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Tracklist<br><br>1. Hostage Part 1<br>  2. Will & Sarah<br>  3. Welcome To Heaven<br>  4. Botha<br>  5. The Crane<br>  6. Chopper Ambush<br>  7. Duct Tape<br>  8. Bridge Collapse<br>  9. Proper Motivation<br>  10. Out On A Ledge<br>  11. Georgia & Henry<br>  12. Reflections<br>  13. Hostage Part 2<br>  14. Reboot<br>  15. Lucky Man<br>  16. Skyscraper<br>  17. The Pearl<br>  18. WallsSorry about my ingnorance, but what means "Additional Music" (Batu Sener, Paul Mounsey, etc)?Conrad Pope orchestrated and conducted this in New Zealand so i hope this isnít Junkieís regular sound design, percussion and synth score.@Edmund Meinerts:<br><br>"Hope nobody is stupid enough to think Powell was to blame." This. Following that same logic, Disney should never have let Williams back after the prequel trilogy.Has anyone been able to source this amazing soundtrack on records? <br><br>Thanks,
He already did score a masterpiece in Mad Max Fury Road, although his music for that was no masterpiece. ;)Do you say "masterpiece" based on Peter Jackson's name, or based on the trailer? Because I'm really afraid for this movie, I love Jackson's films, but it just looks too dumb :-pBest chance Junkie XL will ever have to score a masterpiece. Hope he do one this right.According to Film Music Reporter Junkie will score Mortal Engines. <br><br>http: //filmmusicreporter.com/2018/06/18/junkie-xl-scoring-mortal- engines-movie-adaptation/There wasn't really any hype for the movie, it didn't seem like people were all that interested in a Han Solo origin story. Plus it's only been half a year since Last Jedi came out and broke the internet. Unlike Marvel, Star Wars doesn't seem immune to franchise fatigue.<br><br>A shame. Hope nobody is stupid enough to think Powell was to blame.
Hi guys. Dose anybody know why solo faild in box office ?Search for "filmtracks".Sorry, just found it.Tried that, couldn't find an author named Clemmensen who reviewed it. (I don't know where to look I haven't seen this guy's reviews before).Should be easy to find with google...
Seriously guys, what site is he on? I want to see this review, but I don't know where it is.I know woodwinds, with few exception, have been completely abandoned by RCP, but man would it be nice if Steve fit woodwinds into the small scale family scenes. He's great with them, but for whatever reason he doesn't seem to be able to use them unless it's an animation, The Sims or IDEA specifically, or fantasy (even then The Last Witch Hunter had no woodwinds). They add so much to the soundscape and make any score so much richer. <br><br>I'm listening to the Lord of the Rings Trilogy again currently, and god, they'd be nothing without all of those flutes and clarinets. Even when the main instrument is brass or string, the addition of woodwinds is so cleverly implemented by Shore, and they not only blend, but they actively enhance the sound. <br><br>Of course I'd also love Steve to continue using choir. He even seems to be getting better with it, with Transformers 5's use of it resembling the Halo franchise in a number of ways. It would be a wonderful surprise though if he went back to woodwinds eventually. I'm definitely not of the belief that they can't be used in a modern day setting either (Silence of the Lambs and the Spider-Man scores use them particularly well).Steve is a very accommodating composer. So it's really up to the director's vision. With Bay, you know you gonna hear some of the best stuff Steve has to offer and that's because they share the same "musical ear".<br><br>When he's scoring Peter Berg movies, Steve often relies on sound design and his scores for those movies are not really melodic. The few exceptions aside, Berg likes sound design scores. And he likes to experiment A LOT (example: the MRI machine sound that was incorporated in the Battleship score. Bold choice!).<br><br>Where does the director of Skyscraper stand in all of this?<br><br>Personally, I think this score will be "in the middle". Little sound design there, little melodic cue over here.... : ) I don't expect power anthems, simply because - as big as the movie is - it's not "Michael Bay big". I do hope for a little choir work though. Steve is great with choir.The Solo review does look quite good.<br><br>Clemmensen comes across pretty badly in many of his reviews. Even some of the positive ones. He has some very strong preconceptions about certain things that sometimes lead him to say some reasonably aggravating stuff.<br><br>Interestingly, he stays almost reasonable in his A World's End review. I wouldn't point to that one as his most typical negative review.Additional information<br>Posted date 2016<br><br>but, It was sold for two years.<br><br>
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 LATEST RELEASES
 NEWS
  2003, December 19
THE 2004 GOLDEN GLOBES NOMINATIONS
FOR ORIGINAL SCORE

 
Alexandre Desplat : "Girl with a Pearl Earring"
Danny Elfman : "Big Fish"
Howard Shore : "The Lord of the Rings: The Return of the King"
Gabriel Yared : "Cold Mountain"
Hans Zimmer : "The Last Samurai"
 
ORIGINAL SONG
 
"The Heart of Every Girl"‚ "Mona Lisa Smile"
Music by Elton John‚ Lyrics by Bernie Taupin
 
"Into the West"‚ "The Lord of the Rings: The Return of the King"
Music & Lyrics by Howard Shore‚ Fran Walsh‚ Annie Lennox
&‚bsp;
"Man of the Hour"‚ "Big Fish"
Music & Lyrics by Eddie Vedder
 
"Time Enough for Tears"‚ "In America"
Music & Lyrics by Bono‚ Gavin Friday and Maurice Seezer
 
"You Will Be My One True Love"‚ "Cold Mountain"
Music & Lyrics by Sting
 
The ceremony will take place the January‚ the 25th. 2004
more infos at : Thegoldenglobes.com
 


THE SATELLITE AWARDS NOMINATE HANS ZIMMER
 

The International Press Academy announced the nominees for its eighth Satellite Awards‚ which will be held on February‚ the 21th.
 
Original Score
Cold Mountain (Gabriel Yared)
Seabiscuit (Randy Newman)
Finding Nemo (Thomas Newman)
The Missing (James Horner)
The Lord Of The Rings : Return Of The King (Howard Shore)
The Last Samurai (Hans Zimmer)
Camp (Stephen Trask)
 


New Hans ZIMMER Interiew on soundtrack.net
 
Hans Zimmer audio Interview on the Last Samurai official website


  2003, December 17
Paycheck



John Powell
Release Date: 1/13/04


  2003, December 13
HZChat is Open !!!
 
New review from The Last Samourai by Fabrice


  2003, December 08
Zimmmer VS Rifkin : The End Of a Fate
 
Long-time partner of composer Hans Zimmer‚ Jay Rifkin asks for $10 million minimum and punitive damages for all the business that he has allegedly lost through Zimmer's "wrongful" conduct. Rifkin‚ represented in the suit by Henry Gradstein of Gradstein‚ Luskin & VanDalsen‚ alleged that his long management career well-know from others with the name of Mediaventures has been countered by Hans Zimmer‚ his childhood friend from brighton with whom he buildt the entire Studio two decades ago...
Read more...


  2003, December 02
Immortal Memory



The upcoming new release composed by Patrick Cassidy and Lisa Gerrard would be released in January 2004



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