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@superultramegaa and others<br><br>Honestly, if you take an objective look back, you can still see RC written all over Powell...And thats all well and good, because I like Powell. Well, maybe not since Hancock, but I like his style.<br><br>That being said, This will be the official first Star Wars outing with an RC score. Sure, Williams phoned in a theme...But going forward I expect RC influence to be the norm.<br><br>And, as for Giacchino...Jesus Christ. For someone who practically MADE his career apeing Williams (Jurassic Park and Medal of Honor video games spring to mind), his Rogue One was dreadful...I cant disagree with you. <br><br><br>Powell is heavily influenced by Zimmer. The only thing that differs him from the others is that he really has a style of his own that matches the traces of the career he shared with Zimmer. If you listen to any of your action scores, you will notice that they are clearly RCP scores. Even the orchestral, especially "Pan" have some passages that are very reminiscent of Pirates, Prince of Egypt and Gladiator.Really awesome "Is She With You?" cover by Nir Shor!Hey Hybrid Soldier, is Harry returning for the Sequel??Hybrid, Hollywood in Vienna just announced that Zimmer will be receiving the Max Steiner award. Do you know if the Hollywood in Vienna program the same as the The World of Hans Zimmer program? If it is, King Arthur is confirmed to be in the program as well.
I wasn't saying Powell sounds like Williams. I'm saying he's closer in sound to Williams than he is to Zimmer for his animated movies.While John Powell is usually far more melodic and classical than your usual RCP composer, I don't see the Williams similarity. His music doesn't really sounds like Williams' scores. But I think he is perfect for Star Wars. I am much more excited about this than Giacchino's Rogue One.Yeah, this is the best RCP action score of the year so far. Much better than Balfe's efforts and Junkie's.@superultramega It’s funny you should say that about Rogue One because, even though I do like the themes, I will agree that it definitely is weaker than any Star Wars score and seems to lack the life Giacchino normally puts into his music.<br><br>Even weirder, his music for Jupiter Ascending (another big space opera) is far more aggressive and developed, and probably one of his best. It makes me wonder if the Star Wars team wanted the safe route....Ok, not restraint on drums, but I still don't really see how exactly his music for animated films comes even close to being an RC product. When I think of RC I think of the music for the Pirates movies, the early Bay and Bruckheimer films, etc. The work on Shrek, Antz, Ice Age, and How to Train Your Dragon is much closer to a traditional Williams score than any RC product. <br><br>Plus he's working on Star Wars so he's obviously going to try his damnedest to stick to that kind of music, and to avoid the Zimmer style. I just don't understand why you think Powell, of all people is going to be the one to dilute the Star Wars sound. <br><br>Hell, I think Giacchino's score for Rogue One was pretty much nothing more than an unmemorable, and bland version of Star Wars with very little going on besides broken down notes of the Star Wars theme playing and generic Williams copy. Just like Jurassic World. I don't know how Giacchino makes Williams' style bland but he finds a way. At least with Powell we'll get more style and memorability on top of a Williams imitation.
Restraint on drums? <br><br>Have you listened to Green Zone? The Bourne movies? Hancock?<br><br>Cmon...Yeah he's not Zimmer, but this isn't a Williams product we are talking about. It's an RC product. This is what I am talking about.People like Harry Gregson, Jablonsky and Zanelli, despite their melodic tendinsies, would be people chosen for going the Zimmer route. I think Jablonsky's is the closest to Star Wars but even then there's a ton of power themes, and Zimmer hallmarks that keep him away from this sort of style. <br><br>Powell is the last person I would associate with Zimmer. His techniques are very much in vain with the Williams-like composers, like Alexandre Desplat and Michael Giacchino. The complex underscore, the rapid notes, the restraint on drums, instrument variety, the jazz techniques, etc. He's the perfect RCP composer for the job.Of all RCP members, I think he is the one closest to Williams and Star Wars sound, so I think this score will be pure orchestral fun, like most of his scores usually are.<br><br>I cannot wait to listen to it!Well, I guess that is a matter of tastes and opinion, because for me scores like The Incredibles or Up, for saying some examples, are classics inside the animation field.<br><br>But is fine. We have our own preferences and that's okay.Me too! Very fun and « guilty pleasure » score<br>After listening to this one and Todo Mal, I think Andrew is a really versatile composer, both scores are really entertaining and yet have nothing to do with each other
I like this score, altough i think it will fly (get it) under the radar..<br>Hope Andrew continues making scores like thisIMO, though Powell was Hans'protegee 20 years ago, he always had his very own style. And this style evolved so much through these decades you can't really connect any more his mannerisms to those of people at RCP!You can't call Powell "the Zimmer route". He's written some of the densest, flashiest orchestral film music of the last 10+ years!And how is that a bad thing? :-p<br>John Powell is an excellent choice to have both a big sounding and fun RCP score, and an orchestral one which would fit with the previously established style.Cant say Im 100% invested.....<br><br>This will be the first Star Wars score to go the Zimmer route...
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 LATEST RELEASES
 NEWS
  2003, July 28
THE HIRE :

THE BMW Short Movies For Internet

  2003, July 27
Hans Zimmer - Live In Concert
Gent‚ 10 October 2000



  2003, July 27
Klaus BADELT en concert à Ghent (Belgique)

Le site officiel du Festival du Film de Ghent (Gand) annonce le programme de la soirée de la remise des World Soundtrack Award. Patrick Doyle & Klaus Badelt seront en concert le dimanche 12 octobre à partir de 19h30. Maurice Jarre sera l'invité d'honneur de cette 3ème cérémonie. C'est en revanche Nicola Piovani qui sera en concert le 18 octobre pour la cérémonie de clôture.
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Remerciements à Blooshadow

  2003, July 25
Klaus Badelt



Pirates Of The Caribbean

  2003, July 24
Zimmer rejoint une nouvelle fois Antoine Fuqua & jerry Brukheimer

Hans Zimmer vient d'être engagé pour mettre en musique King Arthur de Antoine Fuqua (Tears Of the Sun). Gros Budget produit par Jerry Brukheimer‚ le film doit sortir en Décembre 2004.
 
La sortie Américaine de The Matchstick Men est repoussée de un mois et sortira finalement le 12 septembre 2003.
source Musicfromthemovies.com
 

Il se pourrait que... Retrouvailles avec Nicholas Roeg

Hans Zimmer retrouverait Nicholas Roeg (Eureka‚ Insignificance‚ Castaway‚ two Deaths...) pour son prochain film dont le titre provisoire est "Rock Concert".
 
Remerciements à Timexuk
 

Steve Jablonsky compositeur du remake de Massacre à la Tronçonneuse

C'est donc Steve Jablonsky qui est chargé de la musique du film "The Texas Chainsaw Massacre" de Marcus Nispel et produit par Michael Bay. Notons que la musique sera co-signée par Tobe Hooper et Wayne Bell (pour le theme original) et par Marilyn Manson. Sortie prévue pour le 17 octobre 2003 (USA)...
 
Trailer disponible en bas à droite de cette page.
 



Ajout de la discographie de Mark Mancina

  2003, July 18
Harry Gregson-Williams



Veronica Guerin

  2003, July 17
Sorties annoncées :
 
GIGLI (John POWELL) : le 19 Août 2003 (Varese)
PASSIONADA (Harry GREGSON-WILLIAMS) : le 19 Août 2003 (Varese)

  2003, July 11


Ajout de la discographie de Nick Glennie-Smith

  2003, July 09
Ajout d'une interview de Harry Gregson-Williams
Gladiator envahit Bagdad
Making Of : L'Enigme du Loch Ness (Werner Herzog)

  2003, July 07
SharkSlayer
Le Nouveau film d'animation de Dreamworks
Composé par Hans ZIMMER
 

Cliquez pour plus de détails
 
Réalisé par Bibo Bergeron (El Dorado) sur un scénario de Michael J. Wilson (Ice Age)‚ avec les voix de Will SMITH‚ Robert DE NIRO‚ Renee ZELLWEGER‚ Angelina JOLIE‚ Martin SCORSESE ou encore Peter FALK‚ le film est prévu pour le 4 juillet 2004 (USA).
 

Martin SCORSESE dans SharkSlayer
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Stephane Vidali / Antas - Nicolas Cabarrou