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Alright, after re-listening to the score, I've made a few educated guesses of what the additional composers did, based on what we know about the score and their previous work. Note that none of this is confirmed by Hybrid, just my opinion.<br><br>Lorne Balfe: Seems to practically be a co-composer here. I hear a lot of him in this score. It seems he did Invasion (as he's known for contributing trailer music to films he works on) seemingly the suites "Brooding", "Deciphering the Signal", "Battle", and the one we know he cowrote, "Journey Suite". Based on this here's my guess as to what he contributed. <br><br>Soccent Attack - Sounds like his style, probably him arranging AllSpark and Decepticon material. <br><br>Keller's Briefing - Arrangement of "Deciphering the Signal"<br><br>Deciphering the Signal - Obviously another arrangement of "Deciphering the Signal" with Batman Begins-like action at the end.<br><br>Sam's Pink Bike Ride (Part 2) - Sounds like an arrangement of "Brooding" material. <br><br>(Possibly?) Are You LadiesMan217? - Some arrangement of "Brooding" and "Journey Suite" material, although hard to say whether the theme at 1:10 is Steve's or Lorne's. Could be Steve arranging Lorne material, as it sounds more Jablonsky-esque to me. <br><br>Autobots to the Rescue - Could be Steve imitating Batman Begins style, but sounds far too Lorne for me to not consider it a co-written track. <br><br>Sector 7 Chase - Part 1 sounds more Jablonsky than Lorne, but there's no question to me that part 2 has a lot of Balfe in there. <br><br>Where Is My Car? - Batman Begins-like again, probably Lorne solo, or Lorne and Steve<br><br>Decepticons Mobilize (Part 2) - Arrangement of "Brooding"<br><br>Freeway Fight - Battle version of Decepticon theme from "Brooding"<br><br>Stumble Bumble (Part 1) & (Part 2 Alternate) - Arrangement of "Journey Suite", second part not used in the film sounds like Steve & Lorne Combo to me. Film version of part 2 sounds pure Steve to me. <br><br>You're A Soldier Now (Parts 1 & 3) - Lorne being heavily involved in the final battle is known, and Parts 1 and 3 have arrangements of Lorne material. I'm also fairly certain that Lorne wrote the Optimus vs Megatron theme from Part 3 and "Optimus vs Megatron".<br><br>Optimus vs Megatron - Finale of theme introduced in "You're A Soldier Now (Part 3)" as well as the "Journey / AllSpark" theme which could be Lorne's or Steve's. <br><br>Trevor Morris: I can infer from his work on Pirates 2, The Island, and the one track we know he worked on. <br><br>Soldiers Arrive - Not sure why, but I've always assumed this military theme was Morris'.<br><br>Arctic 1897 - Dark theme that reminds me a lot of his work from Pirates 2. <br><br>Scorponok - Known fact that he co-wrote this. <br><br>Hoover Dam - Arrangement of military theme<br><br>Transforming -  Same theme from Arctic 1897<br><br>Sam on the Roof (Part 2) - Arrangement of theme from Scorponok, though could be Steve or Lorne arranging it.<br><br>Optimus vs Megatron - A slight hint to the Military theme when they begin attacking Blackout, and Scorponok theme reprisal, once again could be Steve or Lorne arranging these themes. <br><br>Creeper Suite / A Call to Arms (Unused) - Original music for Optimus' Epilogue, contains arrangement of military theme. <br><br>Jay Flood: Can be inferred from his work on Transformers: The Game, his overall more orchestral writing, and his contributions to Nightmare on Elm Street, Sims 3, and Desperate Housewives. <br><br>Camaro on the Run - Definitely has a TF: The Game sound to it overall. As well as a bit of Thomas Newman-esque music. <br><br>Witwicky (Parts 1-3) - Definitely some of his style here along with Steve's overall Desperate Housewives-esque music. <br><br>Decepticons 2 Suite / Frenzy - The suspenseful strings make me think of Flood's Nightmare on Elm Street work, and the brass writing seems more characteristic of him than Jablonsky to me, though it was still probably a co-written suite. <br><br>Tense Action Suite - Once again reminds me of Flood's Nightmare suspenseful string writing, probably at least co-composed with Jablonsky. <br><br>Clay Duncan - I can guess somewhat based on his contributions to "The Island" but otherwise I don't know much about him so I'm not sure about any of the inferences I'm about the make. <br><br>Angry Camaro - This sort of drone music sounds like it could be him as his contributions were very electronic in The Island.<br><br>Bumblebee vs Barricade - Strange electronics and sounds plus more minimalist writing make me think Duncan. <br><br>Tow Truck Charge - Definitely has The Island's sound. Could be Trevor Morris too. <br><br>TJ Lindgreen: I know so little about his style except he works with Elfman and did additional music for TF: The Game so not much I can say for what he did. <br><br>Belly Shot(?) - The ethereal choir style sounds somewhat like TF: The Game's score and Elfman's choir. <br><br>Not to Hear That(?) - Maybe he composed this motif for Mikaela that also appeared in "Belly Shot". <br><br>Surreal Mikaela(?) - Once again I'm hoping the specific choir sound is part of his style. <br><br>Anything I didn't mention is a track I'm assuming is all Jablonsky. Please note that I'm not trying to take away from Steve's work on this score, and that for most of these track I'm assuming Steve had some involvement in as well, I'm just speculating for fun because I've always wanted to know who did what on this score.LP sadly, but it's also on Spotify.Technical reasons ! lol ;)<br><br>But she was there.Most welcome news. Should be a nice replacement for the Fantastic Beasts score that will have to have been pushed off. I imagine his work on Jungle Cruise will be great as well. 2021 is looking pretty exciting for score releases!She definitely performed on the score, I don't know why she is uncredited...
The poster shows Lorne Balfe as the composer.<br><br>But then it also did have Desplat!So no solo cello by Tina Guo? Is it digital then or is it no cello?CD or LP release?Why is Lorne Balfe not nominated for a Grammy for Ad Astra ?To my understanding, James never worked for Hans or Remote Control. They’re simply friends and have collaborated on a few projects. Powell (and Gregson-Williams) used to work at Remote Control before moving on to his own studio/endeavors. <br><br>BUT, I am equally as excited for James to return to Disney Animation. Very excited for this and Jungle Cruise.
I guess James Newton Howard doesn't count as a Remote Control composer anymore (and yet John Powell does? I don't get it), but anyway, he's scoring Disney Animation Studios' Raya and the Last Dragon. After his epic trilogy of Dinosaur, Atlantis, and Treasure Planet, I welcome his return to the studio!Some original cue titles with slates from a music mixing CD-R:<br>1M13 Transactions<br><br>2M16 Jake Gets Stoned<br>2M20A Alley<br>2M21 Rapists Castration<br><br>3M24 My Old Division<br>3M27 Go Fetch Dog<br>3M30 The Freeway<br>3M32 Alonzo Steals Money<br>3M33 Into The Jungle<br><br>4M41 Safety Is First / Busting Into Rogers<br><br>5M46 Helicopter<br>5M48 Sunset / Wet Streets<br>5M51 Jake Gets Beaten<br>5M52 Smiley Calls His Cousin<br><br>6M57 On The Roof<br>6M58 Jake Lands On Car<br><br>7M61 Alonzo Dies<br>7M63 Sun ShotMovie credits:<br><br>Music by Hans Zimmer & David Fleming<br><br>Music Supervisor: Joe Rudge<br><br>Score Produced by Hans Zimmer<br>Supervising Music Editor: Ryan Rubin<br>Music Editor: Nate Underkuffler<br>Music Production Services: Steven Kofsky<br>Additional Music by Ben Powell<br>Featured Guitar Soloist: Derek Trucks<br>Score Mixed by Seth Waldmann<br>Score Mix Assistant: Aldo Arechar<br>Technical Score Engineer: Chuck Choi<br>Technical Assistants: James Grimwade, Aldo Arechar, Steven Doar & Fabio Marks<br>Synth Programming: Hans Zimmer<br>Digital Instrument Design: Mark Wherry<br>Digital Instrument Preparation: Taurees Habib, Raul Vega, David Naroth & Paul Salerno<br>Studio Manager for Remote Control Productions: Shalini Singh<br>Assistant to Hans Zimmer: Cynthia Park<br>Score Mixed at Remote Control Productions, Santa Monica CA<br>Music Clearances: Jessica Dolingerthats trueCan't think of a more meaningless and laughable award than the Oscar.
an oscar for this one? nahh...<br>maybe he gets a nomination for dune or bondMaybe WW1984damn it would be kinda awesome and hilarious if Lorne Balfe got Lorne Balfe’d LOLYeah 100% fake... And there was HJ rumor on Black Widow sometimes last year, so if you do the math...Henry doesn't have an official Instagram. It looks like you are referring to the account "henry0262020" which appears to be a fake account, to the best of my knowledge.
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  Transformers (Complete Score)2020-11-25 15:07:27
superultramegaa
Alright, after re-listening to the score, I've made a few educated guesses of what the additional composers did, based on what we know about the score and their previous work. Note that none of this is confirmed by Hybrid, just my opinion.

Lorne Balfe: Seems to practically be a co-composer here. I hear a lot of him in this score. It seems he did Invasion (as he's known for contributing trailer music to films he works on) seemingly the suites "Brooding", "Deciphering the Signal", "Battle", and the one we know he cowrote, "Journey Suite". Based on this here's my guess as to what he contributed.

Soccent Attack - Sounds like his style, probably him arranging AllSpark and Decepticon material.

Keller's Briefing - Arrangement of "Deciphering the Signal"

Deciphering the Signal - Obviously another arrangement of "Deciphering the Signal" with Batman Begins-like action at the end.

Sam's Pink Bike Ride (Part 2) - Sounds like an arrangement of "Brooding" material.

(Possibly?) Are You LadiesMan217? - Some arrangement of "Brooding" and "Journey Suite" material, although hard to say whether the theme at 1:10 is Steve's or Lorne's. Could be Steve arranging Lorne material, as it sounds more Jablonsky-esque to me.

Autobots to the Rescue - Could be Steve imitating Batman Begins style, but sounds far too Lorne for me to not consider it a co-written track.

Sector 7 Chase - Part 1 sounds more Jablonsky than Lorne, but there's no question to me that part 2 has a lot of Balfe in there.

Where Is My Car? - Batman Begins-like again, probably Lorne solo, or Lorne and Steve

Decepticons Mobilize (Part 2) - Arrangement of "Brooding"

Freeway Fight - Battle version of Decepticon theme from "Brooding"

Stumble Bumble (Part 1) & (Part 2 Alternate) - Arrangement of "Journey Suite", second part not used in the film sounds like Steve & Lorne Combo to me. Film version of part 2 sounds pure Steve to me.

You're A Soldier Now (Parts 1 & 3) - Lorne being heavily involved in the final battle is known, and Parts 1 and 3 have arrangements of Lorne material. I'm also fairly certain that Lorne wrote the Optimus vs Megatron theme from Part 3 and "Optimus vs Megatron".

Optimus vs Megatron - Finale of theme introduced in "You're A Soldier Now (Part 3)" as well as the "Journey / AllSpark" theme which could be Lorne's or Steve's.

Trevor Morris: I can infer from his work on Pirates 2, The Island, and the one track we know he worked on.

Soldiers Arrive - Not sure why, but I've always assumed this military theme was Morris'.

Arctic 1897 - Dark theme that reminds me a lot of his work from Pirates 2.

Scorponok - Known fact that he co-wrote this.

Hoover Dam - Arrangement of military theme

Transforming - Same theme from Arctic 1897

Sam on the Roof (Part 2) - Arrangement of theme from Scorponok, though could be Steve or Lorne arranging it.

Optimus vs Megatron - A slight hint to the Military theme when they begin attacking Blackout, and Scorponok theme reprisal, once again could be Steve or Lorne arranging these themes.

Creeper Suite / A Call to Arms (Unused) - Original music for Optimus' Epilogue, contains arrangement of military theme.

Jay Flood: Can be inferred from his work on Transformers: The Game, his overall more orchestral writing, and his contributions to Nightmare on Elm Street, Sims 3, and Desperate Housewives.

Camaro on the Run - Definitely has a TF: The Game sound to it overall. As well as a bit of Thomas Newman-esque music.

Witwicky (Parts 1-3) - Definitely some of his style here along with Steve's overall Desperate Housewives-esque music.

Decepticons 2 Suite / Frenzy - The suspenseful strings make me think of Flood's Nightmare on Elm Street work, and the brass writing seems more characteristic of him than Jablonsky to me, though it was still probably a co-written suite.

Tense Action Suite - Once again reminds me of Flood's Nightmare suspenseful string writing, probably at least co-composed with Jablonsky.

Clay Duncan - I can guess somewhat based on his contributions to "The Island" but otherwise I don't know much about him so I'm not sure about any of the inferences I'm about the make.

Angry Camaro - This sort of drone music sounds like it could be him as his contributions were very electronic in The Island.

Bumblebee vs Barricade - Strange electronics and sounds plus more minimalist writing make me think Duncan.

Tow Truck Charge - Definitely has The Island's sound. Could be Trevor Morris too.

TJ Lindgreen: I know so little about his style except he works with Elfman and did additional music for TF: The Game so not much I can say for what he did.

Belly Shot(?) - The ethereal choir style sounds somewhat like TF: The Game's score and Elfman's choir.

Not to Hear That(?) - Maybe he composed this motif for Mikaela that also appeared in "Belly Shot".

Surreal Mikaela(?) - Once again I'm hoping the specific choir sound is part of his style.

Anything I didn't mention is a track I'm assuming is all Jablonsky. Please note that I'm not trying to take away from Steve's work on this score, and that for most of these track I'm assuming Steve had some involvement in as well, I'm just speculating for fun because I've always wanted to know who did what on this score.
  True Romance (Score)2020-11-25 13:09:25
Randy Watson
LP sadly, but it's also on Spotify.
  Hillbilly Elegy2020-11-25 12:21:32
Hybrid Soldier
Technical reasons ! lol ;)

But she was there.
  The Last Airbender2020-11-25 12:05:43
Inspiron
Most welcome news. Should be a nice replacement for the Fantastic Beasts score that will have to have been pushed off. I imagine his work on Jungle Cruise will be great as well. 2021 is looking pretty exciting for score releases!
  Hillbilly Elegy2020-11-25 11:21:37
Knight
She definitely performed on the score, I don't know why she is uncredited...
  His Dark Materials (TV Series - Season 2) (The Musical Anthology)2020-11-25 11:16:39
AndreasM
The poster shows Lorne Balfe as the composer.

But then it also did have Desplat!
  Hillbilly Elegy2020-11-25 10:21:14
rockhound
So no solo cello by Tina Guo? Is it digital then or is it no cello?
  True Romance (Score)2020-11-25 02:06:08
Scorefan
CD or LP release?
  His Dark Materials (TV Series - Season 2) (The Musical Anthology)2020-11-25 01:16:35
Graham
Why is Lorne Balfe not nominated for a Grammy for Ad Astra ?
  The Last Airbender2020-11-25 01:09:01
Brent
To my understanding, James never worked for Hans or Remote Control. They’re simply friends and have collaborated on a few projects. Powell (and Gregson-Williams) used to work at Remote Control before moving on to his own studio/endeavors.

BUT, I am equally as excited for James to return to Disney Animation. Very excited for this and Jungle Cruise.
  The Last Airbender2020-11-25 00:05:33
jjstarA113
I guess James Newton Howard doesn't count as a Remote Control composer anymore (and yet John Powell does? I don't get it), but anyway, he's scoring Disney Animation Studios' Raya and the Last Dragon. After his epic trilogy of Dinosaur, Atlantis, and Treasure Planet, I welcome his return to the studio!
  Training Day (Complete Score)2020-11-24 16:55:19
FunnyML
Some original cue titles with slates from a music mixing CD-R:
1M13 Transactions

2M16 Jake Gets Stoned
2M20A Alley
2M21 Rapists Castration

3M24 My Old Division
3M27 Go Fetch Dog
3M30 The Freeway
3M32 Alonzo Steals Money
3M33 Into The Jungle

4M41 Safety Is First / Busting Into Rogers

5M46 Helicopter
5M48 Sunset / Wet Streets
5M51 Jake Gets Beaten
5M52 Smiley Calls His Cousin

6M57 On The Roof
6M58 Jake Lands On Car

7M61 Alonzo Dies
7M63 Sun Shot
  Hillbilly Elegy2020-11-24 15:58:24
Knight
Movie credits:

Music by Hans Zimmer & David Fleming

Music Supervisor: Joe Rudge

Score Produced by Hans Zimmer
Supervising Music Editor: Ryan Rubin
Music Editor: Nate Underkuffler
Music Production Services: Steven Kofsky
Additional Music by Ben Powell
Featured Guitar Soloist: Derek Trucks
Score Mixed by Seth Waldmann
Score Mix Assistant: Aldo Arechar
Technical Score Engineer: Chuck Choi
Technical Assistants: James Grimwade, Aldo Arechar, Steven Doar & Fabio Marks
Synth Programming: Hans Zimmer
Digital Instrument Design: Mark Wherry
Digital Instrument Preparation: Taurees Habib, Raul Vega, David Naroth & Paul Salerno
Studio Manager for Remote Control Productions: Shalini Singh
Assistant to Hans Zimmer: Cynthia Park
Score Mixed at Remote Control Productions, Santa Monica CA
Music Clearances: Jessica Dolinger
  Hillbilly Elegy2020-11-24 14:29:17
badbu
thats true
  Hillbilly Elegy2020-11-24 13:17:46
Macejko
Can't think of a more meaningless and laughable award than the Oscar.
  Hillbilly Elegy2020-11-24 12:59:02
badbu
an oscar for this one? nahh...
maybe he gets a nomination for dune or bond
  Hillbilly Elegy2020-11-24 11:45:39
Jsdamian
Maybe WW1984
  His Dark Materials (TV Series - Season 2) (The Musical Anthology)2020-11-23 21:42:56
Anonymous
damn it would be kinda awesome and hilarious if Lorne Balfe got Lorne Balfe’d LOL
  His Dark Materials (TV Series - Season 2) (The Musical Anthology)2020-11-23 16:52:51
Hybrid Soldier
Yeah 100% fake... And there was HJ rumor on Black Widow sometimes last year, so if you do the math...
  His Dark Materials (TV Series - Season 2) (The Musical Anthology)2020-11-23 16:48:36
NotSoAnonymous
Henry doesn't have an official Instagram. It looks like you are referring to the account "henry0262020" which appears to be a fake account, to the best of my knowledge.
  His Dark Materials (TV Series - Season 2) (The Musical Anthology)2020-11-23 16:36:54
MrZimmerFan
Henry Jackman is now Black Widow's composer, apparently in his instagram, posted a photo
  X-Men - The Last Stand2020-11-23 03:31:08
Fran
Hah! Knew it. FYI, I'm not smoking anything. I don't smoke, and I abhor anyone who does.
  X-Men - The Last Stand2020-11-22 20:52:35
HunterTech
Oh interesting. When I said "refined his sound," I didn't mean that he was still trying to find his voice. This score absolutely exudes the qualities that make his work so appealing. You simply managed to put what I was trying to say in better terms. I'm definitely happy to give this one more goes in the future, but I remain more partial to some of the other installments.
  X-Men - The Last Stand2020-11-22 20:10:49
Edmund Meinerts
This is easily my favorite X-Men score, but I do agree there is a bit of an...*odd* feel to it sometimes. The impression I get is that Powell was reeeaallly pushing himself to write the most dense and complex and ambitious score he could, and I think he may have overreached a tad. There's definitely a big contrast between this score and the much tighter, more focused sound he was bringing in his action music from a couple years prior, like Paycheck or The Bourne Supremacy. I wouldn't say he "hadn't quite refined his sound yet" - this isn't Face/Off, his voice was pretty well established by this point - but he was trying to develop it a bit faster than it was naturally going to go.

At the same time, I love how this score goes for broke, and I hate to fault a composer for too much ambition. "Phoned in" is the LAST thing this score is. But Powell would iron out the kinks and by How to Train Your Dragon he was writing a score that was just as complex, but wore the complexity a bit more naturally than X3.
  X-Men - The Last Stand2020-11-22 04:48:07
HunterTech
"There is nothing musically interesting in [Ottman's] X-Men scores except the main titles."

As if I didn't need a reminder that this place can house some ludicrous opinions sometimes (no offense intended there).

The Last Stand barely cracks the top 5 of X-Men scores for me, if only because I love the themes and it carries a lot of nostalgia for me. It's pretty clear imo that this score was at a point when Powell hadn't quite refined his sound yet. I wouldn't call it phoned in whatsoever, but it's easy to get lost at points when I'm listening to the full thing. But the highlights are too great for me to call it middling either, so it barely gets a solid grade in my book.

I'm likely in the minority when I say I actually prefer Dark Phoenix. It's much more solid as a whole product.
  Interstellar2020-11-22 03:47:50
charan
I like the tracks
  Solo - A Star Wars Story (The Deluxe Edition)2020-11-22 00:26:21
Scorefan
Wow!!!
  X-Men - The Last Stand2020-11-21 22:16:08
MrZimmerFan
Still my favorite score from the X-Men series.
  X-Men - The Last Stand2020-11-21 20:10:22
Macejko
Not too stoked on Powell, but the way Ottman's able to squander a good theme makes him close to the bottom of the barrel in my book. There is nothing musically interesting in his X-Men scores except the main titles.
  X-Men - The Last Stand2020-11-21 19:53:27
ThePhantasm
I don't know what you're smoking but you need to get off it. In the way is this phoned in, the orchestration and everything about it is perfect. No score for X-men has come close to this one except maybe X2
  His Dark Materials (TV Series - Season 2) (The Musical Anthology)2020-11-21 17:01:22
Edmund Meinerts
That recording footage makes it all the more baffling to me why the end product sounds the way it does.
  His Dark Materials (TV Series - Season 2) (The Musical Anthology)2020-11-21 16:52:19
MrHarris
I understand the comments about the orchestra sounding like samples by some of the comments?

If you follow his Twitter you see the BBC orchestra recording the soundtrack.Season two is cool and Balfe’s music is bigger that season 1.Bit choirs also.
  Rebuilding Paradise (Documentary)2020-11-21 15:23:55
Mikeal
I love Hillbilly also but it sounds very familiar just with different guitar instruments.Paradise is so emotional and sonically more interesting to me at least
  Rebuilding Paradise (Documentary)2020-11-21 14:57:13
MrZimmerFan
I find Hillbilly more engaging than Paradise, even much interesting dramatic cues.
  Rebuilding Paradise (Documentary)2020-11-21 14:43:57
Mikeal
Memorial is heart wrenching.
Definitely up there for this years scores.
  Rebuilding Paradise (Documentary)2020-11-21 14:41:57
JoPeters
Fantastic music but Balfe and Zimmer.You can hear their different styles in this music.
Very beautiful soundtrack
  Solo - A Star Wars Story (The Deluxe Edition)2020-11-21 10:40:43
Hybrid Soldier
Couple of interesting things.

Williams in the film cuesheet seems to have been credited only for "his" cues but never for others' cues (even if they use either old Star Wars music or new JW Solo material) :

OPENING (JP)
ENFYS STANDOFF (JP)
FAILED HEIST (JP)
KESSEL RUN PT 1 – TIE CHASE A (JW)
KESSEL RUN PT 1 – TIE CHASE B-1 (JP)
KESSEL RUN PT 1 – TIE CHASE C (JW)
KESSEL RUN PT 1 – TIE CHASE D (JP)
KESSEL RUN PT 1 – TIE CHASE E-2 (JP)
KESSEL RUN PT 2 – TIE CHASE F (JP)
KESSEL RUN PT 2 – MAW (JP BS)
KESSEL RUN PT 3 – LIFTOFF (JP)
KESSEL RUN PT 4 – LANDING (JP)
L3 & FALCON PT 1 (JP)
L3 & FALCON PT 2 (JP)
L3’S SACRIFICE (JP)
SKYPE SHOWDOWN (JP)
CHEWIE UNTAMED PT 1 (JP AW)
CHEWIE UNTAMED PT 3 (JP)
LANDO’S CLOSET (JP AW)
SAVAREEN TENT A (JP)
SAVAREEN TENT B (JP AW)
CORELLIA CHASE (JP BS)
DRYDEN FIGHT (JP AW)
DRYDEN FIGHT PT 2 (JP)
DRYDEN YACHT DUET (JP)
ENFYS NEST ARRIVES (JP BS)
MINES PT 1 – HEIST (JP PM)
MINES PT 2 – FINDING COAXIUM (JP)
MINES PT 2 – CONT’D (JP)
MINES PT 3 – BREAK-OUT (JP)
REAL THING DOUBLE CROSS (JP PM)
SPACEPORT (JP AW)
THE BEAST (JP BS)
BECKETT DEPARTS (JP)
BECKETT LEAVES (JP)
BECKETT SHOWDOWN (JP)
CRAWL (JP)
CRAWL (FROM 1M04-05) (JP)
CRAWL (FROM 2M13) (JP)
CRAWL (FROM 4M28) (JP)
CRAWL (FROM 4M30B) (JP)
LANDO (JP)
MAIN ON ENDS (JP)
MAIN ON ENDS (FROM 5M32) (JP)
BACK TO DRYDEN’S (JP)
BLACKMAIL (JP)
BUNK – PROXIMA (JP)
CAMPFIRE (JP)
CONVEYEX PT 1 (JP)
FAMILY STORIES B (JP)
HAN & QI’RA REUNITE (JP)
JUNGLE CANTINA SOURCE (JP)
MEET DRYDEN (JP)
MIMBAN BATTLE PT 2 (JP)
MIMBAN BATTLE PT 3 (JP)
SABACC GAME (JP)
SABACC REMATCH (JP)
SURVEYING CONVEYEX (JP)
TESTING DRYDEN’S PATIENCE (JP)
TO TATOOINE PT 1 (JP)
TRUST NO ONE (JP)
WALK TO DRYDEN’S PT 1 (JP)
WALK TO DRYDEN’S PT 3 (JP)
YACHT PARTY SOURCE (JP)
YOU DON’T KNOW EVERYTHING (JP)
THE HAN SOLO THEME (JW)

This is what I could find. Some of the cues I couldn't find at all like Family Stories A, Gonna Be A Pilot or To Tatooine Pt 2 probably have all one thing in common : I guess they're 100% credited to JW.

That cuesheet matches in fact with the credits I posted above that come from JP's team.

Interestingly, the 2018 Album does credit Williams very specifically on every cue any of his material is used (The % come from the fact Powell & Mounsey are ASCAP, Williams, Willis & Sener are BMI) :

ADVENTURES OF HAN (HAN SOLO THEME)
JW 100%
MEET HAN
JP 28% JW 72%
CORELLIA CHASE
JP 50% JW BS 50%
SPACEPORT
JP 55% JW AW 45%
FLYING WITH CHEWIE
JP 48% JW AW 52%
TRAIN HEIST
JP 92% JW 8%
MARAUDERS ARRIVE
JP 55% JW BS 45%
CHICKEN IN THE POT
JP 100%
IS THIS SEAT TAKEN?
JP 77% JW 23%
L3 & MILLENNIUM FALCON
JP 86% JW 14%
LANDO’S CLOSET
JP 100%
MINE MISSION
JP 98% JW 2%
BREAK OUT
JP 78% JW 22%
THE GOOD GUY
JP PM 74% JW AW 26%
REMINISCENCE THERAPY
JP 30% JW 70%
INTO THE MAW
JP 47% JW BS 53%
SAVAREEN STAND OFF
JP 94% JW 6%
GOOD THING YOU WERE LISTENING
JP 100%
TESTING ALLEGIANCE
JP 51% JW AW 49%
DICE & ROLL
JP 65% JW 35%

It's not unusual to have different credits for an album VS the same music in the film, depends on the deal that was made.

Also, some incoherences here, like Willis credited for Lando's Closet in the cuesheet but not in the OST for the same track. But you can't take the cuesheet for absolute truth, additionals did a bit more than that, not necessarly credited, cause it's not as significative to program some percs on a track VS writing 90% of it ! :) Like Willis isn't officially credited for L3's Sacrifice (very end of Extra Deluxe Mine Mission) but has it on his website. Same for Batu with L3 & Falcon. So they had more to do than just what they are credited for... :)

Also, if you want a breakdown of the Deluxe VS 2018 OST :

THE ADVENTURES OF HAN => SUITE (NOT IN DELUXE)
MEET HAN => 1M1 MEET HAN
CORELLIA CHASE => 1M4-5 CORELLIA CHASE
SPACEPORT => 1M6-7 SPACEPORT
FLYING WITH CHEWIE => 2M13 CHEWIE UNTAMED
TRAIN HEIST => 2M15-16A-B-C DELUXE TRAIN HEIST (FIRST HALF)
MARAUDERS ARRIVE => 2M15-16A-B-C DELUXE TRAIN HEIST (SECOND HALF) (EDITED) (ALT END)
CHICKEN IN THE POT => 3M18S CHICKEN IN THE POT (ALT VOX)
IS THIS SEAT TAKEN ? => 3M25 SABACC GAME
L3 & MILLENNIUM FALCON => 3M26 L3 & MILLENNIUM FALCON
LANDO'S CLOSET => 4M28 LANDO'S CLOSET
MINE MISSION => 4M30B-5M30C-31 EXTRA DELUXE MINE MISSION (FIRST HALF)
BREAK OUT => 4M30B-5M30C-31 EXTRA DELUXE MINE MISSION (SECOND HALF)
THE GOOD GUY => 6M34 SAVAREEN TENT + 6M36-37-38 QI'RA KNOWS A BIT MORE THAN THAT (EDITED) + 6M39-40 DOUBLE-DOUBLE CROSS (EDITED)
REMINISCENCE THERAPY => 5M32-33A-B-C KESSEL RUN IN LESS THAN 12 PARSECS (FIRST HALF)
INTO THE MAW => 5M32-33A-B-C KESSEL RUN IN LESS THAN 12 PARSECS (SECOND HALF)
SAVAREEN STAND-OFF => 6M35 ENFYS' STAND-OFF
GOOD THING YOU WERE LISTENING => 7M43-44-45 MAUL'S CALL – PARTING WAYS (EDITED) (ALT)
TESTING ALLEGIANCE => 6M41-42 DRYDEN'S LONG, LONG FIGHT (EDITED)
DICE & ROLL => 7M47-48 SABACC REMATCH – TO TATOOINE
  Hillbilly Elegy2020-11-20 22:47:46
fabien
oscar
  Solo - A Star Wars Story (The Deluxe Edition)2020-11-20 20:48:20
jjstarA113
Edmund Meinerts: Ah, that's why.

mpolonest123: Yeah, Williams really set a gold standard with The Force Awakens' end credits suite which I hoped subsequent Star Wars films would follow, so this one is kind of underwhelming. But it's worth having on album anyway for having the proper fanfare ending and Han's theme at 1:13. (Powell's infatuation with sleigh bells really gives this score a holidays vibe!)
  Hillbilly Elegy2020-11-20 20:23:06
NotSoAnonymous
Full score is out now, and wow! I am pleasantly surprised by how much I enjoyed this. I expected it to work well for the film and be an interesting listen, but I am amazed by how melodic this was, as opposed to subtle string arrangements and drone / sound design, which are both still present but not the focus. Also, some of the rhythmic elements are presented in a way that felt like 90s Zimmer (in a good way).
  X-Men - The Last Stand2020-11-20 20:08:16
Fran
Everyone here gawking at Powell's feet, and I'm not taking away that from them. More power to you guys, I love John Powell too. But, compared to Ottman, Jackman, Zimmer... hell, even Marco Beltrami in the Wolverine films... I don't know. I have the same opinion as CinemaWins about this score. It sounds phoned in at some points.
  Solo - A Star Wars Story (The Deluxe Edition)2020-11-20 19:54:55
Edmund Meinerts
Yeah it's a bit that Powell seemed to be focusing a lot on that End Titles suite even though it's just an edit job. He hyped it so much that it got me half believing he had somehow recorded an all-new end credits suite that never ended up in the film, but no, it's just the edit job. Ah well, I'll just replace it with the Williams suite from the original album.

"Mimban Battle" is my pick of the new music. That Imperial March statement (followed by a cool choral statement of the Beckett/Gang theme) is so good. Powell really brings out how nasty and oppressive that theme can be, and coming right after the upbeat propaganda source cue the contrast is hilarious and extremely effective. Expectations vs reality.
  Wonder Woman 1984 (Single)2020-11-20 19:33:18
badbu
ahhh :D
but hey, another hans score this year :)) I’m very excited about this one :)
  Solo - A Star Wars Story (The Deluxe Edition)2020-11-20 18:43:44
mpolonest123
Major props to Powell and co. for pushing to have this released. As good as the OST was, this Deluxe Edition really exposes how intelligently JP handled the new and old themes. Also have to love the source music, it completely fits with Williams’ eccentric source pieces. Only real gripe for me is the End Titles Suite, which feels more like a mish-mash of cues than an individual piece.
  Wonder Woman 1984 (Single)2020-11-20 18:28:17
Ahmad
It’ll probably come out on the 25th unfortunately.
  Solo - A Star Wars Story (The Deluxe Edition)2020-11-20 18:14:27
Edmund Meinerts
Rights issue. The rest of the score was recorded in London, but Williams recorded his suite in LA with a different orchestra, so it would have been prohibitively expensive to include it here and have to pay the royalties all over again.
  Solo - A Star Wars Story (The Deluxe Edition)2020-11-20 16:28:16
jjstarA113
Dragon Deluxe was a neat addition (and the score book is a must-read), but this deluxe album is the glow-up I've been waiting for!!!
  Solo - A Star Wars Story (The Deluxe Edition)2020-11-20 16:26:56
jjstarA113
I'm a little surprised that "The Adventures Of Han" was tossed aside here.
  Wonder Woman 1984 (Single)2020-11-20 08:41:16
badbu
i think (hope) it will be a friday.
maybe 12/18 or 12/25
  Wonder Woman 1984 (Single)2020-11-20 08:36:53
MrZimmerFan
My bet is for 12/16.

But it seems it will the same move as The Witches or similar
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