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On Millers water planet, those ticking noises happen every 1.25 seconds. Each tick you hear is a while day passing on Earth.@MikeOTM<br>Youíre absolutely right. Powell did an awesome job of staying within the musical sandbox of the SW musical universe but also was able to bring something fresh and original to the overall sound, something Star Wars really needs right now.Sweet. I've gotta say, this score surprised me in a good way. I've always loved Powell, but if you told me two years ago he'd write a Star Wars score, I'd have been hesitant about it. But Solo is really, really solid, even without the John Williams main theme. In fact, I like what Powell does with the JW theme better than the theme as JW wrote it.Wowww so many solo Powell!His part is not in the OST release...
No Paul Mounsey credits?Credits added !
<br>
<br>I didn't credit here JW for every arrangements of his theme & old SW themes that can be heard throughout the score.MoS, TASM2Badelt's "Solomon"?<br><br>This must be the "famous" Dark Knight reference that the "critics" are talking about.I could have sworn I had heard the Solomon theme and some of the same<br>Chords that Kraemer had used...<br>My mistake lol<br><br>And Balfe does seem like a genuinely nice person. Hell he even takes the time to put out unreleased music, not something most composers do. <br>That is exactly why I hate when people take personal jabs at composers (usually at Junkie XL for some reason). Itís fine to not like the music, everyone has different tastes, but donít criticize a composer for writing what he was asked to write.
I agree! He actually invited me to come to a recording session in London for this film, man it killed me that I couldnít afford to go. But I was so thankful he even thought to ask! Top notch guy.Say what you want about Balfe but he's a really nice guy, and always answers my questions on FB and others on twitter.I believe him as I didn't hear anything from Kraemer.I asked Balfe on Facebook if he used any of Kraemers theme and he said noI Know, Hybrid, just sayin' that i a fan of Benjamin Wallfisch's music Scores since lights Out to Blade Runner 2049 and i say this is another excelent Work from Wallfisch
One-worded track titles! Reminds me of early days of Media Ventures!<br><br>They sure tried real hard to keep spoilers out of these, didn't they? I suppose I'd take this approach over Latin or irrelevant names, though a little bit of pun and flavor wouldn't have hurt.So you can't wait to hear the score but you already say it's a great score ?<br><br><br>#inceptionAnother great score from Benjamin Wallfisch can't wait to hear the score & see the movie <br><br>Music By Benjamin Wallfisch<br>Additional Music By John Paesano & Adam Hochstatter<br>Orchestra Conducted By Tim Williams<br>Orchestrations By Peter Bateman & David J. KrystalWhy is people saying that Balfe kept some original music from Kraemer? I have listened to the whole score and I didn't found any quotes. Maybe in The Syndicate there is some kind of reference to Kraemer's theme but I don't really know.<br><br>And I have to say that I was expecting Balfe to shine on this one, but I ended up disappointed. There are some great action cues, and I like some things he does with the main theme like the use of choir, but the score as a whole feels like a reuse of many things I have already heard and ends up feeling repetitive and a bit boring. <br>And note that this is my opinion so don't jump into my neck saying this is the best score in the saga, because I think Rogue Nation is a really big step above this. I hope that at least it works in the context of the movie, which I suppose it does really well...Re-listening the score again...Ö.Have to say, Lisbeth Scott's beautiful vocals are definitely one of the highlights. She's amazing. On par with Lisa Gerrard.<br><br>Speaking of, what the hell happened to MV/RC guys incorporating female vocalists in their scores? I've always loved that approach. But it seems that it kinda went away......replaced by more and more sound design! So except for this score (and Steve's Your Highness) is there a recent big MV/RC score that actually features female vocals? Maybe I'm missing some...Ö..
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Harry Gregson-WilliamsHalli CautheryAnthony LledoJustin Burnett
ComposerAdditional MusicAdditional MusicAdditional Music
Unstoppable
Label: La-La Land Records
Length: 42'20
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6946 votes)
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  1. Stanton, PA (3:33)
  2. Frank Barnes (2:11)
  3. Will's Story (1:56)
  4. Ned (2:08)
  5. Dewey (2:25)
  6. Not A Coaster (2:18)
  7. "Are You In Or Are You Out?" (6:13)
  8. Realign The Switch (3:10)
  9. Galvin's Strategy (2:25)
  10. Playing Chicken With Trains (1:35)
  11. Will Guides 1206 (4:04)
  12. The Stanton Curve (6:02)
  13. "Who Do I Kiss First?" (4:20)
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Snake reply Replies: 5 || 2011-07-18 06:01:09
There are two missing musicians there. Heitor Pereira and Tony Morales. I have the soundtrack so if you ask me an image of it I'll gladly send you that guys.


Anonymous2011-07-18 06:07:04
you have unreleased music?


Snake2011-07-19 01:44:23
Unrealesed music?WTF?


Snake2011-07-26 07:36:41
I bought the Original Soundtrack and there are missing credits such as Heitor Pereira and Tony Morales on Guitars and Hugh Marsh on violin and Ryeland Allison isn't the music programmer, that is Anthony Lledo. Richard Whitfield, Jamie Luker and Del Spiva are also included in the Soundtrack.


Snake2011-07-26 07:39:47
I bought the Original Soundtrack and there are missing credits such as Heitor Pereira and Tony Morales on Guitars and Hugh Marsh on violin and Ryeland Allison isn't the music programmer, that is Anthony Lledo. Richard Whitfield, Jamie Luker and Del Spiva are also included in the Soundtrack.


Snake2011-07-26 07:52:29
I forgot some other credits: Halli Cauthery and Hybrid as additional music programmers, Booker White as copyist and Tim Lauber as recordist

Anonymous reply Replies: 0 || 2011-02-11 00:00:00
@Rango
I felt the same when I heard it, but i don't think that he wanted to steal the tune. What really feds me up is the fact that some cues sound almost exacly like Pelham 123 :S

Prott reply Replies: 0 || 2011-02-11 00:00:00
Rango: I don`t think it`s Harry`s fault (I can`t imagine he did it because he wanted to).
... Probably someone really liked the temp track.

Rango reply Replies: 0 || 2011-02-11 00:00:00
this is a soundtrack where i have to say, and I am a HGW-fan, shame on you harry!!!
Such a bad score, just some ugly cracking beats and that's it. And then having the idea of doing such an immense copy of WHY SO SERIOUS is absolutely... oh man. I can't believe that he earned with that score so much money.

I'm wondering if Hans has heard some cues of it, especially the brutally rip-off of his track for the Joker. Everything is there, the guitar theme, the one note that gets higher, the rusty violins and cellos...

Absolutely wow, and really shame on you Harry for this :/

It has a beautiful melody in there but too short and then always put together with that immense rip-off.

Anonymous reply Replies: 0 || 2010-12-30 00:00:00
The Stanton Curve = Why So Serious?

Falconet from Italy reply Replies: 0 || 2010-12-01 00:00:00
Here's some addittional credits :

Ryeland Allison: music programmer
Justin Caine Burnett: composer: additional music
Hybrid composer: additional music
Martin Tillman: soloist: electric cello

cameron reply Replies: 0 || 2010-11-25 00:00:00
Frank Barnes is great sound track was copies from Indian Bollywood music...but great work

Adrian reply Replies: 0 || 2010-11-19 00:00:00
@asd,

Ah thanks! That strange American style... I don't get why they do it here, since they are French!
Maybe BECAUSE they're French...........

Cloud reply Replies: 0 || 2010-11-19 00:00:00
Yes, it's a little confusing, as it's usually year / month / day. Here it's month / day / year. Oh, well... btw. my (autographed) copy got shipped out today, yay! ;)

asd reply Replies: 0 || 2010-11-18 00:00:00
@Adrian: hahaha no buddy. not july ^^. it's the 7th december ;P

Mcbain reply Replies: 0 || 2010-11-18 00:00:00
Those are the best soundclips from a Tony Scott movie I've heard in a long time! Hopefully the rest of the score is just as good! Go Harry!

Adrian reply Replies: 0 || 2010-11-18 00:00:00
Thanks for the tip!

It sounds like a fusion of Bourne and Wolverine... especially Frank Barnes!

But it sounds very good, I'll most likely buy this one :-) Hopefully Bol.com will offer the autographed copies too! Why did they announce it now, but release it in July? That's so long away... Are they waiting to see if the film is a succes? Or are they afraid of a Season of the Witch-repeat?

HGW4 reply Replies: 0 || 2010-11-17 00:00:00
La La Lands Records website has some sound clips up....they were also selling autographed copies...

tomPoland reply Replies: 0 || 2010-11-17 00:00:00
Sounds like Deja Vu 2 (at least in the movie)

Bondo reply Replies: 0 || 2010-11-17 00:00:00
Great score, just saw the film! Lots of samples from DEJA VU are used

Todd reply Replies: 0 || 2010-11-16 00:00:00
Where can we hear sound slips?

HGW4 reply Replies: 0 || 2010-11-12 00:00:00
So excited....

David reply Replies: 0 || 2010-11-10 00:00:00
I Love Harry Gregson WIlliams.
The Best Composer ever!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Harry reply Replies: 0 || 2010-11-10 00:00:00
100 Copies with the sign!!!!!

RuthlessGravity reply Replies: 0 || 2010-11-10 00:00:00
Wow, a month away from release of the actual movie? That sucks, but I guess it shouldn't be that much of a problem considering we are going to get it eventually.

Wayne reply Replies: 0 || 2010-11-10 00:00:00
Incredible!!!!
One of the best Gregson!!!
I can't stop listening the track number 3(beautiful) and the top action track number 6,10,11.
''Who Do i Kiss First?'' i'ts amazing!!Wow!!
Great work Harry!!
Congratulations!!!

Dakota reply Replies: 0 || 2010-11-09 00:00:00
Damn, why such a late release date? I hope it's good

Lasse reply Replies: 0 || 2010-11-09 00:00:00
i really look forward to this one :)
Harry Gregson Williams music in tony scott style :)
hell yeah :D

Anonymous reply Replies: 0 || 2010-11-09 00:00:00
from what reviews are saying it's totally forgettable. Typical Harry and Tony borefest

Bondo reply Replies: 0 || 2010-11-09 00:00:00
Considering I've enjoyed their past few collaborations (namely Deja Vu), I remain optimistic!

Jaros428 reply Replies: 0 || 2010-11-09 00:00:00
here's the tracklisting....

1. Stanton, PA
2. Frank Barnes
3. Will's Story
4. Ned
5. Dewey
6. Not A Coaster
7. Are You In Or Are You Out?
8. Realign The Switch
9. Galvin's Strategy
10. Playing Chicken With Trains
11. Will Guides 1206
12. The Stanton Curve
13. Who Do I Kiss First?

Jaros428 reply Replies: 0 || 2010-11-09 00:00:00
also, here's what a reviewer on Cine Talk said about the score....

"Harry Gregson-Williams score is very good, although it does sound very similar to THE DARK KNIGHT score, in some ways itís better, because it really fits the feel of the picture. When these two, Gregson-Williams and Scott, get together, its always great. I did notice that there were some cues from AVP2 score too".

Jon reply Replies: 0 || 2010-10-27 00:00:00
Awesome. And it comes from La-La-Land, which is an excellent label.

HGW4 reply Replies: 0 || 2010-10-27 00:00:00
I can't wait!!!!!

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Unstoppable soundtrack - Harry Gregson-Williams 2010