NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
This^^^^Opening track available here : https://theplaylist.net/exclusive-stream-harry-gregson-willi ams-warsaw-zoo-1939-score-zookeepers-wife-20170329/it's just suggestive (between that and how he was announced so close to release) that LB was brought on at almost if not the very last minute to redo some of Mansell's early cues.<br><br>Also Clint's been eerily silent about the whole film on his Twitter and social media while Balfe has been hyping it quite a bit.I gotta agree with ds here. I love BACKDRAFT and I'm a pretty big hz fan but there is no comparison. Especially with HTTYD. IMO zimmer cannot orchestrate in the same way with an organic orchestra the same way as shore, Willian's and even powell. He adds a lot of extra layers through synth.  But zimmer is the best at the style of music he produces.The opening was definitely Lorne, it sounded like Terminator Genisys ! lol
It's not about who "needs" a break or "deserve" it. She got a chance, she blew it in the mind of people making this (probably very lame) film.One is HZ, the other (the album) is not. End of story... :PYes please! :)Listening to this complete score for the first time and it's really striking how different the mix is on the album. The snare drums are much further forward, and everything sounds a lot brighter and immediate but also "thinner" on the album. Whereas the film mix has synth parts I didn't even know exist, like at the very beginning of the main titles/"Fighting 17th".<br><br>I'm trying to decide which version I like more, and it's difficult! The film versions sound "richer" but I miss the ballsy snare drum rhythms...Hans Zimmer...Take me to your planet.<br><br><br><br><br>
im sure its because bruckheimer wants his typical sound and for this type of movie, its no surprise, that he wants a rcp score. i was very surprised when bruckheimer accepted christopher young for Deliver Us from Evil. but that movie was not typical rcp territory and the director worked also with young before.Well that is depressingly predictable. Pinar Toprak is incredibly talented, and it's not that Balfe *isn't*, but he's so ubiquitous. He's not the one in need of a big break. And for all Zimmer's talk recently of raising the profile of female composers in Hollywood...jerry bruckheimer came on board for re-shots, so ofc they also have to change the score now. i like lorne, but a score by pinar toprak would have been really nice.just came back from film.....did they shamelessly end up getting Balfe to rescore Mansell's main thematic material in the first half of the film including the shelling/opening titles (which btw, have the GHOST IN THE SHELL title appear TWICE?)? Because it's so different from the IMAX preview music wise, I was so bummed as Mansell's main theme was just amazing there, and in the finished it's just...eh? Mansell's original theme shines through the final third very nicely though.Wow, it's a surprise. From what i know, the movie should have arrived in 2016 and she worked on the movie for almost two years when it was in production.
Apparently she was replaced.What happened with Pinar Toprak? It supposed she will make the scoreBalfe is scoring Geostorm as well. Dudes everywhere!Great News. Enjoyed Planet Earth II immensely.One cues is missing. Rescue theme, with will.i.am voice i guess<br>04 Mad 2 1m11 Traveling Alakey<br>
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





 
All Media Non-film CD Live DVD Video Interview Various

World Soundtrack Awards 2011

Mombasa - Performed LIVE at Inception Premiere

Concert at Dreamworks Animation

The Dark Knight - Live

Inception Premiere - Live

Pirates Of The Caribbean: At World's End - Live

Yoshiki Symphonic concert

 HANS-ZIMMER.com© 2001-2017 OST