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@Bob<br><br>Thank you for the enlightment, I will consider opening my wrists for misconduct in the next few days, thank you very much... :o<br><br><br><br>Ok seriously though, you guys should know that if there's one guy that could not care less about awards... it's Hans... :)I am really enjoying his season of the Crown.a big balfe influence in this season with hints of Churchil and Genius I think. Really excellent music/ it's me@ds "Ramin is also doing a lot of projects but is far, far behind in terms of styles and creativity."<br> <br>I think the same for Jablonsky, Zanelli, XL, Jackman and Mancina.@macejko<br><br>"All the time he acts like the hottest shit in town, refusing to score basically everything they offer him"<br><br>You said in another comment that you never read an interview with Powell, so not reason you take that kind of conclusion of your character.<br><br>"The man hides in a cave, doesn't evolve at all and for some mysterious reason he is still revered like a second coming of Jesus Christ."<br>Powell is a clearly talented composer. He suffered criticism at the beginning of his career by sounding like Zimmer, but soon showed substance. And much more than that created an identifiable style, which today is reference to other scores of modern animations (which may be good or bad to depend on of the point of view).<br>Today he is an established composer and it is common for these composers to move away for a few years or even close their careers without many explanations for the public. In recent years we watched the estrangement of Silvestri, Horner, Williams and in the past we saw Faltemeyer, Bill Conti and Brad Fiedel drop their careers when they were at the top of the game.<br><br>" Say anything you will about Lorne Balfe, but at least he is working his ass off and slowly getting better and better"<br><br>As they said in another comment, you're compared to newbies and veterans. Balfe's having the opportunity of his life now. Take it or leave it. There's no choice. Powell, as well as Zimmer others, on the other hand, is a "senior member" of the club. He can afford to go away for a few years to resolve comprehensible personal problems without affecting the hard work he has developed in the last 20 years. Will Balfe continue to be so creative in 10 or 15 years?<br><br>@ds<br><br>"<br>Powell has nothing to prove, he has already mastered all genres"<br><br>That's funny, but it's fair. Powell Is a good composer. Not the best, far from it. Your style really narrows your work down, but we can say that from all the composers out there. So it's not a problem.The problem is he wants to limit his work to animations and fantasy.because he abhors gratuitous violence.<br><br>@george<br><br>". Although, I hate to say it, we could say the same for Zimmer in my opinion"<br><br>Zimmer's at the end of his career. All the other composers when they arrived at 60 years (with the exception of JNH, Goldsmith and Morricone) reduced the amount of projects per year and went on to choose their work best. It's a natural way.Over the years, it tends to get worse with one exception here and there. Don't keep expectations like he's in his prime<br><br>"he has "nothing more to prove", he is creatively dead."<br><br><br>Powell will work with a little more frequently in the coming years (or not) that only depends on his ambitions. However, frankly, he's never going to do three again. 4.5. 6 projects in a year. It takes a lot of motivation for that.<br><br><br><br><br><br><br><br><br><br>
Just listened to the whole thing, kind of a let down. Nothing interessting except for some action moments. Donít even recall hearing some sort of theme. Overall it was like listening to Cars 4: Spanish World Cup.I have already listened to The Jumanji Overture and I must say it sounds really great. Let's see how the rest of the score sounds.Tracklist with track duration:<br>01. The Jumanji Overture (03:20)<br>02. Digging Up The Past (01:43)<br>03. Brantfort High (01:09)<br>04. Into The Jungle (01:23)<br>05. Out of Character (02:31)<br>06. The Legend of the Jewel (02:23)<br>07. The Adventure Begins (01:40)<br>08. Special Abilities (01:16)<br>09. The Bikers (03:44)<br>10. Van Pelt (01:00)<br>11. A Test Of Friendship (01:22)<br>12. The Bazaar (01:16)<br>13. Snake Charmer (03:41)<br>14. The Power of Bravestone (01:04)<br>15. Seaplane McDonough (02:17)<br>16. The Missing Piece (01:46)<br>17. Lost In Time (01:18)<br>18. Flirting With Danger (01:36)<br>19. Albino Rhinos (03:44)<br>20. Retrieving the Emerald (01:54)<br>21. Out of Lives (01:49)<br>22. First Kiss (01:22)<br>23. The Jaguars (03:03)<br>24. Ring of Fire (02:07)<br>25. Begin The Climb (01:56)<br>26. Call Out Its Name (02:23)<br>27. leaving Jumanji (03:03)<br>28. An Older Friend (02:40)<br>29. Back To School (01:53)@ds the same for desplat's victory with Budapest Hotel.Maybe. I'd sure be happy for you lot ;) And I'd definitely rather see Powell attached to a project than, say, RGW, Junkie or Desplat. <br><br>That Solo movie is going to be a disaster, though.
One more thing: if indeed the reason for Powell's semi-hiatus was to be with his family as much as possible, we may well see his activity increase again in coming years now that his wife has passed away and his son is close to graduating high school (I couldn't find an exact date of birth for him but I think he's 16 or 17). Him taking on a project as big and ambitious as Star Wars isn't exactly the sign of someone who wants to take it easy. It's too early to say yet though.hans should win the oscar for best sound effects and not for the best music/score. just as a statement.And it's also unfair to use Balfe to criticize Powell. He started working on American projects in 2005 with Batman Begins, and only after 2010 did he receive individual projects. Is it accurate to compare someone who entered the party at the last minute with two others who are in it for 20 (Powell) and 30 (Zimmer)?<br><br>I'm in a hurry and I put everything into a translator. Forgive the many mistakes.<br> <br><br><br>Composers do not need to worry about the attention, acceptance of the public of the same or the same intensity as pop music artists do. There's no need to do that. Occasionally some name draws attention to the public and causes many people to be in the genre, Williams and Zimmer are the main examples that I can bring the table. However it is not because Williams or Zimmer are extremely popular and perhaps worry about the material they are offering to the public who adores them that all the composers of the world need to do equal. Most of these men and women even enxeega as "celebrity". They are more like artisans or the rest of the crew of a film that occupies with the lights, effects and costumes and that will never have the same response from the public as the main actor. And they don't even expect it. So I think it's foolish to wait for Powell to occupy himself in 2,3 movies a year to please a fanbase.<br><br>I'll agree with you when it says it's deplorable to see CPR composers who talk so much about building a single voice and giving emerging talent the opportunity to use so many additional composers (many of them with a possible promise that in the future they will work with Zimmer and thus have the opportunity to show his face in Hollywood.The sense is almost always these.You start with a secondary composer, he arrives at Zimmer and gains some kind of notoriety). But Powell is not the only one who does this. So he should not be the only one criticized.Well...it's a film score. It has no obligation to provide a pleasant or enjoyable listening experience, and for an award like this that doesn't really come into consideration. So if it works in the film, it did its job and that's all that matters.<br><br>For me personally, as someone who cares about music first and films second, a score like Dunkirk has little value. A few years ago I probably would have been pretty mad about this score winning awards and acclaim (you should have seen how salty I got when The Social Network beat out HTTYD), but these days... *shrug*. I know what I like, Dunkirk isn't it, and that's fine. It wasn't written for me. Do I wish Hans still wrote the kind of music I like? Of course. But he gets to make his own choices as an artist, just as I get to choose what to listen to as a fan.
The score is already on itunes.This score... so many mixed emotions. Does it work for the film? Heck yeah. Does it improve the film? So much so. Did Hans do what he set out to do? Totally. Is it an award winning masterpiece? Um, not so fast.<br><br>Dunkirk, while super effective within the context of the film (I wouldnít change a thing about it), I must admit, it doesnít have nearly the same effect as a stand-alone listen. Itís literally the same textures and notes over and over again, just slightly rising and falling in pitch and tempo. Does that make it ďawardĒ worthy? Iím not sure. If based solely on the film, you betcha. If based purely on the music itself, I donít think so. Thatís where Interstellar succeeds so far and away over Dunkirk. As a pure listening experience, Interstellar is interesting, multi-layered and emotional. Whereas Dunkirk is just flat, void of any sort of feeling or ďactualĒ music (again, works IN the film). Itís glorified sound FX (save for the end, which, no doubt, is in large part to Ben).<br><br>Hmm... Iíve never had a score tear me apart more than this one. I both love it and hate it. Maybe it did itís job... lol.<br><br>Excuse me while I go listen to No Time for Caution yet again.I think most of us agree that he should've won for Interstellar but I think Dunkirk deserves it too. The work Hans and the music department did on this movie is just incredible. Must've been a lot of hard work. <br>An award is an award, Hans' 2nd Oscar is long overdue so I'd be glad to see him win. But it would be weird to see him win for THAT score, after all the greatnesses of the past 20 years. Same thing with Morricone who won his only Oscar for his very light and insignificant work on Hateful Eight. Good for the man, good for the fans, but doesn't really make sense. But have Oscars ever made sense? :-phaha hybrid :D made my day
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This page contains cover versions arranged and produced by fans ("cover version" means a recording of a music that was previously recorded)

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Alex reply Replies: 0 || 2017-12-08 00:12:05
I'd just like to thank you for bringing beautiful music to the world. Your work is incredible.

NotaPix reply Replies: 0 || 2017-09-16 11:22:35
thanks Antas for uploading my covers.
a greeting to all of you and in particular who has allowed all this:
Hans Zimmer.
:)

  Your name :   

Please enter number: 90000 

Sandun reply Replies: 0 || 2017-08-29 09:11:47
Dear Hans, I would like to send one of my creations for you. I named it "Hans" I have not learnt music but....Thank you

veronica reply Replies: 0 || 2017-08-20 08:21:45
m ur biggest fan....always stay alive

Soundborne reply Replies: 0 || 2017-08-04 05:12:58
Hello Hans Zimmer fans! I very glad to share you with some of my works:
1. Mole: Escape - tribute to Dunkirk. I tried to recreate the stuff, tension atmosphere and some motifs from the first half of the film. Track has nervous strings play in shepard tone with dynamic tempo, that rises and rises with the ticking and heartbeat.

LINK: https://soundcloud.com/soundborne_n1/mole-escape-tribute-to- dunkirk
LINK: https://www.youtube.com/watch?v=oYiOn-06Unk

2. LIMBO - "TIME" Variation. LIMBO IS VERY CLOSE RECREATION OF INCEPTION'S MAIN THEME - TIME. I TRIED TO GET VERY IDENTICAL SOUND LIKE IN
ORIGINAL SCORE - RESONATING, PULSING, BREATHING and VIBING. IN CREATION I USED DARK ZEBRA presets (little-bit modified Forlorn and Ringmod Pulser patch, because Mr. Zimmer is using custom version of synth - Zebra HZ) for U-HE ZEBRA 2 SYNTH. "BREATHING" ORCHESTRA SOUND is CineOrch Low patch library. For piano parts I used great, for my opinion, Soundiron's Emotional Piano (Soft Piano patch). Drums part is modified Titan Drums from Drums of War library. Guitar part created with mixed combination of different vst guitars and own custom guitar-like preset for U-he Zebra 2. In mastering I used one EQ and Compressor. Happy listening!!!

LINK: https://soundcloud.com/soundborne_n1/limbo
LINK: https://www.youtube.com/watch?v=cIAcTRZYVIs

JPiercey reply Replies: 0 || 2017-07-17 07:05:39
Hey guys, i'm in a competition to meet Hans himself in the next couple of weeks. My entry is a cover of his piece "503" from angels and demons. Unfortunately i entered the contest super super late. some people have had their entries up for almost a month. However, after uploading 2 days ago i have had an overwhelming response. I AM IN 2nd place. I would love if you guys could listen to my cover and possibly help me win this competition.

here is the link indi.com/9439k

U guys hold the keys that could enable me to meet my musical hero!

Thank you for the support and id love to hear your feedback on my cover.


Josh

Praveen reply Replies: 2 || 2016-10-26 07:16:04
Should I submit the audio in mp3 format or wav format? Pls anyone help me out? What are the things should I send along with the audio?


Piyush VC2017-05-02 13:03:50
Mp3 Format. Just your name and the file will work.


Antas, Webmaster2017-06-22 15:23:25
mp3 format indeed

DT-1138 reply Replies: 0 || 2017-06-21 15:07:55
For those who want to make their own Hans Zimmer-style covers, but don't have money to spend out on expensive sound libraries, I'd highly recommend looking into Soundsonline's ComposerCloud subscription service. It has practically everything you could want, even including heavy percussion like that used in Zimmer's 90s scores and in Lorne Balfe's Terminator Genisys. And it's not expensive: you can go for a monthly plan that gets you 9000+ instrument patches for as little as $29.99. I'm on the ComposerCloudX scheme and that is even better because it has close mic recordings for some of the included sets.

Gemma Louise Doyle reply Replies: 0 || 2017-06-16 04:55:09
Dear Hans Zimmer friends,

Thank you for receiving this message.
I will give the World for you to kindly submit my message to Hans himself.
Thank you

I attended your Hans Zimmer Live concert tonight in London.
I saw you living my vision (life achievement and my purpose) and will be thrilled to feature on your music/ create music with you.

I am an exceptionally ambitious, driven & committed 25 years of age musician, having last year taken flights to Las Vegas and previously around the World (to meet and perform for audiences and people who show a keen interest in my career)

However, I know, in my heart, that I am here to give much more to a greater, wider range of groups. People who deserve to know and experience the same sense which you provide with your music. I also feel very connected to you by the way in which you communicate this message in your delivery and words on stage. I have never seen anything as superbly brilliant in my life. Nor imagined it. Well done and thank you.
In addition, I felt that your donation of proceeds from the show was a beautiful, a selfless personal token of generosity, which every one of the thousands of people at the concert (and I'm sure many more) deeply respected.
I too am sharing this message with the World, it is my dream to do so on a scale like you do. As you may see from my personal message videos: https://youtu.be/CSI60fv0pT0
(I also speak German, my strong favourite among six languages!)

I have a website where you can find out a little more about me, what people say and explore my social media.
However first, perhaps you may be most interested listen to which demos of my voice I have on SoundCloud: https://soundcloud.com/gemmalouisedoyle
MySpace website is www.gemma-doyle.com and you should also see my other links within the email signature.

It could change more lives, to have me sing your unbelievable incredible & outstanding music.
One of my favourite masterpieces of yours is of course the theme from my all time favourite movie Gladiator.

Your music touches and moves all people, in ways which are incomparable.

Should you happen to find me, and have any interest to hear or meet me, kindly get in touch.
I will be eternally invigorated and grateful to speak with/hear from you.

Thank you,
One of your forever true allies (whether known by yourself or not)
Gemma Louise Doyle
International Singer Entertainer
+44 7757 216112

Elit.Novum reply Replies: 0 || 2017-06-15 18:16:53
Hi, I'm waiting for new Zimmer's, masterpiece - Dunkirk, so I'm created in free time my versions of film score

https://soundcloud.com/user-646217196

«i&#287;dem UÁar reply Replies: 0 || 2017-06-12 10:15:04
Thank you for the great movie music.My daughter and I see your name at the end of almost every movie.You are so glad that you do music.

Lucas Lima reply Replies: 0 || 2017-06-06 06:09:00
Hello, I'm Brazilian and a super fan of the movie Miss You Already! It's been five months since I've been looking for the Scores in the movie. Do you know where I can find it? Could you send me? It seems that copyright blocked Brazil. Thank you.

Lucas Lima reply Replies: 0 || 2017-06-06 04:59:38
OlŠ por favor, onde encontro o Score Completo do Filme Miss You Already? Por favor, ajudem!

DarkKnight reply Replies: 0 || 2017-05-30 23:41:48
Pradeep Pande 'The Dark Knight Rockz'. . YAS! Fantastic!! *****

Debra reply Replies: 0 || 2017-05-27 09:57:41
Love Maestro in The Holiday! The music keeps bringing me back to the movie. Something delightful about it!

giovdan reply Replies: 1 || 2017-05-11 18:22:58
Hi All,
My version of Zimmer's "Pirates of the Caribbean" film's soundtrack; a suite with some famous film's themes, arranged for Organ (but some parts are improvisations).
Youtube link is:
https://www.youtube.com/watch?v=vHIV3XCY8SI

Is possible to upload .mp3 file directly? How I cant upload
it (is a big file)?...
Thanks to All, Zimmer's Fans!!!

GD

giovdnd@gmail.com
via Cee 291, 21027 Ispra (VA)
Italy


NotaPix2017-05-16 13:12:06
penso ke mp3 vada bene. nn so nulla riguardo al peso. l'unica &#232; tentare. l'indirizzo &#232; sopra i brani dei fans, nella riga 'Submit your own version'.
:)

mpolonest123 reply Replies: 0 || 2017-04-21 00:13:37
Didn't know where else to post this but here goes....

Just finished with the Hans Zimmer Masterclass and have to say that it is truly worth it for anyone who

a.) Want to start a career in film scoring
and/or
b.) Loves Hans Zimmer and wants to really see a candid look into his writing process and thought style going into any project.

This really is one of the most informative types of classes which give you an "outside-the-box" approach. Props to Junkie Xl for his Studio time series as well!!!

And what I really want to know; if Zimmer ever plans to release a collection of his "diaries" lol :D

Roz reply Replies: 0 || 2017-04-13 20:27:43
Dear Hanz , since I was 9yrs old I knew what my calling was !!
And surprisingly the film music I write is in the same mode ,vibe .. The feeling on which chord I do and which sound and how softy or hard you okay the song ... It all comes down to emotion !!!

You were my hero , well still is !

How can I send my work to you ?? I live in South Adrica ... It's . Everything is an effort to try and make contact !! While your dream is on a train and its busy getting away without you ... That's how I feel here in South Africa .. My hands are cut off and my calling and dream ... I can't just give up I can't !!! I was born to do this !!!! And By God I will try my best to succeed !!!

Thank you For sharing your talent to the world *

MissBuggle reply Replies: 0 || 2017-03-29 16:46:21
Hans Zimmer...Take me to your planet.





Kantor Ralph J. Cupper, Eid church, Nordfjordeid, reply Replies: 0 || 2017-03-04 01:40:43
Dear Hans.

Thank you so much for your inspiring links on YouTube about your Master Class. Despite the amount of disparaging and scathing comments from some people, I think your comments about setting composers free to create new life shattering music at the drop of a hat with computers, I phones is definitely the way forward. You have proved this yourself with your career and inspiring music. Yes, you have to break the rules and splosh new ideas manuscript paper through the computer so that you can say new things.

The rules are only necessary for the young student to get into professional music and start writing. Once you are there, you must set them aside so that you can create something new. After all that is what Bach and Mozart did like Stravinsky after them because there are new things to be said musically. But all ideas, be it a film school, a symphony or even a simple song, classical or pop, come about through a story. You must have a story, something to tell, to inspire the composer to make music.

There is just one thing which I personally have never found out of and that is how does one get into the film/music world? I was at the London film school earlier. They taught me many things but not how to get into the profession. Frequently one has asked what films or TV programmes have you written music for before? Without having anything concrete to refer too one is automatically bypassed. In other words you have to have a proven track record before you can get into the profession.

If you have any ideas about this Hans, I would be extremely grateful to hear from you.

Best of luck with your next film project.

Sincerely,

Ralph J. Cupper,
kantor@eid.kommune.no
www.ralphcupper.com
www.karincupper.com
Tlf: 00 47 90881265


Graeme Cruickshank reply Replies: 1 || 2017-01-04 11:17:00
Greetings,
I'm engaging information about the masterclass held soon on Fridays. I'm living in Australia and wandering if the classes are only live or if recorded since I'm having to use only my spare time in watching these classes. I'm hoping it's ina Format I'm able to save and watch at a later stage. Is this true? Thanks for your assistance and look forward to hearing from you.
Regards, Graeme Cruickshank


Jaz DŁx2017-01-04 20:24:08
Hey! The classes are not live and can be taken at your own pace. That's the beauty of it!

NotaPix reply Replies: 3 || 2016-09-26 19:11:16
x Cyberpunk88
yes, I will put on youtube.
However, this site belongs to Hans Zimmer.
I here are just a guest.
I do not know if I have the permission of the admin Antas to put the link.


Cyberpunk882016-10-13 18:31:30
Hi Notapix, thanks for uploading it to youtube! Is there any chance you could put a download link for the flac or mp3 version in the description? I really like your mix and would like to have the best quality of it possible :)


NotaPix2016-10-14 11:54:32

I have done :)


Cyberpunk882016-10-15 15:25:31
Thanks a lot!

NotaPix reply Replies: 2 || 2016-09-30 13:54:06
Can Akcan, you have very well done your 'Time' cover as it is my opinion.
I like it :)


Can Akcan2016-10-01 00:00:38
Hey NotaPix!
Thank you for your good comment :) I liked your covers too. Actually there is nothing new on my version but as a composer I learned a lot while doing this cover.
Kind regards,
Can Akcan


Adam Adams2016-10-04 09:59:50
That's what I did - I think of it as an exercise and great opportunity to look inside the track. And it has been a really good experience. I have learned a lot from it.

Great job, fellow composers!
Adam Adams

NotaPix reply Replies: 12 || 2016-08-26 08:04:02
many thanks for hosting my covers on this page. it is an honor for me.
a big hug to all of you and Hans Zimmer :)


Marco2016-09-04 11:31:43
Interstellar cover is really very nice. Well done!


NotaPix2016-09-07 14:34:44
grazie marco :)
sei tu che hai rifatto
''like a dog chasing cars'' e ''eptesicus''?

the covers are yours on
''like a dog chasing cars'' and ''eptesicus''?




Marco2016-09-10 19:46:45
Si, ho rifatto io i due brani. Ho ascoltato anche il tuo eccellente "Da Vinci Code - Chevaliers de Sangreal". Impressive...
Molto bello, che librerie hai usato?
Io ero a Praga per il concerto di Hans Zimmer.
Ciao.


NotaPix2016-09-11 14:48:21
le tue cover, e qualche altra fatta da altri utenti, mi sono piaciute per l'impressionante fedelt&#224; con le musiche originali di hans zimmer. non ho librerie come unico riferimento. cerco di usare, per esempio, vari tipi di piccole ''librerie-cello'' per rendere il timbro meno stereotipato possibile, a mio avviso.
per una questione di pochi soldi a mia disposizione, mi accontento di guardare i concerti di Hans Zimmer su you tube.
quello che mi piace di Hans Zimmer, &#232; che nelle colonne sonore riesce sempre a cogliere l'anima dei films. lui non si accontenta di seguire solo l'immagine o/e l'aspetto emotivo.
&#232; un grande.
ciao ;)


ENGLISH: your cover, and a few others made by other users, I liked the awesome fidelity with the original music by Hans Zimmer. I do not have great sound libraries as the only reference. I try to use, e.g, various types of little ''library-cello'' to make the tone less stereotyped as possible, in my opinion.

as a matter of very little money available to me, I'll settle for watching the concerts of Hans Zimmer on you tube.
what I like about Hans Zimmer, it is that the soundtracks always manages to capture the soul of the film.
he is not content to just follow the image or / and the emotional aspect.
He is a great.


Laura2016-09-20 16:25:55
Sorry, but how did you get the original score? It's so amazing your cover!!!!


NotaPix2016-09-21 15:19:30
(Excuse my bad English)
many thanks Laura.
I was highly motivated. very motivated.
'Detach' is the song that excited me especially compared to the other songs of 'Interstellar album' (beautiful them too).
I looked some tutorials in youtube... but there are not any.
so I wanted to copy the original song by Hans Zimmer listening carefully ... step by step. unfortunately I could not do better because I have not studied music, but I'm happy with the result.

a question please:
are you who made the covers 'The contender theme' and 'Now we are free'?
if so:
I really like your version 'Now we are free'.
if I understand correctly, I think the violin is real and not virtual. you play it you?
bye :)


Marco2016-09-24 11:03:18
I think the result is excellent especially if you haven't studied music. Can you please tell me about these cello libraries?
I like also small variations despite the cover being really matching the original, small variations with respect to the original (whether intended or result of the arrangment) give a touch of personal interpretation and originality. When it is the result of researching too much the original sound, it is not a good result (I believe I have this flaw in some parts my arrangment) but when it is not, then the result is good. Cannot explain better but in your "Da Vinci", I like that.


isildur2016-09-24 14:15:41
Both covers are awesome mate. Kudos!


NotaPix2016-09-24 18:59:53

Many thanks isildur. I hope to hear your own cover.

x marco:
hmmm. I'm a bit embarrassed.
google translator does not translate well from English, so do not understand the exact meaning of the text.
English words I know can be counted on the fingers of one hand. sorry.
about the libraries, I took as an example the 'cellos' section but also applies to other instruments.
I use different types of small libraries of the same instrument (without resorting to large libraries of last generation that are definitely good, but they are heavy for my pc).
the resulting sound as a whole is more 'full bodied' than using a single instrument (in our example: only one instument of cellos section).
but this should not, for me, make me lose sight of the overall sound of the song. This 'not lose sight of' it forces me to put some of my originality (perhaps appreciated or maybe not).
I hope I have correctly understood your question :)

it must be remembered, however, that is the musical composition that makes the difference. therefore, the compliments go to Hans Zimmer and staff ;)


Cyberpunk882016-09-25 22:03:26
Could you upload your Interstellar cover to Youtube? Or have a download link? I'd like to put it on my music player!


Laura2016-09-27 16:01:46
Hahaha no, I haven't done any cover at the moment. I'm searching the score from the vocal version (there's a version in youtube, I don't know if you know it) from "now we are free" and the orchestal score of "Chevaliers de Sangreal". I really love that theme!

And also sorry for my bad english, I'm spanish studying english :D


Marco2016-10-01 17:27:17
Hi Notapix,
You understood perfectly my question. Thanks

NotaPix reply Replies: 1 || 2016-09-30 14:41:03
Ciao Marco,
caspita (wow)!
You have remade a track complex with the addition of different musicals atmosphere. very nice.
whether there was a 'cover competition', for me you'd be one of those musicians who should participate.


Marco2016-10-01 17:24:15
Thanks for your comment. And thanks to Antas for hosting the cover.

Adam Adams reply Replies: 3 || 2016-09-30 09:57:07
Thank you for hosting my cover - you made my day! It's such an honour!

All the best for HZ and RCProd crew! ;)


NotaPix2016-09-30 13:41:49

You have very well done your 'Time' cover as it is my opinion.
I like it :)


NotaPix2016-09-30 13:45:16
sorry Adam.
'Time' cover &#232; di Can Akcan. ho sbagliato persona :P


NotaPix2016-09-30 13:51:08
sorry Adam.
'Time' cover is the Can Can. I got the wrong person (and language) :P

NotaPix reply Replies: 0 || 2016-09-28 14:35:29
Hola Laura ;)
yes, I listened to the vocal version of 'now we are free'... (different versions in youtube).
there is one that I really like, but no vocal, made by Tina Guo playing the cello. I believe that the originality of Tina has respected the soul that Hans Zimmer had evoked with this magnificent music.
:)

NotaPix reply Replies: 1 || 2016-08-04 08:12:38
Antas hello, I have sent to you two covers (interstellar and da vinci code) five days ago.
thank you and good continuation.


Antas, Webmaster2016-08-25 20:03:07
I just have updated the site with the latest covers ;)

NotaPix reply Replies: 1 || 2016-07-20 17:07:02
for admin:

good morning
(Sorry for my bad English ... google translator)

I'd put my cover as a tribute on this page 'fan covers' of Hans Zimmer.
I have some questions:
1) it is necessary that I possess some requirements or some permission?
2) the audio file I done, what specifications should have (* .wav, Hz, ...)?
3) where do I upload the file?
4) I prefer to put a nick name instead of my own name. it's possible?

Thanks for your attention.

a warm greeting to Hans Zimmer and to all of you who work with him.


NotaPix2016-07-23 18:55:43
Please admin, there is any chance that I can receive answers to my questions?
or perhaps uploading is closed?
thank you :)

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