NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback

@Hybrid, what happened with Trevor? Why his scores are not listed in the page? ThanksIt is somewhat bizarre that you all are thinking directors actually want to work with Junkie. Surely, the only reason anyone hires him is that they want Zimmer who is not available. Yes, some may have heard Mad Max but it would be silly to think anyone actively wants a Junk score.Bob Badami (as Robert Badami), Melissa Muik, Mark Wherry (as Mark Andrew Wherry are music editors!<br><br>Booklet credits<br><br>Music Editor: Melissa Muik <br>Score Wrangler: Bob Badami<br>Digital Instrument Design: Mark WherryI don't think Junkie XL picks the shittest films to work on. It's just that art film directors won't choose him to score their films. Even in RCP, a lot of his colleagues are more well respected than he is. I would argue Benjamin Wallfisch is already more well regarded. Mad Max is an exception because of its unique setting and story line.Metro Expanded Score (1997) By Steve Porcaro & James Newton Howard<br><br>I found an interesting about unreleased tracks from the whole movie by one hour and 57 minutes, it's meant something missing in the movie. But I did edit some unreleased tracks from the movie, but not in OST It could be Expanded Score. I'm sure about that!<br><br>1. Main Title (1:57)<br>2. Sam's Death (1:31)<br>3. Keep You Out Of This (0:41)<br>4. Roper & Ronnie (0:51)<br>5. Jewelry Store Heist / That's Korda (1:46<br>6. First Chase (2:41)<br>7. Cable Car Pursuit (6:18)<br>8. He's Getting Away (0:21)<br>9. Car Garage Capture (0:51)<br>10. Dinner Only (1:06)<br>11. Intruder (3:14)<br>12. Ronnie Attack (4:41)<br>13. Love Theme (1:51)<br>14. Korda's Escape (1:49)<br>15. Is She Out There ? (0:26)<br>16. Ronnie Kidnapped / Korda's Demands / The Shipyard (3:16)<br>17. Final Chase (3:11)
"I do think he knows how to place emphasis on music as opposed to Joss Whedon or any of the other studio director who treats it like a byproduct."<br><br>I agree with you, except that Snyder and I have very different ideas about what makes good (film) music, and how to emphasize it. Ridley Scott is a somewhat similar case. Somehow he has gotten a ton of great music written for his movies over the years despite the fact that his musical instincts are really strange and misguided sometimes. At least Snyder doesn't butcher the scores he gets.<br><br>You're right that a director like Whedon doesn't seem to pay that much attention to how music can enhance his movie. But as someone who cares about film music 95% of the time as albums, not in film, I often find that a director who gets out of the way and just trusts the composer to do his/her thing is preferable to one who gets overly involved with the scoring process and has lots of ideas about how things should sound. That the subsequent scores end up buried or ineffective in their films is a shame, but the music at least tends to be good on its own terms.@mrzimmerfan<br>Oh no, I mean I love the score as a whole. I was just saying my personal highlights. Man of Steel emotionally resonated with me. But that’s cool that you like BVS, I personally just think Man of Steel is more engaging.@mpolonest: But that moments are simply moments, not the entire score, i prefer BvS, because there is a variety in it: Batman, Wonder Woman, Luthor, and is more complex than MoS (also i prefer the movie over MoS).<br><br>And yes, the theme for Superman is cool, but that dosen't make the entire score cool too.and some nice boob representation, too.@MrZimmerFan<br><br>Point Break is a lousy movie, but the score and guitar main theme isn't all that bad. Those 10 minutes on the soundtrack don't do it enough justice at all.<br><br>But again - this is Junkie doing action scoring....Miles better than any of his slow stuff. For me, anyway.
@Edmund <br>He’s definitely not my favorite director, but I do think he knows how to place emphasis on music as opposed to Joss Whedon or any of the other studio director who treats it like a byproduct. One of my biggest pet peeves is when directors/composers just use music as a sonic wallpaper, instead of letting it improve  and add to the scene. John Ottman is a great example. He can write great themes, but he tends to write underscore which adds nothing to the film. That’s why Zimmer, Williams, James Newton Howard, etc. are so good. They treat each moment with care."Zack Snyder, a director who actually understands music"<br><br>A matter of opinion, and not an opinion I share.@mrzimmerfan <br>I disagree with you there. I love Man of Steel, I think the themes and the overall bombastic nature of the score work perfectly. As for BVS, I’m not a huge fan honestly. There are some amazing highlights, but the tone of the score is so downbeat. It lacks the soaring elements of “Flight” or “What Are You Gonna Do...” and the action highlights of “Terraforming” or “Escape From Ship”. <br><br>To each their own though :-)For the themes mostly, this Batman and this Superman fit with the themes written by Zimmer. But the score by Elfman is miles better than MoS and BvS (for those two, BvS is much interesting and better than MoS, which is only good)<br><br>I genuinely wish we could hear Justice League, I would have loved to see what he brought to that under Zack Snyder, a director who actually understands music.
I still remember when Divergent was released, I was almost immediately dismissive of Junkie XL. Having only heard his remixes and his drum stuff for MoS/300 the first thing I expected was to hear an electronica album with percussion and sound design. So imagine my surprise when I heard several different themes, beautiful string adagios, vocals, and a pretty big variety of styles. And then Run All Night came out and blew me away. Ever since then I’ve been pretty supportive of his work, but I have to agree with everything you guys are saying.<br><br>The past two years have been pretty bad in terms of his ratio of good scores to bad. Black Mass and Brimstone, as I’ve mentioned, are solid scores that veer away from the usual JXL sound. But then we have Deadpool (abrasive), Distance Between Dreams (ok for a stand-alone album), Dark Tower (pretty fun in parts and just bland in others), and Tomb Raider (one of the most generic scores I’ve heard in recent memory). It’s frustrating to see a composer who obviously has talent and a diversity of skills write almost the same thing over and over. <br>And the weirdest thing is, his earlier scores are far more distinctive than his current ones. How did that happen?Nope he released All I see is you Soundtrack last year and it was a great soundtrack..<br><br>Are you sure you're a fan of him?<br><br>So far no project announced for this year but I think there will be at least one...What happened to Marc Streitenfeld? It's been a long time since there has been any involvement or a new score from him. Some years ago, I thought he's going to be the new upcoming star from the horizon of RCP. But then abruptly silence. Any reason or information?@Meta: Really Point Break was interesting?, it's only 10 minutes of music released, and i din't care about it, honestly, and the movie was really, really bad.<br><br>As for Tomb Raider, the music was serviciable in the movie, but i more comfortable with it than Point Break.I'm not sure JXL is picking the projects. In the case of Tomb Raider it seems like WB handed it to him when Joss Whedon asked them to replace him on Justice League. I guess they were annoyed because he had been a frequent collaborator, so giving him another blockbuster straightaway was a soft way of dealing with that.<br><br>Also yes poor JXL really seems pigeonholed. Even though, to be honest, the only style he's proven excellent so far is the rythmic stuff (see the highlights of Fury Road). His rare excursions to other styles have been quite bland to me, so the fact that he's always asked to do the same style isn't really a surprise. Directors/producters who want this specific sound will call JXL, and people who're making a comedy or romance won't even bother and will call another composer.

Please install Flash®
and turn on Javascript.

Rate those CD:
Top 50

This page contains cover versions arranged and produced by fans ("cover version" means a recording of a music that was previously recorded)

Submit your own version :




Create Topic

Pages << 1 2 3 4 5 6 7 8 >>

Jasper Vanatoran reply Replies: 0 || 2015-02-25 15:39:46
Hans Zimmer is breathtaking. You gotta thank Germany for birthing another music God cx

Mehdi Rahmany reply Replies: 0 || 2015-02-15 11:09:50
I wish Hans Zimmer performs in IRAN

brett reply Replies: 0 || 2015-02-05 22:38:55
I made a piano medley for Interstellar! Here's the link MM

Azad Damsaz reply Replies: 1 || 2015-02-01 13:37:29
I got inspired by the Interstellar soundtrack so i made this score for a game trailer. I appreciate some feedback.


Azad Damsaz

Azad Damsaz2015-02-02 11:29:16
Here is the youtube video: oogle_comment_id=z124fjd55xbuxpg1322nyzlofvi2gb41d

Prasad reply Replies: 2 || 2015-01-25 15:12:35
What instrument library can be used to get these sounds of Interstellar?

Daniel Riltsov2015-01-28 13:42:32
Various libraries. EWQL Colossus, EWQL Symphony Orchestra etc. As well as live piano and church organ.

Zimson2015-01-29 10:57:39
Wow, great job!! That belongs on the soundtrack.

Hyunbin Kim reply Replies: 0 || 2015-01-23 20:53:28
Hi I'm a college student, and ever since I've seen the movie "Interstellar" my dream has changed to screen music composer. Although, I have never had chance to learn how to compose a song, but I have been trying my best to make good music. This below link will lead you guys to trailer for Interstellar with my self-composed music as sound track. Please feel free to check it and leave comment on it. Thank you guys!!!

Steven M reply Replies: 0 || 2015-01-23 17:18:16
After seeing Interstellar I was inspired by the music and also the ingenuous use of the organ. Had a go at a fan theme. Feel free to check it out and leave a comment.

Fabius reply Replies: 0 || 2015-01-06 16:36:01
Me and my cousin made a cover / mashup of Interstellar and Tron: Legacy soundtracks. This is a cover of 'No Time for Caution' with the 'Tron: Legacy' main theme.

If you want to see it, here is the video of our song. Thanks! (:

bro reply Replies: 0 || 2014-12-30 08:35:52
I'll submit this for fun.

That youtube and my soundcloud are full of these cover versions and music edits hybrid, lol..

Jonas Franzén reply Replies: 0 || 2014-12-28 20:19:54
I hope anyone like my Interstellar-version submitted 2014-12-18. It´s like a soft technoversion with some different sounds added. The organ from the soundtrack is so heavy. It is made in Ableton 9. Hope you like it. I am a huge fan of Mr Zimmer of course. More about me on sound cloud where you can hear the same track but with better sound, but of course it is not able to download for anybody.

Johan reply Replies: 9 || 2014-03-12 23:08:03
Guys? Where do you make all this amazing stuff? Where do you get the instrument library from? Which program do you work with?

If anyone could help me get started to do some music. I would be in your dept forever. My biggest dream is to become a music composer, some people where I live, laugh at it but why can't I have dreams of my own.. I am only 17 and got many years left do become something, but if somone could answer what i should start with. Then I will practice and work with it every day.

Zimson2014-03-13 10:01:08
Well, Hans works with a program called Cubase. It isn't cheap but it's worth your money. I currently use FL Studio and I'm pretty fine with it. The producer's edition only costs about 200$ or sth., so you would be able to afford it. I'm also looking forward to buy some software from EastWest. They have the best orchestral samples you can find.

MacArthur2014-03-13 16:32:55
Logic pro is good to.

MacArthur2014-03-13 16:49:25
Can you program cubase for a Mac?

Lambegue2014-03-13 17:56:24
Yes. If you have a Mac, it's not really difficult to find good music programs.

Johan2014-03-14 19:48:28
okey thanks!

Just one more question. How do you start with a new song?
Do you first start with the whole melody and complete it or? And after that, what do you do? Do you start layer different instruments? Is precussion important to start with early?

If somone can just make a quick short step by step list I would be grateful :)

MacArthur2014-03-14 23:16:44
Do whatever you want to do.

Cristina2014-04-06 20:13:54
Hey there, look I'm currently in a composition class in college, you really work at it how you want. I would suggest if you want a free program: MuseScore, I think it's fantastic despite the MIDI sounds, and it's super simple to use. If you don't know how to do something you can just Google "MuseScore (question)", ex: "MuseScore, how to tie notes" and Google their manual will come up easily.

I suggest learning some basic musical terminology (if you don't already know) because it will make your life a whole lot easier.

In class some suggestions to start if you are unsure of what to do is to:
A. Create a chord progression and build your melodies and harmonies off of that.
B. Create a melody line and use the notes in it to determine what chords you want to use to harmonize with it.

Personally, I hear melody and harmonies in my head, so I put that down, but I get stumped a lot, so I bring in the music theory and general musical knowledge into play and that helps.

Mind you, I've only made 1 composition and am working on my second, but these things help.

Be sure you understand what your tempo is and try to write out the rhythm first if you are having a heard time getting it from your head to the staff. Then figure out what key you are in, you can use an instrument to uncover what notes they are and where your sharps and flats lie. Is it major? Is it natural, harmonic, melodic, or synthetic minor?

If you don't have an instrument at your disposal, it's easy to figure it out on MuseScore anyway, but you can also always use the Virtual Piano, just google it. ;)

Understanding the basics of piano is a must for composers, it is basically Music Theory laid out as an instrument for you. It also helps to sing your melody lines and note where you have to stop to breath, you those areas to add rests. Instruments that don't require breath support still need to pause at point and "breath," this adds a feeling of emotion and helps instrumentalists to make your melody lines sing, despite their instrument.

Those are only a grain of tips for you, but I hope it helps regardless! Keep dreaming, and dream big! As long as you put your heart into it, you'll go places.

msml2014-09-28 10:40:58
For a new user who has not become welded to the hardware model interface, I recommend Tracktion. It is very inexpensive and now has Celemony integrated into it. EWQL orchestral samples are indeed wonderful. With their 450 MB 70-piece string section in my left hand and my Modular Moog in my right, I feel like the wrath of God. But don't overlook older samples. The Emulator X software has all the samples of the newer Proteus family. They may not sound so good naked but they sit well in mixes. The Planet Earth samples are still up there with RA as the most useful world music samples in my setup. Now if I could just play keyboards...

How to go about it? Peter Gabriel puts in many tracks, then takes them away one by one. Sort of like the sculptor freeing a statue from a block of marble. Try creating a drum track and then giving it to different instruments. That should get the juices flowing.

Rarehipster2014-12-19 20:55:01
Try Garageband first. It's free and there are thousands of Soundfonts available also for free on the net. If you can't make something good in Garageband, forget it - there is no career for you in music. GB is powerful enough for a beginner to create excellent music. Punters are always shocked to find out what basic software Eno used to create his definative textures - you don't need to spend megabucks if you have talent.

Helmut Forbach reply Replies: 0 || 2014-12-19 19:43:20
wen de des näckste mal nach frankfort komst, drinke mer un schoppe und esse en handkäs mit musik im gemahlte haus, du kennst des ja.

bis bald

de Helmut

Glenn Ford reply Replies: 0 || 2014-12-10 21:24:17
Can you help me find the jazz ensemble arrangement "Flying Home" that was recorded by Doc's Rhythm Cats? I'd like to purchase this particular arrangement for our Swing Band. Thanks!!

Stavros reply Replies: 9 || 2014-11-26 22:48:42 audio

Above is my fan made Hans Zimmer inspired Star Wars trailer. I hope you all like it and I hope that somehow Hans gets a chance to listen. Even if it is a waste of time! This is in no way an ad, it's more embracing Hans Zimmers music and absorbing it into my own being. Thank you

Edmund Meinerts2014-11-26 22:50:35
Hans Zimmer + Star Wars


Adam2014-11-26 23:01:28

ggctuk2014-11-26 23:12:46
Sorry, but Hans Zimmer won't be able to take on Star Wars any time soon (risking lynching by saying that, but as a big-time John Williams fan I must say it). That belongs to John Williams, and if he passes before the new trilogy is finished, I can see Michael Giacchino, James Horner, Alan Silvestri, maybe Howard Shore doing it. I don't think Zimmer's current style could work in Star Wars, especially given his heavy usage of synth instruments.

Edmund Meinerts2014-11-26 23:44:03
I don't think Howard Shore could pull off Star Wars any better than Hans could (the awkward bleedthrough from LotR into Revenge of the Sith attests to that).

Once the torch is passed from Williams, it has to be someone who can carry on with that fast, fun, brassy, insanely complicated, thematically-driven, ORCHESTRAL action style. The closest Shore has ever gotten to Williams' pace is "The Forest River" from Desolation of Smaug, otherwise I feel like he's too heavy and ponderous. Works great in Middle-earth, wouldn't work at all a long long time ago in a galaxy far away.

Of the others, Giacchino's the most obvious (and realistic) pick. Horner might work, but only if he goes back to his Krull/Willow/Wrath of Khan roots, which seems doubtful these days. Silvestri, yeah, I could see that working. To name some more obscure guys, Joel McNeely or Bruce Broughton would be fantastic. Even more obscure - Robert Folk or Frederic Talgorn. Holy crap, JOHN POWELL!! :O

There's no shortage of good options (even if some of them are pipe dreams) - but Zimmer would NOT be one of them.

Mike2014-11-27 00:25:00
Edmund, I'm sorry, I know you love John Powell, but I would not want him doing Star Wars (I wouldn't want James Horner doing it either: Michael Giacchino would be my definitive first pick, and if he were to absolutely refuse, I'd be happy to let Silvestri give it a shot. But I think as far as possible they should choose someone who's compositional style is, or is able to be, very close to Williams).

Zimson2014-11-27 03:28:03
If Alan Silvestri gets Star Wars, the movie died for me.
Btw ggctuk, what would you call The Lone Ranger? That movie wasn't "suitable for his current style" either.
Michael Giacchino sounds pretty good to me,though.

isildur2014-11-27 04:29:58
Well Hans + Star Wars is pretty much doubtful. I would really like to see Hans doing it giving something extraordinary and full of fun. He has done that kind of things in the past. It wouldn't surprise me if he does it again but I would be then like o_o.

But with J.J.Abrams at the helm I would think he would choose Giacchino. After all both Star Trek scores are kick-ass.

ggctuk2014-11-27 09:24:46
Never seen the Lone Ranger, never watched beyond a few minutes of what I would call cinematic tripe. Zimmer's current style is too synthetic for the highly-orchestrated and romanticised style that (most) Star Wars films go for. Don't think I'm denigrating Zimmer's work at all, but he would not be a good fit for Star Wars.

Abrams is only at the helm for Episode VII, o Giacchino isn't a dead cert but I'd say his style is closest. We'll see just how close it gets when we hear Jurassic World.

Solaris2014-11-27 21:41:12
Allow me to chime in. I don't even want to think about another Composer, regardless of who it is, to take over before the new Trilogy is finished. As far as I am concerned he will score all three Films and stay healthy and sharp way past the Age of 90.

Having said that, I actually won't mind other Composers for the Spinoff-Films, as long as their writing Style goes into generally the same direction as Williams': Orchestral, complex, thematic. Michael Giacchino sounds like an obvious Choice, as does Alexandre Desplat (given that one of the Spinoffs is directed by Gareth Edwards, that acually sounds like a possibility - just let Desplat work together with Conrad Pope again). John Powell could work too, same goes for Joel McNeely (whose "Shadows of the Empire" I regularily revisit) as well as some of the newer Guys like Abel Korzenowski.
My personal Choice, however, would be the Guys who did such a great Job on the recent SW-Games, like Mark Griskey, Kyle Newmaster and Gordy Haab.

Steve reply Replies: 0 || 2014-11-26 22:46:10
Hello all. This is not meant to be one of those macro spam ads. I just know you all are as big of a fan as I am and I want to share my Star Wars- Force Awakens if Hans Zimmer were to write the opening trailer music. audio

Zimson reply Replies: 0 || 2014-11-24 19:21:33
Wow, this Lion King remake is incredible! I almost thought, he uploaded the original track. ;)

thomas reply Replies: 0 || 2014-11-17 11:42:14
yes but where i must ask ? please i need soudtrack

THOMAS reply Replies: 1 || 2014-11-16 19:09:08
Hello sir Zimmer,i have project is about make a amator movies , but in the movies the music is essential and i'm very intersted by your soundtrack "Inception" "Interstellar" and "Beyond two souls"
Can I use that for my movies ...please , we haven't lot of budget

Edmund Meinerts2014-11-16 23:30:43
Not that you're in the right place or are going to get a response or anything...but for Beyond: Two Souls you might want to ask Lorne Balfe instead of Zimmer. ;)

Kevin Bérubé reply Replies: 0 || 2014-11-16 21:15:53
Hi Mr. Zimmer,
My name is Kevin and I love everything you have done and I would really like to see you show near Montreal ,Canada do you have a project to come around ?

Kevin Bérubé reply Replies: 0 || 2014-11-16 21:15:37
Hi Mr. Zimmer,
My name is Kevin and I love everything you have done and I would really like to see you show near Montreal ,Canada do you have a project to come around ?

THOMAS reply Replies: 0 || 2014-11-16 18:29:16

Catherine reply Replies: 1 || 2014-11-12 20:46:07
My son Fabien, French, who will be 18 years old December 5th of this year is a fan of you,Hans Zimmer. He knows many of your works and often makes reference to you.
He has just returned at the University of Musicology to become a music composer of film.
I shall like making him a surprise by offering him something of you ( inscription, ... ). Would it be possible and how to obtain it?
I thank you for it in advance.

Zimson2014-11-12 21:26:41
I'm afraid something like an autograph is really hard to obtain unless you don't meat him personally. I recommend you to make your son a special present by buying something like an exclusive release of one of his works.
For example the Pirates of the Caribbean Treasure Collection, available on amazon.

There will also be a special release of his most recent work Interstellar which is currently only available for pre-order in the US. You can check its status on the label's (Water Tower Music) website, but make sure your son doesn't already have that in mind ;)

You can also watch out for the news on Hans Zimmer's concert series which will hopefully continue next year.

Hope I helped you. :)

OKKU reply Replies: 7 || 2014-10-23 11:41:33
The Greatest Film Composers of All Time rs-of-all-time/

Edmund Meinerts2014-10-23 11:45:44
That's a solid list (although I wish I could read the reasoning :p ). Danny Elfman and James Horner immediately stand out as "missing", but I'm not sure who I'd have them replace either. I guess I'm not that big a fan of Henry Mancini, but he's written so much iconic stuff it's hard to argue...

OKKU2014-10-24 13:10:18

Composers list is very difficult after first 5 ...Yes,disapprove first list.New list is here...James Horner and Henry Mancini,Two greatest. l think Horner's big main theme etc. is nothing.(May be Braveheart or Aliens) l think Elfman's only Batman and Fable themes is good,You must listen Mancini's Life force theme.Big one

sorry my english. rs-of-all-time/

Zimson 2014-10-26 21:24:46
Alan Silvestri on 6? This list has to be a joke.

My list:
Hans Zimmer
John Williams
John Powell
Howard Shore
James Horner

General list:
John Williams
Hans Zimmer
Ennio Morricone
Max Steiner
John Barry (No one actually knows that the James Bond theme was based on a composition by a guy called Monty Norman.)

OKKU2014-10-27 19:11:17
Hi zimpson

Thanks for your idea....

Your list is good...Who is your number 6 ?

Howard shore!s only lords of the rings soundtrack.l think One good albüm is not mean great composer..

You must listen Jerry Goldsmith and Alan Silvestri soundtracks on youtube...

Any soundtracks in my youtube: WyqU

Advice Alan Silvestri albüms to you:

Back to the Future
The Delta Force
Young Guns II
Judge Dredd
The Mummy Returns
Van Helsing-important
The Polar Express


OKKU2014-10-27 19:28:07

Sorry link broken

My Youtube Soundtrack list: GpNwiz6ClUQWyqU

OKKU2014-10-27 19:35:16
So sorry.
l can not ad my youtube playlist adress on forum.

Antas, Webmaster2014-10-31 11:12:33
Please, continue this thread on the feedback section

Andrea reply Replies: 0 || 2014-10-21 15:04:55
Dear Sir,
I would like to tell you that your music has inspired me so much, Pirates of the caribbean is really, really amazing and I love it so much.
Really fan of your music!

Vinay reply Replies: 0 || 2014-10-16 10:59:32
Hello sir,
I'm very big fan of your music. I heard inception,man of steel,batman trilogy etc. awesome musics...

Drunkenmunkey reply Replies: 0 || 2014-10-12 20:02:06
Does anyone know what the notes/chord progression of the tomorrowland hymn is? I want to need the basic da du da de da de da da theme. Thanks!

Zhang jiawen reply Replies: 0 || 2014-10-12 17:14:50
Mr Zimmer,im your big fan who's from China,I studied piano for 14 years,now im 17 years old,I'm considering whether to efforts and work with you in the future,that's my biggest dream in my life,could you please tell me what should i do now?how can i realize my dream?if there is a chance,i can do anything for it,i always imitation your film and game bgm,really into it,please tell me what should i do or learn in my future study life,I'll do my best, believe thanks,If the relevant personnel to see, also please help me to give him the message, thank you very muc

LAURA reply Replies: 0 || 2014-10-02 15:02:47
My English is very poor, but I'll try. I'm a big fan and I'm a lover of all soundtracks or Hans Zimmer. All his music is the soundtrack of my life and I would like to ask a favor.
I would love to do a concert of Hans in Madrid. Would it be possible?
Thank you very much and congratulations for all your Work!!

marcorea1 reply Replies: 0 || 2014-09-28 23:08:53
using the 'Greeks on Attack' percussion from 300: rise of an empire, i layered over my own orchestration to create a completely new composition.

hope you all enjoy :)

Pages << 1 2 3 4 5 6 7 8 >>© 2001-2017 OST