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Meh. As long as Steve is still there trying to salvage the movies with his music I'll be fine.Not so fast!<br><br>h t t p s ://screenrant.com/transformers-movie-universe-reboot-cancell ed-rumors-denied/amp/It's probably for the best at this point. With the fifth film, the continuity was ripped apart and the story became unbelievably convoluted. So many characters have been wasted and killed off throughout the series. At this point, audiences don't really know what's going on. I think it's time they take a break, and then start anew. <br><br>I started watching the films when I was younger, and while I'd love for them to wrap up the "story", how many movies would it take to do so?Hey man, that was a really good score okay lol but i mean like a good superhero movie like a marvel or DCWell, there's always Catwoman...
Damn so he ruined his own career? i hope he gets a second shot. Would to see what he can do with a superhero movie. I know he'd kill it if given the chance. Hopefully disney will let him score Christopher Robin. Here's hoping!they are going to reboot transformers, oh my GOD!Rabin himself has never considered to be a Zimmer-guy.Lol, maybe Trevor can return for Deep Blue Sea 2! Not that THAT would help his career much....<br><br>im actually very happy, that trevor didn't renew his style like hans for a couple of times. i just wish, he would compose more for orchestra only without guitars and cheap sounding samples. scores like Remember The Titans, The Great Raid and Flyboys prove that he can do it. maybe bruckheimer will hire him someday again. trevor composed amazing scores for him....with help by rcp on a couple of movies. ;)
Yeah I agree, the problem with Trevor is that he never adapted to his environment, so to speak... He never changed his style, always the same kind of writing (big amazing theme + big action + guitars) and slowly lost the interest of everyone...<br><br>Key is being able to renew yourself (for better or for worse). But I miss his themes cause he's an amazing melody writer.<br><br>I know he wants to work, he wants to be hired to score, even if he doesn't "need" it really, and yes he has his solo/band career going on as well...<br><br>Funny story about Trevor he never really liked being listed on Hans-Zimmer.com as he never was a regular RCP occupant (even if I think having worked with Mancina and then done pretty much 5 scores at RCP, and then having in his team former RCP members, it did justify to me)... But since I'm probably the last one promoting his career on the internet, and having his brother-in-law Steve Kofsky being RCP's boss, I keep him there ! loltrevor rabin is taking a break from composing filmmusic and was on tour the last 2 years with jon anderson and rick wakeman from YES. they created a new band called ARW. at the moment they are working on new songs.and what about Trevor Rabin? He is amazing composer as well, sadly we donīt hear about him anymoreThanks Hybrid for those informations. I always had some fear Hans had his fingers in his departure from rcp and making his career-life as hard as it can get. It's too bad to see he doesn't appreciate the gift it was given to him. That talent was beyond, and the collaboration between Hans and Klaus was magical. I so would have wished it would never have stopped. And by reading your comments, Hans seems to think that aswell :(In fact, he's not even a composer anymore, he has his own company which deals with movie broadcasting worldwide... He does a score here & there but it never was his vocation... He just happened to be ridiculously talented (and Hans will confirm this to anyone even to this day).
On Hans ? No. On Klaus...<br><br><br>I'll say one thing : waste of talent... I loved Klaus' music and his amazing scores while he was in RCP, but he didn't need the help of anyone to destroy his own career... Too bad...klaus said in an interview last year, that he was looking to do some french movies, because he saw one on a flight to paris and was amazed by that movie and also because he loves paris and has a couple of friends there. he contacted people there to get in the french film business. he likes the way the people work there in the business. more freedom for him. in the interview he doesn't sound like he had to do these movies, because otherwiese he wouldn't get work. he really wanted to do these movies.because it would put a bad light to zimmer? are his hands involved in this that badelt isn't getting any big movies at all?There's a lot more to the Klaus story I can't really disclose here...I don't think so...remember those years when he did all sorts of random low-budget French comedies and thrillers? Didn't seem too choosy to me.<br><br>This is pure idle speculation, mind you, but I wonder if Klaus might not have burned some bridges here and there...his departure from the MV/RC/Hans inner circle seemed awfully abrupt.
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Additional Music Arranger
Matthew MargesonTodd HabermanJeff BiggersJason Soudah
ComposerAdditional ArrangementsMusic Scoring MixerScore Technical Assistant
Skyline
Label: Varese Sarabande
Length: 52'31
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (8359 votes)
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  1. Don't Look Up (1:40)
  2. Abduction (3:29)
  3. The Escape (3:33)
  4. Ship Down (2:12)
  5. Skyline (2:40)
  6. They're Not Dead (5:02)
  7. Make A Run For It (6:15)
  8. The Cavalry (2:41)
  9. Arrival (3:42)
  10. The Resurrection (2:17)
  11. Final Battle (3:14)
  12. Jared IsChanging (3:51)
  13. Vaya Con Dios (1:28)
  14. Loss Of A Friend (3:59)
  15. Inside The Ship (4:34)
  16. Damage Control (1:55)
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Anonymous reply Replies: 2 || 2014-09-11 22:40:19
Skyline Sessions
01 - 1m01.5v0 Skyline
02 - 1m01v12 Main Titles (Skyline)
03 - 1m01v11 Main Titles (Alternate) {Skyline}
04 - 2m07Av02 Siren Light Music
05 - 2m07Bv02 Don't Look Up
06 - 2m07Cv06 Jarrod Almost Abducted
07 - 2m08-09v08 Arrival
08 - 3m10v07 Jarrod is Changing
09 - 3m11v01 Untitled
10 - 3m12v05 Bye Bye Neighbor _ To the Garage
11 - 3m14v04 The Escape
12 - 3m15-16v04 The Resurrection
13 - 4m17Bv02 Discussion
14 - 4m17v05 The Loss of A Friend
15 - 4m18-19v06 What's the Plan _ The Calvary
16 - 4m20v04 Ship Down
17 - 4m21v05 They're Not Dead
18 - 5m22v06 Jarrod and Elaine Make A Run for It
19 - 5m23-24v07 Slaying the Drone _ Tanker Morseis _ Vaya con Dios
20 - 5m25v06 The Final Battle
21 - 5m26v04 Abduction _ Around the World
22 - 6m27v03 Inside the Mothership
23 - 6m28 Damage Control
24 - 6m29 Skyline Suite


Everan2014-09-12 04:53:33
Wait, was there music in the film that wasn't in the soundtrack?


KT Koskela2014-09-12 18:36:44
Yes.

Everan reply Replies: 2 || 2014-05-23 02:35:47
So, the Facebook page of the film just posted the poster for the film's sequel.
Hoping Margeson returns.


Prott2014-05-23 11:20:39
I hope so too, the score for the first one is the best part of the movie... by far!


cody2014-05-23 15:55:06
just the track damage control!!

Anonymous reply Replies: 0 || 2011-03-05 00:00:00
Shockingly bad score .... 4 chords - 5 at best ...

Could try harder - seriously.

Tim reply Replies: 0 || 2011-02-19 00:00:00
To be honest, the score is good, but the movie is one of the most rediculous ones I've ever seen!!

Falconet from italy reply Replies: 0 || 2011-02-19 00:00:00
yeah...margeson did addittional score on Brian Tyler's Battle of Los Angeles

Anonymous reply Replies: 0 || 2011-01-25 00:00:00
Simply, The Score Is Amazing. And Much music is missing.

Dakota reply Replies: 0 || 2011-01-20 00:00:00
He's also doing the Score for Battle: Los Angeles, which this film is a rip-off of.

Anonymous reply Replies: 0 || 2011-01-20 00:00:00
Curious, but Brian Tyler is a producer executive of this movie. Remember, Tyler made the score for Alien Vs. Predator Requiem which was also directed for The Strauss Brothers, the directors of Skyline

585347054 reply Replies: 0 || 2010-12-05 00:00:00
i'm listenin' this score right now....so amazing!!!

585347054 reply Replies: 0 || 2010-12-05 00:00:00
&#1085;&#1077;&#1090; &#1089;&#1083;&#1086;&#1074;...

Everan reply Replies: 0 || 2010-11-27 00:00:00
I adore the score, since I saw the movie and I actually liked it. If you're gonna see it, go with the expectations of having fun and see some great effects, not to see the next District 9, like a lotta people thought.
Margeson better have more work, and give additional music for Transformers 3, or maybe write the score with Steve Jablonsky. They could be awesome together.

john mansell reply Replies: 0 || 2010-11-21 00:00:00
good score, more please

Jaros428 reply Replies: 0 || 2010-11-20 00:00:00
"Final Battle" is definately my favorite. The last minute is just really epic sounding ;) I love it.

Felix D. reply Replies: 0 || 2010-11-19 00:00:00
Of all the tracks, I'll put in my vote that "Damage Control" is the weakest and feels out of place with the rest of the score. Considering that it's the music for the end credits of the movie, that makes it easier to understand with its inclusion. I like the track, but of all the tracks, it's the one I could leave out and still feel very satisfied with the score...it just doesn't flow with the feel of the rest of the tracks. And, yes to Miles, that the score plays out as a "low-key" offering, compared to other film scores, but this is, I believe, intentional. I'll be watching for future scores by Margeson, as I believe that he's shown great promise with giving us more scores that will be just as exciting to listen to. I still love Skyline's score, overall, and it's definitely worth the money.

Chill, refer to one of my previous posts for how "They're Not Dead" fits into the score's chronological order.

Here I am, working at home on my normal Friday schedule, and I'm listening to it, again. Of course, I have to keep things fresh, so I'm alternating "Skyline" with listening to the score for "9" by Deborah Lurie and the ever-pleasing release of Star Trek: The Deluxe Edition by Giacchino.

Happy listening, fellow fans!

Cloud reply Replies: 0 || 2010-11-19 00:00:00
As far as I'm concerned, Damage Control is the weakest track on the album. Totally ruins the listening experience for me at the end.

Miles reply Replies: 0 || 2010-11-19 00:00:00
I'm probably unique here, because "Damage Control" isn't my favorite track. It's not unlistenable, but the rock element seems slightly gratuitous, and there's an abrasive edge to it that keeps me from giving full marks. On the other hand, tracks like "Ship Down", "Final Battle" and especially "Abduction" are very good indeed. All in all, a solid if slightly generic effort from Margeson. Here's hoping he gets the opportunity to be more versatile in the future!

Chill reply Replies: 0 || 2010-11-18 00:00:00
and what about they're not dead?

Chill reply Replies: 0 || 2010-11-18 00:00:00
whoops meant jared is changingVVV

Cody Ellsmore reply Replies: 0 || 2010-11-18 00:00:00
The Song Abduction has a bit of a steve jablonsky touch to it but it good and Damage Control mostly the best track on it

Felix D. reply Replies: 0 || 2010-11-17 00:00:00
I agree, Chill. Abduction is my favorite track of the score. That's one of the final cues, falling in this order,

"Final Battle"
"Abduction"
"Inside The Ship"
"Damage Control"

chill reply Replies: 0 || 2010-11-17 00:00:00
if its not in order does that mean abduction could be the ending cue? I think its the most memorable piece, along with final battle...

Felix D. reply Replies: 0 || 2010-11-17 00:00:00
Hi, Bondo. The score actually is not in chronological order, but what's nice about this film score's production is that ALL of the memorable music is there...no wishing for those additional tracks that most scores leave out. For a sample chronological order for one of the film's memorable sequences, listen to the following in order,

"The Cavalry"
"Ship Down"
"They're Not Dead"

Nearly 2 days later and I'm still listening the heck out of the score. And, thanks for the comment, Everan!

Ele reply Replies: 0 || 2010-11-17 00:00:00
Wow, I didn't expected that, but this score is really good!

Falconet reply Replies: 0 || 2010-11-17 00:00:00
i'm listenin' this score right now....so amazing!!!

Bondo reply Replies: 0 || 2010-11-17 00:00:00
If anyone has seen this, can you tell us if it's in chronological order?

Everan reply Replies: 0 || 2010-11-16 00:00:00
I WON'T see the movie, but will get the score
To those that (unfortunately) saw the movie, how was the score? Anything good?

Kire reply Replies: 0 || 2010-11-16 00:00:00
Everan: yep. soundtrack was amazing :P that main theme was catchy.

The movie wasn't too bad; it was engaging, so long as you like sci-fi stuff. Action and acting were pretty good :P Special Effects through the roof too!! I can understand why some people won't like it though :P but if ur not a hardass give it a shot otherwise avoid ahaha

Anonymous reply Replies: 0 || 2010-11-16 00:00:00
Maybe I'll see it in DVD or something. I dont know, I just want the score right now, maybe it's the only thing "rescueable" from the movie, and the effects.

Felix D. reply Replies: 0 || 2010-11-16 00:00:00
I bought the soundtrack from Amazon at midnight on the 16th (first available). A very good score which was easy to hear during the movie. In my humble opinion (many people will disagree), Skyline is very effective at giving a chairarm-gripping experience after the first 30 minutes, so it works. The movie won't be a success in the U.S., but it'll be a hit everywhere else. The movie doesn't have a happy-ending, but it's realistic...it doesn't pull out that happy-find-a-virus-to-kill-the-aliens-in-3-days crap. Yeah, the character development's not there, but then, I didn't pay $10 for a tear-jerker, I asked for action, jaw-dropping special effects, and memorable music, all of which I got. Skyline had the courage to give us an alien invasion movie in broad daylight and got that part right on target. And the kicker is, it cost these guys $10 million to make. Hollywood (and everyone else) should take notice of that. Anyway, Margeson did a very good job on the film score. All of the tracks are good, but if you're doing things a la carte, pick up "Abduction", "Make A Run For It", and "The Cavalry". Best bet is to pony up $7.99 and download the entire MP3 score from Amazon.com.

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Skyline soundtrack - Matthew Margeson 2010