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Right. Hopefully the other missing stuff gets released on the 2nd CD though.why does Amity say (traditional)?Just rip it off the DVD....no biggieAll credits added for the OST, even though since it's long montages from lots of cues, it doesn't make THAT much sense... :)Which cues were written by Steve Jablonsky?
me too!No piano. I believe it was mostly strings and had a small bit of the choir.Which instruments were used to play the love theme? Piano?<br>There was also a Jean/Scott love theme that was briefly used in the bedroom scene after they return from space. It was included in the end credits suite as well.CD RELEASE?
Yes! That piano part is amazing! <br>„when charles and jean stand in front of the school“Saw the movie. Great score and it really fits the movie.<br><br>Missing stuff:<br>- 25 seconds of a piano version of Gap without the brass and bells<br>- a 30 second badass version of the main theme during the mageneto/jean helicopter stand off<br>- 1.5 minute end credits suite. Typical Zimmer to leave the best and most epic track and best main theme version off the album. I hope it will be on CD2, but knowing Zimmer the best tracks always remain unreleased. This is another escape from ship...after listening and listening...this score is truly amazing! i love it so much! i want the suites and ideas NOW! :DWhere can I find this?been listening to this score for a week now and i am going to wait a little more before putting a comment on it here... but there's something else i have been saying for a while now. let's stop associating scores with movies and start seeing them as a work of art in their own rights. (albeit inspired by movies)<br><br>people are here complaining about the movie that it didn't speak to them. and then i have the feeling that they project their disappointment on the soundtrack. but both pieces of art co-exist and not depend on each other. i, for example, seldom watch any of these movies. but i have listened to their soundtracks and love them.<br><br>also i never asked for an extended CD before... but we need one for this one. it's very clear that tracks like gap and coda were definitely shortened.<br><br>also i never asked for an extended CD before but we need one for DP. it's clear that tracks like gap and coda were definitely shortened.
There's nothing unique about those choirs, standard East European chorus stuff mixed with Johansson. Check out Debbie Wiseman's Warriors from 2000 and you'll get a much more elaborate version of this music.I cant say that this chorus reminds me of anything I have heard Zimmer done before. And I have played all his scores to death.I agree that Gap is the best track. My main complain with this score is that it feels that Zimmer composed it on autopilot. For me those choirs sounded too much to Electro's Theme in TASM. Is too standard and has very few remarkable moments. The movie itself lacks of personality and the score is part of that problem. I think they just wanted "dark" and hired Zimmer for making his dark ostitatos.I thought I read somewhere Armageddon was the last bay film that hgw was a part of<br>===============================<br><br><br>Well, Bay and HGW were not exactly best friends during Armageddon. Bay is very demanding and tough. HGW is also not a shy dude. He is an opinionated guy who stands his ground, as you can tell by his interviews. He reminds me of Mancina…..He's not afraid to speak up and have his opinion heard. And just like Mancina, his relationship with the Bay/Bruckheimer family seemed to be...….a bit complicated. Yet, he worked on Bad Boys 2 and Deja Vu. Now, it is possible - tho not likely - that Bay didn't even know that HGW did some work on BB2. Maybe it was just a favor for Steve and Trevor. Under the table, so to speak..... Personally, I don't believe that's the case. Whatever the truth, this is a great example of how different those composers are. Trevor and Steve work great with Bay/Bruckheimer and they always deliver great results. While composers like HGW and Mancina have problems with more demanding filmmakers. And apparently they don't even like action cinema. I don't necessary blame them, even though Mancina certainly didn't do himself any favors by trashing the genre and the people who back in the 90's gave him a shot to prove himself as a composer.Love John Powell. But he is not even close to Williams. Williams made his mark on every genre of film scoring. He freaking turn a holocaust movie score into a masterpiece for the ages.<br><br>Today, that score would have been some generic sound design.<br><br>Powell is an incredibly gifted orchestral composer. But he doesn't have the dimensions of someone like Williams. <br><br>
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Additional Music - Conductor
Harry Gregson-WilliamsJohn PowellGavin GreenawaySteve Jablonsky
ComposerComposerAdditional MusicAdditional Music
Antz
Label: Angel Records
Length: 49'43
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5963 votes)
  1. I Can See Clearly Now - Neil Finn (2:31)
    Johnny Nash
  2. Opening Titles - Z's Theme (1:59)
    Harry Gregson-Williams
  3. The Colony (1:55)
    John Powell
  4. General Mandible (2:21)
    Harry Gregson-Williams
  5. Princess Bala (0:56)
    Harry Gregson-Williams
  6. The Bar (1:27)
    Geoff Zanelli
  7. "There Is A Better Place..." (1:19)
    Harry Gregson-Williams
  8. "Guantanamera" / "6:15 Time To Dance" (3:16) *
    John Powell
  9. The Antz Go Marching To War (3:48) **
    John Powell
  10. Weaver And Azteca Flirt (1:53)
    John Powell
  11. The Death Of Barbados (2:06)
    John Powell
  12. The Antz Marching Band (1:15)
    Steve Jablonsky
  13. The Magnifying Glass (1:58)
    John Powell
  14. Ant Revolution (1:47)
    John Powell
  15. Mandible And Cutter Plot (2:05)
    Harry Gregson-Williams
  16. The Picnic Table (2:43)
    John Powell
  17. The Big Shoe (2:08)
    John Powell
  18. Romance In Insectopia (2:29)
    John Powell
  19. Back To The Colony (2:26)
    John Powell, Gavin Greenaway
  20. Z To The Rescue (7:43)
    John Powell
  21. Z's Alive! (3:28)
    John Powell
*Based on "Guantanamera" written by Pete Seeger, Julian Orbon, José Fernández Díaz & José Martí

**Based on "When Johnny Comes Marching Home Again" written by Louis Lambert
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Ele reply Replies: 0 || 2009-09-11 00:00:00
Z to the Rescue! :D And i have a question. There's really cool percussion at 5:40 in Z to the Rescue. The same percussion was used in Introduce a Little Anarchy from Dark Knight and The All Spark from Transformers. Whats that? And anyone know any other scores with this percussion? I really like it.

kipy reply Replies: 0 || 2009-04-27 00:00:00
One of the best soundtrack, with Chicken Run, I've ever heard.

The kind of album with no useless track. 50 minutes of pure pleasure!

Romance In Insectopia (2:29) reply Replies: 0 || 2009-02-16 00:00:00
kk

Mario Soundtrack reply Replies: 0 || 2008-11-12 00:00:00
Hi!! I love this soundtrack for the Duet (Harry Gregson-Williams & John Powell). The very good song is "The Big Shoe", my favourite rescue theme, and "The Picnic Table" a wonderful beginning theme and "The Magnifying Glass" with a small rythm theme.

DemonStar reply Replies: 0 || 2008-07-02 00:00:00
Caramba, this is mucho weirdo! Almost every third track has a different composer! O_o

l reply Replies: 0 || 2007-01-06 00:00:00
Hi I love this soundtrack

Leif reply Replies: 0 || 2007-01-06 00:00:00
The Colony is a magical crazy song full of fun and heart raising. Listen to it

Anonymous reply Replies: 0 || 2006-12-09 00:00:00
Harry Gregson-Williams don't conducted the Score. That is very, very good, because her is the "baddest" conductor.

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Antz soundtrack - Harry Gregson-Williams - John Powell 1998