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@Hybrid, what happened with Trevor? Why his scores are not listed in the page? ThanksIt is somewhat bizarre that you all are thinking directors actually want to work with Junkie. Surely, the only reason anyone hires him is that they want Zimmer who is not available. Yes, some may have heard Mad Max but it would be silly to think anyone actively wants a Junk score.Bob Badami (as Robert Badami), Melissa Muik, Mark Wherry (as Mark Andrew Wherry are music editors!<br><br>Booklet credits<br><br>Music Editor: Melissa Muik <br>Score Wrangler: Bob Badami<br>Digital Instrument Design: Mark WherryI don't think Junkie XL picks the shittest films to work on. It's just that art film directors won't choose him to score their films. Even in RCP, a lot of his colleagues are more well respected than he is. I would argue Benjamin Wallfisch is already more well regarded. Mad Max is an exception because of its unique setting and story line.Metro Expanded Score (1997) By Steve Porcaro & James Newton Howard<br><br>I found an interesting about unreleased tracks from the whole movie by one hour and 57 minutes, it's meant something missing in the movie. But I did edit some unreleased tracks from the movie, but not in OST It could be Expanded Score. I'm sure about that!<br><br>1. Main Title (1:57)<br>2. Sam's Death (1:31)<br>3. Keep You Out Of This (0:41)<br>4. Roper & Ronnie (0:51)<br>5. Jewelry Store Heist / That's Korda (1:46<br>6. First Chase (2:41)<br>7. Cable Car Pursuit (6:18)<br>8. He's Getting Away (0:21)<br>9. Car Garage Capture (0:51)<br>10. Dinner Only (1:06)<br>11. Intruder (3:14)<br>12. Ronnie Attack (4:41)<br>13. Love Theme (1:51)<br>14. Korda's Escape (1:49)<br>15. Is She Out There ? (0:26)<br>16. Ronnie Kidnapped / Korda's Demands / The Shipyard (3:16)<br>17. Final Chase (3:11)
"I do think he knows how to place emphasis on music as opposed to Joss Whedon or any of the other studio director who treats it like a byproduct."<br><br>I agree with you, except that Snyder and I have very different ideas about what makes good (film) music, and how to emphasize it. Ridley Scott is a somewhat similar case. Somehow he has gotten a ton of great music written for his movies over the years despite the fact that his musical instincts are really strange and misguided sometimes. At least Snyder doesn't butcher the scores he gets.<br><br>You're right that a director like Whedon doesn't seem to pay that much attention to how music can enhance his movie. But as someone who cares about film music 95% of the time as albums, not in film, I often find that a director who gets out of the way and just trusts the composer to do his/her thing is preferable to one who gets overly involved with the scoring process and has lots of ideas about how things should sound. That the subsequent scores end up buried or ineffective in their films is a shame, but the music at least tends to be good on its own terms.@mrzimmerfan<br>Oh no, I mean I love the score as a whole. I was just saying my personal highlights. Man of Steel emotionally resonated with me. But that’s cool that you like BVS, I personally just think Man of Steel is more engaging.@mpolonest: But that moments are simply moments, not the entire score, i prefer BvS, because there is a variety in it: Batman, Wonder Woman, Luthor, and is more complex than MoS (also i prefer the movie over MoS).<br><br>And yes, the theme for Superman is cool, but that dosen't make the entire score cool too.and some nice boob representation, too.@MrZimmerFan<br><br>Point Break is a lousy movie, but the score and guitar main theme isn't all that bad. Those 10 minutes on the soundtrack don't do it enough justice at all.<br><br>But again - this is Junkie doing action scoring....Miles better than any of his slow stuff. For me, anyway.
@Edmund <br>He’s definitely not my favorite director, but I do think he knows how to place emphasis on music as opposed to Joss Whedon or any of the other studio director who treats it like a byproduct. One of my biggest pet peeves is when directors/composers just use music as a sonic wallpaper, instead of letting it improve  and add to the scene. John Ottman is a great example. He can write great themes, but he tends to write underscore which adds nothing to the film. That’s why Zimmer, Williams, James Newton Howard, etc. are so good. They treat each moment with care."Zack Snyder, a director who actually understands music"<br><br>A matter of opinion, and not an opinion I share.@mrzimmerfan <br>I disagree with you there. I love Man of Steel, I think the themes and the overall bombastic nature of the score work perfectly. As for BVS, I’m not a huge fan honestly. There are some amazing highlights, but the tone of the score is so downbeat. It lacks the soaring elements of “Flight” or “What Are You Gonna Do...” and the action highlights of “Terraforming” or “Escape From Ship”. <br><br>To each their own though :-)For the themes mostly, this Batman and this Superman fit with the themes written by Zimmer. But the score by Elfman is miles better than MoS and BvS (for those two, BvS is much interesting and better than MoS, which is only good)<br><br>I genuinely wish we could hear Justice League, I would have loved to see what he brought to that under Zack Snyder, a director who actually understands music.
I still remember when Divergent was released, I was almost immediately dismissive of Junkie XL. Having only heard his remixes and his drum stuff for MoS/300 the first thing I expected was to hear an electronica album with percussion and sound design. So imagine my surprise when I heard several different themes, beautiful string adagios, vocals, and a pretty big variety of styles. And then Run All Night came out and blew me away. Ever since then I’ve been pretty supportive of his work, but I have to agree with everything you guys are saying.<br><br>The past two years have been pretty bad in terms of his ratio of good scores to bad. Black Mass and Brimstone, as I’ve mentioned, are solid scores that veer away from the usual JXL sound. But then we have Deadpool (abrasive), Distance Between Dreams (ok for a stand-alone album), Dark Tower (pretty fun in parts and just bland in others), and Tomb Raider (one of the most generic scores I’ve heard in recent memory). It’s frustrating to see a composer who obviously has talent and a diversity of skills write almost the same thing over and over. <br>And the weirdest thing is, his earlier scores are far more distinctive than his current ones. How did that happen?Nope he released All I see is you Soundtrack last year and it was a great soundtrack..<br><br>Are you sure you're a fan of him?<br><br>So far no project announced for this year but I think there will be at least one...What happened to Marc Streitenfeld? It's been a long time since there has been any involvement or a new score from him. Some years ago, I thought he's going to be the new upcoming star from the horizon of RCP. But then abruptly silence. Any reason or information?@Meta: Really Point Break was interesting?, it's only 10 minutes of music released, and i din't care about it, honestly, and the movie was really, really bad.<br><br>As for Tomb Raider, the music was serviciable in the movie, but i more comfortable with it than Point Break.I'm not sure JXL is picking the projects. In the case of Tomb Raider it seems like WB handed it to him when Joss Whedon asked them to replace him on Justice League. I guess they were annoyed because he had been a frequent collaborator, so giving him another blockbuster straightaway was a soft way of dealing with that.<br><br>Also yes poor JXL really seems pigeonholed. Even though, to be honest, the only style he's proven excellent so far is the rythmic stuff (see the highlights of Fury Road). His rare excursions to other styles have been quite bland to me, so the fact that he's always asked to do the same style isn't really a surprise. Directors/producters who want this specific sound will call JXL, and people who're making a comedy or romance won't even bother and will call another composer.

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ravi reply Replies: 0 || 2018-01-28 10:17:12
Thank You Hans Zimmer For Such Lovely Soundtracks. I Hope Will Give Your Best Always And I Heard Your Are Scoring For Dark Phoenix. So You Are Back At Superhero Movies. Please Come Back To Dc Series Of Movies. Loved The Indian Jam Project Interstellar Theme and Other Covers By Artists. HZ Lots Of Love From India.

Ivine reply Replies: 0 || 2017-12-28 07:35:36
I really enjoy the music which will lead u to an empathy. It's just like the game of brain.

liyablack(ShagievaLiya) reply Replies: 0 || 2017-12-20 13:12:35
Hello Hans, my name is Lilya, I'm from Russia, and I'm a fan of your creativity. If you have free time, please listen to my music, but only there is a demo version, because I'm afraid that my music can be stolen. If you are interested, I can completely throw the tracks on your mail or wherever you say. I apologize for this translation, because it translated to Google translator. Thank you very much for your attention and your precious time! Personally for me - you are the coolest composer!

Alex reply Replies: 0 || 2017-12-08 00:12:05
I'd just like to thank you for bringing beautiful music to the world. Your work is incredible.

NotaPix reply Replies: 0 || 2017-09-16 11:22:35
thanks Antas for uploading my covers.
a greeting to all of you and in particular who has allowed all this:
Hans Zimmer.

Sandun reply Replies: 0 || 2017-08-29 09:11:47
Dear Hans, I would like to send one of my creations for you. I named it "Hans" I have not learnt music but....Thank you

veronica reply Replies: 0 || 2017-08-20 08:21:45
m ur biggest fan....always stay alive

Soundborne reply Replies: 0 || 2017-08-04 05:12:58
Hello Hans Zimmer fans! I very glad to share you with some of my works:
1. Mole: Escape - tribute to Dunkirk. I tried to recreate the stuff, tension atmosphere and some motifs from the first half of the film. Track has nervous strings play in shepard tone with dynamic tempo, that rises and rises with the ticking and heartbeat.

LINK: dunkirk

ORIGINAL SCORE - RESONATING, PULSING, BREATHING and VIBING. IN CREATION I USED DARK ZEBRA presets (little-bit modified Forlorn and Ringmod Pulser patch, because Mr. Zimmer is using custom version of synth - Zebra HZ) for U-HE ZEBRA 2 SYNTH. "BREATHING" ORCHESTRA SOUND is CineOrch Low patch library. For piano parts I used great, for my opinion, Soundiron's Emotional Piano (Soft Piano patch). Drums part is modified Titan Drums from Drums of War library. Guitar part created with mixed combination of different vst guitars and own custom guitar-like preset for U-he Zebra 2. In mastering I used one EQ and Compressor. Happy listening!!!


JPiercey reply Replies: 0 || 2017-07-17 07:05:39
Hey guys, i'm in a competition to meet Hans himself in the next couple of weeks. My entry is a cover of his piece "503" from angels and demons. Unfortunately i entered the contest super super late. some people have had their entries up for almost a month. However, after uploading 2 days ago i have had an overwhelming response. I AM IN 2nd place. I would love if you guys could listen to my cover and possibly help me win this competition.

here is the link

U guys hold the keys that could enable me to meet my musical hero!

Thank you for the support and id love to hear your feedback on my cover.


Praveen reply Replies: 2 || 2016-10-26 07:16:04
Should I submit the audio in mp3 format or wav format? Pls anyone help me out? What are the things should I send along with the audio?

Piyush VC2017-05-02 13:03:50
Mp3 Format. Just your name and the file will work.

Antas, Webmaster2017-06-22 15:23:25
mp3 format indeed

DT-1138 reply Replies: 0 || 2017-06-21 15:07:55
For those who want to make their own Hans Zimmer-style covers, but don't have money to spend out on expensive sound libraries, I'd highly recommend looking into Soundsonline's ComposerCloud subscription service. It has practically everything you could want, even including heavy percussion like that used in Zimmer's 90s scores and in Lorne Balfe's Terminator Genisys. And it's not expensive: you can go for a monthly plan that gets you 9000+ instrument patches for as little as $29.99. I'm on the ComposerCloudX scheme and that is even better because it has close mic recordings for some of the included sets.

Gemma Louise Doyle reply Replies: 0 || 2017-06-16 04:55:09
Dear Hans Zimmer friends,

Thank you for receiving this message.
I will give the World for you to kindly submit my message to Hans himself.
Thank you

I attended your Hans Zimmer Live concert tonight in London.
I saw you living my vision (life achievement and my purpose) and will be thrilled to feature on your music/ create music with you.

I am an exceptionally ambitious, driven & committed 25 years of age musician, having last year taken flights to Las Vegas and previously around the World (to meet and perform for audiences and people who show a keen interest in my career)

However, I know, in my heart, that I am here to give much more to a greater, wider range of groups. People who deserve to know and experience the same sense which you provide with your music. I also feel very connected to you by the way in which you communicate this message in your delivery and words on stage. I have never seen anything as superbly brilliant in my life. Nor imagined it. Well done and thank you.
In addition, I felt that your donation of proceeds from the show was a beautiful, a selfless personal token of generosity, which every one of the thousands of people at the concert (and I'm sure many more) deeply respected.
I too am sharing this message with the World, it is my dream to do so on a scale like you do. As you may see from my personal message videos:
(I also speak German, my strong favourite among six languages!)

I have a website where you can find out a little more about me, what people say and explore my social media.
However first, perhaps you may be most interested listen to which demos of my voice I have on SoundCloud:
MySpace website is and you should also see my other links within the email signature.

It could change more lives, to have me sing your unbelievable incredible & outstanding music.
One of my favourite masterpieces of yours is of course the theme from my all time favourite movie Gladiator.

Your music touches and moves all people, in ways which are incomparable.

Should you happen to find me, and have any interest to hear or meet me, kindly get in touch.
I will be eternally invigorated and grateful to speak with/hear from you.

Thank you,
One of your forever true allies (whether known by yourself or not)
Gemma Louise Doyle
International Singer Entertainer
+44 7757 216112

Elit.Novum reply Replies: 0 || 2017-06-15 18:16:53
Hi, I'm waiting for new Zimmer's, masterpiece - Dunkirk, so I'm created in free time my versions of film score

Çi&#287;dem Uçar reply Replies: 0 || 2017-06-12 10:15:04
Thank you for the great movie music.My daughter and I see your name at the end of almost every movie.You are so glad that you do music.

  Your name :   

Please enter number: 90000 

Lucas Lima reply Replies: 0 || 2017-06-06 06:09:00
Hello, I'm Brazilian and a super fan of the movie Miss You Already! It's been five months since I've been looking for the Scores in the movie. Do you know where I can find it? Could you send me? It seems that copyright blocked Brazil. Thank you.

Lucas Lima reply Replies: 0 || 2017-06-06 04:59:38
Olá por favor, onde encontro o Score Completo do Filme Miss You Already? Por favor, ajudem!

DarkKnight reply Replies: 0 || 2017-05-30 23:41:48
Pradeep Pande 'The Dark Knight Rockz'. . YAS! Fantastic!! *****

Debra reply Replies: 0 || 2017-05-27 09:57:41
Love Maestro in The Holiday! The music keeps bringing me back to the movie. Something delightful about it!

giovdan reply Replies: 1 || 2017-05-11 18:22:58
Hi All,
My version of Zimmer's "Pirates of the Caribbean" film's soundtrack; a suite with some famous film's themes, arranged for Organ (but some parts are improvisations).
Youtube link is:

Is possible to upload .mp3 file directly? How I cant upload
it (is a big file)?...
Thanks to All, Zimmer's Fans!!!

via Cee 291, 21027 Ispra (VA)

NotaPix2017-05-16 13:12:06
penso ke mp3 vada bene. nn so nulla riguardo al peso. l'unica &#232; tentare. l'indirizzo &#232; sopra i brani dei fans, nella riga 'Submit your own version'.

mpolonest123 reply Replies: 0 || 2017-04-21 00:13:37
Didn't know where else to post this but here goes....

Just finished with the Hans Zimmer Masterclass and have to say that it is truly worth it for anyone who

a.) Want to start a career in film scoring
b.) Loves Hans Zimmer and wants to really see a candid look into his writing process and thought style going into any project.

This really is one of the most informative types of classes which give you an "outside-the-box" approach. Props to Junkie Xl for his Studio time series as well!!!

And what I really want to know; if Zimmer ever plans to release a collection of his "diaries" lol :D

Roz reply Replies: 0 || 2017-04-13 20:27:43
Dear Hanz , since I was 9yrs old I knew what my calling was !!
And surprisingly the film music I write is in the same mode ,vibe .. The feeling on which chord I do and which sound and how softy or hard you okay the song ... It all comes down to emotion !!!

You were my hero , well still is !

How can I send my work to you ?? I live in South Adrica ... It's . Everything is an effort to try and make contact !! While your dream is on a train and its busy getting away without you ... That's how I feel here in South Africa .. My hands are cut off and my calling and dream ... I can't just give up I can't !!! I was born to do this !!!! And By God I will try my best to succeed !!!

Thank you For sharing your talent to the world *

MissBuggle reply Replies: 0 || 2017-03-29 16:46:21
Hans Zimmer...Take me to your planet.

Kantor Ralph J. Cupper, Eid church, Nordfjordeid, reply Replies: 0 || 2017-03-04 01:40:43
Dear Hans.

Thank you so much for your inspiring links on YouTube about your Master Class. Despite the amount of disparaging and scathing comments from some people, I think your comments about setting composers free to create new life shattering music at the drop of a hat with computers, I phones is definitely the way forward. You have proved this yourself with your career and inspiring music. Yes, you have to break the rules and splosh new ideas manuscript paper through the computer so that you can say new things.

The rules are only necessary for the young student to get into professional music and start writing. Once you are there, you must set them aside so that you can create something new. After all that is what Bach and Mozart did like Stravinsky after them because there are new things to be said musically. But all ideas, be it a film school, a symphony or even a simple song, classical or pop, come about through a story. You must have a story, something to tell, to inspire the composer to make music.

There is just one thing which I personally have never found out of and that is how does one get into the film/music world? I was at the London film school earlier. They taught me many things but not how to get into the profession. Frequently one has asked what films or TV programmes have you written music for before? Without having anything concrete to refer too one is automatically bypassed. In other words you have to have a proven track record before you can get into the profession.

If you have any ideas about this Hans, I would be extremely grateful to hear from you.

Best of luck with your next film project.


Ralph J. Cupper,
Tlf: 00 47 90881265

Graeme Cruickshank reply Replies: 1 || 2017-01-04 11:17:00
I'm engaging information about the masterclass held soon on Fridays. I'm living in Australia and wandering if the classes are only live or if recorded since I'm having to use only my spare time in watching these classes. I'm hoping it's ina Format I'm able to save and watch at a later stage. Is this true? Thanks for your assistance and look forward to hearing from you.
Regards, Graeme Cruickshank

Jaz Düx2017-01-04 20:24:08
Hey! The classes are not live and can be taken at your own pace. That's the beauty of it!

NotaPix reply Replies: 3 || 2016-09-26 19:11:16
x Cyberpunk88
yes, I will put on youtube.
However, this site belongs to Hans Zimmer.
I here are just a guest.
I do not know if I have the permission of the admin Antas to put the link.

Cyberpunk882016-10-13 18:31:30
Hi Notapix, thanks for uploading it to youtube! Is there any chance you could put a download link for the flac or mp3 version in the description? I really like your mix and would like to have the best quality of it possible :)

NotaPix2016-10-14 11:54:32

I have done :)

Cyberpunk882016-10-15 15:25:31
Thanks a lot!

NotaPix reply Replies: 2 || 2016-09-30 13:54:06
Can Akcan, you have very well done your 'Time' cover as it is my opinion.
I like it :)

Can Akcan2016-10-01 00:00:38
Hey NotaPix!
Thank you for your good comment :) I liked your covers too. Actually there is nothing new on my version but as a composer I learned a lot while doing this cover.
Kind regards,
Can Akcan

Adam Adams2016-10-04 09:59:50
That's what I did - I think of it as an exercise and great opportunity to look inside the track. And it has been a really good experience. I have learned a lot from it.

Great job, fellow composers!
Adam Adams

NotaPix reply Replies: 12 || 2016-08-26 08:04:02
many thanks for hosting my covers on this page. it is an honor for me.
a big hug to all of you and Hans Zimmer :)

Marco2016-09-04 11:31:43
Interstellar cover is really very nice. Well done!

NotaPix2016-09-07 14:34:44
grazie marco :)
sei tu che hai rifatto
''like a dog chasing cars'' e ''eptesicus''?

the covers are yours on
''like a dog chasing cars'' and ''eptesicus''?

Marco2016-09-10 19:46:45
Si, ho rifatto io i due brani. Ho ascoltato anche il tuo eccellente "Da Vinci Code - Chevaliers de Sangreal". Impressive...
Molto bello, che librerie hai usato?
Io ero a Praga per il concerto di Hans Zimmer.

NotaPix2016-09-11 14:48:21
le tue cover, e qualche altra fatta da altri utenti, mi sono piaciute per l'impressionante fedelt&#224; con le musiche originali di hans zimmer. non ho librerie come unico riferimento. cerco di usare, per esempio, vari tipi di piccole ''librerie-cello'' per rendere il timbro meno stereotipato possibile, a mio avviso.
per una questione di pochi soldi a mia disposizione, mi accontento di guardare i concerti di Hans Zimmer su you tube.
quello che mi piace di Hans Zimmer, &#232; che nelle colonne sonore riesce sempre a cogliere l'anima dei films. lui non si accontenta di seguire solo l'immagine o/e l'aspetto emotivo.
&#232; un grande.
ciao ;)

ENGLISH: your cover, and a few others made by other users, I liked the awesome fidelity with the original music by Hans Zimmer. I do not have great sound libraries as the only reference. I try to use, e.g, various types of little ''library-cello'' to make the tone less stereotyped as possible, in my opinion.

as a matter of very little money available to me, I'll settle for watching the concerts of Hans Zimmer on you tube.
what I like about Hans Zimmer, it is that the soundtracks always manages to capture the soul of the film.
he is not content to just follow the image or / and the emotional aspect.
He is a great.

Laura2016-09-20 16:25:55
Sorry, but how did you get the original score? It's so amazing your cover!!!!

NotaPix2016-09-21 15:19:30
(Excuse my bad English)
many thanks Laura.
I was highly motivated. very motivated.
'Detach' is the song that excited me especially compared to the other songs of 'Interstellar album' (beautiful them too).
I looked some tutorials in youtube... but there are not any.
so I wanted to copy the original song by Hans Zimmer listening carefully ... step by step. unfortunately I could not do better because I have not studied music, but I'm happy with the result.

a question please:
are you who made the covers 'The contender theme' and 'Now we are free'?
if so:
I really like your version 'Now we are free'.
if I understand correctly, I think the violin is real and not virtual. you play it you?
bye :)

Marco2016-09-24 11:03:18
I think the result is excellent especially if you haven't studied music. Can you please tell me about these cello libraries?
I like also small variations despite the cover being really matching the original, small variations with respect to the original (whether intended or result of the arrangment) give a touch of personal interpretation and originality. When it is the result of researching too much the original sound, it is not a good result (I believe I have this flaw in some parts my arrangment) but when it is not, then the result is good. Cannot explain better but in your "Da Vinci", I like that.

isildur2016-09-24 14:15:41
Both covers are awesome mate. Kudos!

NotaPix2016-09-24 18:59:53

Many thanks isildur. I hope to hear your own cover.

x marco:
hmmm. I'm a bit embarrassed.
google translator does not translate well from English, so do not understand the exact meaning of the text.
English words I know can be counted on the fingers of one hand. sorry.
about the libraries, I took as an example the 'cellos' section but also applies to other instruments.
I use different types of small libraries of the same instrument (without resorting to large libraries of last generation that are definitely good, but they are heavy for my pc).
the resulting sound as a whole is more 'full bodied' than using a single instrument (in our example: only one instument of cellos section).
but this should not, for me, make me lose sight of the overall sound of the song. This 'not lose sight of' it forces me to put some of my originality (perhaps appreciated or maybe not).
I hope I have correctly understood your question :)

it must be remembered, however, that is the musical composition that makes the difference. therefore, the compliments go to Hans Zimmer and staff ;)

Cyberpunk882016-09-25 22:03:26
Could you upload your Interstellar cover to Youtube? Or have a download link? I'd like to put it on my music player!

Laura2016-09-27 16:01:46
Hahaha no, I haven't done any cover at the moment. I'm searching the score from the vocal version (there's a version in youtube, I don't know if you know it) from "now we are free" and the orchestal score of "Chevaliers de Sangreal". I really love that theme!

And also sorry for my bad english, I'm spanish studying english :D

Marco2016-10-01 17:27:17
Hi Notapix,
You understood perfectly my question. Thanks

NotaPix reply Replies: 1 || 2016-09-30 14:41:03
Ciao Marco,
caspita (wow)!
You have remade a track complex with the addition of different musicals atmosphere. very nice.
whether there was a 'cover competition', for me you'd be one of those musicians who should participate.

Marco2016-10-01 17:24:15
Thanks for your comment. And thanks to Antas for hosting the cover.

Adam Adams reply Replies: 3 || 2016-09-30 09:57:07
Thank you for hosting my cover - you made my day! It's such an honour!

All the best for HZ and RCProd crew! ;)

NotaPix2016-09-30 13:41:49

You have very well done your 'Time' cover as it is my opinion.
I like it :)

NotaPix2016-09-30 13:45:16
sorry Adam.
'Time' cover &#232; di Can Akcan. ho sbagliato persona :P

NotaPix2016-09-30 13:51:08
sorry Adam.
'Time' cover is the Can Can. I got the wrong person (and language) :P

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