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Some original cue titles with slates from a music mixing CD-R:<br>1M13 Transactions<br><br>2M16 Jake Gets Stoned<br>2M20A Alley<br>2M21 Rapists Castration<br><br>3M24 My Old Division<br>3M27 Go Fetch Dog<br>3M30 The Freeway<br>3M32 Alonzo Steals Money<br>3M33 Into The Jungle<br><br>4M41 Safety Is First / Busting Into Rogers<br><br>5M46 Helicopter<br>5M48 Sunset / Wet Streets<br>5M51 Jake Gets Beaten<br>5M52 Smiley Calls His Cousin<br><br>6M57 On The Roof<br>6M58 Jake Lands On Car<br><br>7M61 Alonzo Dies<br>7M63 Sun ShotMovie credits:<br><br>Music by Hans Zimmer & David Fleming<br><br>Music Supervisor: Joe Rudge<br><br>Score Produced by Hans Zimmer<br>Supervising Music Editor: Ryan Rubin<br>Music Editor: Nate Underkuffler<br>Music Production Services: Steven Kofsky<br>Additional Music by Ben Powell<br>Featured Guitar Soloist: Derek Trucks<br>Score Mixed by Seth Waldmann<br>Score Mix Assistant: Aldo Arechar<br>Technical Score Engineer: Chuck Choi<br>Technical Assistants: James Grimwade, Aldo Arechar, Steven Doar & Fabio Marks<br>Synth Programming: Hans Zimmer<br>Digital Instrument Design: Mark Wherry<br>Digital Instrument Preparation: Taurees Habib, Raul Vega, David Naroth & Paul Salerno<br>Studio Manager for Remote Control Productions: Shalini Singh<br>Assistant to Hans Zimmer: Cynthia Park<br>Score Mixed at Remote Control Productions, Santa Monica CA<br>Music Clearances: Jessica Dolingerthats trueCan't think of a more meaningless and laughable award than the Oscar.an oscar for this one? nahh...<br>maybe he gets a nomination for dune or bond
Maybe WW1984May know how to downloaddamn it would be kinda awesome and hilarious if Lorne Balfe got Lorne Balfe’d LOLYeah 100% fake... And there was HJ rumor on Black Widow sometimes last year, so if you do the math...Henry doesn't have an official Instagram. It looks like you are referring to the account "henry0262020" which appears to be a fake account, to the best of my knowledge.
Henry Jackman is now Black Widow's composer, apparently in his instagram, posted a photoHah! Knew it. FYI, I'm not smoking anything. I don't smoke, and I abhor anyone who does.Oh interesting. When I said "refined his sound," I didn't mean that he was still trying to find his voice. This score absolutely exudes the qualities that make his work so appealing. You simply managed to put what I was trying to say in better terms. I'm definitely happy to give this one more goes in the future, but I remain more partial to some of the other installments.This is easily my favorite X-Men score, but I do agree there is a bit of an...*odd* feel to it sometimes. The impression I get is that Powell was reeeaallly pushing himself to write the most dense and complex and ambitious score he could, and I think he may have overreached a tad. There's definitely a big contrast between this score and the much tighter, more focused sound he was bringing in his action music from a couple years prior, like Paycheck or The Bourne Supremacy. I wouldn't say he "hadn't quite refined his sound yet" - this isn't Face/Off, his voice was pretty well established by this point - but he was trying to develop it a bit faster than it was naturally going to go.<br><br>At the same time, I love how this score goes for broke, and I hate to fault a composer for too much ambition. "Phoned in" is the LAST thing this score is. But Powell would iron out the kinks and by How to Train Your Dragon he was writing a score that was just as complex, but wore the complexity a bit more naturally than X3."There is nothing musically interesting in [Ottman's] X-Men scores except the main titles."<br><br>As if I didn't need a reminder that this place can house some ludicrous opinions sometimes (no offense intended there).<br><br>The Last Stand barely cracks the top 5 of X-Men scores for me, if only because I love the themes and it carries a lot of nostalgia for me. It's pretty clear imo that this score was at a point when Powell hadn't quite refined his sound yet. I wouldn't call it phoned in whatsoever, but it's easy to get lost at points when I'm listening to the full thing. But the highlights are too great for me to call it middling either, so it barely gets a solid grade in my book. <br><br>I'm likely in the minority when I say I actually prefer Dark Phoenix. It's much more solid as a whole product.
I like the tracksWow!!!Still my favorite score from the X-Men series.Not too stoked on Powell, but the way Ottman's able to squander a good theme makes him close to the bottom of the barrel in my book. There is nothing musically interesting in his X-Men scores except the main titles.I don't know what you're smoking but you need to get off it. In the way is this phoned in, the orchestration and everything about it is perfect. No score for X-men has come close to this one except maybe X2
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 LATEST RELEASES
 NEWS
  2003, January 31
Nouvelle Fiche Critique

Drumline (John Powell (2002))


  2003, January 28
Jim Dooley annonce qu'il vient de terminer de travailler sur Tears Of The Sun. Rappelons à cette occasion que le film sortira le 7 Mars aux USA et que nous pouvons donc espérer une édition CD pour fin février.
 


Le nouveau film de Lisa Gerrard "Whalerider" vient de remporter le World Cinema Audience Award au festival du film de Sundance.



Nouvelle Bande Annonce de Tears of The Sun
Un peu de score peut être entendu et risque fort d'être issu du studio Mediaventures.

  



  2003, January 24
OSCARS 2003

La liste des nominations paraîtra le 11 février prochain. Quant à la cérémonie‚ elle aura lieu le 23 Mars. The Ring - Dvd edition

L'édition Zone 1 sortira le 4 Mars à la vente. Elle comprendra notamment un court-métrage expérimental de 15 minutes signé Gore Verbinski s'articulant autour de la légende de "Ring". Alors‚ nouvelle musique originale ou réexploitation de la partition composée pour le film ???


  2003, January 21


Golden Globes 2003

C'est finalement U2 (The Hands That Built America) qui a remporté le Golden Globe de la meilleur chanson originale (Video)
 
Elliot Goldenthal remporte quant à lui la statuette pour Frida (Video)
 
Retrouvez tous les lauréats de cette cérémonie sur le site des Golden Globes



  2003, January 17
Nouveau Powell

Edition CD de "Two Weeks Notice" (John Powell) reportée au 28/01/03... Grand jour donc‚ où nous attendrons "The Recruit" de Klaus Badelt. Ce dernier travaille actuellement sur "Basic" de John McTiernan.
 
Une nouvelle édition zone 1 de "Thelma & Louise" sera disponible à partir du 4 février 2003. Plus de trente minutes de scènes coupées‚ et‚ entre autres interviews‚ celle de Hans Zimmer pour parler de son travail sur le film.
En savoir plus...


  2003, January 12

Exposition "Why Are You So Creative ?" à Frankfurt


  2003, January 07
Edition CD de "Two Weeks Notice" (John Powell) pour le 14/01/2003
Edition CD de "The Recruit" (Klaus Badelt) pour le 28/01/2003



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