his solo efforts, Pirates 5 excluded. I hope he gets a chance to write some great fantasy music for this, regardless if he reuses JNH’s themes or not.I think I am the only one, who would be glad about David Julyan return.<br><br>I really like his music for early Nolan's films, especially Insomnia, and it's what i can call an "atmospheric experience".<br><br>Don't know how his music fits for espionage timetraveling movie, but, for me, i'st would be something interesting to hear.@mpolonest123: those Pemberton scores are indeed pure gold, very cool on album but insanely good in the movie. My favorite is still his King Arthur, that was a beast of a score that stuck with the movie like glue and really enhanced Guy Ritchie's dark, twisted, trippy vision.*3 things
Sure, but there's two things to consider. <br>1). Pirates has such an iconic sound that it'd be really stupid for them to suddenly abandon it at #5. Especially when we hired the guy who has worked on the previous 4. 2). Maleficent, as successful as it was to warrant a sequel, isn't quite as well known in the score department, despite being well received by those who have heard it. 3). Because Zanelli worked on all Pirates, he had enough familiarity with the sounds and motifs that he knew where to go once he led the ship. In Maleficent's case, he's taking over from a previous composer, and is working with a director who likely only knows his work on POTC5. As such, there's no knowing yet if he might be compelled to continue on from JNH, or if it's decided he just does his own thing.<br><br>I'm happy that Geoff at the very least has a safe career at Disney, considering two of their recent live action successes has had him involved. However, considering I hear his recently work hasn't been his best, JNH likely would've benefited from returning to a world that had some of his best material after he wasn't given the opportunity to do so with Glass. As such, it really is a severely missed opportunity, even if newer blood is getting more opportunities.Just listening to this again. It really is a best of both score. What I think is so great, is that you can hear both of the brothers' own voice but they blend so well together!! Really really great score!<br><br>It's a really remarkable score, the swifts in tone between dramatic and jazz is top-notch. It's higher on favorite list from 2019 already, than I thought it would ever be.<br><br>Give me more Gregson-Williams brothers scores!!!!!!I was hoping for JNH, but we'll see what he does. JNH's themes were amazing zo it would be stupod not to use them. But he used the Pirates themes, so I'm feeling actually quite ok about itTrue, but he didn’t really get credit for The Lone Ranger or any of the Pirates films other than #5... those are billed strictly as HZ scores. I would say Christopher Robin likely was a result of the success of his Pirates score, and Timothy Green wasn’t really a Disney tentpole release. Maleficent isn’t a Marvel or Star Wars level tentpole, but it is still a blockbuster film that I think he’ll do an awesome job with.@Mephariel - you’re right. However Interstellar and Inception, musically speaking, are simple scores. They are moving, beautiful, and masterpieces, but still simple. Which is great! <br><br>But if we are wanting Zimmer to return to a type of music, I’d much rather prefer something along the lines of Pirates, The Rock, The Last Samurai, Crimson Tide, etc. Tonally, of course it would be more modern and new, but melodically a return to those forms would be a dream come true.
Geoff has done several other Disney projects besides Pirates 5.  (All Pirates movies since the first, Lone Ranger, Christopher Robin, Odd Life of Timothy Green). And I have to say that I would rather JNH return for the sequel, as that would allow him to expand on his fantastic score for the first film.@George<br><br>To be fair, Interstellar is a genuine masterpiece score and maybe one my favorite score of all time, but I am not sure when Nolan will allow Zimmer to return to that type of scoring. <br><br>Hell, Time is my favorite cue ever, but again, I am not sure if Nolan is interested in that kind of music anymore.  <br><br>I guess we will see with Tenet. And yes, I absolutely think Göransson can be a future star in the making and if anyone is allow write his or her own "Time" cultural moment, it may as well be him.@mephariel @mpolonest123 - glad I’m not the only one who’s more excited for those compared to cold and dark Nolan/Zimmer scores. I’m kinda over those to be honest.And if I’m completely honest, I’m more excited by WW84, Spongebob, Top Gun, and Dark Phoenix than another potential Nolan collab.@mephariel <br>I can definitely see that, especially with King Arthur and Spiderverse. I do think his music adds a lot to the films he scores (Steve Jobs and Man From Uncle being two great examples) where he consistently switches up styles and tones to keep things fresh. Maybe not the strongest theme writer but I do love his approaches.
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John PowellJames McKee SmithPaul MounseyMichael John Mollo
ComposerAdditional MusicAdditional MusicAdditional Music
Knight And Day
Label: Varese Sarabande
Length: 54'45
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5631 votes)
  1. At The Airport (4:42)
  2. Rough Landing (3:45)
  3. Trouble On I-93 (4:06)
  4. Running From Roy (2:21)
  5. Hostage (3:34)
  6. Car Ferry (1:34)
  7. To the Island of Love (4:21)
  8. In Austria (1:32)
  9. Galley Fight (3:38)
  10. Five Star (2:16)
  11. June Spies (3:28)
  12. He's A Spy (1:13)
  13. Rooftops (3:20)
  14. The Villa (2:27)
  15. Reunion (4:26)
  16. Bull Run (4:55)
  17. Going To Cape Horn? Take a Jacket (3:07)
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Edmund Meinerts reply Replies: 0 || 2018-07-28 13:06:21
So I finally found the complete score for this one (same track listing as the one posted below by AnoSession) but unfortunately, for some reason all the cues that weren't on the album sound like demos. The soloists and synthetic elements are fine but the orchestral parts are samples, and not particularly sophisticated ones either. Has anyone come across a version that has the "real" copies of those cues or are they still unavailable? (Luckily there's nothing really important missing, a lot of the unreleased stuff is just slight variations on what we already have, but would still be nice to have from a completist standpoint)

thejok3rrules reply Replies: 1 || 2014-10-01 06:32:45
This is by far my facorite John Powell score. Truly, deeply epic (I mean... Rooftops is a masterpiece of musical score). It's an inspired piece of work and it keeps evolving all along with those amazing themes. Rarely have I liked a score that much.


thejok3rrules2014-10-01 06:33:48
favorite* but I believe you understood the point nonetheless.

AnoSession reply Replies: 3 || 2013-12-30 19:59:53
01 - 1M3 At the Airport (04:42)
02 - 1M5 Plane Fight (02:40)
03 - 1M6 A Kiss At 35,000 Feet (01:07)
04 - 1M7 Rough Landing (01:57)
05 - 1M7 Rough Landing (CD Version) (03:45)
06 - 1M9 Woozy Lesson (00:55)
07 - 2M12 Fitz Grills June (01:39)
08 - 2M13 Trouble On I-93 (03:26)
09 - 2M13 Trouble On I-93 (Alt.) 04:06)
10 - 2M14 Running from Roy (02:21)
11 - 2M16 Hostage (03:34)
12 - 2M17 Someone Who Trusts (01:22)
13 - 3M18 Car Ferry (01:34)
14 - 3M20 Worse Guys (02:04)
15 - 3M21 Drug Montage (01:51)
16 - 3M21 Drug Montage (CD Version(To the Island of Love) (04:22)
17 - 3M22 Drones (00:40)
18 - 3M23 Kiss Predator (02:34)
19 - 3M23 Kiss Predator (Alt. Beginning) (01:16)
20 - 3M24 In Austria (01:32)
21 - 4M25 Galley Fight (03:39)
22 - 4M25 Galley Fight (Alt.) (03:42)
23 - 4M27A Five Star Part 1 (01:13)
24 - 4M27B Five Star Part 2 (02:16)
25 - 4M29 June Spies (02:03)
26 - 4M29 June Spies (Alt.) (03:30)
27 - 4M30 What's Your Price (00:56)
28 - 4M31 He's A Spy (01:14)
29 - 5M32 I Believe in Luck (01:02)
30 - 5M33 Rooftops (02:38)
31 - 5M33 Rooftops (CD Version) (03:23)
32 - 5M34 June Returns Home (01:57)
33 - 5M34 June Returns Home (Alt.1) (01:40)
34 - 5M34 June Returns Home (Alt.2) (01:40)
35 - 5M38 Amapola (01:22)
36 - 5M39 He's Alive (01:57)
37 - 6M40 The Villa (02:27)
38 - 6M42 Reunion (03:05)
39 - 6M42 Reunion (CD Version) (04:28)
40 - 6M44 Pt.1 Running of the Bulls (04:51)
41 - 6M44 Pt.2 The Dock (01:33)
42 - 6M45 Roy's Shot
43 - 6M46 June Busts Out Roy (01:13)
44 - 6M46 June Busts Out Roy (Alt.) (01:28)
45 - 6M47 Someday Kiss (01:52)
46 - 6M47 Someday Kiss (CD Version(Going to Cape Horn? Take A Jacket) (03:02)

01:47:23


Edmund Meinerts2013-12-31 04:57:02
Oooooh. I'd be much more interested in hearing this than Man of Steel. ;)


isildur2014-01-01 18:02:20
Revisited the score after a long time, it's just is so fun and mental. Especially "Trouble on I-93" and "Bull Run".

Can't wait for HTYD-2.


rics2014-04-13 22:50:25
thanks

trent easton navarro reply Replies: 2 || 2014-03-25 15:26:33
Gave this one a listen today. Totally forgotten what a kickass track "Hostage" is! Glad we've got two new Powell scores to look forward to this year!


Anonymous2014-03-25 16:14:46
First time listening to it, unfortunately.... Good stuff. But judging from it it sounds like it inspired a lot of those POTC4 awful guitar jam tracks.


Edmund Meinerts2014-03-25 22:09:34
It's much more appropriate in this score, though, where parts of it take place in Spain. "Hostage" is actually nowhere near my favorite track, though..."Rooftops" and "Bull Run" take the cake for me.

Ds reply Replies: 0 || 2013-08-18 18:56:31
I just saw the movie... this is such a wonderful score, one of the best i've heard in a while. I really miss John Powell :-(

Ds reply Replies: 2 || 2013-08-12 10:43:29
Do you think it is possible that John Powell reunites with Doug Liman on the upcoming "Edge of Tomorrow"? They've always worked together. It could be an extremely nice return to the action genre.


Macejko2013-08-12 12:55:54
This is kinda surprising for me, I thought Powell is doing it.


Edmund Meinerts2013-08-12 15:53:54
I sure hope so. I like the animation scores as much (or probably more) than the next guy but I hope he can keep the assignments a bit more varied than they have been in the past few years. Knight and Day here is his last live-action movie IIRC and that's over three years old by now.

Felix reply Replies: 3 || 2013-01-02 18:32:38
Cues:

1m3 At The Airport
1m4 Someday List
1m5 Plane Flight
1m6 A Kiss at 35K
1m7 Rough Landing
1m9 Woozy Lesson
2m10 Crazy Morning
2m12 Fitz Grills June
2m13 Trouble on I-93
2m13 I-93 Remix
2m14 Running From Roy
2m16 Hostage
3m18 Car Ferry
3m20 Worse Guys
3m21 Drug Montage
3m22 Drones
3m23 Kiss Predator
3m24 In Austria
4m25 Galley Fight
4m27 Five Star
4m29 June Spies
4m30 What's Your Price
4m31 He's a Spy
5m32 Believe in Luck
5m33 Rooftops
5m33 Rooftops Remix
5m34 June Returns Home
5m34 ALT #2 June Returns Home
5m38 5826 Amapola
5m39 He's Alive
6m44 Part 1 Running of the Bulls
6m44 Part 2 The Dock
6m45 Roy's Shot
6m46 June's Bust But Roy
6m47 Someday Kiss


T-Mann0362013-01-02 19:26:19
Is it 100% legit?


Mike2013-01-02 23:06:38
Note something: No cue lengths.


Anonymous2013-01-03 00:34:50
Doesn't mean anything. Sometimes people delete them or bother typing them out, or a playlist generator does not include them. Even the slates mean nothing if you have nothing to compare it to.

Felix reply Replies: 1 || 2012-12-30 22:02:31
My Cut-Edition from the Original-Album:

01 At the Airport (4:39)
02 The Kiss (1:01)
03 Rough Landing (1:53)
04 Airplane Explosion (0:51)
05 Trouble on I-93 (4:02)
06 Running from Roy (2:19)
07 Car Ferry (1:32)
08 To the Island of Love (2:50)
09 Island Escape (1:27)
10 In Austria (1:28)
11 Galleryy Fight (3:37)
12 Salzburg (2:12)
13 June Spies Pt.1 (1:38)
14 June Spies Pt.2 (1:48)
15 He's a Spy (1:10)
16 Rooftop Chase (2:34)
17 Roy is Death (0:44)
18 Hostage (3:31)
19 Villa (2:25)
20 Reunion (4:23)
21 Bull Run (1:50)
22 Bull vs. Bike (1:03)
23 Bike Chase (0:21)
24 The Talented June Havens (1:00)
25 End Chase (0:33)
26 Going to Cape Horn? Take a Jacket (3:02)
27 Someday (performed by The Black Eeyed Peas (4:31)


thejok3rrules2012-12-31 05:19:17
That looks so... unnescessary.

Felix reply Replies: 0 || 2011-11-13 14:34:32
Ich würde so gerne von dem score ein expanded, complete, bootleg,... album haben
weis irgendeiner ob es den irgendwo gibt

John reply Replies: 0 || 2011-02-19 00:00:00
I just bought the disc and it's awesome! Fantastic music! But on the booklet I noticed that William Ross is credited as the conductor. Does anybody know why?

Keith reply Replies: 0 || 2011-02-02 00:00:00
Which cue plays during the train scene when they fight the assassin?

Mikel Siw (a fan from Spain) reply Replies: 0 || 2010-09-18 00:00:00
HAPPY BIRTHDAY JOHN!!!!!

gman reply Replies: 0 || 2010-08-06 00:00:00
I really enjoyed the movie but i want to know one thing: the music when june was drunk by roy in the workshop. the soldiers attacked them and june made mistake by firing randomly. can u tell me what it is?

holygreg reply Replies: 0 || 2010-07-15 00:00:00
@ Dennis,

Thanks for your review ! It makes me looking forward to listen to it !

According to IMDB, John Powell will be far from getting bored in the next months :

# Winnie the Pooh (2011) (in production)
# Ice Age: Continental Drift (2012) (filming)
# Kung Fu Panda: The Kaboom of Doom (2011) (filming)
# Happy Feet 2 in 3D (2011) (post-production)
# Rio (2011) (post-production)
# Mars Needs Moms! (2011) (post-production)

After his masterpiece for HOW TO TRAIN YOUR DRAGON, I think he'll be the most wanted "animation movie composer" ! And he deserves it !

tomPoland reply Replies: 0 || 2010-07-13 00:00:00
It's like Mr & Mrs Smith 2. I don't say it's a bad thing. I like it more than Green Zone.

Anonymous reply Replies: 0 || 2010-07-13 00:00:00
A W E S O M E

Dennis reply Replies: 0 || 2010-07-13 00:00:00
YES!!! This is the soundtrack all Powell fans have been waiting for. It's a wonderful mix of all the great Powell action scores. (look at Daren's post below, I agree 100% with him)

Thanks to iTunes, they already have this score available for purchase for $9.99, you can't get a better price for this piece of art :)

Personal favorite tracks:
At The Airport: It's link the Tango song from Mr. And Mrs. Smith, and the theme for Knight and Day.

Rough Landing: A continuation of At The Airport and then a crazy action theme towards the end, reminiscient of John's earlier work on Paycheck especially the tracks Hog Chase .

Trouble On I-93: A great action piece. Reminds me a bit of Scooter Chase from Bolt and Hancock.

Running From Roy: A nice acoustic guitar piece, something familiar and different from John.

Five Star: Reminds me a lot of John and Jane's Identity, especially the string melody.

Rooftops: This is the BEST BEST BEST song on the entire score, this is John Powell's best!! It has a nice classical melody with those drums and fast action packed sequence. You can definetely picture Jason Bourne, Hancock, and Mr. And Mrs. Smith with this track. It starts off slow and then builds and never lets go until the very end.

Bull Run: Just when you thought it couldn't get any better, BAM this track comes. It's like Bim Bam Smash collided with the Mr. And Mrs. Smith and Paycheck. Excellent track!!

Overall a great soundtrack from Mr. Powell. Ashame there isn't anything else planned for him for a while :(

ahmed reply Replies: 0 || 2010-07-12 00:00:00
very gooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo oooooooooooooooooooooood

Anonymous reply Replies: 0 || 2010-07-12 00:00:00
Just listened to it. Not epic but very entertaining to listen to. It's a blend between latin, score, rock and pop music :)

Very good.

Dennis reply Replies: 0 || 2010-07-09 00:00:00
YES! This is going to be the next big score for John!!! It's like the score Mr. and Mrs Smith but with more of a kick!! The Bull Run song sounds like it's going to be one heck of an action packed track. I'm seriously excited.

hossam reply Replies: 0 || 2010-07-09 00:00:00
very good movie and sound track is perfect

Anonymous reply Replies: 0 || 2010-07-08 00:00:00
I'm listening it right now for the second time and it's a very good score but not very original.

Anonymous reply Replies: 0 || 2010-07-06 00:00:00
Postponed to July 13th.

Indiana reply Replies: 0 || 2010-07-06 00:00:00
Ship today by colosseum.de. At home in two days !!!!!

Daren reply Replies: 0 || 2010-07-06 00:00:00
The music was fantastic in the film. Take The Italian Job, Mr& Ms Smith and Paycheck, add some How to Train your Dragon orchestrations and you get this fantastic score. I can't wait!

Indiana reply Replies: 0 || 2010-07-06 00:00:00
Few samples on colosseum.de.
Enjoy !

richchris reply Replies: 0 || 2010-07-04 00:00:00
really looking forward to this new score....john powell is awesome!!!!

Mikel S.i.W (a fan from Spain) reply Replies: 0 || 2010-07-03 00:00:00
It will be so cool!! Powell´s music is fantastic!!!!!!!!!!

mrbond reply Replies: 0 || 2010-06-27 00:00:00
can't wait for another Powell score! :-P

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Knight And Day soundtrack - John Powell 2010