NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback

 SEARCH
 

 FAN COMMENTS
Some original cue titles with slates from a music mixing CD-R:<br>1M13 Transactions<br><br>2M16 Jake Gets Stoned<br>2M20A Alley<br>2M21 Rapists Castration<br><br>3M24 My Old Division<br>3M27 Go Fetch Dog<br>3M30 The Freeway<br>3M32 Alonzo Steals Money<br>3M33 Into The Jungle<br><br>4M41 Safety Is First / Busting Into Rogers<br><br>5M46 Helicopter<br>5M48 Sunset / Wet Streets<br>5M51 Jake Gets Beaten<br>5M52 Smiley Calls His Cousin<br><br>6M57 On The Roof<br>6M58 Jake Lands On Car<br><br>7M61 Alonzo Dies<br>7M63 Sun ShotMovie credits:<br><br>Music by Hans Zimmer & David Fleming<br><br>Music Supervisor: Joe Rudge<br><br>Score Produced by Hans Zimmer<br>Supervising Music Editor: Ryan Rubin<br>Music Editor: Nate Underkuffler<br>Music Production Services: Steven Kofsky<br>Additional Music by Ben Powell<br>Featured Guitar Soloist: Derek Trucks<br>Score Mixed by Seth Waldmann<br>Score Mix Assistant: Aldo Arechar<br>Technical Score Engineer: Chuck Choi<br>Technical Assistants: James Grimwade, Aldo Arechar, Steven Doar & Fabio Marks<br>Synth Programming: Hans Zimmer<br>Digital Instrument Design: Mark Wherry<br>Digital Instrument Preparation: Taurees Habib, Raul Vega, David Naroth & Paul Salerno<br>Studio Manager for Remote Control Productions: Shalini Singh<br>Assistant to Hans Zimmer: Cynthia Park<br>Score Mixed at Remote Control Productions, Santa Monica CA<br>Music Clearances: Jessica Dolingerthats trueCan't think of a more meaningless and laughable award than the Oscar.an oscar for this one? nahh...<br>maybe he gets a nomination for dune or bond
Maybe WW1984May know how to downloaddamn it would be kinda awesome and hilarious if Lorne Balfe got Lorne Balfe’d LOLYeah 100% fake... And there was HJ rumor on Black Widow sometimes last year, so if you do the math...Henry doesn't have an official Instagram. It looks like you are referring to the account "henry0262020" which appears to be a fake account, to the best of my knowledge.
Henry Jackman is now Black Widow's composer, apparently in his instagram, posted a photoHah! Knew it. FYI, I'm not smoking anything. I don't smoke, and I abhor anyone who does.Oh interesting. When I said "refined his sound," I didn't mean that he was still trying to find his voice. This score absolutely exudes the qualities that make his work so appealing. You simply managed to put what I was trying to say in better terms. I'm definitely happy to give this one more goes in the future, but I remain more partial to some of the other installments.This is easily my favorite X-Men score, but I do agree there is a bit of an...*odd* feel to it sometimes. The impression I get is that Powell was reeeaallly pushing himself to write the most dense and complex and ambitious score he could, and I think he may have overreached a tad. There's definitely a big contrast between this score and the much tighter, more focused sound he was bringing in his action music from a couple years prior, like Paycheck or The Bourne Supremacy. I wouldn't say he "hadn't quite refined his sound yet" - this isn't Face/Off, his voice was pretty well established by this point - but he was trying to develop it a bit faster than it was naturally going to go.<br><br>At the same time, I love how this score goes for broke, and I hate to fault a composer for too much ambition. "Phoned in" is the LAST thing this score is. But Powell would iron out the kinks and by How to Train Your Dragon he was writing a score that was just as complex, but wore the complexity a bit more naturally than X3."There is nothing musically interesting in [Ottman's] X-Men scores except the main titles."<br><br>As if I didn't need a reminder that this place can house some ludicrous opinions sometimes (no offense intended there).<br><br>The Last Stand barely cracks the top 5 of X-Men scores for me, if only because I love the themes and it carries a lot of nostalgia for me. It's pretty clear imo that this score was at a point when Powell hadn't quite refined his sound yet. I wouldn't call it phoned in whatsoever, but it's easy to get lost at points when I'm listening to the full thing. But the highlights are too great for me to call it middling either, so it barely gets a solid grade in my book. <br><br>I'm likely in the minority when I say I actually prefer Dark Phoenix. It's much more solid as a whole product.
I like the tracksWow!!!Still my favorite score from the X-Men series.Not too stoked on Powell, but the way Ottman's able to squander a good theme makes him close to the bottom of the barrel in my book. There is nothing musically interesting in his X-Men scores except the main titles.I don't know what you're smoking but you need to get off it. In the way is this phoned in, the orchestration and everything about it is perfect. No score for X-men has come close to this one except maybe X2
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Additional Music - Conductor
Harry Gregson-WilliamsJohn PowellGavin GreenawaySteve Jablonsky
ComposerComposerAdditional MusicAdditional Music
Antz
Label: Angel Records
Length: 49'43
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6827 votes)
  1. I Can See Clearly Now - Neil Finn (2:31)
    Johnny Nash
  2. Opening Titles - Z's Theme (1:59)
    Harry Gregson-Williams
  3. The Colony (1:55)
    John Powell
  4. General Mandible (2:21)
    Harry Gregson-Williams
  5. Princess Bala (0:56)
    Harry Gregson-Williams
  6. The Bar (1:27)
    Geoff Zanelli
  7. "There Is A Better Place..." (1:19)
    Harry Gregson-Williams
  8. "Guantanamera" / "6:15 Time To Dance" (3:16) *
    John Powell
  9. The Antz Go Marching To War (3:48) **
    John Powell
  10. Weaver And Azteca Flirt (1:53)
    John Powell
  11. The Death Of Barbados (2:06)
    John Powell
  12. The Antz Marching Band (1:15)
    Steve Jablonsky
  13. The Magnifying Glass (1:58)
    John Powell
  14. Ant Revolution (1:47)
    John Powell
  15. Mandible And Cutter Plot (2:05)
    Harry Gregson-Williams
  16. The Picnic Table (2:43)
    John Powell
  17. The Big Shoe (2:08)
    John Powell
  18. Romance In Insectopia (2:29)
    John Powell
  19. Back To The Colony (2:26)
    John Powell, Gavin Greenaway
  20. Z To The Rescue (7:43)
    John Powell
  21. Z's Alive! (3:28)
    John Powell
*Based on "Guantanamera" written by Pete Seeger, Julian Orbon, José Fernández Díaz & José Martí

**Based on "When Johnny Comes Marching Home Again" written by Louis Lambert
Create Topic

Ele reply Replies: 0 || 2009-09-11 00:00:00
Z to the Rescue! :D And i have a question. There's really cool percussion at 5:40 in Z to the Rescue. The same percussion was used in Introduce a Little Anarchy from Dark Knight and The All Spark from Transformers. Whats that? And anyone know any other scores with this percussion? I really like it.

kipy reply Replies: 0 || 2009-04-27 00:00:00
One of the best soundtrack, with Chicken Run, I've ever heard.

The kind of album with no useless track. 50 minutes of pure pleasure!

Romance In Insectopia (2:29) reply Replies: 0 || 2009-02-16 00:00:00
kk

Mario Soundtrack reply Replies: 0 || 2008-11-12 00:00:00
Hi!! I love this soundtrack for the Duet (Harry Gregson-Williams & John Powell). The very good song is "The Big Shoe", my favourite rescue theme, and "The Picnic Table" a wonderful beginning theme and "The Magnifying Glass" with a small rythm theme.

DemonStar reply Replies: 0 || 2008-07-02 00:00:00
Caramba, this is mucho weirdo! Almost every third track has a different composer! O_o

l reply Replies: 0 || 2007-01-06 00:00:00
Hi I love this soundtrack

Leif reply Replies: 0 || 2007-01-06 00:00:00
The Colony is a magical crazy song full of fun and heart raising. Listen to it

Anonymous reply Replies: 0 || 2006-12-09 00:00:00
Harry Gregson-Williams don't conducted the Score. That is very, very good, because her is the "baddest" conductor.

 HANS-ZIMMER.com© 2001-2018 OST 
Antz soundtrack - Harry Gregson-Williams - John Powell 1998