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Did you just copied and paste the tracklist above? lmaoThe reprise of "Batman on Fire" from Begins (1:59-2:30 in the Transfiguration suite) is good stuff! I wonder why Hans decided to reuse that particular idea.When are we going to see you in Chicago?Indeed, this score reminds me — in a good way — of The Rock.Track 11, Onwards, here is my most favorite cue from the CoH franchise. It has that old school "power anthem" thing going on about it with full force. I truly wish this style is brought back to life again soon.
Are there any more tour dates planned?Lord of the Rings - Shore<br>Battlestar Galactica - McCreary<br><br>Both are up there as my two favorite collection of works. GOT doesn't even compare to BSG. <br><br>For solo albums, my candidates are:<br><br>Titanic<br>The Lion King<br>Interstellar<br>Memoirs of a Geisha<br>Jurassic Park<br><br><br> <br><br>@superultramega<br>Honestly I feel like most of the issues with AUJ (and the other two hobbit films) were stemming from Peter Jackson editing the hell out of the music after the fact. It could be why they ended up dumping some themes in the following films.<br><br>Still, I don’t understand some of the criticism that the Hobbit trilogy scores received. DoS has some of the best action material imo, and the interpolations of Smaug’s theme(s) throughout the films are personally some of my favorite music from any LoTR project.<br><br>And this might be controversial, but I would put PoTC (the first three at least) on the level of Lord of the Rings in terms of the sheer amount of themes and development they receive. Maybe not quite as complex but they shouldn’t be overlooked.The Lion King and The Last Samurai are good choices, but I'm not as much of a fan as Zimmer's aesthetic or thematic work nearly as much as Howard Shore, or even Jablonskly at times. Game of Thrones I still can't comment on as I've never watched the show, or payed attention to Djawadi in general.<br><br>I would say Shore's heart wasn't in Desolation and Five Armies, but to say that about Unexpected Journey doesn't really feel right to me. Even themes like Gondor Restored and Nazgul's uses have some logic to them. <br><br>Gondor Restored was also used when the Ring is destroyed, meaning it also has a secondary meaning of victory against evil, (yes I know it affected Gondor too, but Gondor it isn't as direct). Which also applies in The Hobbit, as Bilbo saving Thorin was not only important for their relationship but also the future of Middle Earth as Thorin is vital to the battle against the orcs in Five Armies. <br><br>The Nazgul theme also makes sense as its first appearance is in Fellowship's opening, playing over Sauron's army of orcs, then Sauron himself. So it's linked both to Sauron himself and his servants, which includes Azog. Plus the version that plays in the film is the exact same variant (and lyrics) that plays in the Fellowship prologue. It serves almost as a precursor to the Nazgul. Plus I don't see why themes can't have several meanings anyway.  <br><br>Plus I love most of the new themes of AUJ (before they were abandoned in later films).Not really a fair comparison, Hybrid, since videogames as a medium are much younger than films, and their scores weren't using real orchestras right until... mid 90's, would be my guess (feel free to correct me, guys).<br><br>The all time best film score for me would be a battle between The Last Samurai and Lion King. If "movie" includes TV shows, then it's Game of Thrones without a doubt, but I'm not gonna have this argument again ;)<br><br>Btw. I wouldn't mention Hobbit in the same sentence with LotR, even music-wise. A couple of great cues cannot hide the fact that Shore's heart wasn't in it.
IS * lion kingBest film score of all time in lion king. Without any doubt. ;-)Can I just add, the album presentation for MW2 is really lame? It's a big, dare I say "epic" score in the 1990s Media Ventures mold. I think it's really solid. There are lots of different ideas from the first mission to the last, and a lot of them are written in the power anthem style that Hans ans co. don't really use much these days. Even Opening Titles is a throwback for Hans himself. <br><br>Unfortunately, almost none of the music as heard through the game is here. Instead, we got a bunch of shortened theme suites. :P<br><br>But the Gulag mission, the oil rig stuff, The Enemy of My Enemy, and lots of other missions all have pretty engaging and powerful music. I wish the RCP guys would do scores like this one more.Lord of the Rings (and even The Hobbit), are the only film scores that I'm buying an entire book for, just to fully understand the themes and motifs.Every time I revisit this score the first cue I automatically go back to is “This Isn’t Right”. Something about RGW’s string writing always stuck with me, even if he isn’t the most memorable when it comes to themes.<br><br>As for this score itself, I feel like it might have become a classic had it not been paired with such a shitty film. It’s funny, the score sounds less like Hans’ style to me and more like James Horner’s. Granted he only wrote one cue apparently...
But the best film score of all time is Lord of the Rings... :>Guys... Video Game music didn't start in 2008... lol<br><br><br>Your little game is actually impossible... It's pretty much like trying find "what is the best film score of all time"...I agree with Araujo and Knorr wholeheartedly. Cannot say the same for Soule; I always found his music lackluster and unfocused, sans the main theme of course. I'd like to mention my first runner-up, which is Destiny: Rise of Iron alongside Destiny 2. I was never a huge fan of the first two scores (original game + the first expansion), but the moment a guy named Rotem Moav got on Salvatori's team, the music became incredible (even though I have no evidence that those two events are related). Nevertheless, since it's stylistically so different from old-school and symphonic LAIR, I'd probably name it my No.1 alongside it.<br><br>If you guys are looking for recommendations, be sure to check these out:<br>The Witcher 3 (Marcin Przybyłowicz, Mikolai Stroinski, and a band called Percival), LotRO: Riders of Rohan (Chance Thomas), Assassin's Creed IV (Brian Tyler), Alone In The Dark (Olivier Deriviére), Eagle Flight (Inon Zur), Final Fantasy: Brave Exvius (Noriyasu Agematsu), Ni No Kuni I/II (Joe Hisaishi), and of course Medal of Honor and Gears of War IV by Ramin ;)Gonna have to chip in for Skyrim as well, although I'm biased because I used to put hundreds of hours into that game :p<br><br>Oscar Araujo's music for the Castlevania: Lords of Shadow games is pretty good, as well as Geoff Knorr and his team's work on the last few Civ games.Donkey Kong Country 1, 2, Returns and Tropical Freeze.
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 LATEST RELEASES
 NEWS
  2003, January 31
Nouvelle Fiche Critique

Drumline (John Powell (2002))


  2003, January 28
Jim Dooley annonce qu'il vient de terminer de travailler sur Tears Of The Sun. Rappelons à cette occasion que le film sortira le 7 Mars aux USA et que nous pouvons donc espérer une édition CD pour fin février.
 


Le nouveau film de Lisa Gerrard "Whalerider" vient de remporter le World Cinema Audience Award au festival du film de Sundance.



Nouvelle Bande Annonce de Tears of The Sun
Un peu de score peut être entendu et risque fort d'être issu du studio Mediaventures.

  



  2003, January 24
OSCARS 2003

La liste des nominations paraîtra le 11 février prochain. Quant à la cérémonie‚ elle aura lieu le 23 Mars. The Ring - Dvd edition

L'édition Zone 1 sortira le 4 Mars à la vente. Elle comprendra notamment un court-métrage expérimental de 15 minutes signé Gore Verbinski s'articulant autour de la légende de "Ring". Alors‚ nouvelle musique originale ou réexploitation de la partition composée pour le film ???


  2003, January 21


Golden Globes 2003

C'est finalement U2 (The Hands That Built America) qui a remporté le Golden Globe de la meilleur chanson originale (Video)
 
Elliot Goldenthal remporte quant à lui la statuette pour Frida (Video)
 
Retrouvez tous les lauréats de cette cérémonie sur le site des Golden Globes



  2003, January 17
Nouveau Powell

Edition CD de "Two Weeks Notice" (John Powell) reportée au 28/01/03... Grand jour donc‚ où nous attendrons "The Recruit" de Klaus Badelt. Ce dernier travaille actuellement sur "Basic" de John McTiernan.
 
Une nouvelle édition zone 1 de "Thelma & Louise" sera disponible à partir du 4 février 2003. Plus de trente minutes de scènes coupées‚ et‚ entre autres interviews‚ celle de Hans Zimmer pour parler de son travail sur le film.
En savoir plus...


  2003, January 12

Exposition "Why Are You So Creative ?" à Frankfurt


  2003, January 07
Edition CD de "Two Weeks Notice" (John Powell) pour le 14/01/2003
Edition CD de "The Recruit" (Klaus Badelt) pour le 28/01/2003



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