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Sehr geehrter Herr Zimmer, <br>Hallo Hans,<br>  <br>ich habe einige ihrer Konzerte gesehen, Prag jedoch, war wirklich, ich kann es nicht in Worte fassen, unglaublich. Top Musiker und eine super performance!<br>Ihre Musik ist eine Inspiration.<br>Hoffentlich hören wir noch viele Stücke von Ihnen...<br><br>Hochachtungsvoll und liebe Grüße<br>StefanYeah, 30-ish seconds into Do You Bleed?"Reminiscent Therapy" is amazing in the way it incorporates a lot of Williams' classic stuff making it feel very natural and organic, like it's part Powell's themes, like he does with "The Adentures of Han".<br><br>This is a really great scoreHe is the chosen one, the one who will bring balance to the film music world...Thats just 'do you bleed?' with a small insert?
Haha, It's as the prophecy foretold.John Powell, the great uniter of film music fans@MrZimmerFan<br><br>I actually like Rogue One, and I do understand why it leans so heavily on the original themes. Here the themes are incorporated more as fan service, but Powell is able to do wonders with interpolating them with his material. <br><br>And something I forgot to mention, this score reminds me so much of Pan in the action sequences. The percussion and brass writing is great lolim surprised how Powell uses his ANTZ percussion in this!<br><br>The track Train Heist, Into The Maw is good example of it.<br><br>This is the only score that will please the gang at JW and HZ alike.When JWFan and HZ.com are discussing the same score....
'but not as heavily as Rogue One'<br><br>Because Rogue One have conections with certain aspects or characters from the OT?<br><br>An here you have a track with three themes (or cues) with no conections with the OT, Rogue One have more sense... but the score is fricking awesome :)So first impressions:<br><br>JP knocked this one out of the park! The whole score has this excellent swashbuckling vibe, which is surprisingly aggressive during the action sequences (entirely due to his trademark percussion).<br><br>The writing style is really interesting, it’s basically John Powell doing his usual style but with some Williams flourishes, especially during the softer cues. The Star Wars themes do return, but not as heavily as Rogue One. And of course the JW cue is great, although surprisingly structured more as an action cue as opposed to a concert suite.<br><br>And for some reason the Han theme sounds vaguely similar to Poe’s theme from Force Awakens.Let’s just say “Reminiscience Therapy”.... hold onto your seats! ;-)This score is awesome!! Powell did a great job at making a score that's differet than all the other SW scores, but still you know it's a SW score. He reprised Williams' theme brilliantly and I can't stop to listen to it!!!what about the music when batman makes it back to the cave and lex opens the case of kryptonite. cant find it in these
Yeah I can't agree that Inception or Interstellar are superior pieces of scoring. Certainly not in structure, thematic development, etc. <br><br>What defined those scores is the vision behind them more so than the execution. In so many ways, that is opposite of The World's End. Interstellar is a brilliant score that managed to provide each scene with a simplistic tone, but one that captured the atmosphere behind the scenes perfectly, such as the unique use of the organ. Same with Inception with the guitars. <br><br>With a World's End, the vision is nothing special. It is a rock and roll twist to classic music. But the execution brings enormous power and gravitas to the movie.<br><br>I would sum it up by saying that in Interstellar and Inception, the creation of the music drives the movie's ideas while in At World's End, the movie drives the creation of the music.Nazg&#251;l for Azog I will never forgive. It's not a Servant of Sauron theme, it's a Ringwraith theme, and Azog's not a Ringwraith, he's a goddam Orc, and that theme doesn't belong there, full stop. It was just put there because it sounds "epic" and would "pump up the action scene". Gondor Restored at the end is just as stupid. And the Dreaming of Bag End theme for Bilbo is indeed lovely, and would have been lovelier still if it actually appeared in the movie. Instead it just gets replaced by copy/pasted Hobbit music from LOTR instead because Peter Jackson desperately wants his audience to remember how good those movies were in lieu of the Hobbit ones being any good on their own. Needless to say it goes missing entirely from the second and third score...along with the Misty Mountains melody (the strongest theme of the first one). I still really like those scores overall but they got absolutely butchered in terms of their thematic usage in the films. Then again those movies were an absolute clusterfuck so I shouldn't be surprised.<br><br>WRT Harry Potter, the 3 note theme does work okay for Voldemort, except that there's already a longer, separate Voldemort theme in Philosopher's, one that I like even more, and which only gets used once in Chamber (when Riddle rearranges the letters). I can understand liking Chamber better than Philosopher when you compare the albums, but in terms of the complete scores there's no contest at all, Philosopher wins by a country mile because of Chamber's rehash issues (and there are some good cues missing from the album, such as the Troll and Forbidden Forest scenes).@Edmund<br>The thing with the Nolan scores (at least Interstellar/Inception) is that they are repetitive, in as much as being built heavily around the suites that I’m guessing they use to edit and temp the film. <br>And while the themes are simple I do think they are structured in a unique enough way which builds emotional resonance through the gradual increase in chords/volume/speed/etc. Even Dunkirk is a relatively simple score theme wise, but is so technically complex.<br><br>And personally I’ve never been in love with Inception. I admire it on a technical level, but outside of “Time” I find it to be a fairly cold score. Obviously what it was meant to do so not a complaint, more of a personal preference thing.You know, I actually like Chamber of Secrets much more than Philosopher's Stone. It has the best moments from that score with improved themes. (I actually like the 3 note motif for Voldemort better than it being used for the stone, it already sounded like the Sith theme from Star Wars so might as well go all the way with it.) It felt more tight, better paced, and had an overall more energetic feel to it.<br><br>The Hobbit, I'm not entirely sure where you're getting heartbreaking from. If you mean the state of its release I absolutely agree, if you're talking about its reprisals the only one I had any issue with was the Return of the King/Gondor Restored theme which had nothing to do with Thorin and Bilbo's relationship. <br><br>The Nazghul theme being used for Azog I thought was fine as he was a servant of Sauron in the movies, History of the Ring and Gollum's themes were used effectively, and the new thematic material for the first film, I thought was wonderful. The themes A Baggins of Bag-End and The Lonely Mountain song being used as a Fellowship type of theme are the greatest highlights for me.See, I don't find Inception or Interstellar (or Thin Red Line) all that "complex". Especially not compared to At World's End (how many themes are in that score, like 15? 20? Pretty much all of which show up in rapid succession during the Maelstrom battle?). The Nolan scores are more about building up around very simple conceptual ideas.<br><br>Unless you're talking about emotional complexity, which is a very different thing and not really possible to objectively judge...
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This page contains cover versions arranged and produced by fans ("cover version" means a recording of a music that was previously recorded)

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Cirkle reply Replies: 5 || 2012-01-18 00:56:14
Thank you for uploading "Game of Thrones" cover :) !!


Dalmas2012-01-18 12:21:06
Man that's a rad cover you did there!! Loved it


Benji572012-01-21 18:16:40
Just as perfect as the others Cirkle composition. Continue men !


Shadys2012-01-21 19:00:08
Cirkle's music is a total ownage ! I love it so much cause i'm a totaly big fan of GoT, and his version is very wonderfull.


Sorry for double post, :-(


Zarkiel2012-01-21 19:08:21
Just perfect ! Continue like this !


Iztkombi12012-01-21 20:04:34
Cirkle's compositions are always MINDBLOWING. Best covers or original productions. Most of all the guy is an hard worker and he LOVES it!!
So good !!

Thx for this one !! GOT ftw !!

John Parker reply Replies: 1 || 2007-04-20 00:00:00
Without question, the Ultraviolet motion picture score is one very fine piece of work by the gifted composer Klaus Badelt. His score was.., shall we say.., instrumental in making this, otherwise comic book of a film, riveting. By his efforts, his music made this movie just bearable to view. So why, in the name of God, is there no place on Earth whereI can find the soundtrack to this film? I thought you could find anything on the internet, in any size and color, but Im dammed if I can find this movie score anywhere. Why was it not released as a CD!? God knows, there are lots and lots of movie soundtracks released to Cd that do not come close to the brilliance of this particular score. ############


Shadys2012-01-21 18:56:21
Cirkle's music is a total ownage ! I love it so much cause i'm a totaly big fan of GoT, and his version is very wonderfull.

Antas, Webmaster reply Replies: 1 || 2012-01-16 19:26:15
Transformers version by Nir Shor is incredible. Congratulations !!!


Nir Shor2012-01-17 00:28:10
Thank you !

Nate reply Replies: 0 || 2011-12-22 07:29:04
"The Contender Acoustic Version (2006)
Performed by Arthen"
Not available, please fix the link.

Rainer Hager reply Replies: 0 || 2011-11-24 17:05:38
Thank you for uploading my cover version from
Chevaliers De Sangreal!

best regards from Austria
rainer.hager@utanet.at

Vicky reply Replies: 0 || 2011-07-25 02:25:58
Inofmrtaion is power and now I'm a !@#$ing dictator.

Zariel reply Replies: 0 || 2011-06-14 14:31:56
You have shed a ray of sunhnsie into the forum. Thanks!

Verle reply Replies: 0 || 2011-06-14 09:09:53
Stands back from the kyeborad in amazement! Thanks!

Eddo reply Replies: 3 || 2011-05-24 18:14:46
Variations on Modern Warfare 2 Main Theme (2009) [submitted : March, 13 2011]
Performed by Karel Antonin

The part after 00:58 is very unique. Very good, hollywood ready. My respect for the creator of this song.


Karel, Moderator2011-05-24 22:17:38
Thank you!


Eddo2011-05-26 17:55:45
What program do you use?


Karel, Moderator2011-06-02 18:05:13
Cubase .-)

Caio Gracco reply Replies: 0 || 2011-03-21 00:00:00
Just saw/heard Rango. Good-tasted, clever and brilliantly performed production as always. My deepest respects.
BUT, if I may :
- Chase scene on horseback. Is it a reference to Star Wars, right? The battle in the Death Star. Surprisingly, we hear Wagner instead of John Williams. Why would that happen? A concept choice? Legal issues? Permits?
This movie is full of "musical jokes" uses a great variety of styles and ambiences and "almost quotes" a lot.
"Almost quoting" J.Williams would be more appropriate, wouldn't it? In fact J. Williams sounds very close to Wagner in this Star War score, doesn't he?

-Still in the same scene, when Rango "flies", hanging from a rope, there is the Blue Danube. A reference to 2001 (see? Two sci-fi movies!) or an almost unfortunate choice for this clichet? Maybe a little too obvious? The idea is clear, and The Danube, of course, works quite well.
Rango, with his delusional personality, enjoys the flight and forgets about all the trouble.
Maybe another famous valse?
And , I dare to say, it lasts a little longer than it sould.
I believe I see the intention of creating a kind of surreal situation : an intense action scene with a great valse.
Another point for changing : 8th bar, when action restarts. That's obvious, I know... But I just feel that this "dream" moment goes longer than it should and loses some strength.
And maybe the next changing point (when the rope wraps on the stone bridge) could be more developed, prepared.

Well, I hope you do accept this comments from an true and sincere admirer.

Cheers to all.
www.caiogracco.blogspot.com (with texts in English) www.caiogracco.com (brand new)

neuronal universe reply Replies: 0 || 2011-03-06 00:00:00
hello,I am your fan you are may expiration in order to compose my songs I follow you for many years Im

also struggling to put my song in some film. un genius as you no longer, me like to be your friends,
thankes davidsantamaria37@hotmail.com

Baltoholic reply Replies: 0 || 2011-03-03 00:00:00
I listened to Jason Do's medley (good--I've never heard the original Four Feathers score, though the Spirit part was great) and I got the thought:
What if there was a collab between Zimmer and James Horner to score a movie directed by James Cameron? Since Horner scored Titanic and Avatar and you, Zimmer, are among my favorite composers, I think it would be a good idea. (Can somebody say BLOCKBUSTER?)
If Zimmer himself reads this, (1) thanks for your awesome movie scores and (2) Please think about a collab with Horner.
Keep up the amazing work!

Byron MacIntosh reply Replies: 0 || 2011-03-03 00:00:00
Transformers Theme (2007)
Performed and Produced by Patrik Pietschmann Was Awesome!!! Beautiful!!! I loved it!!

Jin reply Replies: 0 || 2011-02-27 00:00:00
How do you want to send a letter? :D

I like your music.

BennyJ reply Replies: 0 || 2011-01-21 00:00:00
Gladiator - Honor Him (2000) has a good sound. Unfortunately it's not played in rhythm (totally wrong timing). Would be cool if you could improve this.

&#36229;&#32423;&#28909;&#29233;Ha reply Replies: 0 || 2011-01-15 00:00:00
Wonderful!!!!I love Hans so much!!!!!!They are so intense just like my dream~~~~

ali reply Replies: 0 || 2011-01-12 00:00:00
superb musician in the world

16stmica@jcsd1.epals.com reply Replies: 0 || 2011-01-04 00:00:00
hans zimmer i like your music in spirit stallion of the cimarron

micah reply Replies: 0 || 2011-01-04 00:00:00
hans zimer i like your music in spirit stallion of the cimarron

Rhythmic reply Replies: 0 || 2010-12-26 00:00:00
yeeeeeaahhh i love it.. The Holiday OST Maestro is veryyyyyyyyyyyyyyyy veryyyy gooood..thanks
Mr. Zimmer..love you so muuch..

Arianna reply Replies: 0 || 2010-12-25 00:00:00
hey the piano version of "once upon a time in africa" is great! anyone has the piano score? :D

kaushal reply Replies: 0 || 2010-12-23 00:00:00
wow
I Lke it very much

André reply Replies: 0 || 2010-12-07 00:00:00
I would like to do a short cover (more like a 2'30'' adaptation for plectrum orchestra) of "Once upon a time in Africa". How do I go about with all necessary authorizations and stuff? Your music in truly inspiring!

Sha'Tara reply Replies: 0 || 2010-11-23 00:00:00
I love his composition of the Pirates of the Caribbean, all 4 movies, I marched the first movie of POTC in highschool, my freshmen, I still have the sheet music, he's a great artist.

mily reply Replies: 0 || 2010-09-29 00:00:00
i don´t kwon so much about music ,but it´s incredible ,beautiful and extraordianry .i love every sound and piece of this music

Anonymous reply Replies: 0 || 2010-08-25 00:00:00
Dear Chris Janus :

Your cover song of 'Up is Down' in Pirates of Carribbean is so fantasic. Very clear balancing and layering with vivid background.

Antas, Webmaster reply Replies: 0 || 2010-08-20 00:00:00
100% agree

Hale reply Replies: 0 || 2010-08-18 00:00:00
Laura Conway, your gladiator "now we are free" cover is simply amazing and makes me feel great emotions.

Nikola Jeremic reply Replies: 0 || 2010-08-17 00:00:00
Wonderful cover of Gladiator by Laura Conway! :)

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