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Oh dear . Where is the theme ?Comes across very likeable and enthusiastic.Now I'm even more excited!I'm on track 9 at the moment. Nothing especially memorable so far, but I do love the return of the Love Theme and Hoist the Colors.<br><br>Salazar's theme isn't as bad as I thought it would be, but it does seem to get repetative quickly. Hopefully the score isn't as blatantly bad on-screen as OST was. That film and score was a mess.Cool insight on POTC 5 !
Now that the album is out there I can easily say that I love this score. Definitely my 2nd favorite behind MoS. <br><br>Musically, much of it has that "Last Samurai/Transformers" power anthem style (with one of the themes sounding like King Arthur) but with RGW's string writing style as opposed to the bass heavy approach of those scores. The WW cello theme isn't used a whole lot, but when it gets some screen time it feels earned, and steals the show. The villain material is the weakest part, but instrumentally is pretty cool with the incorporation of the cimbalom (it reminds me slightly of Sherlock at points)<br><br>Overall, easily one of the best scores so far this year.Hans has not done this one because he was working on dunkirk at the time as far as I know. I saw the movie last night and for sure things like "What shall we die for", "One day", "Jack Sparrow", the legendary "He's a pirate" or even the bit of the musical clock/bell theme from davy jones and Calypso at the VERY end of the film are things that Hans wrote of course. In the movie itself you hear this stuff very often especially in the first hour of the movie which is packed with old themes. But Geoff Zanelli still wrote the other 60%/65% of the music so I can imagine that Hans said that they can give it to Zanelli because even if most of the themes are from Hans, he was most likely not heavily involved at the writing and scoring process. He was most likely there at the beginning of the process like Zanelli said in an interview and made sure that this story needed things like one day or the medallion calls. And he is not credited because of the fact that he was doing dunkirk and for sure his live tour and so he was like mentioned before only there at the beginning of the process and wrote/refined the new versions of one day or he's a pirate if he did anything. But i thought as well that they could have mentioned him in the credits like they mentioned Zanelly or even Steve Jablonsky in the credits of the first one or John Williams at Rogue One.I missed that, sorry! I agree with your other comment.<br><br>Jackman's contribution to the 2nd half of love suite, his rollicking orchestral mayhem in "I don't know if now is the best time" provide plenty of evidence of him imposing his style effectively on the material. <br>"Going back to ground 0" doesn't mean "make a poor movie".<br>I would like more Pirates movies, but not if they make them as bad as the 4th and 5th ones. They could have written an original story (I'm sure there are good writers out there who could have found something fresh) and started a new adventure just like the 2nd and 3rd movies did. It's not impossible.<br>But rather they just tried to remake the 1st movie. If they did it for the 5th one, why do you think they wouldn't do it for the 6th one? Judging by the post-credit scene, they are clearly not afraid of ripping off the previous movies even more... :-DHi Hans!<br><br>Your scores helped me pass through difficult times, in life.<br>Never heard music that touches me so deep inside.<br>Thanks - to you and your Team - and go on like this.<br>When do you come to Germany with your Team (live in concert)?<br><br>If you like to answer: atlantis42195@gmail.com<br>------------------------------------------<br>Hallo Hans!<br><br>Ein dickes Lob an Sie und Ihr Team.<br>Ihre Musik half mir, durch schwere Zeiten im Leben zu kommen.<br>Nie zuvor kannte ich Musik, welche mich derart berührt.<br>Wann kommen Sie wieder nach Deutschland, mit Ihrem Team?<br><br>Weiter so und beste Grüße, aus Düsseldorf!<br>Falls Sie antworten möchten:atlantis42195@gmail.com<br><br>Jill W.<br>
Yeah... I know what you mean...<br><br>First of all, I want this movie to be a fun ride. I cannot ask of it what I would ask of a Nolan production, for once. But I know I cannot ask of this movie what I would ask of a 2nd or a 3rd part. I say this because since DMTNT begins production they (producers) hinted it was the BEGINNING of a new adventure, So they had to go back to "ground 0". And is not too difficult to guess that they'd try the Star Wars formula; POTC 5 is basically Force Awakens in its intentions at the least.<br><br>So what really put me off is the fact that all this hate will only cause to not greenlit more adventures :( , because, well.. apparently audience doesn't want this dessert anymore.If that cheesy ending was "so so cool", it's just because it's a powerful reminder of how beautiful the 3rd movie was. And even more so in comparison to this dreadful 5th outing.Yeah I made a shitty suite ! :( :( :( lolLots of people complaining about the film and the score, makes me a little bit irritated. Of course this was never gonna reach the level of the first films. It never will be, it's been 10 years. I am a hugh fan of these films and after watching the new film I felt so good. That cheesy ending was actually so so cool. The movie wasn't perfect put they did some good things in it. I haven't heard this album yet but I listened to the samples and everything I wanted on this album, I did hear those parts in the samples. Afterwards I was humming that new adventure theme all day, even how unoriginal it is. It's cool and Carina's theme is a great new addition. This score is much than On Stranger Tides maybe think about that. Let this score grow on you. Most people now base their opinion on just this suite. Honestly ? It doens't reflect the score that well.I have yet to listen to the score, and I will after see the movie because I want to experience it on the movie itself first.<br><br>But if you read the very insightful interview with Zanelli for filmmusicamg, he talks about the "differences" between composers at RCP, and when Zimmer liked something of Zenelli its because, in Zimmer's words "it sounds so Geoff" (I think he was racalling it about Tia Dalma's theme and the tribal island music from DMC). So I think is kind of unfair to expect Geoff's music to sound very Zimmer's, realistically speaking. <br><br>I've been listening Zanelli's scores a few years now, and I think I Identify his style and his type os themes, which are not like Zimmer`s at all (talking about notes specifically)... so based on his scores I expect this to be a very Geoff Zanelli score leaning to POTC style and just a little of Zimmer.<br><br>You can see the differences in the OST album, just listen on what Zimmer composed and the listen the Spaniard's theme, which is by Zanelli.
Actually, iii, I expressed similar sentiments to yours in a reply below this post. :) Hans' absence is definitely felt. <br><br>As for Jackman vs. Zanelli, I'm not sure the two can be fairly compared. Yes, Henry made interesting arrangements, but most of what he did was the love theme from POTC 3. Zanelli, on the other hand, has worked on all four films and written a couple themes. So I feel like Jackman would have had to work on more for us to really say whether he's the stronger composer for the franchise.'I think they couldn't have picked a better composer than Geoff in Hans' absence'<br><br>I disagree, Mike. The strongest arrangements of Hans' material in the franchise were Henry Jackman. <br><br>'some would argue Geoff wasn't properly credited when Hans was in charge.'<br><br>'some' would be wrong. Geoff Zanelli was credited as an additional music arranger because that's what he did. The weakness of this score's ideas in comparison to particularly the third one speaks to the importance of the primary composer. There is nothing in this score the equivalent of "Marry Me" or "Hoist the Colors" or "Jack Sparrow" or "The Kraken" or even "Mermaids". <br><br>The score misses Zimmer big time, but I suspect if the film had looked interesting he might've been tempted back. The reality is Hans (love it or hate it) has a strong musical voice and you can feel its absence. <br><br>The main new theme is boring and the dreary cello version in the end credits is a completely over-used sound these days. And the mix of the whole score is appalling - even worse than On Stranger Tides flat soundscape. How did they manage to make a 100 piece orchestra sound like a demo for an off the shelf sample library? <br><br>Everything is just another backwards step. <br>Wow! 78 minutes of score! Cool.Man, I loved this movie.Hm, Angel On The Wing sounds a lot like the Cerberus theme from Mass Effect 2.
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This page contains cover versions arranged and produced by fans ("cover version" means a recording of a music that was previously recorded)

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Michael reply Replies: 4 || 2015-05-01 21:36:04
To everyone here! This is not the page of Hans Zimmer. It is only the site of some guys from France. Hans Zimmer can't hear you okay!!!!! It's just a fanpage nothing more, nothing less. Look at the label upper left! "almost".


Antas, Webmaster2015-05-02 17:59:38
@Michael : It's Hans Zimmer page -- Just ask him if you are not sure...


Michael2015-05-02 18:53:40
@antas it isn't. Sorry I don't believe that.How should I ask him now. Should I fly to Hollywood to ask him?
Okay I ask him, in German language. So he can write back in german, too.
Auch wenn das jetzt mit sicherer Wahrscheinlichkeit nicht an den wirklichen Hans Zimmer ankommt und mir irgend eine fremde Person zurück schreibt bin ich jetzt mal gespannt ob sich Herr Zimmer wirklich bei mir meldet;-) Ich glaube nicht. So also, was für ein Phantom wird sich jetzt als Hans Zimmer ausgeben?


Anonymous2015-05-04 03:45:58
@Michael

Write Hans personally and go away.....


Michael2015-05-04 06:51:37
@Anonymous: Come on... that's all?

Michael reply Replies: 0 || 2015-05-01 21:34:13
To everyone here! This is not the page of Hans Zimmer. It is only the site of some guys from France. Hans Zimmer can't here you okay!!!!! It's just a fanpage nothing more, nothing less. Look at the label upper legt! "almost".

Mirko Pricoco reply Replies: 0 || 2015-04-24 09:34:21
Dear Mr. Zimmer
my name is Mirko and I have a passion for composition.
I compose music Fantasy (if you can call it), and I'd love to hear something of mine and unpublished. With my first project DREAM I received a promotion from Sony BMG.
Youtube link below. Thank you for your attention !!!

https://www.youtube.com/watch?v=lqouINyLcw4

https://www.youtube.com/watch?v=1U5KLABL76o

My contact is pricocomirko@gmail.com

Rochelle Goldman reply Replies: 0 || 2015-04-22 00:20:44
I JUST SAW THE FILM "WOMAN IN GOLD" AND WAS DULY IMPRESSED BY THE MUSIC THAT WAS INCLUDED IN THE FILM. The credits included Hans Zimmer as being on board for the film. The music truly added much to my emotional enjoyment and understanding of the lives of the characters, although it was not all composed by Hans. The choices of music were meaningful to me.

Jozef Swistak reply Replies: 0 || 2015-04-18 11:47:55
Sheet music of Up Is Down, and any other arragements - private messenge here: https://www.facebook.com/JozefSwistakPianist?fref=ts

Mathieu Clobert reply Replies: 0 || 2015-04-05 13:01:36

My version of time from Inception is online, thank's a lot !
Enjoy ! :)

Daria reply Replies: 0 || 2015-04-03 14:57:50
Dear Hans! I think that music is an international language easy to understand, as one can listen to it with his heart, but not only ears. Your music makes me experience strong emotions time after time, it doesn't lose its beauty and power even if you've been listening to it for hundred times. This is real art and you are a true genius. Thank you for your music that strikes and astonishes, for the music that will never let go.
Daria,
Russia

Nicola Lerra reply Replies: 2 || 2015-03-13 11:11:10
Hello,

It is indeed an honor for me to know that my music you liked. A goodbye to the great master Hans Zimmer and all of you staff.

Sicerely,
Nicola Lerra.


Jan-Lee2015-03-13 15:05:10
@Nicola Lerra, it was very beautifull please post more renditions if you have, loved the piano aspect :)


Nicola Lerra2015-03-28 15:22:53
@Jan-Lee Thank you so much. Of course! I just sent another email with another soundtrack. I hope you like.

All the best,
Nicola Lerra.

Matt Baker reply Replies: 0 || 2015-03-26 20:11:55
Hi there,

Thank you so much for including our tribute to Hans Zimmer's 'Time' By Matt Baker & John Styles. It means a lot to us to have our work featured on your website and we hope everyone enjoys our creation. We are currently working hard on other works and hope to have some more tracks to upload soon. All the best for now, Matt & John :)

MOUGENEL Yannick reply Replies: 0 || 2015-03-24 15:22:23
Hello Mr ZIMMER,
Thank you for your music that I find meaningful contribution, an emotion to the film, you are a very great composer, I am fans of your music from longtemp and I listen to you very often .Please bring us such a feeling !!
Yannick FRANCE.

Mikhail Marchenko reply Replies: 0 || 2015-03-13 15:59:56
Thank you for posting my cover version of Day One on the site. It truly means a lot to me!

Best,
Mikhail

Nicola reply Replies: 0 || 2015-03-08 16:04:34
Hello Mr. Hans Zimmer,

I sent my cover inspired by the fantastic soundtrack "A Way of Life", in the film "The Last Samurai", directed by the great Edward Zwick. Hope you like and that you appreciate my work.

Best Regards,
Nicola.

Nicola reply Replies: 0 || 2015-03-08 16:04:32
Hello Mr. Hans Zimmer,

I sent my cover inspired by the fantastic soundtrack "A Way of Life", in the film "The Last Samurai", directed by the great Edward Zwick. Hope you like and that you appreciate my work.

Best Regards,
Nicola.

Jasper Vanatoran reply Replies: 0 || 2015-02-25 15:39:46
Hans Zimmer is breathtaking. You gotta thank Germany for birthing another music God cx

Mehdi Rahmany reply Replies: 0 || 2015-02-15 11:09:50
I wish Hans Zimmer performs in IRAN

brett reply Replies: 0 || 2015-02-05 22:38:55
I made a piano medley for Interstellar! Here's the link
https://www.youtube.com/watch?v=BXTBuLl8FIo&list=TLidthlTvWR MM

Azad Damsaz reply Replies: 1 || 2015-02-01 13:37:29
I got inspired by the Interstellar soundtrack so i made this score for a game trailer. I appreciate some feedback.

Regards

Azad Damsaz

https://www.youtube.com/watch?v=8vjuLy_7ORo


Azad Damsaz2015-02-02 11:29:16
Here is the youtube video:

https://www.youtube.com/watch?v=gx2cQzbhxfs&feature=gp-n-y&g oogle_comment_id=z124fjd55xbuxpg1322nyzlofvi2gb41d

Prasad reply Replies: 2 || 2015-01-25 15:12:35
What instrument library can be used to get these sounds of Interstellar?


Daniel Riltsov2015-01-28 13:42:32
Various libraries. EWQL Colossus, EWQL Symphony Orchestra etc. As well as live piano and church organ.


Zimson2015-01-29 10:57:39
Wow, great job!! That belongs on the soundtrack.

Hyunbin Kim reply Replies: 0 || 2015-01-23 20:53:28
Hi I'm a college student, and ever since I've seen the movie "Interstellar" my dream has changed to screen music composer. Although, I have never had chance to learn how to compose a song, but I have been trying my best to make good music. This below link will lead you guys to trailer for Interstellar with my self-composed music as sound track. Please feel free to check it and leave comment on it. Thank you guys!!!

https://www.youtube.com/watch?v=8vjuLy_7ORo

Steven M reply Replies: 0 || 2015-01-23 17:18:16
After seeing Interstellar I was inspired by the music and also the ingenuous use of the organ. Had a go at a fan theme. Feel free to check it out and leave a comment.

https://www.youtube.com/watch?v=l4b9QpxCKBc

Fabius reply Replies: 0 || 2015-01-06 16:36:01
Me and my cousin made a cover / mashup of Interstellar and Tron: Legacy soundtracks. This is a cover of 'No Time for Caution' with the 'Tron: Legacy' main theme.

If you want to see it, here is the video of our song. Thanks! (:

https://www.youtube.com/watch?v=n8Yk2b23JnM

bro reply Replies: 0 || 2014-12-30 08:35:52
I'll submit this for fun.

https://www.youtube.com/watch?v=4o7I9-iXaao

That youtube and my soundcloud are full of these cover versions and music edits hybrid, lol..

Jonas Franzén reply Replies: 0 || 2014-12-28 20:19:54
I hope anyone like my Interstellar-version submitted 2014-12-18. It´s like a soft technoversion with some different sounds added. The organ from the soundtrack is so heavy. It is made in Ableton 9. Hope you like it. I am a huge fan of Mr Zimmer of course. More about me on sound cloud where you can hear the same track but with better sound, but of course it is not able to download for anybody.

https://soundcloud.com/drjf

Johan reply Replies: 9 || 2014-03-12 23:08:03
Guys? Where do you make all this amazing stuff? Where do you get the instrument library from? Which program do you work with?

If anyone could help me get started to do some music. I would be in your dept forever. My biggest dream is to become a music composer, some people where I live, laugh at it but why can't I have dreams of my own.. I am only 17 and got many years left do become something, but if somone could answer what i should start with. Then I will practice and work with it every day.


Zimson2014-03-13 10:01:08
Well, Hans works with a program called Cubase. It isn't cheap but it's worth your money. I currently use FL Studio and I'm pretty fine with it. The producer's edition only costs about 200$ or sth., so you would be able to afford it. I'm also looking forward to buy some software from EastWest. They have the best orchestral samples you can find.


MacArthur2014-03-13 16:32:55
Logic pro is good to.


MacArthur2014-03-13 16:49:25
Can you program cubase for a Mac?


Lambegue2014-03-13 17:56:24
Yes. If you have a Mac, it's not really difficult to find good music programs.


Johan2014-03-14 19:48:28
okey thanks!

Just one more question. How do you start with a new song?
Do you first start with the whole melody and complete it or? And after that, what do you do? Do you start layer different instruments? Is precussion important to start with early?

If somone can just make a quick short step by step list I would be grateful :)


MacArthur2014-03-14 23:16:44
Do whatever you want to do.


Cristina2014-04-06 20:13:54
Hey there, look I'm currently in a composition class in college, you really work at it how you want. I would suggest if you want a free program: MuseScore, I think it's fantastic despite the MIDI sounds, and it's super simple to use. If you don't know how to do something you can just Google "MuseScore (question)", ex: "MuseScore, how to tie notes" and Google their manual will come up easily.

I suggest learning some basic musical terminology (if you don't already know) because it will make your life a whole lot easier.

In class some suggestions to start if you are unsure of what to do is to:
A. Create a chord progression and build your melodies and harmonies off of that.
B. Create a melody line and use the notes in it to determine what chords you want to use to harmonize with it.

Personally, I hear melody and harmonies in my head, so I put that down, but I get stumped a lot, so I bring in the music theory and general musical knowledge into play and that helps.

Mind you, I've only made 1 composition and am working on my second, but these things help.

Be sure you understand what your tempo is and try to write out the rhythm first if you are having a heard time getting it from your head to the staff. Then figure out what key you are in, you can use an instrument to uncover what notes they are and where your sharps and flats lie. Is it major? Is it natural, harmonic, melodic, or synthetic minor?

If you don't have an instrument at your disposal, it's easy to figure it out on MuseScore anyway, but you can also always use the Virtual Piano, just google it. ;)

Understanding the basics of piano is a must for composers, it is basically Music Theory laid out as an instrument for you. It also helps to sing your melody lines and note where you have to stop to breath, you those areas to add rests. Instruments that don't require breath support still need to pause at point and "breath," this adds a feeling of emotion and helps instrumentalists to make your melody lines sing, despite their instrument.

Those are only a grain of tips for you, but I hope it helps regardless! Keep dreaming, and dream big! As long as you put your heart into it, you'll go places.


msml2014-09-28 10:40:58
For a new user who has not become welded to the hardware model interface, I recommend Tracktion. It is very inexpensive and now has Celemony integrated into it. EWQL orchestral samples are indeed wonderful. With their 450 MB 70-piece string section in my left hand and my Modular Moog in my right, I feel like the wrath of God. But don't overlook older samples. The Emulator X software has all the samples of the newer Proteus family. They may not sound so good naked but they sit well in mixes. The Planet Earth samples are still up there with RA as the most useful world music samples in my setup. Now if I could just play keyboards...

How to go about it? Peter Gabriel puts in many tracks, then takes them away one by one. Sort of like the sculptor freeing a statue from a block of marble. Try creating a drum track and then giving it to different instruments. That should get the juices flowing.


Rarehipster2014-12-19 20:55:01
Try Garageband first. It's free and there are thousands of Soundfonts available also for free on the net. If you can't make something good in Garageband, forget it - there is no career for you in music. GB is powerful enough for a beginner to create excellent music. Punters are always shocked to find out what basic software Eno used to create his definative textures - you don't need to spend megabucks if you have talent.

Helmut Forbach reply Replies: 0 || 2014-12-19 19:43:20
wen de des näckste mal nach frankfort komst, drinke mer un schoppe und esse en handkäs mit musik im gemahlte haus, du kennst des ja.

bis bald

de Helmut

Glenn Ford reply Replies: 0 || 2014-12-10 21:24:17
Can you help me find the jazz ensemble arrangement "Flying Home" that was recorded by Doc's Rhythm Cats? I'd like to purchase this particular arrangement for our Swing Band. Thanks!! gford@betool.com

Stavros reply Replies: 9 || 2014-11-26 22:48:42
https://soundcloud.com/signuls/teaser-star-wars-fan-trailer- audio

Above is my fan made Hans Zimmer inspired Star Wars trailer. I hope you all like it and I hope that somehow Hans gets a chance to listen. Even if it is a waste of time! This is in no way an ad, it's more embracing Hans Zimmers music and absorbing it into my own being. Thank you


Edmund Meinerts2014-11-26 22:50:35
Hans Zimmer + Star Wars

DOES
NOT
COMPUTE


Adam2014-11-26 23:01:28
Lol


ggctuk2014-11-26 23:12:46
Sorry, but Hans Zimmer won't be able to take on Star Wars any time soon (risking lynching by saying that, but as a big-time John Williams fan I must say it). That belongs to John Williams, and if he passes before the new trilogy is finished, I can see Michael Giacchino, James Horner, Alan Silvestri, maybe Howard Shore doing it. I don't think Zimmer's current style could work in Star Wars, especially given his heavy usage of synth instruments.


Edmund Meinerts2014-11-26 23:44:03
I don't think Howard Shore could pull off Star Wars any better than Hans could (the awkward bleedthrough from LotR into Revenge of the Sith attests to that).

Once the torch is passed from Williams, it has to be someone who can carry on with that fast, fun, brassy, insanely complicated, thematically-driven, ORCHESTRAL action style. The closest Shore has ever gotten to Williams' pace is "The Forest River" from Desolation of Smaug, otherwise I feel like he's too heavy and ponderous. Works great in Middle-earth, wouldn't work at all a long long time ago in a galaxy far away.

Of the others, Giacchino's the most obvious (and realistic) pick. Horner might work, but only if he goes back to his Krull/Willow/Wrath of Khan roots, which seems doubtful these days. Silvestri, yeah, I could see that working. To name some more obscure guys, Joel McNeely or Bruce Broughton would be fantastic. Even more obscure - Robert Folk or Frederic Talgorn. Holy crap, JOHN POWELL!! :O

There's no shortage of good options (even if some of them are pipe dreams) - but Zimmer would NOT be one of them.


Mike2014-11-27 00:25:00
Edmund, I'm sorry, I know you love John Powell, but I would not want him doing Star Wars (I wouldn't want James Horner doing it either: Michael Giacchino would be my definitive first pick, and if he were to absolutely refuse, I'd be happy to let Silvestri give it a shot. But I think as far as possible they should choose someone who's compositional style is, or is able to be, very close to Williams).


Zimson2014-11-27 03:28:03
If Alan Silvestri gets Star Wars, the movie died for me.
Btw ggctuk, what would you call The Lone Ranger? That movie wasn't "suitable for his current style" either.
Michael Giacchino sounds pretty good to me,though.


isildur2014-11-27 04:29:58
Well Hans + Star Wars is pretty much doubtful. I would really like to see Hans doing it giving something extraordinary and full of fun. He has done that kind of things in the past. It wouldn't surprise me if he does it again but I would be then like o_o.

But with J.J.Abrams at the helm I would think he would choose Giacchino. After all both Star Trek scores are kick-ass.


ggctuk2014-11-27 09:24:46
Never seen the Lone Ranger, never watched beyond a few minutes of what I would call cinematic tripe. Zimmer's current style is too synthetic for the highly-orchestrated and romanticised style that (most) Star Wars films go for. Don't think I'm denigrating Zimmer's work at all, but he would not be a good fit for Star Wars.

Abrams is only at the helm for Episode VII, o Giacchino isn't a dead cert but I'd say his style is closest. We'll see just how close it gets when we hear Jurassic World.


Solaris2014-11-27 21:41:12
Allow me to chime in. I don't even want to think about another Composer, regardless of who it is, to take over before the new Trilogy is finished. As far as I am concerned he will score all three Films and stay healthy and sharp way past the Age of 90.

Having said that, I actually won't mind other Composers for the Spinoff-Films, as long as their writing Style goes into generally the same direction as Williams': Orchestral, complex, thematic. Michael Giacchino sounds like an obvious Choice, as does Alexandre Desplat (given that one of the Spinoffs is directed by Gareth Edwards, that acually sounds like a possibility - just let Desplat work together with Conrad Pope again). John Powell could work too, same goes for Joel McNeely (whose "Shadows of the Empire" I regularily revisit) as well as some of the newer Guys like Abel Korzenowski.
My personal Choice, however, would be the Guys who did such a great Job on the recent SW-Games, like Mark Griskey, Kyle Newmaster and Gordy Haab.

Steve reply Replies: 0 || 2014-11-26 22:46:10
Hello all. This is not meant to be one of those macro spam ads. I just know you all are as big of a fan as I am and I want to share my Star Wars- Force Awakens if Hans Zimmer were to write the opening trailer music. https://soundcloud.com/signuls/teaser-star-wars-fan-trailer- audio

Zimson reply Replies: 0 || 2014-11-24 19:21:33
Wow, this Lion King remake is incredible! I almost thought, he uploaded the original track. ;)

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