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I think what Lorne wrote for the last 30 min of the movie is way better than what ended in the movie... Lorne tried to elevate what was going on on screen, but it was probably too "bold" for the taste of production... They wanted to keep as "kow key" as possible but to me it made the ending of the film fall super flat...
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<br>In the end there isn't that much Lorne in the film (most of the "Moon" reel is Lorne though, that big 4 notes motif appearing during the moon landing and then takeoff). Ironically most of the droning you're all complaining about is not that much Lorne... lol
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<br>I really hope Lorne will put out as much music as possible, even all the unused parts, which are the more interesting ones !Taking in the movie now after having seen it. The cinematography is brilliant, and there are some interesting concepts that really will have you thinking long after walking out of the theater. Still, I couldnít help but feel like the film dragged throughout. Coupled with the voiceover the movie has a very ĎTerence Malick-yí, ďThin Red LineĒ feel throughout.<br><br>Iím definitely not familiar with Max Richter so I canít comment on what he might have written, but Balfeís broad-chord style is pretty recognizable throughout. There are also some interesting electronic pieces used throughout, possibly might be Balfe but hard to say as of now. The rest of the music is pretty contemplative, ranging from slow/emotional string pieces to more ambient droning.Well, I heard only Balfe's "Prayer" and Richter's "To the stars"... All I can say is we need to wait for the full release, hear both composers and only then talk about who better coped with this. (and watch the movie of course)<br>I don't think Balfe is a bad composer. He does pretty good as an additional composer but not as a leading (mostly). The only soundtrack that I consider the best to date in his solo career is "M:I-Fallout" and "Assassin's Creed III". (imo)<br>Who knows what will be this time. But for now I like Richter's track more.I'm just waiting for Gemini Man, that (i hope) would be funI love that cue.
So I created a page for it, move away from Ghost In The Shell !! :PI wonder if this track is the one causing consternation: Nils Frahm: 'Says' https://www.youtube.com/watch?v=dIwwjy4slI8<br><br>It sounds a bit like what Richter and Balfe could produce, but it is much more artistic than Balfe and much more synth-based than Richter. Frahm is credited for additional music.Not writing negative comments about Balfe for the purpose of writing negative comments - ie. trolling - but for the fact that Balfe does not seem to take film composition seriously. Goldsmith had a similar pace in the 1990s that equates to contemporary Balfe, but he managed to produce fantastic scores like Air Force One in a few weeks (yes, with some help from McNeeely). Balfe simply does not seem to have those skills so he resorts to cliches and drony nonsense. I await to be proven wrong. That Balfe track is not half-bad so I do maintain a general sense of expectation for this.Not any more lame than the Balfe cueLorne says it will be released and insists itís not a GITS situation.
That's been standard in certain cases, though considerably less nowadays with how complicated these situations have become.<br><br>Having heard both tracks posted, both give me little on their own. I'm sure they work better in the context of the film, and we might see better tracks unveiled eventually.He deserve better.Hans and Lorne like twins. Lorne has a very good personality. I still don't understand why some people are still writing bad comments to Lorne?Probably... lolSo is this how itís gonna be? Official release for Richter and leaks by Balfe :(Lorne posted a track from Ad Astra on his YouTube channel
Thank you. And i suppose "Need You Busting My Balls - End Credits" title would correspond to ASCAP "Need You Busting My Balls" + "RUSH END CREDITS", while "Just Married" to "RUSH MAIN ON END"?Thatís literally the best part of the score though. But itís typical Richter (Miss Sloane, Black Mirror: Nosedive).Hunt Drunken Weirdness is barely a cue actually, it's just a patch up of sound designs by Mel...<br><br>Italian Party is a name I made up for a cue that's not used in the movie ! :)In ASCAP there is a cue "HUNT DRUNKEN WEIRDNESS" - is this by a chance an alias to "Italian Party", which is absent in ASCAP. Though there are different credits Zimmer/Wesson vs Zimmer/Klebe.https://open.spotify.com/ track/2UcUL4jytfVpW0jSXi3Ggi?si=ETyixI67R5u9AOU1YuClPw<br><br>very lame the cue from Max...
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Jim DooleyGeoff ZanelliMatthew Margeson
ComposerComposerComposer
Position Music - Orchestral Series Volume 5
Label: Position Music
Length: 51'52
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6323 votes)
    Main Versions
  1. Carol Of The Bells - James Dooley (1:56)
  2. The Nutcracker Suite: March - James Dooley (1:42)
  3. We Three Kings - James Dooley (1:50)
  4. God Rest Ye Merry Gentlemen - James Dooley (2:18)
  5. Emmanuel - Geoff Zanelli (2:12)
  6. Ode To Joy - James Dooley (1:22)
  7. What Child Is This - James Dooley (1:35)
  8. March Of The Kings - Geoff Zanelli (1:52)
  9. O Tannenbaum - James Dooley (1:38)
  10. Silent Night - Geoff Zanelli (1:52)
  11. Deck The Halls - James Dooley (1:41)
  12. We Wish You A Merry Christmas - Matt Margeson (1:53)
  13. Joy To The World - Geoff Zanelli (1:47)
  14. God Rest Ye Merry Gentlemen (Alt. Ending) - James Dooley (2:18)

    Non-Choir Versions
  15. Carol Of The Bells - James Dooley (1:56)
  16. The Nutcracker Suite: March - James Dooley (1:42)
  17. We Three Kings - James Dooley (1:50)
  18. God Rest Ye Merry Gentlemen - James Dooley (2:18)
  19. Emmanuel - Geoff Zanelli (2:12)
  20. Ode To Joy - James Dooley (1:22)
  21. What Child Is This - James Dooley (1:35)
  22. March Of The Kings - Geoff Zanelli (1:52)
  23. O Tannenbaum - James Dooley (1:38)
  24. Silent Night - Geoff Zanelli (1:52)
  25. Deck The Halls - James Dooley (1:41)
  26. We Wish You A Merry Christmas - Matt Margeson (1:53)
  27. Joy To The World - Geoff Zanelli (1:47)
  28. God Rest Ye Merry Gentlemen (Alt. Ending) - James Dooley (2:18)
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audio123 reply Replies: 0 || 2010-11-30 00:00:00
the cd (physical) is now available !
fixtstore.com/product/19187/

HGW4 reply Replies: 0 || 2010-11-05 00:00:00
iTunes has it...purchased mine a while ago. Just great music!!!! I greatly enjoy it!

Mikel Siw (a fan from Spain) reply Replies: 0 || 2010-11-04 00:00:00
Thanks :__:

Hybrid Soldier reply Replies: 0 || 2010-11-02 00:00:00
Apparently, no CD planned...

Kusi81 reply Replies: 0 || 2010-11-02 00:00:00
it's already released as an mp3-download. orders can be placed on the positionmusic-website. will be there a physical cd-release?

Mikel Siw (a fan from Spain) reply Replies: 0 || 2010-11-02 00:00:00
when will be release this work, guys??

Anonymous reply Replies: 0 || 2010-11-01 00:00:00
Release Date?

jon reply Replies: 0 || 2010-10-09 00:00:00
very good !

Hybrid Soldier reply Replies: 0 || 2010-09-08 00:00:00
It also uses a lot the Angels & Demons choirs... :P

I like Margeson's rendition of We Wish You A Merry Christmas ! :P

HGW4 reply Replies: 0 || 2010-09-06 00:00:00
Amazing....

Kusi81 reply Replies: 0 || 2010-09-05 00:00:00
this music puts a smile on my face! ;-)

Edwin reply Replies: 0 || 2010-09-04 00:00:00
This is really cool.

Brian reply Replies: 0 || 2010-09-04 00:00:00
He needs bigger films to score, so people can hear how good he really is. Maybe give him a crack a the next Pirates film.

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Hybrid Soldier reply Replies: 0 || 2010-09-04 00:00:00
This is extremely fun ! :D

MK reply Replies: 0 || 2010-09-04 00:00:00
Cool!

jon reply Replies: 0 || 2010-09-04 00:00:00
very good !

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Position Music - Orchestral Series Volume 5 soundtrack - Jim Dooley - Geoff Zanelli - Matthew Margeson 2010