Music Supervisor: Julianne Jordan Music Conductor: Gavin Greenaway Supervising Music Editor: Tom Carlson Music Editor: Annette Kudrak Additional Arranging, Midi Orchestration & Programming: James McKee Smith, Paul Mounsey & Michael Mollo Supervising Orchestractor: John Ashton Thomas Additional Orchestrators: Gavin Greenaway, Tommy Laurence & Germaine Franco Orchestra Contractor: Isobel Griffiths Assistant Orchestra Contractor: Lucy Whalley Music Recorded & Mixed at Abbey Road Studios & 5 Cat Studio Score Recorded by Nick Wollage Additional Recording by Marc Viner Assistant Engineers: John Barrett & Stan Gabriel
Orchestra Leader: Perry Montague-Mason Guitar: Vivian Milanova Keyboard Sampling: Zac Rae Drum & Percussion Sampling: Joey Waronker Sound Programmer: Beth Caucci Music Preparation: Jill Streater, Jessica Wells, Locian MacKenzie-Spencer & Natalie Williams Music Production Assistants: John Traunwieser, Jacob Merryman & Jason Bard Water Mastered by Patricia Sullivan-Fourstar, Bernie Grundman Mastering
Release date : 11/02/2010
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yes it's true. by the way, what can you say for this Hybrid. Completely fake as you say for everything who win to post tracklist like this before you do it?
^^^The guy above me seems to be problematic and a non-believer.
Take care of him, please.
Of course, we could never know if it is continually the same guy who refuses to believe that Hybrid Soldier really does have anything: he's Anonymous. Yeah, good job genius.
I don't know for Hybrid, but for me at least this one's not a fake. But that's very old news, definitively. :)
don't be stupid. anyone can take my name and clai to be the 'real hybird'. just like now. stop acting pathetic and grovelling over someone who may not even exist. I claim to have the music, yet I do not share??? odd, eh?
To be fair, I think the director wasn't seeking a bombastic score, let alone a melody driven orchestra. The story is sorta bleak, with all odds against one individual. I think the electronics resemble the highly evolved state of the CIA along with all the red tape that comes within this very story. It's simple, but at the same time very complex.
I think overall, it's music that was more or less used just to keep up with the story, the characters, and that's about it. It isn't like John's prievous scores where his music carries the soul of movies. This score was to carry the enviroment of the film - nothing more nothing less. And to be quite frank, it does the job. I certainly enjoy most of the music on here. Specifically "The White House" "Ready to Fight" "Uncomfortable Love" and "Testify"
@ mis and dawn. Hans zimmer likes composer to get a foothold in the business cause that the hardest thing to do, you always learn from each other and get inspiration from each other thats how the world works.
Zimmer, along with Jay Rifkin, created a music company called Media Ventures, later renamed "Remote Control". Powell was hired in this company for a while... working on projects where Zimmer was the main composer / producer. Now Powell has his own trademark and is more a master than a student, but he definitely began his hollywood carrier thanks to Zimmer, being some kind of a member of Zimmer's team. You cannot deny it ! :D
"...ex-team members of Hans Zimmer" Powell as a ex-team member of Hans Zimmer.... I don't know, but I consider Powell as a separate composer. Zimmer and he had a job (Face off) but then they split up. That's all :) He learnt everything by ownself I think.
You can hear the samples at amazon. this is the link: http://www.amazon.com/Fair-Game/dp/B0045X1GLK/ref=tmm_other_ title_0
another action-electronic music from john powell that sounds like doug liman' previous film score and recent greengrass' greenzone score. it sounds good, but i love powell scoring in animation world better. (i want to be a composer in the future, and john powell is my main inspiration, so i love all john powell score)