NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
Its Imagine the Fire insertThe Japanese version can be ordered here: http: //www.cdjapan.co.jp/ product/WPCR-18185<br><br>The "Swan Song" is also included on the CD. So it has 3 additional tracks.Theres quite a bit of good unreleased stuff from this score. Stuff like the cue that plays during Alita's first game of motorball with the other kids, the bar fight music, the unused string rendition of Alita's theme and the end titles arrangement of Motorball/Swan Song.Does anyone have the "Motorball" cue from end credits? It sounds like the beginning of the "Motorball" track but it's different than on the OST. It plays directly after the Swan Song track...<br><br>Why is it left off the CD?Huh... Do people at RCP ask H-Z.com to use the official, less accurate credits in some cases? I seem to recall some credit fiasco on POTC4.
So what happened to the credits here? It used to be a mixture of solo Atli cues with Atli/Dave Fleming, and now all three guys are credited for every track even though Tillman is only listed as a musician? Is this like with Armageddon, where the "official" credits aren't as accurate as the older ones were? :pMost of the album is comprised of suites, with one consistent tempo per track. <br><br>The material that was scored to picture was scored using the risset rhythm technique, which gave a lot of those tracks their "infinitely getting faster" feeling in the film, so the tempo is always climbing in the film versions. The suites have a stable tempo (except for a couple normal tempo changes, which are different)Not really any... "Nothing Out There" contains the sad piano theme from Begins and Dark Knight, but otherwise the themes that get reprised are pretty much Hans stuff. <br><br>Speaking of credits, any chance the complete score page could be updated with what's out there and official?Could somebody tell me in what cues JNH's themes appear on album?Yeah, that cue was either a last minute rewrite or one of the music editors did it.... As for where you can find it...Google is your friend. But it's not going to be available anywhere officially.
I think it will be in between NOT ORDINARY CITIZEN / THE SLOW KNIFE and IMAGINE THE FIRE, Does anybody know where can I find it?<br>I noticed that this score doesn't has the soundtrack of the part where Blake is taking the people to the bridge and he is discusing with the other police officer before he blows the bridgeThat's right, I forgot about that... And I totally agree about the score vs. the album. I had no use for this score on album at first, but now that I've watched the movie a few times, I can really hear the logic behind the score and I "get it." <br><br>I still don't get the music as heard on album, though. Are the longer pieces some early suites Hans wrote? Or did he specifically make these arrangements for the album? Do you know the answer to that one, Hybrid?I wanna say I heard the full Cat Suite somewhere... I can't remember if it was legit, but it was 15:39 and it was indeed quite repetitive. It was basically the Selina Kyle Suite from the Z+ app, along with demos of several of the Catwoman-related cues in the final score. If you've listened through the score, you've basically heard the unreleased stuff.@Mike<br>Zimmer has said in interviews that he “mapped out” the film with one long piece of music to establish the changing tempo of the story, and apparently the script was written to capture the rhythmic feel of the film. So from the very beginning the story was always split up between the three.<br><br>I think a big part of the initial disappointment with the score was the album presentation, which gives off the impression that the music is just some sound design that Zimmer threw together (this is how I personally felt when I first gave it a listen). In actuality it’s a technically impressive score, I really can’t think of any other film score that is so synchronized with a film’s tempo and flows as one long piece of music. Apparently it was a nightmare for Hans, especially when the smallest edits to the film would ruin the flow.<br><br>Doing the 59-minute album was a pretty big disservice to the whole purpose of the music. If you remove one piece the whole thing falls apart, which is part of the reason the album feels so disjointed.
Anyone here listened "The Predator" FYC score? <br>Any chance to compare tracklist and running time with official release?These versions suites haven't been officially released, but maybe you can find them somewhere around the Internet unofficially.<br><br>As for the Cat Suite, the most important parts of it can be found in "Selina Kyle" (it's a shortened version of it actually) and "Mind if I cut in?" from the OST. I remember that Hybrid once said that the 15mins Cat Suite was too repetitive, that's why a 5min only version was released, so maybe you are just fine with those two.<br>Where can I listen to the Cat Suite? Or is it literally: Selina Kyle Theme? <br>The Mole P1 (0-1:57)<br>Regimental Brothers P1 (0-1:19)<br>The Mole P2 (1:57-3:44)<br>Regimental Brothers P3 (2:44 onward)<br>We Need Our Army Back<br>Shivering Soldier<br>Supermarine P1 (0-2:47)<br>The Mole P3 (3:45 onward)<br>We Need Our Army Back (again) <br>Supermarine P2 (*5:33)<br>Impulse<br>The Tide<br>Home <br>The Oil <br>Variation 15<br>End Credits <br><br>As everyone said already, the album is made up of suites that combine several cues and several "sounds" used in various places. For example, the is a sound in The Mole (At 2:05) that sounds like a fuse being ignited. This sound is actually right after The Tide in the film.<br>The only tracks that are almost identical to the film are: The Tide, Variation 15 and End Credits, the rest is different. <br><br>So if you were to order the tracks as first heard in the film it would be: <br>The Mole <br>Regimental Brothers <br>We Need Our Army Back<br>Shivering Soldier <br>Supermarine <br>Impluse <br>The Tide <br>Home <br>The Oil<br>Variation 15<br>End credits<br><br>As much as I enjoyed listening to this release, I wish they didn't butcher the score the way they did. I like the suites but there are so many great cues in this film that weren't released. If only they released an isolated score track on Blu-ray. Listening to film extracts is just not enough.I noticed that as well — the ticking goes all through the movie, except for the boat scenes, and only stops when they get on the train. <br><br>I wonder...could the film have originally been shot so that the beach, sea, and air sequences were there own arcs, and the longer album tracks were written for that? And then Nolan went in and turned the movie into the frenetic, constantly cutting-back-and-forth final product? <br><br>While the album is fine, I personally don't understand why we couldn't have just gotten the film cues. They might have had to stitch several together for each track, but it could have worked.
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





 .
Comments (2)   
See More...  
 LATEST RELEASES
 NEWS
  2003, September 30

 


Les nouveaux projets de John POWELL

 
ROBOTS (Film d'animation)
Dirigé par Chris Wedge et Carlos Saldanha (Ice Edge)‚ avec les voix d'Ewan Mc Gregor‚ Halle Berry‚ Mel Brooks‚ Stanley Tucci‚ Diane Wiest... Sortie prévue en 2005.
 
HAPPY FEET (Film d'animation)
Comédie musicale dirigée par George Miller (Mad Max‚ Les Sorcières d'Eastwick) située au coeur d'une communauté de pinguins avec les voix de Brittany Murphy‚ Robin Williams et Elijah Wood. Sortie prévue en 2006.


  2003, September 29
Prochainement‚ le nouveau score de
Mark Mancina & Phil Collins


Plus d'informations bientôt sur le site


  2003, September 28
The Texas Chainsaw Massacre
Composed by Steve Jablonski

 

 
Extraits Audios


  2003, September 26
Tha Matchstick Men
2 Nouveaux extraits
 
Remerciements à Fakry :-)


  2003, September 23
Collateral
 
Le tournage du nouveau film de Michael MANN‚ prévu initialement pour octobre a été repoussé à janvier 2004.
L'histoire pour l'instant succinte‚ devrait s'articuler autour d'un taxi driver aux prises malgré lui avec un tueur à gage.
Le casting annonce pour le moment Tom Cruise‚ Val Kilmer et Jamie Foxx pour les rôles titres.
Quant à la musique‚ c'est Hans ZIMMER qui est chargé de la composition originale.
Info : IMDB


  2003, September 18
Le Flanders film festival édite un livre ("Moving Music Beroemde filmcomponisten aan het woord") regroupant différentes interviews de compositeurs de musiques de film dont Elmer Bernstein‚ Ennio Morricone‚ Hans Zimmer‚ Howard Shore‚ Georges Delerue‚ Patrick Doyle?

Un CD sera également offert avec le livre contenant l'intégralité du concert ayant eu lieu à Gent l'année dernière (musiques de Georges Delerue et George Fenton).

Plus d'informations ici : www.filmmuziek.be
ps: Ce livre est uniquement en flamand

Merci à Dennis ;-)


  2003, September 16
Hans Zimmer



The Matchstick Men
Harry Gregson-Williams



The Rundown


  2003, September 12
Toute l'équipe de Hans-ZIMMER.com souhaite un

Bon Anniversaire à
Hans ZIMMER

qui fête aujourd'hui ses 46 ans.
 


Pirates Of The Caribbean 2
 
Le site Latino Review nous offre une interview de Jerry BRUKHEIMER où celui-ci revient sur Veronice GUERIN‚ annonce la mise en chantier de Pirates Of The Caribbean 2 dont l'écriture sera faite pas le scénariste du premier volet et dont Johnny DEPP devrait à nouveau tenir le rôle principal‚ et enfin‚ donne quelques précisions sur le tournage du prochain film de Antoine FUQUAKing Arthur qui nous intéresse personnellement puisque Hans ZIMMER en assurera la composition originale.

  2003, September 05
Ridley SCOTT part en Croisade
 
Le site IGN Filmforce annonce que Ridley Scott se lance dans la préparation de son prochain film‚ Kingdom Of Heaven.
L'action se déroule au 11ème siècle alors que l'église organise des croisades afin de sauver le tombeau du Christ se trouvant à Jérusalem. Un projet d'une très grande envergure‚ sur lequel Scott travaille depuis 19 mois.
 
Il réside cependant une incertitude quant au choix du compositeur. Si Zimmer est dorénavant le compositeur attitré du réalisateur‚ Vangelis qui n'en est pas à sa première collaboration avec ce dernier‚ s'est montré lui aussi intéressé.
 
La finalisation de "Tripoli" ayant du mal à se faire en raison des récents évènements qui secouent le Moyen-Orient et qui ont obligé à reporter le tournage‚ Ridley Scott débutera les premières prises de vue en janvier 2004 au Maroc.

 




  2003, September 04
World Soundtrack Awards ceremony & concert
12 Octobre 19:30
Gand


Les artistes présents au concert seront : Klaus Badelt‚ Maurice Jarre‚ Hooverphonic et Patrick Doyle.

Le programme n'est pas encore officiel mais il semble que Patrick Doyle interprétera : Gosford Park et Sense & Sensibility et Klaus Badelt : Time Machine et The Recruit.
Dirk Brossé conduira l'orchestre

Merci à Dennis Lodewijks ;)


  2003, September 01
Nouveaux Trailer de The Last Samouraï
Cliquez ici
 


Heitor PEREIRA‚ Life in the streets
Heitor Pereira travaille actuellement sur un téléfilm intitulé Lifetime qui décrira le quotidien d'une équipe du FBI‚ un projet mené seul en parallèle de ses différentes collaborations.
La composition musicale devrait privilégier basse‚ clarinette‚ flûte‚ piano et petit orchestre. A suivre donc...
 


L'écart et la Pointe
News From "The Last Samouraï" & "The Matchstick men"

 
Lors d?une récente interview parue sur Midiman.net‚ site dédié à l?utilisation dans le monde musical de synthétiseurs et autre nouveautés technologiques‚ Hans Zimmer livre quelques informations sur ses derniers mois de travail.
 
A maintenant quatre mois de la sortie officielle de The Last Samourai‚ Hans précise qu?il vient de commencer à travailler sur le film d?Edward Zwick. Rien dans sa tête ne semble encore établie mais comme il le précise en riant... En savoir plus...



 HANS-ZIMMER.com© 2001-2018 OST 
Stephane Vidali / Antas - Nicolas Cabarrou