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Tina had a lot of work to do here!Each time I listen to "The Oil," I'm convinced it can't get any louder and larger, but it does. If you don't look at the track time, you're just constantly thinking it's about to end, and yet it somehow continues to up the ante until you almost can't handle anymore!I was on three concerts so far and just at the one at Frankfurt some band members came down from the stage after the concert. I didn'f got a autograph but I did photos with nile marr and nick glennie smith. But if you would ask some of the band members I am sure they will say "ok perhaps I can arrange it" would try it this way :)I really like it. It's a clever score that sounds like it had an awful lot of thought put into it.A fanmade.<br><br>Hybrid probably took the track from here because the guy behind the channel was stating that it was original without being. Leaving the link here would only give him more audience.
So I'm curious about something...that fake End Titles track that was posted here twice and removed...if it wasn't Dunkirk, what WAS it? It was actually a decent piece and sounded like Hans.I agree.  This to me was Nolan's Revenant. Good looking cinematography, but almost no story and zero emotional connection to anything happening.  I disagree with Adam.  It doesn't drudge up negative feelings either because, unless you have an explicit connection to the Battle of Dunkirk, it doesn't try to give anything meaning.  The film was everything I feared when I saw the trailer, boring and limited in depth.  As I was leaving I heard someone describe as a documentary, but I wouldn't even call it that.  It is like an art film, definitely not for everyone.  I'd probably call it a historical recreation on film.<br><br>As for the "music".  It definitely fit the "movie" in that it hardly was the fundamental thing it is described as.  Mostly droning noise, air, or ticking.  Not for everyone and not really listenable either.<br><br>Overall this felt like a pop-avant garde project.  Maybe Dunkirk is something extremely culturally relevant in England? Like still present in the vernacular? I don't know but this movie fails to take add anything to the human experience. It does not transcend its basic scenario and title. Dunkirk. That is it.Nope, it has the inicial feeling of 528491 of Inception.Shivering Soldier is DEFINITELY similar to Bruce's theme in BVSThe Tracklist Of This movie has Been Released At film Music reporter And Film Music Site. There Us much Of The Score By Atli Örvarsson And Various Artists:<br><br>1.Nobody Gets Out Alive<br>(Samuel L.jackson)<br>2.Hello(Lionel Ritchie)<br>3.Hitman's Bodyguard(Atli Örvarsson)<br>4.Ships On The Ocean(Kunior Well's Chicago Blues Band)<br>5.Smells Like Ass Back Here<br>(Atli Örvarsson)<br>6.Jag Didn't Smells Like Ass <br>(Atli Örvarsson)<br>7.I Want To Know What Love Is<br>(Foreigner)<br>8.Amsterdam Chase(Dmitri Golovko)<br>9.Black Betty(Spiderbait)<br>10.Little Quennie(Chuck Berry)<br>11.One Of The Good Guys?<br>(Atli Örvarsson)<br>12.Kincaid's Gospel<br>(Atli Örvarsson)<br>13.Dukovish(Atli Örvarsson)<br>14.Broken Wing(Atli Örvarsson)<br>15.Dancing In The Moonlight<br>(King Harvest)<br><br>Atli Örvarsson:Composer<br>Additional Music By Claudio Olachea & Dmitri Golovko<br>Music Supervisor By Selena Arizanonic
Has anyone had any luck getting an autograph after one of his concerts? Going to one soon.*four. Yes, I can do math. :PI like that Lorne is directly credited on Regimental Brothers and End Titles. Ditto Wallfisch with Home, Variation 15, and End Titles. That's three credits from the start!I agree, but this one is much better.It probably felt less emotionally engaging because we've been fed with emotions like friendships, love, joy or sorrow in most of the films. Dunkirk was emotionally engaging with emotions like fear of death, longing to go home. Hope this gives you another perspective
Divisive opinion:<br>I honestly wasn't crazy about the film. It wasn't bad, and the score was very appropriate, but I felt they could have done something different to not just be visually engaging, but emotionally engaging. Maybe I'm crazy, I'm seeing it again today, but that's my initial reaction.@Hari "I am afraid?"<br><br>There is no need to fear. Lol.<br>They have been doing this since ... always<br>Filmtracks since 2003.<br>The problem is that HZ has no formal musical training and this will always put him on a step down when compared to those who have or who in one way or another try to follow in a more orchestral way."At least for people who claim to be more cultured"<br><br>--------------------------------------------------<br><br>@Hari No! He never assumed that. The other day, I think in BvS or Boss Baby review, he commented that people accuse him of always bashing HZ works in exchange for views. But he denies, saying he does this to make it clear that not all people are satisfied with the current situation of the scores produced these days. And that HZ has yes, his share of guilt about it.<br><br>--------------------------------------------------<br><br>I do not like hatred in what he writes. First because it influences other reviewers to do the same and second because it is not 100% fair.<br><br>For PoTC 5, for example, he gave 3 stars. While the other scores of the franchise were always migrating between 1 and 2 stars.<br>If everyone had 3 stars, with the exception of the 4 effort, I'd be okay with that.And his justification for this is that Geoff is ridding the music of the damage franchise brought by Hans. WTF?<br><br>But at the end of the day I'm okay with that too.<br>----------------------------------------------<br>I make it clear that I do not have so much trouble with the way he review the scores. No problem. The problem is the use of hate words whenever it comes with a score review by Hans.<br><br>He called Captain Philips of a piece of shit. Even if I agree with him that it is bad, is sad that you read this. But okay.<br>Wonder Woman wasn't too bad :Dits just Tick Took effect, Great for the Movie but so Disappointed As an Album.<br>You misunderstood me, everything I've heard about the score excited me and I still am very excited to see the movie and to hear the score. I was one of the people who defended Hans' approach early on when "Supermarine" was released. I like what i've heard from the score and I don't want a melody or a main theme. (even though it seems like Supermarine can count as a main theme from what I've heard about the score)<br><br>My issue is with the 11 track 59 minute album. Let's take "The Mole" for example, I've been told that at the 2:00 mark there was a section that's in the movie but was cut out of the track so "The Mole" would've been much longer than 5 minutes. That section is one of my favorite things about the score (it was featured in the prologue). The first clip with Mark Rylance featured music that is similar to the end of "The Mole" but it's not the same cue and it doesn't appear elsewhere on the album. <br>I'm a big, big fan of Hans and Nolan but the fact that they keep screwing up their soundtrack official releases is bothersome to me.
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  Dunkirk2017-07-22 00:34:55
James
Tina had a lot of work to do here!
  Dunkirk2017-07-22 00:27:10
Gotham Rogue
Each time I listen to "The Oil," I'm convinced it can't get any louder and larger, but it does. If you don't look at the track time, you're just constantly thinking it's about to end, and yet it somehow continues to up the ante until you almost can't handle anymore!
  Hans Zimmer Live On Tour (Shows)2017-07-22 00:10:27
Alexander
I was on three concerts so far and just at the one at Frankfurt some band members came down from the stage after the concert. I didn'f got a autograph but I did photos with nile marr and nick glennie smith. But if you would ask some of the band members I am sure they will say "ok perhaps I can arrange it" would try it this way :)
  Dunkirk2017-07-21 23:02:49
iii
I really like it. It's a clever score that sounds like it had an awful lot of thought put into it.
  Dunkirk2017-07-21 23:01:33
James
A fanmade.

Hybrid probably took the track from here because the guy behind the channel was stating that it was original without being. Leaving the link here would only give him more audience.
  Dunkirk2017-07-21 22:47:57
Anonymous
So I'm curious about something...that fake End Titles track that was posted here twice and removed...if it wasn't Dunkirk, what WAS it? It was actually a decent piece and sounded like Hans.
  Dunkirk2017-07-21 21:14:17
Bolidzar
I agree. This to me was Nolan's Revenant. Good looking cinematography, but almost no story and zero emotional connection to anything happening. I disagree with Adam. It doesn't drudge up negative feelings either because, unless you have an explicit connection to the Battle of Dunkirk, it doesn't try to give anything meaning. The film was everything I feared when I saw the trailer, boring and limited in depth. As I was leaving I heard someone describe as a documentary, but I wouldn't even call it that. It is like an art film, definitely not for everyone. I'd probably call it a historical recreation on film.

As for the "music". It definitely fit the "movie" in that it hardly was the fundamental thing it is described as. Mostly droning noise, air, or ticking. Not for everyone and not really listenable either.

Overall this felt like a pop-avant garde project. Maybe Dunkirk is something extremely culturally relevant in England? Like still present in the vernacular? I don't know but this movie fails to take add anything to the human experience. It does not transcend its basic scenario and title. Dunkirk. That is it.
  Dunkirk2017-07-21 19:52:21
Olive
Nope, it has the inicial feeling of 528491 of Inception.
  Dunkirk2017-07-21 19:03:41
Rigby
Shivering Soldier is DEFINITELY similar to Bruce's theme in BVS
  The Hitman's Bodyguard2017-07-21 18:19:59
Jack Afrogarrix 2017
The Tracklist Of This movie has Been Released At film Music reporter And Film Music Site. There Us much Of The Score By Atli Örvarsson And Various Artists:

1.Nobody Gets Out Alive
(Samuel L.jackson)
2.Hello(Lionel Ritchie)
3.Hitman's Bodyguard(Atli Örvarsson)
4.Ships On The Ocean(Kunior Well's Chicago Blues Band)
5.Smells Like Ass Back Here
(Atli Örvarsson)
6.Jag Didn't Smells Like Ass
(Atli Örvarsson)
7.I Want To Know What Love Is
(Foreigner)
8.Amsterdam Chase(Dmitri Golovko)
9.Black Betty(Spiderbait)
10.Little Quennie(Chuck Berry)
11.One Of The Good Guys?
(Atli Örvarsson)
12.Kincaid's Gospel
(Atli Örvarsson)
13.Dukovish(Atli Örvarsson)
14.Broken Wing(Atli Örvarsson)
15.Dancing In The Moonlight
(King Harvest)

Atli Örvarsson:Composer
Additional Music By Claudio Olachea & Dmitri Golovko
Music Supervisor By Selena Arizanonic
  Hans Zimmer Live On Tour (Shows)2017-07-21 16:48:25
Johnnyecks
Has anyone had any luck getting an autograph after one of his concerts? Going to one soon.
  Dunkirk2017-07-21 16:33:20
Mike (OTM)
*four. Yes, I can do math. :P
  Dunkirk2017-07-21 16:27:45
Mike (OTM)
I like that Lorne is directly credited on Regimental Brothers and End Titles. Ditto Wallfisch with Home, Variation 15, and End Titles. That's three credits from the start!
  Pirates Of The Caribbean - Dead Men Tell No Tales2017-07-21 15:44:49
Callahan
I agree, but this one is much better.
  Dunkirk2017-07-21 15:07:07
Adam
It probably felt less emotionally engaging because we've been fed with emotions like friendships, love, joy or sorrow in most of the films. Dunkirk was emotionally engaging with emotions like fear of death, longing to go home. Hope this gives you another perspective
  Dunkirk2017-07-21 14:56:18
Jack
Divisive opinion:
I honestly wasn't crazy about the film. It wasn't bad, and the score was very appropriate, but I felt they could have done something different to not just be visually engaging, but emotionally engaging. Maybe I'm crazy, I'm seeing it again today, but that's my initial reaction.
  Dunkirk2017-07-21 14:08:10
James
@Hari "I am afraid?"

There is no need to fear. Lol.
They have been doing this since ... always
Filmtracks since 2003.
The problem is that HZ has no formal musical training and this will always put him on a step down when compared to those who have or who in one way or another try to follow in a more orchestral way."At least for people who claim to be more cultured"

--------------------------------------------------

@Hari No! He never assumed that. The other day, I think in BvS or Boss Baby review, he commented that people accuse him of always bashing HZ works in exchange for views. But he denies, saying he does this to make it clear that not all people are satisfied with the current situation of the scores produced these days. And that HZ has yes, his share of guilt about it.

--------------------------------------------------

I do not like hatred in what he writes. First because it influences other reviewers to do the same and second because it is not 100% fair.

For PoTC 5, for example, he gave 3 stars. While the other scores of the franchise were always migrating between 1 and 2 stars.
If everyone had 3 stars, with the exception of the 4 effort, I'd be okay with that.And his justification for this is that Geoff is ridding the music of the damage franchise brought by Hans. WTF?

But at the end of the day I'm okay with that too.
----------------------------------------------
I make it clear that I do not have so much trouble with the way he review the scores. No problem. The problem is the use of hate words whenever it comes with a score review by Hans.

He called Captain Philips of a piece of shit. Even if I agree with him that it is bad, is sad that you read this. But okay.
  Pirates Of The Caribbean - Dead Men Tell No Tales2017-07-21 13:31:50
Hale
Wonder Woman wasn't too bad :D
  Dunkirk2017-07-21 13:21:51
Naji
its just Tick Took effect, Great for the Movie but so Disappointed As an Album.
  Dunkirk2017-07-21 13:14:44
Ahmad
You misunderstood me, everything I've heard about the score excited me and I still am very excited to see the movie and to hear the score. I was one of the people who defended Hans' approach early on when "Supermarine" was released. I like what i've heard from the score and I don't want a melody or a main theme. (even though it seems like Supermarine can count as a main theme from what I've heard about the score)

My issue is with the 11 track 59 minute album. Let's take "The Mole" for example, I've been told that at the 2:00 mark there was a section that's in the movie but was cut out of the track so "The Mole" would've been much longer than 5 minutes. That section is one of my favorite things about the score (it was featured in the prologue). The first clip with Mark Rylance featured music that is similar to the end of "The Mole" but it's not the same cue and it doesn't appear elsewhere on the album.
I'm a big, big fan of Hans and Nolan but the fact that they keep screwing up their soundtrack official releases is bothersome to me.
  Dunkirk2017-07-21 13:05:49
mpolonest123
@Hari

Oh really? For any reviewer out there, if you can't go in without some bias you shouldn't review it. It's a shame too, he is one of the few score reviewers who really breaks down and analyzes the music. Oh well....
  Dunkirk2017-07-21 13:03:16
Guitwo
@ahmad when u'll watch the movie u'll see that it does not need any cues or melodies or main theme. and hopefully u'll understand
basically, the main character of the movie is an idea hence the music.
  Dunkirk2017-07-21 12:42:14
...
Where does the filmtracks guy admit that?
  Dunkirk2017-07-21 12:41:24
Ahmad
I totally get what you're saying @Guitwo, that's why I'm not judging the score itself, I'm just bummed at how the album seems like an after thought. The fact that I'll be walking out of the movie wanting to listen to my favorite cues but I won't be able to bothers me a lot. Anyway, I'm seeing it on Thursday.
  Dunkirk2017-07-21 12:24:18
Guitwo
Ahmad: Wait until you watch the movie bro... i did not risk myself watching anything but the prologue for one time only... I did not listen to supermarine beforehand... you have to discover this score in the movie.
it's probably the sole purpose of this score because it's just so important into context.
  Dunkirk2017-07-21 12:21:49
Guitwo
It is just mind boggling tbh... it's probably what nolan tried to pursue in his last three movies but couldn't totally achieve.
An entire movie, without breathing room or time out and a supreme mastercraft for building cmplexe narratives, mind f***ing characters' arc and he challenges "the truth" and "the fact" and the ambiguity of the truth/fact in the next scene constantly. this is insane... this is just insane... and it's gonna get a lot of hate because of it.
it is very modern interpretation of our H24 media oriented word and the different pov you can have, and the angle you choose to take... damn... damn...damn.
It ain't your classical war movie, it's really truly an immersive experience of war for 1h37 minutes which is truly daring and original in cinema. I haven't seen a war movie like that so far
  Dunkirk2017-07-21 12:16:28
Ahmad
After a couple of listens, *not judging the score but judging the album release itself* it's not bad it's just incomplete and that's coming from some who has only seen the prologue and clips from the movie. I wish there would be an isolated score option or a complete musical experience release similar to La La Land (even though that was a musical but it'd still work).

Hybrid, I know I'm fighting a war by myself here but is there any chance for the prologue music to be released as a bonus track?
  Dunkirk2017-07-21 12:04:31
Dunkirk
Finally end titles included for this movies
  Dunkirk2017-07-21 10:00:31
Hari Haran
mpolonest123, he's actually admitted to using Zimmer to draw numbers to his site a few months back, so there goes his credibility. When it comes to Zimmer, no matter how much he tries to lie and cower otherwise, he is without a doubt severely biased against him and has resorted multiple times to bashing him more than actually analysing his music. A reviewer who has lost his touch of professionalism long ago, I'm afraid.
  Dunkirk2017-07-21 09:40:17
Laurens
Hmm never mind they just updated it it seems...
  Dunkirk2017-07-21 09:33:54
Laurens
Very strange that the iTunes release does not contain track 11 (End Titles). I haven't checked for other countries, but at least that's the case in the Netherlands.
  Dunkirk2017-07-21 07:40:18
Halo
Some Cues are missing on the "official" Score right?
  Dunkirk2017-07-21 02:36:22
mpolonest123
@Hybrid It's been a while since I took a listen to Captain Phillips (I remember being extremely unimpressed with that one) and I always forget HZ/LB contributed to that mess. I'll definitely relisten though...

And yes, Filmtracks is going to shit on this one for sure. I normally love that reviewers style of writing (even if I usually disagree) but after TASM2 you can tell he has an extreme bias against Zimmer and his colleagues.
  Dunkirk2017-07-21 02:14:21
Catastrophic Jones
Very interested with this one. Normally I stray away from the war movies from recent years but the fact that Nolan considered this a story worthy enough to make into a film makes it a must see in my book. Chris has that style of elegance and intelligence in his films, while also being capable of delivering a full on action powerhouse that easily rivals Michael Bay. (Seriously, how is that guy still allowed to make 'films'?) Hans' score is no exception. I can understand why it may cause some people to turn away but personally, for me if something works for the film it is intended for, the composer has succeeded in his job. Not every score has to be an engaging hundred piece orchestra and an ambient-electronic film score is nothing new, it's an approach that has been around for decades! The way of cinema isn't being destroyed by it. It's simply another way to tell a story. I personally feel this music will best suit the film based on what I've heard so far and even as a stand alone listening experience I love it. That tense feeling that dread and doom is near, that I am about to go to war against someone or something. Sounds like he took the feel of Interstellar if it wasn't a space film, the ambiance of Inception and effects from Inferno. Supermarine is easily my favorite, but I do like Variation 15 and End Titles a lot as well. Just to give you an idea, I once use to exclusively listen to only orchestral music. Me several years ago would've probably hated this kind of score but instead of ignoring it and turning away I began to open myself to other styles. I stopped holding music to a certain set of expectations. Now I've discovered some very incredible and unique stuff out there, and not just in terms of music. Give it a chance, if the first listen doesn't grab you try a few more. Only then can you decided with a definitive stance. Worst case scenario, there's always the next Hans Zimmer score to enjoy.
  Pirates Of The Caribbean - Dead Men Tell No Tales2017-07-21 01:54:17
Callahan
Yes. PoTC 5 is not the best score of the franchise, but it sure is, until now, the best CD that RC / MV produced in the year.
  Pirates Of The Caribbean - Dead Men Tell No Tales2017-07-21 01:40:42
Catastrophic Jones
Having gotten the chance to meet Geoff a couple months back at the ASCAP Expo (albeit very briefly) it was clear he was very enthusiastic about working on Pirates, and even The Lone Ranger which the Disney soundtrack executive tried to silence him on talking about lol While nothing will ever compare to the original trilogy, score wise and film wise, this is a very nicely executed extension of the music in the world of Pirates. It's on the scale of honoring the original style and themes while injecting some new material much like what Giacchino did with Rogue One, which I happened to have liked as well. It's not meant to be the kind of score that stands out as 'unique and different', it's about honoring the tradition. I look forward to hearing what else Zanelli has to offer in the future.
  Dunkirk2017-07-21 01:17:34
Juliano
The Variation 15 is so amazing deep. WOW
  Dunkirk2017-07-21 00:26:10
Kriknud
Hybrid YOU'RE RIGHT! As soon as I heard that bassy, almost rusty, metallic sound in the lower registers, I was like "This is really similar to Captain Phillips" (which is fine with me because I enjoyed that particular soundtrack). It also means Filmtracks.com is going to roast this soundtrack SO HARD. As for the rest of the score, I was unimpressed for the first half or so, but as soon as I started to get a feel for what it was going to be like, I started to enjoy it more. I will probably have to listen to it a few more times before I start to fall in love with it.
  Dunkirk2017-07-21 00:02:38
James
Oops!
Lol
I undestand now!
Only now!
You refers to mode of the score and no to the collaborative way.
SORRY!
  Dunkirk2017-07-20 23:49:17
James
Well .. I promised not to listen until tomorrow, but I did anyway. :-)

The score is not inaudible as many "haters" want to appear to be. It remembers a lot to Thin Red Line, only a bit more monotonous.

As Nolan said in an interview, he required Hans to enter "David Julyan" mode on his soudtracks for "The Prestige" and "Memento" for this work.

It's a score that runs the same path as the ones written for "The Arrival," "The Girl of the Train," "The Revenant," but a little less inspired. It is more a work that adds the wave of minimalism in the current scores.

It still recalls Lorne's work for soundtracks like Saints & Strangers, Churchill and The Last Man on The Moon (the strings!).

It lacks a little of the energy employed in other Hans' works but is a good score.
  Dunkirk2017-07-20 23:24:25
Edmund Meinerts
Irrelevant? I don't know. I prefer to judge film music apart from the movie, for my own private purposes...it's just as valid a way of looking at things IMO. And it doesn't sound like I will like Dunkirk very much. :/
  Dunkirk2017-07-20 23:24:02
James
They co-composed the score together as in Philips like Hans and Jackman?
  Dunkirk2017-07-20 23:20:55
Hybrid Soldier
Actually, to talk about something Hans & Lorne worked on, I would compare this score more to Captain Phillips...
  Dunkirk2017-07-20 23:16:15
fabien
Truly unique soundtrack
  Dunkirk2017-07-20 22:37:28
James
*Black Hawk Down*

  Dunkirk2017-07-20 22:35:43
James
@AndrewM You're not so wrong. I always imagined this score as something reminiscent of Black Hawnk Dawn, in the same way as 13 Hours is.
  Dunkirk2017-07-20 22:17:21
James
- I find it difficult. Lorne joined the project in the last two months of producing the film.
- I agree. And the reviews that came out even before the official debut confirm that.
- I hope it is so.
- Those who watched the movie have already confirmed that.
- Meh. But I do not doubt it.

---------

I waiting for tomorrow to listen.
  Batman Begins (Expanded Score)2017-07-20 21:22:28
Cameron
Question about "Batman On Fire," the film version. I seem to have heard another mix where the opening synth, instead of fading in, starts right up and is rather jarring. It's hard to explain without being able to upload it, but does anyone know what I'm talking about?
  Dunkirk2017-07-20 21:21:00
mpolonest123
This is 100% a score you need to hear in film before listening to on album. If I had to make any comparisons, this is probably most like Deepwater Horizon or Gravity in that it takes a primarily tense sound design approach as opposed to thematic scoring. I honestly can't think of another Zimmer score that's less melodic than this.

Not that it's bad of course, music definitely has to serve the film first and foremost.
  Dunkirk2017-07-20 21:10:52
Ahmad
It's NOT the same! Similar but not the same and it's not just in a different pitch, in the clip it builds and builds and it gets faster and faster. It seems like a lot of stuff were cut out.
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