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You realize there is a very easy and free method to get the music from that site, dont you?Random thought but this got me thinking about Zanelli's history with fantasy.<br><br>Whatever happened to his score for Delgo?  I know it's been accused of being super derivative of his other works anyways but still, it's weird to see a RCP score just drop off the face of the Earth like that.There's just something really charming about seeing a prototype for a famous future theme showing up in an old score.<br><br>Or in PotC's case, SCORES.The only ones I've seen properly confirmed are the cues Badelt had listed on his website. The issue with everything else is that there's certain themes that's been associated with certain people, but aren't credited for every appearance. Not to mention that I've never really seen much official credits elsewhere, so I take any that I've seen with a grain of salt.This comment was made before that was properly confirmed, so he was likely going to do it solo at the time.
I thought Hans was collaborating with Faltermayer For Top Gun 2From both ASCAP and GEMACan these be accessed anywhere?The dream is collapsing... :oHoly f*ck, just listened to "Too Many Notes..." and its containing pirates theme itself from Pirates of the caribbean
'No Good About Goodbye' was never the intended song for QOS. It was composed after the film was completed using thematic material from the film for Shirley Bassey to perform on her, David Arnold produced album, 'The Performance'Those files are just sitting there.<br><br>Undownloadable.<br><br>Taunting me.@Ds<br>Siding with the guy that lied through his teeth to feign objectivity seems like a bad call.<br><br>In any case, modern Bay and Snyder don't deserve to be mentioned in the same breath as Fury Road.<br><br>I already discussed 300 and Pacific Rim.  Clearly deep scripts aren't what I'm aiming for here when I talk about good blockbusters.<br><br>What DOES matter is scripts with razor focus, sharp pacing, witty and/or charming humor (if it wants humor, that is), and characters likable enough to carry us through the narrative.<br><br>300's a great example of this, though unfortunately a lot of Snyder's other work isn't, and Bay is close behind.  Their films get bogged with way too much obnoxious bullshit to make the odd sequence worth it.<br><br>The Scorponok sequence from TF1, the warehouse fight from BvS, that's real standout stuff.  Stuff that loses a lot of its luster when surrounded by two-and-a-half, or god forbid THREE, hours of self-serious pretense, lazy humor, and/or annoying characters.<br><br>And again, the likes of Pacific Rim, or 300, or the first Pirates of the Caribbean, or the first Kingsmen, or John Wick, or most Guy Ritchie films, or the better fourth of superhero films, illustrate that Bay and Snyder have no excuse.<br><br>They just aren't very good filmmakers on the whole, and need to learn to consolidate their efforts into something that brings out their best and subdues their worst.  Snyder in particular has SERIOUSLY misjudged where his talent is lately.Well, Steve, about the score, says he still working on it.<br><br>I can't wait.A snippet of the verse (at 0:49) also shows up occasionally in the score, in Somebody Wants to Kill You, the end of Greene and Camille, and Field Trip.
Ist there any chance for concert in Poland during this tour?How do I listen to this ?Hybrid, what about any credits for this score?Looking to travel to Berlin for the kickoff. Reckon the concert is in german instead in english?100% agree.<br><br>“You Know My Name”, “Skyfall”, “Goldfinger”, etc. all stand out because they embrace the grander aspects of 007. Having a calm and reflective Bond song can be just as effective though. I feel like “No Time to Die” is basically trying to do what “Writing on the Wall” tried but succeeding much better.
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 LATEST RELEASES
 NEWS
  2003, November 30
James Newton Howard
& Hans Zimmer work together !

Upcoming movie Secret Window from director David Koepp‚ with Johnny Depp‚ John Turturro & Ving Rhames‚ will see his partition composed by two big names of film music‚ James Newton Howard & Hans Zimmer. The two are very good friends‚ we all knew that‚ but a collaboration among them would be an exciting exercise‚ for this new movie adaptation from a Stephen King's book Two past Midnight : Secret Window‚ Secret Garden.
Verdict on April‚ the 23th. 2004 (USA film release date).
 
Info Billboard related by Musicfromthemovie.com



  2003, November 29
Alan Silvestri once again ousted benefited Hans Zimmer
 
Starring Jack Nicholson‚ Diane Keaton‚ Keanu Reeves‚ Frances McDormand and Paul Michael Glaser‚ directed by Nancy Meyers(What Women Want)‚ Something's Gotta Give is finally composed by Hans Zimmer‚ who stand in for Alan Silvestri‚ once again‚ after Pirates Of The Caribbean. The film will be released in USA on December‚ the 12th. To be continued...


  2003, November 23
Interview with Jim Dooley
 
The composer answers our web-interview carried out last summer.
 


November‚ 18th. 2003



The Last Samurai Tracklist and CD infos


>> Mp3 extracts added <<


  2003, November 08
NEW !!!
click on the Interview Link to read the Klaus Badelt Interview
by Peter Simons
 
Thanks to Ludovic Serou


  2003, November 07
Harry Gregson-Williams in Madagascar

Musicfromthemovie.com announces that Harry Gregson-Williams has been hired to score Dreamworks's Madagascar(2005)‚ an animated movie directed by Eric Darnell(Antz) & Conrad Vernon. (Voices from Ben Stiller‚ Chris Rock‚ David Schwimmer...)
In the meantime‚ Harry's next project is the sequel of Bridget Jones's Diary succeeding that way Patrick DOYLE‚ in Renée Zellweger's next movie‚ intitled Bridget Jones : The Edge Of Reason.
More Infos...

Thanks to Mikael :-)
 


Shrek 2 : Trailer

Watch the trailer for one Harry's next project more‚ by clicking the link further down this page.


  2003, November 03
THE LAST SAMURAI : Audio Extracts !!!
 
The official Website from Hans ZIMMER's next movie The Last Samurai‚ has just edited three extracts from the music. Enter the Flash Site‚ then go to the "Sound" Link.
 

The production notes regarding the score :
"Academy Award-winning composer Hans Zimmer weaves the distinctive sounds of traditional Japanese instruments into his powerful original score for The Last Samurai‚ which marks his 100th feature film collaboration. He adds a layer of cultural nuance to the action by incorporating elements of shakuhachi‚ (bamboo flutes)‚ koto (a 13-stringed instrument similar to a zither) and taiko‚ literally "fat drum‚" used in Japan in a variety of settings including courtly‚ religious‚ cultural and military. Taiko were employed on the battlefield since the 5th century to signal commands that could be heard across great distances."
(info : The Last Samurai official website)



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