NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
Random thought but this got me thinking about Zanelli's history with fantasy.<br><br>Whatever happened to his score for Delgo?  I know it's been accused of being super derivative of his other works anyways but still, it's weird to see a RCP score just drop off the face of the Earth like that.There's just something really charming about seeing a prototype for a famous future theme showing up in an old score.<br><br>Or in PotC's case, SCORES.The only ones I've seen properly confirmed are the cues Badelt had listed on his website. The issue with everything else is that there's certain themes that's been associated with certain people, but aren't credited for every appearance. Not to mention that I've never really seen much official credits elsewhere, so I take any that I've seen with a grain of salt.This comment was made before that was properly confirmed, so he was likely going to do it solo at the time.I thought Hans was collaborating with Faltermayer For Top Gun 2
From both ASCAP and GEMACan these be accessed anywhere?The dream is collapsing... :oHoly f*ck, just listened to "Too Many Notes..." and its containing pirates theme itself from Pirates of the caribbean'No Good About Goodbye' was never the intended song for QOS. It was composed after the film was completed using thematic material from the film for Shirley Bassey to perform on her, David Arnold produced album, 'The Performance'
Those files are just sitting there.<br><br>Undownloadable.<br><br>Taunting me.@Ds<br>Siding with the guy that lied through his teeth to feign objectivity seems like a bad call.<br><br>In any case, modern Bay and Snyder don't deserve to be mentioned in the same breath as Fury Road.<br><br>I already discussed 300 and Pacific Rim.  Clearly deep scripts aren't what I'm aiming for here when I talk about good blockbusters.<br><br>What DOES matter is scripts with razor focus, sharp pacing, witty and/or charming humor (if it wants humor, that is), and characters likable enough to carry us through the narrative.<br><br>300's a great example of this, though unfortunately a lot of Snyder's other work isn't, and Bay is close behind.  Their films get bogged with way too much obnoxious bullshit to make the odd sequence worth it.<br><br>The Scorponok sequence from TF1, the warehouse fight from BvS, that's real standout stuff.  Stuff that loses a lot of its luster when surrounded by two-and-a-half, or god forbid THREE, hours of self-serious pretense, lazy humor, and/or annoying characters.<br><br>And again, the likes of Pacific Rim, or 300, or the first Pirates of the Caribbean, or the first Kingsmen, or John Wick, or most Guy Ritchie films, or the better fourth of superhero films, illustrate that Bay and Snyder have no excuse.<br><br>They just aren't very good filmmakers on the whole, and need to learn to consolidate their efforts into something that brings out their best and subdues their worst.  Snyder in particular has SERIOUSLY misjudged where his talent is lately.Well, Steve, about the score, says he still working on it.<br><br>I can't wait.A snippet of the verse (at 0:49) also shows up occasionally in the score, in Somebody Wants to Kill You, the end of Greene and Camille, and Field Trip.Ist there any chance for concert in Poland during this tour?
How do I listen to this ?Hybrid, what about any credits for this score?Looking to travel to Berlin for the kickoff. Reckon the concert is in german instead in english?100% agree.<br><br>“You Know My Name”, “Skyfall”, “Goldfinger”, etc. all stand out because they embrace the grander aspects of 007. Having a calm and reflective Bond song can be just as effective though. I feel like “No Time to Die” is basically trying to do what “Writing on the Wall” tried but succeeding much better.I really like the song. It has, I think, a Bangkok Dangerous vibe at first, before the first lyrics. <br>I read some comments on youtube stating its a bad Bond song because its too calm. I disagree. Sure, its less punchy than You Know My Name, but some previous Bond songs, like Tomorrow Never Dies, had the same "mood". <br>This song, No Time to Die, would also have been a prefect choice for the movie Quantum of Solace, which had this melancholic tone. i espacially picture this music during the train bar scene in Quantum of solace, when Bond is drinking thinking about Vesper and the past.
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





 .
Comments (1)   
See More...  
 LATEST RELEASES
 NEWS
  2003, August 30


At last‚ the forum has its own area for English speakers.
Come and share your passion for film music‚ internationally.
You must disable the automatic translator in order to be logged in and have access directly to the English section of the forum.

Thanks to HZF for translating.

www.hzforum.com


  2003, August 28
A Surveiller
 
D'après le site About.com‚ Ridley SCOTT pourrait commencer le tournage de GLADIATOR 2 à partir de 2005.
 
UIP annonce que SHREK 3 devrait voir le jour si le succés du 2ème opus se confirme. Un épisode qui devrait s'articuler autour de la légende du Roi Arthur...


  2003, August 26
Ajout de la discographie de Trevor Rabin

The Matchstick Men (Hans Zimmer) et The Rundown (Harry Gregson-Williams) : Sortie prévue le 30 Septembre 2003
Plus d'informations sur le site : Varese Sarabande


  2003, August 24
Harry Gregson-Williams



Passionada
John Powell



Gigli


  2003, August 15
Nouvelle Critique : Pirates Of The Caribbean

  2003, August 12
Les Films D'animation Dreamworks en prévision
 

 
Si nous connaissons déjà le compositeur de Shrek 2 (Harry GREGSON-WIILIAMS) et de Sharkslayer (Hans ZIMMER)‚ il faut désormais surveiller qui aura la charge de Over The Hedge ainsi que de Madagascar. La collaboration Dreamworks/Mediavantures s'avérant fructueuse jusqu'à présent dans le secteur de l'animation‚ tout porte à croire que nous pouvons attendre du Made In MV pour l'année 2005.
 


A Surveiller
 
M:I-3
Le tournage vient tout juste de débuter pour ce nouvel opus qui devrait voir le jour en 2004. Soulignons l'intérêt de surveiller qui aura la charge de la musique‚ Tom Cruise étant à nouveau acteur/producteur(Dir:Joe Carnahan) et ayant apprécié le travail de Zimmer sur M:I-2. To be continued...
 
THE RING 2
Une Date de sortie a donc été fixée au 10 Novembre 2004 pour ce film qui devrait être à nouveau réalisé par Gore Verbinski. Aucune autre information concernant la musique...
 
THE BOURNE SUPREMACY
Prévu pour 2005‚ cette suite de THE BOURNE IDENTITY sera réalisée cette fois-ci par Paul Greegrass mais Matt DAMON devrait reprendre le rôle. Qu'en sera-t-il pour John POWELL à la musique ???
 
EMMA'S WAR
Depuis 1990‚ à l'exception d'un film en 1991 (The Last Boy Scout)Tony SCOTT a toujours fait appel aux membres de Mediaventures pour la musique de ses films. Nous attendons impatiemment la musique de Man On Fire(2004) de Harry GREGSON-WILLIAMS‚ et en 2005‚ Scott prépare un film avec Nicole KIDMAN‚ l'histoire d'une anglaise qui part au Soudan en pleine guerre civile en mission humanitaire et qui tombe amoureuse d'un chef de clan. Alors‚ nouveau retour sur le continent Africain pour l'équipe MV ???
 


Nouvelle Critique : Tears Of The Sun



 HANS-ZIMMER.com© 2001-2018 OST 
Stephane Vidali / Antas - Nicolas Cabarrou