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I haven't heard the album yet but there isn't much score in the film. It's like Bad Boys II meets Domino in terms of editing, songs everywhere (19 sourced songs used), short cues... Hell there even a 13 Hours cue tracked in the film ("Getting Aboard The Plane")."Second time"... lolAnother awsome score by lorne balfe. I really like the film 6 underground directed by michael bay, is very awsome and intense and i begin to hear the score composed by lorne balfe, and its phenomenal and his second time working with michael bay since 13 hours, which i like lorne balfe's score too. Balfe's work is really inspiring in his film score.I don't expect Lorne to make a masterpiece with each movie, but it is true that most of her films are action candies, and I can't understand how she can deliver 6 underground and then make His dark materials. It seems that within Lorne there are a thousand different composers. And I don't know what to expect from Lorne again.Can't help noticing not one, but two Zimmer titles in here.... Tracks 14 and 16. lol.
What is most disappointing is that this is a Michael Bay movie with a score being so bad. Historically his movies have fantastic scores by either Hans, Steve Jablonsky, and even Lorne Balfe. But this is hands down the worst Michael Bay score I’ve ever heard. <br><br>It’s functional, yes, but nothing compared to 13 Hours, any of the Transformers movies, The Rock, Pearl Harbor, etc. I definitely had high hopes for another good “power anthem” score... and the only cues that are any good are just Time ripoffs.<br><br>Highly disappointing.Again, if we have to expect every piece of work of one composer is have to be as good like his others pieces of work, that's pretty underwhelming and impossible.<br><br>Yeah, 6 Underground is not a good score by any means (neither Gemini Man, but is far more listenable), but works perfectly in the hiperbolic movie.I expected a lot from this score, and the truth is that it left me cold. Honestly, I think it is Bay's fault, Balfe has shown that he is capable of doing everything, but here it gives the feeling of being covered. Again, Balfe must focus on fewer projects and the projects he accepts are of quality.There are speculations about the track "Til Death Do Us Part "as being composed by Brandon Campbell. Can anyone confirm whether it was Djawadi or Campbell who composed it?Come to Portugal again.
> which ones are listenable<br>all of the ones I listed are the melodic/orchestral moments in the score not counting Memories and Beautiful Sunday.<br>Listen to Haunt the Living, Thrones, A Million Battles or One, But Not Done and tell me that the score is a travesty.Knight - okay, let us know which ones of these tracks are even listenable? Hyperbolic nonsense defines this score, but I do not blame Balfe - this would have been what Bay wanted. Such a shame to see his artistic credibility reduced to this after the stellar work on His Dark Materials and acceptable material on Gemini Man,.Maybe try using your ears or brain next time before spewing out more hyperbolic nonsense.Ok tracks? Easy. About half the score is some decent anthemic tracks<br><br>Ghosts<br>Haunt the Living<br>I Am the Danger<br>You Can Change the World<br>Thrones<br>A Million Battles<br>One, But Not DoneOh wow, Balfe's had a potentially too productive year. I am still convinced if he took more time to compose His Dark Materials, it would be a classic on the level of Shore. Now, it is fine and impressive. <br><br>But what the fuck. I know Bay is a lucrative customer and you have to do what he wants but this 'score' is a travesty that will be buried soon. Seriously. This is the worst of the worst, I ask anyone on this site to name one track that is 'ok', there's an ethical limit, Balfe, Baby!
Do not forget LisboaThanks for sharing the tracklist :)Sooooooooooo excited for the film and the score!<br><br>I got the real tracklist, and is supposed to be 19 tracks from the score. Can wait to hear the score and see the movie tomorrow<br><br>1.Point of Extraction 2:24<br>2.Ghosts 3:22<br>3.Welcome To Florence 3:54 <br>4.Lose The Chopper 1:54<br>5.Haunt The Living 2:06<br>6.One Rule 2:07<br>7.I Am The Danger 3:17<br>8.You Can Change The World 2:15<br>9.Thrones 3:22<br>10.Memories 1:58<br>11.Beautiful Sunday 1:17<br>12.The Past 0:51<br>13.Shit Ton Of Blood 2:35<br>14.Leave No Man Behind 1:50<br>15.A Million Battles 4:18<br>16.Day Of The Dead 4:08<br>17.Sabotage 3:16<br>18.Live Or Die 1:56<br>19.One, But Not Done 3:08Visit Ukraine!
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 LATEST RELEASES
 NEWS
  2003, July 28
THE HIRE :

THE BMW Short Movies For Internet

  2003, July 27
Hans Zimmer - Live In Concert
Gent‚ 10 October 2000



  2003, July 27
Klaus BADELT en concert à Ghent (Belgique)

Le site officiel du Festival du Film de Ghent (Gand) annonce le programme de la soirée de la remise des World Soundtrack Award. Patrick Doyle & Klaus Badelt seront en concert le dimanche 12 octobre à partir de 19h30. Maurice Jarre sera l'invité d'honneur de cette 3ème cérémonie. C'est en revanche Nicola Piovani qui sera en concert le 18 octobre pour la cérémonie de clôture.
Plus d'infos

Remerciements à Blooshadow

  2003, July 25
Klaus Badelt



Pirates Of The Caribbean

  2003, July 24
Zimmer rejoint une nouvelle fois Antoine Fuqua & jerry Brukheimer

Hans Zimmer vient d'être engagé pour mettre en musique King Arthur de Antoine Fuqua (Tears Of the Sun). Gros Budget produit par Jerry Brukheimer‚ le film doit sortir en Décembre 2004.
 
La sortie Américaine de The Matchstick Men est repoussée de un mois et sortira finalement le 12 septembre 2003.
source Musicfromthemovies.com
 

Il se pourrait que... Retrouvailles avec Nicholas Roeg

Hans Zimmer retrouverait Nicholas Roeg (Eureka‚ Insignificance‚ Castaway‚ two Deaths...) pour son prochain film dont le titre provisoire est "Rock Concert".
 
Remerciements à Timexuk
 

Steve Jablonsky compositeur du remake de Massacre à la Tronçonneuse

C'est donc Steve Jablonsky qui est chargé de la musique du film "The Texas Chainsaw Massacre" de Marcus Nispel et produit par Michael Bay. Notons que la musique sera co-signée par Tobe Hooper et Wayne Bell (pour le theme original) et par Marilyn Manson. Sortie prévue pour le 17 octobre 2003 (USA)...
 
Trailer disponible en bas à droite de cette page.
 



Ajout de la discographie de Mark Mancina

  2003, July 18
Harry Gregson-Williams



Veronica Guerin

  2003, July 17
Sorties annoncées :
 
GIGLI (John POWELL) : le 19 Août 2003 (Varese)
PASSIONADA (Harry GREGSON-WILLIAMS) : le 19 Août 2003 (Varese)

  2003, July 11


Ajout de la discographie de Nick Glennie-Smith

  2003, July 09
Ajout d'une interview de Harry Gregson-Williams
Gladiator envahit Bagdad
Making Of : L'Enigme du Loch Ness (Werner Herzog)

  2003, July 07
SharkSlayer
Le Nouveau film d'animation de Dreamworks
Composé par Hans ZIMMER
 

Cliquez pour plus de détails
 
Réalisé par Bibo Bergeron (El Dorado) sur un scénario de Michael J. Wilson (Ice Age)‚ avec les voix de Will SMITH‚ Robert DE NIRO‚ Renee ZELLWEGER‚ Angelina JOLIE‚ Martin SCORSESE ou encore Peter FALK‚ le film est prévu pour le 4 juillet 2004 (USA).
 

Martin SCORSESE dans SharkSlayer
 HANS-ZIMMER.com© 2001-2018 OST 
Stephane Vidali / Antas - Nicolas Cabarrou