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Right. Hopefully the other missing stuff gets released on the 2nd CD though.why does Amity say (traditional)?Just rip it off the DVD....no biggieAll credits added for the OST, even though since it's long montages from lots of cues, it doesn't make THAT much sense... :)Which cues were written by Steve Jablonsky?
me too!No piano. I believe it was mostly strings and had a small bit of the choir.Which instruments were used to play the love theme? Piano?<br>There was also a Jean/Scott love theme that was briefly used in the bedroom scene after they return from space. It was included in the end credits suite as well.CD RELEASE?
Yes! That piano part is amazing! <br>„when charles and jean stand in front of the school“Saw the movie. Great score and it really fits the movie.<br><br>Missing stuff:<br>- 25 seconds of a piano version of Gap without the brass and bells<br>- a 30 second badass version of the main theme during the mageneto/jean helicopter stand off<br>- 1.5 minute end credits suite. Typical Zimmer to leave the best and most epic track and best main theme version off the album. I hope it will be on CD2, but knowing Zimmer the best tracks always remain unreleased. This is another escape from ship...after listening and listening...this score is truly amazing! i love it so much! i want the suites and ideas NOW! :DWhere can I find this?been listening to this score for a week now and i am going to wait a little more before putting a comment on it here... but there's something else i have been saying for a while now. let's stop associating scores with movies and start seeing them as a work of art in their own rights. (albeit inspired by movies)<br><br>people are here complaining about the movie that it didn't speak to them. and then i have the feeling that they project their disappointment on the soundtrack. but both pieces of art co-exist and not depend on each other. i, for example, seldom watch any of these movies. but i have listened to their soundtracks and love them.<br><br>also i never asked for an extended CD before... but we need one for this one. it's very clear that tracks like gap and coda were definitely shortened.<br><br>also i never asked for an extended CD before but we need one for DP. it's clear that tracks like gap and coda were definitely shortened.
There's nothing unique about those choirs, standard East European chorus stuff mixed with Johansson. Check out Debbie Wiseman's Warriors from 2000 and you'll get a much more elaborate version of this music.I cant say that this chorus reminds me of anything I have heard Zimmer done before. And I have played all his scores to death.I agree that Gap is the best track. My main complain with this score is that it feels that Zimmer composed it on autopilot. For me those choirs sounded too much to Electro's Theme in TASM. Is too standard and has very few remarkable moments. The movie itself lacks of personality and the score is part of that problem. I think they just wanted "dark" and hired Zimmer for making his dark ostitatos.I thought I read somewhere Armageddon was the last bay film that hgw was a part of<br>===============================<br><br><br>Well, Bay and HGW were not exactly best friends during Armageddon. Bay is very demanding and tough. HGW is also not a shy dude. He is an opinionated guy who stands his ground, as you can tell by his interviews. He reminds me of Mancina…..He's not afraid to speak up and have his opinion heard. And just like Mancina, his relationship with the Bay/Bruckheimer family seemed to be...….a bit complicated. Yet, he worked on Bad Boys 2 and Deja Vu. Now, it is possible - tho not likely - that Bay didn't even know that HGW did some work on BB2. Maybe it was just a favor for Steve and Trevor. Under the table, so to speak..... Personally, I don't believe that's the case. Whatever the truth, this is a great example of how different those composers are. Trevor and Steve work great with Bay/Bruckheimer and they always deliver great results. While composers like HGW and Mancina have problems with more demanding filmmakers. And apparently they don't even like action cinema. I don't necessary blame them, even though Mancina certainly didn't do himself any favors by trashing the genre and the people who back in the 90's gave him a shot to prove himself as a composer.Love John Powell. But he is not even close to Williams. Williams made his mark on every genre of film scoring. He freaking turn a holocaust movie score into a masterpiece for the ages.<br><br>Today, that score would have been some generic sound design.<br><br>Powell is an incredibly gifted orchestral composer. But he doesn't have the dimensions of someone like Williams. <br><br>
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  2003, August 30


At last‚ the forum has its own area for English speakers.
Come and share your passion for film music‚ internationally.
You must disable the automatic translator in order to be logged in and have access directly to the English section of the forum.

Thanks to HZF for translating.

www.hzforum.com


  2003, August 28
A Surveiller
 
D'après le site About.com‚ Ridley SCOTT pourrait commencer le tournage de GLADIATOR 2 à partir de 2005.
 
UIP annonce que SHREK 3 devrait voir le jour si le succés du 2ème opus se confirme. Un épisode qui devrait s'articuler autour de la légende du Roi Arthur...


  2003, August 26
Ajout de la discographie de Trevor Rabin

The Matchstick Men (Hans Zimmer) et The Rundown (Harry Gregson-Williams) : Sortie prévue le 30 Septembre 2003
Plus d'informations sur le site : Varese Sarabande


  2003, August 24
Harry Gregson-Williams



Passionada
John Powell



Gigli


  2003, August 15
Nouvelle Critique : Pirates Of The Caribbean

  2003, August 12
Les Films D'animation Dreamworks en prévision
 

 
Si nous connaissons déjà le compositeur de Shrek 2 (Harry GREGSON-WIILIAMS) et de Sharkslayer (Hans ZIMMER)‚ il faut désormais surveiller qui aura la charge de Over The Hedge ainsi que de Madagascar. La collaboration Dreamworks/Mediavantures s'avérant fructueuse jusqu'à présent dans le secteur de l'animation‚ tout porte à croire que nous pouvons attendre du Made In MV pour l'année 2005.
 


A Surveiller
 
M:I-3
Le tournage vient tout juste de débuter pour ce nouvel opus qui devrait voir le jour en 2004. Soulignons l'intérêt de surveiller qui aura la charge de la musique‚ Tom Cruise étant à nouveau acteur/producteur(Dir:Joe Carnahan) et ayant apprécié le travail de Zimmer sur M:I-2. To be continued...
 
THE RING 2
Une Date de sortie a donc été fixée au 10 Novembre 2004 pour ce film qui devrait être à nouveau réalisé par Gore Verbinski. Aucune autre information concernant la musique...
 
THE BOURNE SUPREMACY
Prévu pour 2005‚ cette suite de THE BOURNE IDENTITY sera réalisée cette fois-ci par Paul Greegrass mais Matt DAMON devrait reprendre le rôle. Qu'en sera-t-il pour John POWELL à la musique ???
 
EMMA'S WAR
Depuis 1990‚ à l'exception d'un film en 1991 (The Last Boy Scout)Tony SCOTT a toujours fait appel aux membres de Mediaventures pour la musique de ses films. Nous attendons impatiemment la musique de Man On Fire(2004) de Harry GREGSON-WILLIAMS‚ et en 2005‚ Scott prépare un film avec Nicole KIDMAN‚ l'histoire d'une anglaise qui part au Soudan en pleine guerre civile en mission humanitaire et qui tombe amoureuse d'un chef de clan. Alors‚ nouveau retour sur le continent Africain pour l'équipe MV ???
 


Nouvelle Critique : Tears Of The Sun



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