NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback

 SEARCH
 

 FAN COMMENTS
Not as simply as that.... Training is Ramin's arrangement of a Hans theme, and the core of Mr. Charles when the Fischer theme isn't playing is a Hans idea, too, as far as I know. Take the Zimmer out and those moments wouldn't be the same.I think Balfe working with Nolan would have done a great jobBob,The Training is basically Ramin Djawadi and Mr.Charles is BalfeI hope these two team up again. Zimmer's score is the main driving force for some memorable scenes. Just a few<br>Batman Begins-The Training<br>TDK- Joker crash the party, Gordon's speech and ending<br>Inception - Time, Mr.Charles, <br>TKDR - the climb, imagine the fire and orphan<br>Interstellar-Stay, Docking, coward, mountain<br>Dunkirk - well the entire movieJustin Hurwitz I can see. I enjoyed La La Land and First Man. But Both Hurwitz and Göransson are several notches above Lorne Balfe. <br><br>I think 80/100 directors would rather work with Göransson than Balfe.
I really believe that Nolan has made a mistake as a composer.I think Lorne Balfe, David Julyan or Justin Hurwitz would be much better options than Ludwig Goransson.Interesting news. <br><br>Geoff Zanelli is one of those composers who I’ve loved his additional music over his solo efforts, Pirates 5 excluded. I hope he gets a chance to write some great fantasy music for this, regardless if he reuses JNH’s themes or not.I think I am the only one, who would be glad about David Julyan return.<br><br>I really like his music for early Nolan's films, especially Insomnia, and it's what i can call an "atmospheric experience".<br><br>Don't know how his music fits for espionage timetraveling movie, but, for me, i'st would be something interesting to hear.@mpolonest123: those Pemberton scores are indeed pure gold, very cool on album but insanely good in the movie. My favorite is still his King Arthur, that was a beast of a score that stuck with the movie like glue and really enhanced Guy Ritchie's dark, twisted, trippy vision.*3 things
Sure, but there's two things to consider. <br>1). Pirates has such an iconic sound that it'd be really stupid for them to suddenly abandon it at #5. Especially when we hired the guy who has worked on the previous 4. 2). Maleficent, as successful as it was to warrant a sequel, isn't quite as well known in the score department, despite being well received by those who have heard it. 3). Because Zanelli worked on all Pirates, he had enough familiarity with the sounds and motifs that he knew where to go once he led the ship. In Maleficent's case, he's taking over from a previous composer, and is working with a director who likely only knows his work on POTC5. As such, there's no knowing yet if he might be compelled to continue on from JNH, or if it's decided he just does his own thing.<br><br>I'm happy that Geoff at the very least has a safe career at Disney, considering two of their recent live action successes has had him involved. However, considering I hear his recently work hasn't been his best, JNH likely would've benefited from returning to a world that had some of his best material after he wasn't given the opportunity to do so with Glass. As such, it really is a severely missed opportunity, even if newer blood is getting more opportunities.Just listening to this again. It really is a best of both score. What I think is so great, is that you can hear both of the brothers' own voice but they blend so well together!! Really really great score!<br><br>It's a really remarkable score, the swifts in tone between dramatic and jazz is top-notch. It's higher on favorite list from 2019 already, than I thought it would ever be.<br><br>Give me more Gregson-Williams brothers scores!!!!!!I was hoping for JNH, but we'll see what he does. JNH's themes were amazing zo it would be stupod not to use them. But he used the Pirates themes, so I'm feeling actually quite ok about itTrue, but he didn’t really get credit for The Lone Ranger or any of the Pirates films other than #5... those are billed strictly as HZ scores. I would say Christopher Robin likely was a result of the success of his Pirates score, and Timothy Green wasn’t really a Disney tentpole release. Maleficent isn’t a Marvel or Star Wars level tentpole, but it is still a blockbuster film that I think he’ll do an awesome job with.@Mephariel - you’re right. However Interstellar and Inception, musically speaking, are simple scores. They are moving, beautiful, and masterpieces, but still simple. Which is great! <br><br>But if we are wanting Zimmer to return to a type of music, I’d much rather prefer something along the lines of Pirates, The Rock, The Last Samurai, Crimson Tide, etc. Tonally, of course it would be more modern and new, but melodically a return to those forms would be a dream come true.
Geoff has done several other Disney projects besides Pirates 5.  (All Pirates movies since the first, Lone Ranger, Christopher Robin, Odd Life of Timothy Green). And I have to say that I would rather JNH return for the sequel, as that would allow him to expand on his fantastic score for the first film.@George<br><br>To be fair, Interstellar is a genuine masterpiece score and maybe one my favorite score of all time, but I am not sure when Nolan will allow Zimmer to return to that type of scoring. <br><br>Hell, Time is my favorite cue ever, but again, I am not sure if Nolan is interested in that kind of music anymore.  <br><br>I guess we will see with Tenet. And yes, I absolutely think Göransson can be a future star in the making and if anyone is allow write his or her own "Time" cultural moment, it may as well be him.@mephariel @mpolonest123 - glad I’m not the only one who’s more excited for those compared to cold and dark Nolan/Zimmer scores. I’m kinda over those to be honest.And if I’m completely honest, I’m more excited by WW84, Spongebob, Top Gun, and Dark Phoenix than another potential Nolan collab.@mephariel <br>I can definitely see that, especially with King Arthur and Spiderverse. I do think his music adds a lot to the films he scores (Steve Jobs and Man From Uncle being two great examples) where he consistently switches up styles and tones to keep things fresh. Maybe not the strongest theme writer but I do love his approaches.
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Additional Music Arranger - Musician : Drum & Guitar
Hans ZimmerLorne BalfeMichael A. LevineTom Holkenborg (Junkie XL)
ComposerComposerAdditional ArrangementsAdditional Arrangements
Megamind
Label: Lakeshore Records
Length: 48'10 (Score: 32'56)
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (12018 votes)
  1. Giant Blue Head (4:29)
  2. Tightenville (Hal's Theme) (2:16)
  3. Bad To The Bone - George Thorogood & The Destroyers (4:49)
  4. Stars And Tights (1:26)
  5. Crab Nuggets (2:17)
  6. A Little Less Conversation (Junkie XL Remix) - Elvis Presley (3:32)
  7. Mel-On-Cholly (2:32)
  8. Ollo (3:07)
  9. Roxanne (Love Theme) (2:36)
  10. Alone Again Naturally - Gilbert O'Sullivan (3:37)
  11. Drama Queen (1:47)
  12. Rejection In The Rain (1:45)
  13. Lovin' You - Minnie Riperton (3:23)
  14. Black Mamba (1:13)
  15. Game Over (3:22)
  16. I'm The Bad Guy (2:37)
  17. Evil Lair (3:29)
Create Topic

Pages << 1 2 3 4 >>

NM reply Replies: 1 || 2015-10-09 02:30:56
Hans' Megamind Theme reminds me of Madagascar for some reason.


Edmund Meinerts2015-10-10 14:42:40
Megamind in general reminds me of a better-developed version of Madagascar.

Anonymous reply Replies: 3 || 2013-09-02 00:24:28
tracklist from the sessions

01. 1m00 Opening (1:03)
02. 1m1-2 Face of Evil (4:28)
03. 1m10 Wooing Roxanne (1:20)
04. 1m11s MetroMan's Celebration (0:29)
05. 1m12 MegaMind Crashes Party (0:27)
06. 1m3s-4 Baddest Boy of the All (1:28)
07. 1m5b Kidnapping Roxanne (0:34)
08. 1m5 MetroMan Day (1:25)
09. 1m6 Escape From Prison (1:22)
10. 1m8sc MetroMan Ceremony sax (0:48)
11. 1m8s MetroMan Ceremony horn (0:48)
12. 1m9 MegaMinds Evil Lair (1:11)
13. 2m13 MetroMan to the Rescue (2:21)
14. 2m14 MetroMan's Weakness Revealed (0:45)
15. 2m15 MetroMan Arrives (0:49)
16. 2m22A MegaMind in City Hall (1:32)
17. 2m22B Meloncholy (2:10)
18. 3m24 MetroMan Remembered (2:32)
19. 3m25-26 If Only....Hatches a Plan (3:08)
20. 3m27 Roxanne Finds Mega's Lair (3:41)
21. 3m28s Roxanne Opens Exit Door (0:13)
22. 3m29-30 Rox and Bernard Hug Destiny of Hal (3:39)
23. 4m31 Love on Blanket (0:39)
24. 4m32 Hal Becomes Titan (1:35)
25. 4m33 Mega and Minion Fall Out (1:46)
26. 4m34 Roxanne Meets Titan (2:41)
27. 4m35 Rox and Bernard Dinner Date (2:31)
28. 4m36 Rejection in the Rain (1:43)
29. 5m37 Black Mamba Revealed (1:11)
30. 5m40A-C Being a Hero is for Losers (4:52)
31. 5m41A Mega and Rox Join Forces (1:17)
32. 5m41B-C Hey Stinger (0:48)
33. 5m42 MetroMan Flashback (1:40)
34. 5m44-45 Rox gives Meg a Pep Talk (2:36)
35. 6m47-48 Rox in Jeopardy and Hal Terrorizes City (3:07)
36. 6m52-53 Drama Queen We Did It (1:40)
37. 6m54 JXL BAD Tail (1:01)
38. 6m55 End Credit (3:33)
39. Hals Theme (2:14)
40. Love Theme (2:35)


Felix2013-09-13 22:06:32
wow, its nice


Edmund Meinerts2014-04-26 15:20:45
I just found this one too. Looking forward to hearing it; the original album, missing the entire final battle sequence, was completely inadequate. I'd say it's still Balfe's best score (if you can call it a Balfe score).


T-Mann0362014-04-27 06:36:44
The recording sessions was spot on. Hans & Lorne had done a great job on making the film soundtrack... especially those not found in the original soundtrack.

Ds reply Replies: 1 || 2013-05-20 14:11:08
The music as heard in the movie sounds so much better than this release... Still, very cool work from Hans & Lorne, they did exactly the kind of music the film needed.

And the scene with "I'm the bad guy" really has an epic feel.


Anonymous2013-05-20 22:21:36
Kinda like TDKR....movie sounds better than album.

Bondo reply Replies: 1 || 2012-10-14 14:11:01
Had no idea that Zanelli did additional music on this one! There seems to be no mention of it on his site...?


Hybrid Soldier2012-10-14 14:30:52
Actually he did 2 source cues. Not exactly working with the others on this one... :P

Anonymous reply Replies: 9 || 2012-06-02 02:45:15
Giant Blue Head and Tightenville show up on Lorne's website, does that mean that he composed them?


Mr. Fate2012-06-02 03:26:15
yes


Ds2012-06-02 12:53:33
Mr Fate, how do you know that?

I'd say, Lorne Balfe is co-composer (and not additional composer), what means that all the cues could be on his website... no?


Hybrid Soldier2012-06-02 13:38:24
Absolutely...

Actually it's a co-score, Lorne & Hans wrote the themes TOGETHER.

Like one starts it, the other finishes it.


Mr. Fate2012-06-02 14:00:52
Thanks, Hybrid. I saw this a little bit ago just before you posted and had been thinking about my own input on the matter.

Ds, even if Balfe is a co-composer, that means he is *still* a composer of the score. It wouldn't make much sense if he posted samples of Zimmer's work on his own website now, would it? Composers like Balfe, Geoff Zanelli, and Magic Box Music post samples of their own works on their websites so that they can get their names and styles out there and recognized.

It is from this assumption that we could go ahead and conclude that Lorne Balfe is the composer of "Giant Blue Head" and "Tightenville".


Anonymous2012-06-02 17:59:23
It sounds to me like Giant Blue Head and Tightenville are perfect blends of the composers' abilities. The other theme for Megamind heard mainly in Black Mamba sounds totally like Zimmer, as does the love theme.


Hybrid Soldier2012-06-02 18:45:27
Speaking of Lorne, if you want some news, he's just completing the next Assassin's Creed & Spyro as we speak. He finished a UK feature, The Sweeney, which should have a score release.


Schmo2012-06-02 22:50:33
Hi Hybrid Soldier

Is Lorne doing Assassin's Creed 3 by himself or is Jesper Kyd returning as well?

I ask because months before Ubisoft announced Jesper Kyd was returning for Assassin's Creed Revelations he had it listed on his site and on his agency site (The Gorfaine/Schwartz Agency)that he was composing for the game but I can't find any news on Jesper returning for Assassin's Creed 3.

I thought Lorne's music for Revelations was better than Jesper's so I'm hoping Lorne is doing the full score himself.

Thank you


Hybrid Soldier2012-06-04 17:51:28
Err... No idea !

I'll ask Lorne ! :)


NS*AP2012-06-04 18:16:01
@Hybrid Soldier do you will ask Lorne ;) ????? Lorne is famous you an fan !!!

DREAM ON !

Music reply Replies: 2 || 2011-12-11 19:46:03
Im looking for the end of the Megamind music or soundtrack that plays after (Bad MJackson). And it starts with latin(salsa, mambo) rythm.
How can I find this music?


12012-05-21 12:03:04
does any one know where to download the megamind soundtrack on the enternet


Damien, Moderator2012-05-21 21:02:13
You can on Amazon (look at the link on left side of this page).

Anonymous reply Replies: 0 || 2012-05-21 18:42:00
What theme did Lorne Balfe compose?

Kate reply Replies: 1 || 2011-03-18 00:00:00
Also looking for the music from the opening scene of Megamind (when he's falling) which is the background music for the menu screen on DVD. Why can't I find this anywhere?


German2011-11-24 10:16:50
IVE BEEN LOOKING FOR THIS SONG TOO!! Cant Find it ANYWHERE!! Going Crazy here >:D

////// reply Replies: 3 || 2011-09-17 05:05:26
From ASCAP:

Writers:
BALFE LORNE DAVID RODERICK
HILTON STEPHEN
HOLKENBORG ANTONIUS B J TOM
ZIMMER HANS FLORIAN

ESCAPE FROM PRISON (1M6)
METRO MAN CEREMONY (1M8)
MEGAMIND S EVIL LAIR (1M9)
WOOING ROXANNE (1M10)
METRO MAN S CELEBRATION / SHARE & TIGHTS (1M1
MEGMIND CRASHES PARTY (1M12)
METRO MAN TO THE RESCUE (2M13)
METRO MAN S WEAKNESS REVEALED (2M14)
METRO MAN REMEMBERED (3M24)
HATCHES A PLAN (3M26)
BRING A HERO IS FOR LOOSERS (5M40A - C)
METRO MAN S FLASHBACK (5M42)
BADDEST BOY OF THEM ALL, THE (1M4)
METRO MAN DAY (1M5)
KIDNAPPING ROZANNE (1M5B)
METRO MAN ARRIVES (2M15)
IF ONLY METRO MAN WAS ALIVE (3M25)
ROXANNES FINDS MEGA S LAIR (3M27)
ROXANNE OPENS EXIT ING DOOR (3M28)
ROX AND BERNARD HUG / DESTINYOF HAL (3M29 - 3
END OF LOVE MONTAGE (4M31)
HAL COMPLETES TRAINING (4M32)
MEGAMIND AND MINION FALL OUT (4M33)
ROXANNE MEETS TITAN (4M34)
ROXANNE AND BERNARD DINNER DATE (4M35)
BLACK MAMBA REVEALED (5M37)
MEGAMIND & ROXANNE JOIN FORCES (5M41A)
HEY STINGER (5M41B - C)
ROXANNE GIVES MEGAMIND A PEP TALK (5M44 - 45)
TV SURFIN (5M44 - 45)
ROXANNE IN JEOPARDY AND HAL TERROIZES (6M47 -
FINAL BATTLE - RETURN OF HALL (6M50 - 51)
DRAMA QUEEN I DID IT (6M52 - 53)
HAL S THEME (6M58)
LOVE THEME (6M59)
STARS & TIGHTS (6M60)
BEING A HERO IS FOR LOOSERS (5M40A - C)
REJECTION IN THE RAIN (4M36)


//////2011-09-17 06:14:08
Edit: Found some more cues:

Writers:

BALFE LORNE DAVID RODERICK
HILTON STEPHEN
HOLKENBORG ANTONIUS B J TOM
LEVINE MICHAEL ALAN
ZIMMER HANS FLORIAN

BADDEST BOY OF THEM ALL, THE (1M4)
METRO MAN DAY (1M5)
ESCAPE FROM PRISON (1M6)
METRO MAN CEREMONY (1M8)
MEGAMIND S EVIL LAIR (1M9)
WOOING ROXANNE (1M10)
METRO MAN S CELEBRATION / SHARE & TIGHTS (1M1
MEGMIND CRASHES PARTY (1M12)
METRO MAN TO THE RESCUE (2M13)
METRO MAN S WEAKNESS REVEALED (2M14)
MEGAMIND IN CITY HALL (2M22)
MEL-ON-CHOLY (2M22B)
METRO MAN REMEMBERED (3M24)
HATCHES A PLAN (3M26)
BRING A HERO IS FOR LOOSERS (5M40A - C)
METRO MAN S FLASHBACK (5M42)
KIDNAPPING ROZANNE (1M5B)
METRO MAN ARRIVES (2M15)
IF ONLY METRO MAN WAS ALIVE (3M25)
ROXANNES FINDS MEGA S LAIR (3M27)
ROXANNE OPENS EXIT ING DOOR (3M28)
ROX AND BERNARD HUG / DESTINYOF HAL (3M29 - 3
END OF LOVE MONTAGE (4M31)
HAL COMPLETES TRAINING (4M32)
MEGAMIND AND MINION FALL OUT (4M33)
ROXANNE MEETS TITAN (4M34)
ROXANNE AND BERNARD DINNER DATE (4M35)
REJECTION IN THE RAIN (4M36)
BLACK MAMBA REVEALED (5M37)
BEING A HERO IS FOR LOOSERS (5M40A - C)
MEGAMIND & ROXANNE JOIN FORCES (5M41A)
HEY STINGER (5M41B - C)
ROXANNE GIVES MEGAMIND A PEP TALK (5M44 - 45)
TV SURFIN (5M44 - 45)
ROXANNE IN JEOPARDY AND HAL TERROIZES (6M47 -
FINAL BATTLE - RETURN OF HALL (6M50 - 51)
DRAMA QUEEN I DID IT (6M52 - 53)
BLUE SCORE THEME MEDLEY (6M57)
HAL S THEME (6M58)
LOVE THEME (6M59)
STARS & TIGHTS (6M60)


Hybrid Soldier2011-09-17 08:43:17
And you've still missed some cues... ;)


//////2011-09-18 02:02:44
Ya I figured. Can you share with us these other cues, and tell us where to find them?

Brie reply Replies: 1 || 2011-03-02 00:00:00
Am I clear in understanding that there is no track for the DVD title screen music they used or that little snippit in the beginning of the movie which was the same track? Because I have gone through the entire soundtrack and have not heard it ONCE. There was a tease of it in Giant Blue Head, but that wasn't the actual piece. You're driving me nuts, Zimmer, for not putting that in the soundtrack!!! Please, if anyone can help me find it or tell me where I can get it, it would be much appreciated.


Blue2011-08-20 22:44:39
I don't know, but I totally agree.

Snake reply Replies: 12 || 2010-12-19 00:00:00
I think Lorne Balfe is doing a better job than Zimmer these days. Zimmer has been more involved in not so good projects including this one Megamind. His best works were done until 2003. However, Zimmer was involved in some projects that were awesome like The Dark Knight or Kung Fu Panda (special Zimmer's themes) (John Powell sucks). Also Balfe did good compositions, but that doesn't mean he's the next Zimmer. NO!!! He will never be the next Hans Zimmer. He''ll need a whole lifetime to do that but even with that, he'll never surpass Zimmer's earlier works. Should I tell them? No. Because everybody knows his works and he's the God of film music even with his few fails. But don't think I'm saying I hate his works. No; I think he's got talent and definitely has more talent than Henry Jackman, Ramin Djawadi (even his work in Medal of Honor) and the worst film composer of all times and Remote Control's history; Steve Jablonsky (special him and his totally horrible film compositions, and more with Michael Bay) together. That reminds me the time when Hans Zimmer and Harry Gregson-Williams worked together for a long time as Gregson-Williams as his apprentice. But that's my opinion so don't get angry if I offended you.

If Zimmer let Balfe to compose more music for upcoming films, then Balfe will gain respect in Hollywood and would work with renowed film producers and directors like Zimmer's former "padawans" such as Harry Gregson-Williams, Marc Streitenfeld, Trevor Rabin and Klaus Badelt. Besides, I loved what Balfe and Zimmer did on Call of Duty: Modern Warfare 2 together.


Edmund Meinerts2011-06-07 16:10:32
John Powell sucks??? You're kidding, right? Powell is by far the best padawan (your word!) to emerge from Remote Control, to the point that I think he's doing better stuff than Zimmer himself these days.

Go listen to How to Train Your Dragon. Then cry because you were such an idiot ever to type the forbidden words "John Powell sucks", come back and apologize.

Also, listen to Steamboy - it'll make you think twice about your opinion of Jablonsky. ;)


Samantha2011-06-07 20:34:27
Amen Edmund Meinerts!!!


Lucinda2011-06-07 20:39:10
Wait... did Snake just wrote "John Powell sucks"??!!! Really???!!!

Oh my God dude... you shouldn't be alive!! You should be in the mental institute for writing those words.

John Powell is a fantastic composer - one of the best - and I'm really angry with the Academy for not giving him the Oscar for HTTYD (which is, btw, one of the best scores in the world).

Hans Zimmer is good and I love him but I have to be honest - his padawans (using your word as Edmund did) are becoming greater than him.

Sorry dude but you are just lame!!!


Peter2011-06-07 22:49:08
His Padawans?

I'll admit Jablonsky and Ramin Djawadi of late have been Getting better in their mimicry of Zimmer's styles. Even Henry Jackman did a good job with Xmen...

but I have to agree with the guy who negates Powell...

I'll extend that to even say Gregson-Williams sucks as well.

Both have been getting lazy. Either that or the projects they've been taking on havent really been the kind of projects
that give them much room to work, and much less shine in.


Gregson Williams watermark seems to have been after he did Man on Fire. Ever since then he's been riffing on himself.

Powell's looks to have been the Bourne Series. Much of his work after that, probably save Hancock, has been hyperkietic childrens' movie fare, which is kinda meh IMO. And yes I include Kung Fu Panda.

Im all for Zimmer's padawans picking up the torch, but both Powell and GW have been dropping their balls lately and letting THEIR padwans outshine them...


Trent Easton Navarro2011-06-07 23:14:59
@ Peter

Powell and Gregson-Williams on a bad day still write better music than all those padawans with exotic names I don't even care to remember. They don't even deserve to be called padawan, minion is probably a better name.

Hell, on a bad day Gregson-Williams and Powell write even better music than Zimmer himself. Then again, Zimmer probably hasn't written a note of music in years, he's got his minions for that.


Samantha2011-06-08 00:58:05
Amen Trent Easton Navarro!!

I was gonna write something like that but you were first!


Ds2011-06-08 10:25:14
"Zimmer probably hasn't written a note of music in years, he's got his minions for that"

Read his interviews and see how you're lying!!


Hybrid Soldier2011-06-08 12:44:10
Trent is writing crap and it surely does look like he doesn't know what he's talking about... ;)


Trent Easton Navarro2011-06-08 13:11:04
@ Hybrid

Am I really? Sure, I exaggerated by saying Zimmer hasn't written a note of music in years. But he also hasn't written a full score without relying on his minions in years. It almost seems that list of additional composers is getting longer and longer with each score. Also none of his recent scores are as good as the stuff he wrote in the 90's.

And you can't seriously think that Ramin Djawadajajaji and Atali Orvarizon write better music than Powell and Gregson-Williams?!


Hybrid Soldier2011-06-08 13:29:56
Because Powell & Gregson write their scores alone ?

Are you kidding ? What about Dom Lewis, Paul Mounsey, McKee Smith, Ashton Thomas with Powell ? Cauthery, Hybrid, Anthony Lledo, Daveid Buckley, even Matthew Margeson with HGW ?

And yeah, I can affirm in the past few years Atli did much better than HGW (who is kind of lost since 2005)... Eagle, Season, Free Realms (which of course you haven't heard, I can't blame you), Babylon AD HGW hasn't matched stuff like that since a veeeeeeeeeeery long time, unfortunately... :S


Trent Easton Navarro2011-06-08 13:52:25
Well no, but I don't get the idea that they rely on the additional composers as much as Zimmer does.

HG-W last couple of scores weren't very impressive (although I loved Prince Caspian and Prince of Persia), but I think that also had something to do with the films them self. Here's hoping he'll deliver on Cowboys and Aliens.

As for Örvarsson, I didn't really care much for Season but I did like The Fourth Kind. And The Eagle was also pretty good. Never heard of Free Realms. I'll see if I can find that one somewhere.


Lucas2011-06-17 17:37:18
Sometimes you're right Snake, but you should also respect each composer Ramin Djawadi is one of my favorites! Steve was a good composer with Steamboy, transformers 1, and then a second part of this terrible and stupid with ACDC!

Lukas from Germany reply Replies: 0 || 2011-06-17 17:32:49
Lorne thank you for the sign Cd!!

Best,
Lukas

Pete reply Replies: 0 || 2011-05-21 20:56:19
Could someone post who did what on this please?

SoreThumb reply Replies: 0 || 2011-03-05 00:00:00
@Brie I scanned the entire soundtrack too, and I couldn't find it either... :|

fatma eden reply Replies: 0 || 2011-02-10 00:00:00
ilove uuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuu x

Lukas reply Replies: 0 || 2011-02-09 00:00:00
Thank you Lorne for the sign !!

Best
Lukas

  Your name :   

Please enter number: 993 

Hybrid Soldier reply Replies: 0 || 2011-01-20 00:00:00
Yep great news ! And trust me it's really a great score, full of different choirs ! ;)

Kickass reply Replies: 0 || 2011-01-20 00:00:00
yeah! "Ironclad" a score by Lorne Balfe for a movie set in medieval time will get a release by Varese : 03/01/11

"Composer Lorne Balfe provides an epic, vibrant, heroic score for orchestra and choir."

Can't wait!

Anonymous reply Replies: 0 || 2011-01-06 00:00:00
will rango have a cd release?

anyone know?

Dakota reply Replies: 0 || 2011-01-06 00:00:00
Oh, man I hope Rango gets a release. I wanna see that so bad, it looks really good. Just watching the trailer makes me feel like it will have a good score.

Anonymous reply Replies: 0 || 2011-01-05 00:00:00
cool thanks hybrid

Hybrid Soldier reply Replies: 0 || 2011-01-04 00:00:00
There won't be a release for The Dilemma either...

Lorne told me it's a really short score (a bit less than 40 min total) with tons of short cues... So no good listening experience...

So, no, no CD planned... :S

Anonymous reply Replies: 0 || 2011-01-04 00:00:00
so I'm guessing we won't hear the dilemma either?

Hybrid have you any info on the project at all?

Enrico reply Replies: 0 || 2010-12-13 00:00:00
This was made expecially by Balfe....right?!

Prott reply Replies: 0 || 2010-12-13 00:00:00
Enrico: I`m guessing that theme suites and some tracks (Stars and Tights, ...) are by Hans Zimmer and rest is by Lorne Balfe (so it was co-composed by both of them).

alireza of iran reply Replies: 0 || 2010-12-12 00:00:00
tank u for making this beautiful musics keep writing these everlasting musics your music is has inspired me so much tank u tank u so much the great talented hans zimmer

Mario Soundtrack reply Replies: 0 || 2010-12-06 00:00:00
Genial! Great! Tightenville; Stars and Tights; Black Mamba; Rejection in Rain; Ollo; Game Over!!!
The best:....Ollo, Stars and Tights...or Game Over..!
Hard stand

Anonymous reply Replies: 0 || 2010-11-30 00:00:00
Lorne is great! The next Zimmer : )

Jaweco reply Replies: 0 || 2010-11-17 00:00:00
This is a fun score, nothing outstanding but nice to listen to nevertheless... but I think the CD ends far too abruptly ! It lacks some kind of conclusion, the end of "Evil Lair" leaves me waiting for what's coming next... except that there is nothing next ! A conclusion track would have been good, it would have given some closure to the album... too bad !

Pages << 1 2 3 4 >>

 HANS-ZIMMER.com© 2001-2018 OST 
Megamind soundtrack - Hans Zimmer - Lorne Balfe 2010